Songs like Piano Trio in G Major, L. 3: I. Andantino con moto allegro by Claude Debussy
Based on a tempo of (+/- 10%) and a similar genre
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Sergei Rachmaninoff
Zdes' khorosho ('How Fair This Spot'), O...
87 bpm • A Maj • 01:59 • -29.09db
56% Popularity • 25% Danceability • 2% Energy • 4% Liveness
94% Instrumentalness • 6% Positiveness
56% Popularity • 25% Danceability • 2% Energy • 4% Liveness
94% Instrumentalness • 6% Positiveness
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Alexander Glazunov
The Seasons, Op. 67, Pt. 1 "L'hiver": No...
87 bpm • G# Maj • 01:17 • -29.98db
54% Popularity • 28% Danceability • 1% Energy • 9% Liveness
70% Instrumentalness • 11% Positiveness
54% Popularity • 28% Danceability • 1% Energy • 9% Liveness
70% Instrumentalness • 11% Positiveness
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Amy Beach
3 Compositions, Op. 40: No. 2, Berceuse
87 bpm • D Maj • 03:47 • -29db
41% Popularity • 13% Danceability • 2% Energy • 7% Liveness
4% Instrumentalness • 13% Positiveness
41% Popularity • 13% Danceability • 2% Energy • 7% Liveness
4% Instrumentalness • 13% Positiveness
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Ottorino Respighi
6 Pezzi, P. 44: No. 3. Notturno
87 bpm • F# Maj • 04:01 • -28.67db
44% Popularity • 24% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 10% Positiveness
44% Popularity • 24% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 10% Positiveness
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Pyotr Ilyich Tchaikovsky
Album for the Young, Op. 39: No. 3. Mamm...
87 bpm • G Maj • 01:33 • -37.26db
64% Popularity • 42% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 42% Positiveness
64% Popularity • 42% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 42% Positiveness
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Gustav Mahler
Symphony No. 5 In C Sharp Minor: IV. Ada...
87 bpm • F Maj • 10:59 • -33db
47% Popularity • 9% Danceability • 1% Energy • 12% Liveness
82% Instrumentalness • 3% Positiveness
47% Popularity • 9% Danceability • 1% Energy • 12% Liveness
82% Instrumentalness • 3% Positiveness
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Frank Bridge
4 Short Pieces for Violin & Piano, H. 10...
87 bpm • G Maj • 02:32 • -27db
41% Popularity • 15% Danceability • 2% Energy • 7% Liveness
84% Instrumentalness • 8% Positiveness
41% Popularity • 15% Danceability • 2% Energy • 7% Liveness
84% Instrumentalness • 8% Positiveness
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Francis Poulenc
Nocturnes n°7 en mi majeur
87 bpm • D# Maj • 01:52 • -26.04db
46% Popularity • 30% Danceability • 10% Energy • 13% Liveness
93% Instrumentalness • 11% Positiveness
46% Popularity • 30% Danceability • 10% Energy • 13% Liveness
93% Instrumentalness • 11% Positiveness
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Béla Bartók
Romanian Folk Dances, Sz 56: III. Pe-loc...
88 bpm • C Maj • 01:06 • -37.89db
55% Popularity • 56% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 6% Positiveness
55% Popularity • 56% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 6% Positiveness
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Gabriel Fauré
Elégie in C Minor, Op. 24 (Arr. Parkin ...
88 bpm • G# Maj • 07:35 • -24db
49% Popularity • 12% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
49% Popularity • 12% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
The Seasons, Op. 37b: VI. June, "Barcaro...
87 bpm • G min • 04:31 • -27.95db
46% Popularity • 31% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 18% Positiveness
46% Popularity • 31% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 18% Positiveness
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Ottorino Respighi
6 Pieces for Piano, P. 44: No. 3. Nottur...
88 bpm • F# Maj • 05:00 • -29.23db
44% Popularity • 15% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
44% Popularity • 15% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Florence Beatrice Price
Adoration (Arr. for Cello & Orchestra by...
86 bpm • G Maj • 03:19 • -20.23db
42% Popularity • 16% Danceability • 14% Energy • 13% Liveness
79% Instrumentalness • 4% Positiveness
42% Popularity • 16% Danceability • 14% Energy • 13% Liveness
79% Instrumentalness • 4% Positiveness
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Aram Khachaturian
Khachaturian: Spartacus (Highlights from...
88 bpm • G# Maj • 09:54 • -21.56db
38% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
38% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
Rhapsody on a Theme of Paganini, Op. 43:...
88 bpm • C# Maj • 02:54 • -23.84db
55% Popularity • 20% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
55% Popularity • 20% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
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Johann Sebastian Bach
Come, Sweet Death, BWV 478 (Arr. for 5 C...
86 bpm • C min • 03:17 • -20.73db
54% Popularity • 10% Danceability • 9% Energy • 15% Liveness
87% Instrumentalness • 4% Positiveness
54% Popularity • 10% Danceability • 9% Energy • 15% Liveness
87% Instrumentalness • 4% Positiveness
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Pablo Casals
El cant dels ocells (Song of the Birds) ...
89 bpm • A min • 03:49 • -33db
56% Popularity • 16% Danceability • 3% Energy • 11% Liveness
23% Instrumentalness • 3% Positiveness
56% Popularity • 16% Danceability • 3% Energy • 11% Liveness
23% Instrumentalness • 3% Positiveness
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Gustav Holst
The Planets, Op. 32: 2. Venus, the Bring...
85 bpm • F min • 08:37 • -32.92db
47% Popularity • 9% Danceability • 1% Energy • 11% Liveness
53% Instrumentalness • 3% Positiveness
47% Popularity • 9% Danceability • 1% Energy • 11% Liveness
53% Instrumentalness • 3% Positiveness
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Alexander Scriabin
24 Preludes, Op. 11: No. 14 in E-Flat Mi...
86 bpm • B Maj • 01:15 • -17db
53% Popularity • 26% Danceability • 44% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
53% Popularity • 26% Danceability • 44% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
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Léo Delibes
Coppelia: Act I - Valse
89 bpm • D# Maj • 02:21 • -26.69db
54% Popularity • 20% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 19% Positiveness
54% Popularity • 20% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 19% Positiveness
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Sergei Rachmaninoff
Morceaux de Fantaisie, Op. 3: 1. Elégie
89 bpm • D# min • 05:17 • -22db
34% Popularity • 20% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
34% Popularity • 20% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Variations on a Rococo Theme, Op. 33, TH...
89 bpm • D Maj • 02:36 • -31.18db
59% Popularity • 12% Danceability • 3% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
59% Popularity • 12% Danceability • 3% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Fantasia No. 3 in D Minor, K. 397
85 bpm • D Maj • 05:46 • -22.64db
23% Popularity • 32% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
23% Popularity • 32% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
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Ludwig van Beethoven
Piano Concerto No. 5 in E-Flat Major, Op...
85 bpm • B Maj • 08:18 • -29.76db
50% Popularity • 23% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
50% Popularity • 23% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Arash Safaian
Adagietto
89 bpm • G Maj • 02:22 • -33.27db
55% Popularity • 31% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 11% Positiveness
55% Popularity • 31% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 11% Positiveness
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Camille Saint-Saëns
Saint-Saëns / Transcr. Vidal: Le carnav...
85 bpm • G Maj • 03:28 • -28.23db
55% Popularity • 21% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
55% Popularity • 21% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
12 Romances, Op. 21: No. 7, How Fair Thi...
89 bpm • A Maj • 01:49 • -24.42db
43% Popularity • 16% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
43% Popularity • 16% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Serenade in C Major, Op. 48: III. Elegie
89 bpm • D Maj • 09:05 • -21.19db
40% Popularity • 11% Danceability • 7% Energy • 22% Liveness
53% Instrumentalness • 4% Positiveness
40% Popularity • 11% Danceability • 7% Energy • 22% Liveness
53% Instrumentalness • 4% Positiveness
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Jules Massenet
Méditation from Thaïs
89 bpm • E min • 05:31 • -23.42db
55% Popularity • 11% Danceability • 7% Energy • 9% Liveness
43% Instrumentalness • 4% Positiveness
55% Popularity • 11% Danceability • 7% Energy • 9% Liveness
43% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Suite for Viola & Small Orchestra: II. C...
85 bpm • C min • 03:01 • -33db
37% Popularity • 17% Danceability • 2% Energy • 14% Liveness
89% Instrumentalness • 7% Positiveness
37% Popularity • 17% Danceability • 2% Energy • 14% Liveness
89% Instrumentalness • 7% Positiveness
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Franz Schubert
Die Nacht (Arr. for Cello and Guitar by ...
85 bpm • G Maj • 02:23 • -27.02db
55% Popularity • 16% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
55% Popularity • 16% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
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Frédéric Chopin
Cello Sonata in G Minor, Op. 65: III. La...
84 bpm • A# Maj • 03:24 • -32db
58% Popularity • 12% Danceability • 1% Energy • 10% Liveness
85% Instrumentalness • 8% Positiveness
58% Popularity • 12% Danceability • 1% Energy • 10% Liveness
85% Instrumentalness • 8% Positiveness
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Aram Khachaturian
Khachaturian: Children's Album, Book I, ...
90 bpm • G# Maj • 01:27 • -30.39db
45% Popularity • 37% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 28% Positiveness
45% Popularity • 37% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 28% Positiveness
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Claude Debussy
Suite Bergamasque, L. 75: Passepied
90 bpm • F# min • 03:42 • -32.74db
41% Popularity • 34% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
41% Popularity • 34% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
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Alexander Glazunov
Mélodie, Op. 20, No. 1
84 bpm • D Maj • 06:39 • -23db
43% Popularity • 9% Danceability • 10% Energy • 19% Liveness
90% Instrumentalness • 8% Positiveness
43% Popularity • 9% Danceability • 10% Energy • 19% Liveness
90% Instrumentalness • 8% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: XIII. L...
84 bpm • G Maj • 02:33 • -35.36db
42% Popularity • 18% Danceability • 1% Energy • 10% Liveness
39% Instrumentalness • 5% Positiveness
42% Popularity • 18% Danceability • 1% Energy • 10% Liveness
39% Instrumentalness • 5% Positiveness
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Jean Sibelius
6 Impromptus, Op. 5: Impromptu No. 5 in ...
84 bpm • B min • 03:07 • -28db
39% Popularity • 18% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
39% Popularity • 18% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Berceuse, Op. 16
90 bpm • F Maj • 03:57 • -26.99db
46% Popularity • 17% Danceability • 2% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
46% Popularity • 17% Danceability • 2% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
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Aram Khachaturian
Children's Album No. 1 "Pictures of Chil...
84 bpm • G# Maj • 01:36 • -33db
55% Popularity • 42% Danceability • 1% Energy • 9% Liveness
89% Instrumentalness • 13% Positiveness
55% Popularity • 42% Danceability • 1% Energy • 9% Liveness
89% Instrumentalness • 13% Positiveness
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Frederick Delius
3 Small Tone Poems: No. 1. Summer Evenin...
90 bpm • D Maj • 06:17 • -24db
33% Popularity • 10% Danceability • 4% Energy • 6% Liveness
77% Instrumentalness • 3% Positiveness
33% Popularity • 10% Danceability • 4% Energy • 6% Liveness
77% Instrumentalness • 3% Positiveness
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Domenico Scarlatti
Sonata in E Major, K. 380
84 bpm • B Maj • 02:52 • -31.38db
41% Popularity • 45% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 17% Positiveness
41% Popularity • 45% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 17% Positiveness
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Claude Debussy
Debussy: Piano Trio in G Major, CD 5, L....
84 bpm • C Maj • 03:47 • -21.94db
41% Popularity • 12% Danceability • 10% Energy • 17% Liveness
67% Instrumentalness • 13% Positiveness
41% Popularity • 12% Danceability • 10% Energy • 17% Liveness
67% Instrumentalness • 13% Positiveness
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Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
90 bpm • D# Maj • 01:23 • -29db
51% Popularity • 35% Danceability • 2% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
51% Popularity • 35% Danceability • 2% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36,...
91 bpm • G min • 01:25 • -35db
41% Popularity • 14% Danceability • 1% Energy • 11% Liveness
62% Instrumentalness • 4% Positiveness
41% Popularity • 14% Danceability • 1% Energy • 11% Liveness
62% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Le carnaval des animaux, R...
91 bpm • G Maj • 03:25 • -28db
43% Popularity • 10% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
43% Popularity • 10% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Jules Massenet
Thaïs: Méditation
84 bpm • D Maj • 05:28 • -27db
44% Popularity • 17% Danceability • 4% Energy • 21% Liveness
15% Instrumentalness • 4% Positiveness
44% Popularity • 17% Danceability • 4% Energy • 21% Liveness
15% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Violin Concerto No. 1 in A minor, BWV 10...
91 bpm • A min • 03:55 • -11.51db
56% Popularity • 50% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
56% Popularity • 50% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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César Franck
リート FWV 83
83 bpm • G Maj • 01:38 • -29.74db
41% Popularity • 15% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
41% Popularity • 15% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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Johannes Brahms
6 Piano Pieces, Op. 118: No. 2, Intermez...
83 bpm • F# min • 05:55 • -31db
32% Popularity • 37% Danceability • 1% Energy • 6% Liveness
90% Instrumentalness • 8% Positiveness
32% Popularity • 37% Danceability • 1% Energy • 6% Liveness
90% Instrumentalness • 8% Positiveness
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Cyril Scott
Lullaby, Op. 57 No. 2 (Arr. for Cello & ...
91 bpm • D Maj • 02:19 • -27db
31% Popularity • 13% Danceability • 2% Energy • 7% Liveness
84% Instrumentalness • 3% Positiveness
31% Popularity • 13% Danceability • 2% Energy • 7% Liveness
84% Instrumentalness • 3% Positiveness
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Alexander Borodin
Polovetsian Dances from Prince Igor: Int...
83 bpm • A Maj • 02:16 • -23db
52% Popularity • 16% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
52% Popularity • 16% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Introduction and Rondo capriccioso in A ...
91 bpm • A min • 09:07 • -26db
37% Popularity • 29% Danceability • 9% Energy • 10% Liveness
70% Instrumentalness • 16% Positiveness
37% Popularity • 29% Danceability • 9% Energy • 10% Liveness
70% Instrumentalness • 16% Positiveness
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Léo Delibes
Le roi s'amuse: Pavane
91 bpm • A# Maj • 01:28 • -34db
63% Popularity • 20% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 24% Positiveness
63% Popularity • 20% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 24% Positiveness
► Preview
Edward Elgar
Salut d'amour, Op. 12
83 bpm • E Maj • 02:47 • -20.86db
44% Popularity • 16% Danceability • 12% Energy • 9% Liveness
6% Instrumentalness • 16% Positiveness
44% Popularity • 16% Danceability • 12% Energy • 9% Liveness
6% Instrumentalness • 16% Positiveness
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Carl Maria von Weber
6 Violin Sonatas, Op. 10b No. 1 in F Maj...
83 bpm • A# Maj • 01:55 • -28db
58% Popularity • 22% Danceability • 1% Energy • 24% Liveness
41% Instrumentalness • 5% Positiveness
58% Popularity • 22% Danceability • 1% Energy • 24% Liveness
41% Instrumentalness • 5% Positiveness
► Preview
Sergei Rachmaninoff
Rachmaninov: Rhapsody on a Theme of Paga...
91 bpm • C# Maj • 02:56 • -20.53db
43% Popularity • 18% Danceability • 9% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
43% Popularity • 18% Danceability • 9% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Felix Mendelssohn
Capriccio brillant, Op. 22: Andante
91 bpm • B Maj • 02:30 • -30.47db
53% Popularity • 25% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
53% Popularity • 25% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux, R.125: 4. Tortu...
83 bpm • A# Maj • 02:16 • -37db
47% Popularity • 21% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 9% Positiveness
47% Popularity • 21% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 9% Positiveness
► Preview
Franz Schubert
Schwanengesang, D.957: No. 4 Serenade
91 bpm • C Maj • 04:23 • -25.32db
54% Popularity • 10% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
54% Popularity • 10% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
AntonÃn Dvořák
Humoresque, Op. 101, No. 7
83 bpm • F# Maj • 03:50 • -22.48db
43% Popularity • 15% Danceability • 9% Energy • 11% Liveness
7% Instrumentalness • 6% Positiveness
43% Popularity • 15% Danceability • 9% Energy • 11% Liveness
7% Instrumentalness • 6% Positiveness
► Preview
Claude Debussy
Preludes, L. 123, Book II: V. Bruyères
92 bpm • G# Maj • 02:35 • -30.76db
37% Popularity • 24% Danceability • 2% Energy • 12% Liveness
88% Instrumentalness • 8% Positiveness
37% Popularity • 24% Danceability • 2% Energy • 12% Liveness
88% Instrumentalness • 8% Positiveness
► Preview
Ottorino Respighi
6 Pezzi, P. 44: No. 6. Internmezzo-seren...
83 bpm • A Maj • 02:26 • -32.62db
57% Popularity • 27% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 8% Positiveness
57% Popularity • 27% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 8% Positiveness
► Preview
Carrie Frey
Gnossienne: No. 1 (Arr. for Viola and Ha...
92 bpm • F min • 03:36 • -19.42db
56% Popularity • 28% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
56% Popularity • 28% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
► Preview
Camille Saint-Saëns
Le carnaval des animaux, R. 125: Le cygn...
83 bpm • C Maj • 04:11 • -41.12db
40% Popularity • 8% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
40% Popularity • 8% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Franz Schubert
Minuet in A major, D. 334
92 bpm • A Maj • 03:13 • -39.25db
59% Popularity • 27% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
59% Popularity • 27% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
► Preview
Anders Miolin
2 Arabesques (arr. A. Miolin): Arabesque...
82 bpm • G Maj • 06:19 • -26db
38% Popularity • 29% Danceability • 4% Energy • 8% Liveness
89% Instrumentalness • 14% Positiveness
38% Popularity • 29% Danceability • 4% Energy • 8% Liveness
89% Instrumentalness • 14% Positiveness
► Preview
Alexander Scriabin
24 Preludes, Op. 11: No. 4 in E Minor
82 bpm • E min • 02:01 • -39db
48% Popularity • 38% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 8% Positiveness
48% Popularity • 38% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 8% Positiveness
► Preview
Gustav Mahler
Mahler: Symphony No. 5 in C-Sharp Minor:...
82 bpm • F Maj • 09:43 • -23.25db
59% Popularity • 8% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
59% Popularity • 8% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
None but the lonely heart, Op. 6, No. 6
82 bpm • D# min • 03:19 • -14.97db
42% Popularity • 15% Danceability • 19% Energy • 16% Liveness
75% Instrumentalness • 4% Positiveness
42% Popularity • 15% Danceability • 19% Energy • 16% Liveness
75% Instrumentalness • 4% Positiveness
► Preview
Claude Debussy
Beau soir, L. 6 (L. 84) (Arr. Heifetz fo...
92 bpm • F# min • 02:14 • -28.57db
47% Popularity • 18% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
47% Popularity • 18% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Felix Mendelssohn
Etude in F Minor
82 bpm • F min • 01:55 • -24.37db
57% Popularity • 19% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
57% Popularity • 19% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
► Preview
Johann Sebastian Bach
Herz und Mund und Tat und Leben, Cantata...
82 bpm • G Maj • 04:18 • -33.2db
35% Popularity • 35% Danceability • 2% Energy • 13% Liveness
92% Instrumentalness • 18% Positiveness
35% Popularity • 35% Danceability • 2% Energy • 13% Liveness
92% Instrumentalness • 18% Positiveness
► Preview
![Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] cover art](https://i.scdn.co/image/ab67616d00001e02c21d253eed4ccdd547b4b94d)
Aram Khachaturian
Spartacus, Act III: Adagio of Spartacus ...
82 bpm • F# min • 09:23 • -21.48db
38% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
38% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Gustav Mahler
Symphony No. 5 In C Sharp Minor: 4. Adag...
82 bpm • F Maj • 10:45 • -27.86db
37% Popularity • 14% Danceability • 2% Energy • 10% Liveness
83% Instrumentalness • 3% Positiveness
37% Popularity • 14% Danceability • 2% Energy • 10% Liveness
83% Instrumentalness • 3% Positiveness
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Ludwig van Beethoven
Beethoven: Piano Sonata No. 14 in C-Shar...
93 bpm • C# min • 04:49 • -35db
32% Popularity • 29% Danceability • 1% Energy • 16% Liveness
82% Instrumentalness • 10% Positiveness
32% Popularity • 29% Danceability • 1% Energy • 16% Liveness
82% Instrumentalness • 10% Positiveness
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Claude Debussy
Petite suite: I. En bateau (arr. H. Buss...
93 bpm • G Maj • 03:47 • -30.82db
53% Popularity • 14% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 7% Positiveness
53% Popularity • 14% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 7% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 6 in G Mi...
82 bpm • G min • 01:52 • -34.43db
53% Popularity • 34% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 26% Positiveness
53% Popularity • 34% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 26% Positiveness
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Jules Massenet
La Vierge / Scene 4: The Assumption: Le ...
82 bpm • G Maj • 05:02 • -26.14db
54% Popularity • 16% Danceability • 9% Energy • 12% Liveness
38% Instrumentalness • 4% Positiveness
54% Popularity • 16% Danceability • 9% Energy • 12% Liveness
38% Instrumentalness • 4% Positiveness
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William Walton
Henry V: Henry V: Touch her soft lips an...
82 bpm • C Maj • 01:33 • -31.37db
63% Popularity • 15% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
63% Popularity • 15% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
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Clara Schumann
Three Romances for Violin and Piano, Op....
81 bpm • C# Maj • 02:52 • -15.79db
36% Popularity • 31% Danceability • 20% Energy • 14% Liveness
1% Instrumentalness • 9% Positiveness
36% Popularity • 31% Danceability • 20% Energy • 14% Liveness
1% Instrumentalness • 9% Positiveness
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Lavinia Meijer
Dances for Harp and Orchestra, L. 103: 1...
81 bpm • D min • 04:53 • -27db
31% Popularity • 20% Danceability • 2% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
31% Popularity • 20% Danceability • 2% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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Carl Maria von Weber
6 Violin Sonatas, Op. 10b No. 2 in G Maj...
81 bpm • C min • 03:04 • -38.04db
37% Popularity • 8% Danceability • 0% Energy • 14% Liveness
11% Instrumentalness • 20% Positiveness
37% Popularity • 8% Danceability • 0% Energy • 14% Liveness
11% Instrumentalness • 20% Positiveness
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Ottorino Respighi
Respighi: Pini di Roma, P. 141: III. I p...
81 bpm • E Maj • 07:42 • -35.69db
44% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
44% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
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Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
81 bpm • D min • 01:36 • -28db
53% Popularity • 23% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
53% Popularity • 23% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
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Felix Mendelssohn
Prelude In B Minor Opus 104a No.2
81 bpm • B min • 01:30 • -18.88db
51% Popularity • 28% Danceability • 26% Energy • 11% Liveness
93% Instrumentalness • 31% Positiveness
51% Popularity • 28% Danceability • 26% Energy • 11% Liveness
93% Instrumentalness • 31% Positiveness
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Camille Saint-Saëns
Carnival of the Animals, R. 125: Aquariu...
81 bpm • A min • 02:01 • -31.36db
50% Popularity • 28% Danceability • 4% Energy • 10% Liveness
98% Instrumentalness • 13% Positiveness
50% Popularity • 28% Danceability • 4% Energy • 10% Liveness
98% Instrumentalness • 13% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: Träumerei (Arr. L...
81 bpm • D Maj • 03:35 • -31.82db
64% Popularity • 41% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 30% Positiveness
64% Popularity • 41% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 30% Positiveness
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Frederick Delius
3 Small Tone Poems: No. 3. Spring Mornin...
95 bpm • A Maj • 07:24 • -26db
29% Popularity • 12% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
29% Popularity • 12% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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John Field
Nocturne No. 2 in C Minor, H.25
80 bpm • C min • 03:11 • -19.31db
45% Popularity • 35% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
45% Popularity • 35% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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César Franck
Violin Sonata in A major, FWV 8: IV. All...
94 bpm • A Maj • 06:04 • -18.62db
51% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
51% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
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Philip Glass
The Truman Show: Truman Sleeps - Short V...
95 bpm • G# Maj • 02:40 • -29.74db
51% Popularity • 27% Danceability • 0% Energy • 7% Liveness
92% Instrumentalness • 6% Positiveness
51% Popularity • 27% Danceability • 0% Energy • 7% Liveness
92% Instrumentalness • 6% Positiveness
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Camille Saint-Saëns
Le Cygne
94 bpm • G Maj • 03:34 • -26.63db
58% Popularity • 12% Danceability • 6% Energy • 15% Liveness
91% Instrumentalness • 4% Positiveness
58% Popularity • 12% Danceability • 6% Energy • 15% Liveness
91% Instrumentalness • 4% Positiveness
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Franz Liszt
Liebestraum
95 bpm • G# Maj • 04:45 • -15.77db
47% Popularity • 36% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
47% Popularity • 36% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
95 bpm • C Maj • 01:40 • -37db
55% Popularity • 18% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 25% Positiveness
55% Popularity • 18% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 25% Positiveness
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Gabriel Fauré
3 Romances sans paroles, Op. 17: No. 3 i...
79 bpm • A Maj • 02:02 • -27.11db
45% Popularity • 16% Danceability • 5% Energy • 12% Liveness
88% Instrumentalness • 16% Positiveness
45% Popularity • 16% Danceability • 5% Energy • 12% Liveness
88% Instrumentalness • 16% Positiveness
► Preview
Edward Elgar
Salut d'amour, Op. 12
95 bpm • E Maj • 02:54 • -22db
50% Popularity • 17% Danceability • 13% Energy • 13% Liveness
4% Instrumentalness • 5% Positiveness
50% Popularity • 17% Danceability • 13% Energy • 13% Liveness
4% Instrumentalness • 5% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 72: No. 2 in E Mi...
80 bpm • E min • 01:18 • -29.24db
51% Popularity • 18% Danceability • 6% Energy • 13% Liveness
88% Instrumentalness • 17% Positiveness
51% Popularity • 18% Danceability • 6% Energy • 13% Liveness
88% Instrumentalness • 17% Positiveness
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Johannes Brahms
16 Waltzes, Op. 39 (1867 version): No. 1...
79 bpm • A Maj • 01:25 • -39.13db
63% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 22% Positiveness
63% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 22% Positiveness
