Songs like Pickup Lines by Forrest Nolan
Based on a tempo of (+/- 10%) and a similar genre
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Ant Saunders
Camaro
82 bpm • D Maj • 02:46 • -5.02db
31% Popularity • 59% Danceability • 69% Energy • 82% Liveness
0% Instrumentalness • 75% Positiveness
31% Popularity • 59% Danceability • 69% Energy • 82% Liveness
0% Instrumentalness • 75% Positiveness
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nodisco.
Break My Fall
82 bpm • C# Maj • 03:28 • -4.35db
26% Popularity • 67% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
26% Popularity • 67% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Christian French
karma
82 bpm • C# Maj • 02:48 • -4db
37% Popularity • 54% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 83% Positiveness
37% Popularity • 54% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 83% Positiveness
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Ivytide
moving song
82 bpm • F# min • 02:46 • -10.48db
8% Popularity • 73% Danceability • 47% Energy • 15% Liveness
4% Instrumentalness • 80% Positiveness
8% Popularity • 73% Danceability • 47% Energy • 15% Liveness
4% Instrumentalness • 80% Positiveness
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Mills
Hands On Me
82 bpm • C# Maj • 02:37 • -7.09db
16% Popularity • 64% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
16% Popularity • 64% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
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Forrest Nolan
Pickup Lines
82 bpm • A Maj • 02:59 • -6.18db
27% Popularity • 57% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
27% Popularity • 57% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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dee holt
Olivia
83 bpm • D# Maj • 02:51 • -6.99db
29% Popularity • 80% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
29% Popularity • 80% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Tai Verdes
morning time
83 bpm • D Maj • 03:11 • -8.27db
33% Popularity • 77% Danceability • 38% Energy • 63% Liveness
0% Instrumentalness • 64% Positiveness
33% Popularity • 77% Danceability • 38% Energy • 63% Liveness
0% Instrumentalness • 64% Positiveness
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Cody Lovaas
OH NO!
83 bpm • G min • 02:51 • -5.47db
50% Popularity • 72% Danceability • 40% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness
50% Popularity • 72% Danceability • 40% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness
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Marko
Addicted
81 bpm • E Maj • 02:53 • -5.12db
34% Popularity • 75% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
34% Popularity • 75% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Alan Fiore
Locked Up
83 bpm • A# Maj • 02:20 • -7.54db
18% Popularity • 64% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
18% Popularity • 64% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
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Forrest Nolan
Second Base
81 bpm • F# Maj • 02:37 • -12.94db
28% Popularity • 56% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
28% Popularity • 56% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
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Nic D
Pretty Faces
81 bpm • E min • 01:57 • -5.77db
31% Popularity • 73% Danceability • 64% Energy • 42% Liveness
0% Instrumentalness • 92% Positiveness
31% Popularity • 73% Danceability • 64% Energy • 42% Liveness
0% Instrumentalness • 92% Positiveness
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Tai Verdes
FYL
81 bpm • G# Maj • 03:22 • -7.62db
32% Popularity • 53% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
32% Popularity • 53% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Rence
TREBUCHET
83 bpm • F# Maj • 02:35 • -6.03db
28% Popularity • 51% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 51% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Marko
Psycho
84 bpm • E Maj • 02:27 • -11.96db
17% Popularity • 61% Danceability • 13% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
17% Popularity • 61% Danceability • 13% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
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Richie Quake
Rollin Around
84 bpm • A# Maj • 02:40 • -6.63db
14% Popularity • 58% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
14% Popularity • 58% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
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Alt Bloom
Beautiful
80 bpm • C Maj • 02:48 • -5.14db
19% Popularity • 70% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
19% Popularity • 70% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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Devin Kennedy
Sundress
80 bpm • D Maj • 02:43 • -9.07db
34% Popularity • 68% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
34% Popularity • 68% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Go-Jo
SEE YOU IN LA
80 bpm • D# Maj • 02:38 • -7.93db
34% Popularity • 62% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
34% Popularity • 62% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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young friend
little pieces
80 bpm • C Maj • 02:37 • -9.63db
24% Popularity • 56% Danceability • 58% Energy • 67% Liveness
0% Instrumentalness • 68% Positiveness
24% Popularity • 56% Danceability • 58% Energy • 67% Liveness
0% Instrumentalness • 68% Positiveness
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Ori Rose
First High
79 bpm • F# min • 03:02 • -5.96db
12% Popularity • 37% Danceability • 80% Energy • 58% Liveness
0% Instrumentalness • 59% Positiveness
12% Popularity • 37% Danceability • 80% Energy • 58% Liveness
0% Instrumentalness • 59% Positiveness
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The Astronomers
Guess It's Just Life
84 bpm • E Maj • 03:41 • -7.46db
35% Popularity • 60% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
35% Popularity • 60% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
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KAIRO
Someone Like You
79 bpm • D min • 02:52 • -8.28db
33% Popularity • 48% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
33% Popularity • 48% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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Forrest Nolan
Still Friends
79 bpm • D Maj • 02:11 • -11.11db
25% Popularity • 68% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
25% Popularity • 68% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Anthony Watts
Woulda Coulda Shoulda
79 bpm • B Maj • 02:41 • -4.88db
38% Popularity • 71% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 72% Positiveness
38% Popularity • 71% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 72% Positiveness
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Mikey Ferrari
lunar light
79 bpm • D Maj • 03:17 • -5.15db
31% Popularity • 50% Danceability • 58% Energy • 46% Liveness
0% Instrumentalness • 17% Positiveness
31% Popularity • 50% Danceability • 58% Energy • 46% Liveness
0% Instrumentalness • 17% Positiveness
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Max Drazen
Five Three
79 bpm • D# Maj • 02:36 • -4.65db
27% Popularity • 35% Danceability • 58% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
27% Popularity • 35% Danceability • 58% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
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CAL
Roll the Credits
85 bpm • A Maj • 02:19 • -6.75db
40% Popularity • 79% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
40% Popularity • 79% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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KAIRO
Love On TV
85 bpm • C# min • 03:13 • -9db
28% Popularity • 61% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 61% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
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Ori Rose
five year plan
79 bpm • G# min • 02:27 • -6.89db
28% Popularity • 57% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
28% Popularity • 57% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
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Ben Kessler
Just Like Me
79 bpm • C# Maj • 02:50 • -7.72db
27% Popularity • 42% Danceability • 49% Energy • 48% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 42% Danceability • 49% Energy • 48% Liveness
0% Instrumentalness • 38% Positiveness
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DWLLRS
End Of It All
86 bpm • A Maj • 02:39 • -6.11db
27% Popularity • 47% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
27% Popularity • 47% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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Ruel
SOMEONE ELSE'S PROBLEM
86 bpm • A Maj • 02:40 • -6db
46% Popularity • 64% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
46% Popularity • 64% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Cody Lovaas
Strangle You
78 bpm • A Maj • 03:00 • -6.93db
20% Popularity • 68% Danceability • 43% Energy • 64% Liveness
0% Instrumentalness • 35% Positiveness
20% Popularity • 68% Danceability • 43% Energy • 64% Liveness
0% Instrumentalness • 35% Positiveness
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Bazzi
Don’t Leave Me Now
78 bpm • C Maj • 02:56 • -6db
34% Popularity • 60% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 30% Positiveness
34% Popularity • 60% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 30% Positiveness
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young friend
ARIZONA
78 bpm • C# min • 03:35 • -9.45db
44% Popularity • 63% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
44% Popularity • 63% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Good Boy Daisy
Summer Rain
86 bpm • C Maj • 03:01 • -9.85db
32% Popularity • 64% Danceability • 69% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
32% Popularity • 64% Danceability • 69% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
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Forrest Nolan
miss misery
78 bpm • G# Maj • 02:59 • -5.45db
35% Popularity • 61% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 85% Positiveness
35% Popularity • 61% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 85% Positiveness
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Hastings
Blank Me
78 bpm • D Maj • 03:58 • -4.27db
42% Popularity • 59% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
42% Popularity • 59% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Nox Holloway
Audrey
77 bpm • E min • 03:38 • -7.89db
27% Popularity • 58% Danceability • 62% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
27% Popularity • 58% Danceability • 62% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
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19&YOU
Finer Things
77 bpm • F# min • 03:01 • -9db
22% Popularity • 58% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
22% Popularity • 58% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
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Nic D
Late September
88 bpm • A# Maj • 02:25 • -4.97db
19% Popularity • 69% Danceability • 69% Energy • 46% Liveness
0% Instrumentalness • 46% Positiveness
19% Popularity • 69% Danceability • 69% Energy • 46% Liveness
0% Instrumentalness • 46% Positiveness
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CODY JON
Becky's Plan
88 bpm • A# Maj • 03:05 • -4.3db
40% Popularity • 72% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
40% Popularity • 72% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Tiffany Day
CLOUDS
76 bpm • D Maj • 02:58 • -11db
27% Popularity • 73% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 73% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Chris James
12 Hours
88 bpm • D# Maj • 02:13 • -7db
58% Popularity • 83% Danceability • 41% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
58% Popularity • 83% Danceability • 41% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
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Forrest Nolan
waste your time
76 bpm • D Maj • 03:04 • -12.6db
24% Popularity • 78% Danceability • 22% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
24% Popularity • 78% Danceability • 22% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
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ALX
Right Guy
89 bpm • F# Maj • 01:42 • -6.68db
19% Popularity • 48% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
19% Popularity • 48% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Wiley Beckett
Love Songs
89 bpm • D Maj • 02:57 • -9.76db
20% Popularity • 56% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
20% Popularity • 56% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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KAYDEN
CHERRY
89 bpm • A# Maj • 02:47 • -7.1db
28% Popularity • 78% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
28% Popularity • 78% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Clubhouse
Home Videos
89 bpm • A# Maj • 02:35 • -6.37db
27% Popularity • 73% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 63% Positiveness
27% Popularity • 73% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 63% Positiveness
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dee holt
dishes
75 bpm • F min • 02:40 • -8.02db
29% Popularity • 63% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
29% Popularity • 63% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Christian French
golden years
75 bpm • C# Maj • 02:49 • -7.81db
44% Popularity • 55% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
44% Popularity • 55% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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New Friends
Coming Back For You
75 bpm • E Maj • 03:20 • -4.97db
21% Popularity • 53% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
21% Popularity • 53% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
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Ivytide
text me when u get home
75 bpm • E min • 02:48 • -9.6db
32% Popularity • 79% Danceability • 34% Energy • 40% Liveness
0% Instrumentalness • 63% Positiveness
32% Popularity • 79% Danceability • 34% Energy • 40% Liveness
0% Instrumentalness • 63% Positiveness
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CODY JON
incognito
75 bpm • A min • 02:22 • -9.09db
20% Popularity • 74% Danceability • 37% Energy • 28% Liveness
0% Instrumentalness • 51% Positiveness
20% Popularity • 74% Danceability • 37% Energy • 28% Liveness
0% Instrumentalness • 51% Positiveness
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DWLLRS
It's Only Up From Here
75 bpm • A Maj • 03:42 • -5.68db
21% Popularity • 61% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
21% Popularity • 61% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Aidan Bissett
Communication
90 bpm • B Maj • 03:07 • -7.02db
43% Popularity • 58% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
43% Popularity • 58% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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SEB
killer lover boy
90 bpm • C Maj • 02:14 • -7.61db
50% Popularity • 71% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 89% Positiveness
50% Popularity • 71% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 89% Positiveness
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sundial
liar
90 bpm • A# Maj • 02:14 • -7.6db
45% Popularity • 70% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
45% Popularity • 70% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Hastings
Blame The Brakes
90 bpm • F# Maj • 03:26 • -4.04db
34% Popularity • 59% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
34% Popularity • 59% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
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Alt Bloom
Girl Walks Into A Bar
90 bpm • F# Maj • 02:43 • -5.83db
28% Popularity • 80% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 77% Positiveness
28% Popularity • 80% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 77% Positiveness
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Jack Gray
AdaLINE
90 bpm • A# min • 02:45 • -6.79db
30% Popularity • 72% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 72% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Devon
OUT OF CONTEXT
90 bpm • C Maj • 02:42 • -8.44db
23% Popularity • 80% Danceability • 51% Energy • 10% Liveness
2% Instrumentalness • 54% Positiveness
23% Popularity • 80% Danceability • 51% Energy • 10% Liveness
2% Instrumentalness • 54% Positiveness
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KAYDEN
i love the rain
90 bpm • C# Maj • 01:46 • -7.79db
27% Popularity • 73% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 93% Positiveness
27% Popularity • 73% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 93% Positiveness
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beaux
can't help but let you down
90 bpm • F Maj • 02:36 • -6.8db
20% Popularity • 77% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
20% Popularity • 77% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Stephen Dawes
Losing You
90 bpm • E Maj • 02:53 • -14db
38% Popularity • 48% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
38% Popularity • 48% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Max Drazen
Caffeine
92 bpm • B Maj • 02:26 • -6.09db
51% Popularity • 81% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
51% Popularity • 81% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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Peter Fenn
Body Bag (w/ Ethan Tasch)
92 bpm • D# Maj • 02:21 • -8.7db
28% Popularity • 73% Danceability • 47% Energy • 35% Liveness
0% Instrumentalness • 65% Positiveness
28% Popularity • 73% Danceability • 47% Energy • 35% Liveness
0% Instrumentalness • 65% Positiveness
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Hauskey
Emilee
92 bpm • D# min • 01:30 • -6.84db
33% Popularity • 73% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
33% Popularity • 73% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
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Devin Kennedy
10ft Tall
92 bpm • B Maj • 02:10 • -9.41db
25% Popularity • 74% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
25% Popularity • 74% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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bennytheghost
Say Something
92 bpm • E min • 02:27 • -6.81db
25% Popularity • 71% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
25% Popularity • 71% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Clubhouse
Flipside
92 bpm • A# Maj • 03:04 • -7.39db
26% Popularity • 78% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
26% Popularity • 78% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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almost monday
til the end of time
92 bpm • C Maj • 02:59 • -6db
35% Popularity • 67% Danceability • 81% Energy • 31% Liveness
0% Instrumentalness • 94% Positiveness
35% Popularity • 67% Danceability • 81% Energy • 31% Liveness
0% Instrumentalness • 94% Positiveness
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KAIRO
Anymore Anyway
92 bpm • D Maj • 02:42 • -9.61db
25% Popularity • 54% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
25% Popularity • 54% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Jack Price
lexapro
93 bpm • B min • 02:43 • -5.07db
15% Popularity • 60% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
15% Popularity • 60% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Marko
Tough Luck
93 bpm • C Maj • 03:39 • -8db
28% Popularity • 76% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
28% Popularity • 76% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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push baby
WHAT YA GONNA DO?
93 bpm • B min • 02:40 • -9.7db
14% Popularity • 75% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 75% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Clubhouse
you were never mine
92 bpm • C Maj • 02:27 • -8.14db
20% Popularity • 57% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
20% Popularity • 57% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Nolie
Have It All
93 bpm • B Maj • 02:17 • -5.18db
13% Popularity • 65% Danceability • 79% Energy • 27% Liveness
7% Instrumentalness • 51% Positiveness
13% Popularity • 65% Danceability • 79% Energy • 27% Liveness
7% Instrumentalness • 51% Positiveness
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Christian French
butterfly fields
72 bpm • A# Maj • 03:28 • -7.5db
39% Popularity • 64% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
39% Popularity • 64% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Palmer
pending
94 bpm • A Maj • 02:41 • -12db
33% Popularity • 68% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
33% Popularity • 68% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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Danny Dwyer
Asthma
94 bpm • E Maj • 03:15 • -9db
34% Popularity • 69% Danceability • 30% Energy • 47% Liveness
0% Instrumentalness • 60% Positiveness
34% Popularity • 69% Danceability • 30% Energy • 47% Liveness
0% Instrumentalness • 60% Positiveness
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remy
i know why you stay out
94 bpm • D Maj • 02:57 • -4db
34% Popularity • 74% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
34% Popularity • 74% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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CODY JON
STAGEFRIGHT
94 bpm • G# Maj • 03:01 • -5.58db
42% Popularity • 74% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
42% Popularity • 74% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Quinn XCII
Why Do You Talk To Me?
95 bpm • D Maj • 02:53 • -7db
43% Popularity • 81% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
43% Popularity • 81% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Forrest Nolan
a song from yesterday
94 bpm • C# Maj • 03:18 • -8.43db
33% Popularity • 76% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
33% Popularity • 76% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Clubhouse
Crystal Ball
95 bpm • E min • 02:48 • -7.39db
21% Popularity • 76% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
21% Popularity • 76% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
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Breakup Shoes
Narratives
95 bpm • F Maj • 03:06 • -8db
31% Popularity • 71% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
31% Popularity • 71% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Anton Khabbaz
Let's Fly to New Zealand
95 bpm • B Maj • 03:31 • -9db
26% Popularity • 66% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
26% Popularity • 66% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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david hugo
9teen
95 bpm • F# Maj • 02:40 • -7.82db
32% Popularity • 86% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
32% Popularity • 86% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Mike Spector
Take Me to the Moon
95 bpm • C Maj • 03:15 • -8db
33% Popularity • 72% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
33% Popularity • 72% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Landon Conrath
Science Fiction
95 bpm • G# Maj • 02:41 • -5.93db
35% Popularity • 70% Danceability • 67% Energy • 27% Liveness
0% Instrumentalness • 68% Positiveness
35% Popularity • 70% Danceability • 67% Energy • 27% Liveness
0% Instrumentalness • 68% Positiveness
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Palmer
BOYFRIEND KILLER
95 bpm • F# min • 03:14 • -10db
39% Popularity • 84% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
39% Popularity • 84% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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young friend
THERAPY
95 bpm • D# Maj • 03:11 • -8.72db
21% Popularity • 70% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
21% Popularity • 70% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Free Arlo
2 far gone
95 bpm • G# Maj • 02:31 • -9.44db
26% Popularity • 62% Danceability • 71% Energy • 29% Liveness
0% Instrumentalness • 49% Positiveness
26% Popularity • 62% Danceability • 71% Energy • 29% Liveness
0% Instrumentalness • 49% Positiveness
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Blake Rose
Demon
96 bpm • G Maj • 02:45 • -6db
33% Popularity • 62% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
33% Popularity • 62% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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19&YOU
BORED!
96 bpm • A# Maj • 03:32 • -6db
33% Popularity • 70% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
33% Popularity • 70% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
