Songs like Picolissima Serenata by Aldo Livorno Y Su Acordeón Napolitano
Based on a tempo of (+/- 10%) and a similar genre
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Aldo Livorno Y Su Acordeón Napolitano
Picolissima Serenata
120 bpm • A Maj • 03:15 • -14.69db
26% Popularity • 74% Danceability • 39% Energy • 15% Liveness
1% Instrumentalness • 95% Positiveness
26% Popularity • 74% Danceability • 39% Energy • 15% Liveness
1% Instrumentalness • 95% Positiveness
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Carlos Velasco
El Barrilito
120 bpm • G# Maj • 03:21 • -6.65db
40% Popularity • 58% Danceability • 51% Energy • 9% Liveness
37% Instrumentalness • 68% Positiveness
40% Popularity • 58% Danceability • 51% Energy • 9% Liveness
37% Instrumentalness • 68% Positiveness
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Francis Dupont
Little serenade
120 bpm • A# Maj • 03:12 • -14db
28% Popularity • 62% Danceability • 46% Energy • 12% Liveness
89% Instrumentalness • 80% Positiveness
28% Popularity • 62% Danceability • 46% Energy • 12% Liveness
89% Instrumentalness • 80% Positiveness
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Luis Siu Riveron
Asi Bailaba Cuba - Instrumental
120 bpm • A min • 05:33 • -14db
32% Popularity • 67% Danceability • 34% Energy • 18% Liveness
93% Instrumentalness • 76% Positiveness
32% Popularity • 67% Danceability • 34% Energy • 18% Liveness
93% Instrumentalness • 76% Positiveness
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EDDY GUIRAO
Besame Mucho
120 bpm • D min • 05:20 • -9.27db
29% Popularity • 59% Danceability • 47% Energy • 19% Liveness
80% Instrumentalness • 56% Positiveness
29% Popularity • 59% Danceability • 47% Energy • 19% Liveness
80% Instrumentalness • 56% Positiveness
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Discovey Light Orchestra
Concierto de Aranjuez
120 bpm • B min • 03:38 • -12db
50% Popularity • 26% Danceability • 23% Energy • 19% Liveness
91% Instrumentalness • 16% Positiveness
50% Popularity • 26% Danceability • 23% Energy • 19% Liveness
91% Instrumentalness • 16% Positiveness
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Aldo Livorno Y Su Acordeón Napolitano
Arrivederchi Roma
120 bpm • C Maj • 02:38 • -9.23db
29% Popularity • 56% Danceability • 50% Energy • 21% Liveness
1% Instrumentalness • 50% Positiveness
29% Popularity • 56% Danceability • 50% Energy • 21% Liveness
1% Instrumentalness • 50% Positiveness
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Juan Torres Y Su Organo Melodico
Can't Take My Eyes Off From You
120 bpm • F Maj • 04:43 • -10.83db
29% Popularity • 57% Danceability • 53% Energy • 28% Liveness
83% Instrumentalness • 58% Positiveness
29% Popularity • 57% Danceability • 53% Energy • 28% Liveness
83% Instrumentalness • 58% Positiveness
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Al Caiola
Wheels
120 bpm • C Maj • 02:07 • -12.99db
43% Popularity • 80% Danceability • 25% Energy • 11% Liveness
89% Instrumentalness • 86% Positiveness
43% Popularity • 80% Danceability • 25% Energy • 11% Liveness
89% Instrumentalness • 86% Positiveness
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Luis Siu Riveron
Amapola - Instrumental
120 bpm • C Maj • 03:20 • -12db
31% Popularity • 66% Danceability • 41% Energy • 10% Liveness
86% Instrumentalness • 73% Positiveness
31% Popularity • 66% Danceability • 41% Energy • 10% Liveness
86% Instrumentalness • 73% Positiveness
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Richard Clay
Solamente una Vez
120 bpm • G# Maj • 03:31 • -8.94db
25% Popularity • 69% Danceability • 67% Energy • 21% Liveness
88% Instrumentalness • 89% Positiveness
25% Popularity • 69% Danceability • 67% Energy • 21% Liveness
88% Instrumentalness • 89% Positiveness
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Grandes Violines Románticos
Siboney
120 bpm • D min • 04:19 • -4.95db
20% Popularity • 60% Danceability • 55% Energy • 19% Liveness
96% Instrumentalness • 78% Positiveness
20% Popularity • 60% Danceability • 55% Energy • 19% Liveness
96% Instrumentalness • 78% Positiveness
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Zantalino and his Orchestra
Moonlight Serenade
120 bpm • F# Maj • 03:25 • -10.91db
26% Popularity • 56% Danceability • 30% Energy • 13% Liveness
66% Instrumentalness • 22% Positiveness
26% Popularity • 56% Danceability • 30% Energy • 13% Liveness
66% Instrumentalness • 22% Positiveness
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Manuel Olivera Almada
Cuando Vuelva A Tu Lado
120 bpm • F Maj • 01:59 • -11db
55% Popularity • 64% Danceability • 45% Energy • 14% Liveness
97% Instrumentalness • 76% Positiveness
55% Popularity • 64% Danceability • 45% Energy • 14% Liveness
97% Instrumentalness • 76% Positiveness
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Asi Es El Beguine
Una Furtiva Lagrima
120 bpm • A# Maj • 02:42 • -9db
29% Popularity • 61% Danceability • 51% Energy • 6% Liveness
65% Instrumentalness • 70% Positiveness
29% Popularity • 61% Danceability • 51% Energy • 6% Liveness
65% Instrumentalness • 70% Positiveness
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Luis Siu Riveron
Begin the Beguine - Instrumental
120 bpm • C Maj • 04:06 • -13db
29% Popularity • 66% Danceability • 39% Energy • 9% Liveness
89% Instrumentalness • 73% Positiveness
29% Popularity • 66% Danceability • 39% Energy • 9% Liveness
89% Instrumentalness • 73% Positiveness
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Aldo Livorno Y Su Acordeón Napolitano
Ritorna
119 bpm • F# Maj • 02:57 • -12.76db
8% Popularity • 29% Danceability • 49% Energy • 12% Liveness
9% Instrumentalness • 30% Positiveness
8% Popularity • 29% Danceability • 49% Energy • 12% Liveness
9% Instrumentalness • 30% Positiveness
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The Fantasy Strings
Arrevederci Roma
121 bpm • F Maj • 03:04 • -11db
19% Popularity • 54% Danceability • 63% Energy • 13% Liveness
13% Instrumentalness • 70% Positiveness
19% Popularity • 54% Danceability • 63% Energy • 13% Liveness
13% Instrumentalness • 70% Positiveness
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The Gino Marinello Orchestra
Words
119 bpm • C Maj • 03:12 • -11.51db
28% Popularity • 57% Danceability • 37% Energy • 14% Liveness
51% Instrumentalness • 48% Positiveness
28% Popularity • 57% Danceability • 37% Energy • 14% Liveness
51% Instrumentalness • 48% Positiveness
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Manuel Olivera Almada
Nosotros
120 bpm • D Maj • 02:26 • -10.09db
49% Popularity • 61% Danceability • 57% Energy • 17% Liveness
84% Instrumentalness • 60% Positiveness
49% Popularity • 61% Danceability • 57% Energy • 17% Liveness
84% Instrumentalness • 60% Positiveness
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Carlos Romero
Popurri Armando Manzanero: MÃa / Te Ext...
119 bpm • C# Maj • 07:25 • -17.4db
25% Popularity • 56% Danceability • 35% Energy • 10% Liveness
36% Instrumentalness • 57% Positiveness
25% Popularity • 56% Danceability • 35% Energy • 10% Liveness
36% Instrumentalness • 57% Positiveness
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Pepe Jaramillo
South of the Border
121 bpm • A# Maj • 02:59 • -13db
34% Popularity • 76% Danceability • 27% Energy • 10% Liveness
92% Instrumentalness • 91% Positiveness
34% Popularity • 76% Danceability • 27% Energy • 10% Liveness
92% Instrumentalness • 91% Positiveness
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Orquesta Casino De La Habana
Solamente una Vez
119 bpm • D# Maj • 02:26 • -11.41db
33% Popularity • 61% Danceability • 50% Energy • 8% Liveness
1% Instrumentalness • 94% Positiveness
33% Popularity • 61% Danceability • 50% Energy • 8% Liveness
1% Instrumentalness • 94% Positiveness
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Aldo Livorno Y Su Acordeón Napolitano
Volare
121 bpm • C Maj • 03:04 • -12.12db
41% Popularity • 34% Danceability • 41% Energy • 9% Liveness
6% Instrumentalness • 36% Positiveness
41% Popularity • 34% Danceability • 41% Energy • 9% Liveness
6% Instrumentalness • 36% Positiveness
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Orquesta Los Ritmicos del Caribe
Solamente Una Vez - Instrumental
119 bpm • D# Maj • 02:26 • -11.28db
30% Popularity • 62% Danceability • 50% Energy • 4% Liveness
1% Instrumentalness • 97% Positiveness
30% Popularity • 62% Danceability • 50% Energy • 4% Liveness
1% Instrumentalness • 97% Positiveness
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MelodÃas Mágicas
Ay! Pepita
119 bpm • G min • 02:32 • -15.96db
34% Popularity • 54% Danceability • 61% Energy • 12% Liveness
42% Instrumentalness • 92% Positiveness
34% Popularity • 54% Danceability • 61% Energy • 12% Liveness
42% Instrumentalness • 92% Positiveness
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Camilo Orozco
Quinto Patio
119 bpm • C Maj • 02:46 • -5.49db
40% Popularity • 64% Danceability • 74% Energy • 17% Liveness
76% Instrumentalness • 88% Positiveness
40% Popularity • 64% Danceability • 74% Energy • 17% Liveness
76% Instrumentalness • 88% Positiveness
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Carlos Velasco
Marionetas en la Cuerda
121 bpm • G# Maj • 03:33 • -4.52db
34% Popularity • 58% Danceability • 51% Energy • 10% Liveness
81% Instrumentalness • 84% Positiveness
34% Popularity • 58% Danceability • 51% Energy • 10% Liveness
81% Instrumentalness • 84% Positiveness
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Zantalino and his Orchestra
Exodus
119 bpm • A# min • 02:52 • -14.26db
17% Popularity • 41% Danceability • 30% Energy • 17% Liveness
2% Instrumentalness • 29% Positiveness
17% Popularity • 41% Danceability • 30% Energy • 17% Liveness
2% Instrumentalness • 29% Positiveness
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Orquesta Casino De La Habana
Amor, Amor, Amor
119 bpm • A# min • 02:51 • -12.35db
23% Popularity • 61% Danceability • 49% Energy • 25% Liveness
91% Instrumentalness • 78% Positiveness
23% Popularity • 61% Danceability • 49% Energy • 25% Liveness
91% Instrumentalness • 78% Positiveness
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Manuel Angel
Gotas de Lluvia Sobre Mi Cabeza
119 bpm • G Maj • 02:45 • -9.77db
32% Popularity • 83% Danceability • 42% Energy • 7% Liveness
77% Instrumentalness • 74% Positiveness
32% Popularity • 83% Danceability • 42% Energy • 7% Liveness
77% Instrumentalness • 74% Positiveness
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Orquesta Románticos Del Caribe
Amor Amor
119 bpm • A# min • 02:50 • -8.63db
27% Popularity • 56% Danceability • 62% Energy • 33% Liveness
78% Instrumentalness • 74% Positiveness
27% Popularity • 56% Danceability • 62% Energy • 33% Liveness
78% Instrumentalness • 74% Positiveness
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Al Caiola
Jesusita En Chihuahua
119 bpm • F Maj • 02:12 • -12.34db
23% Popularity • 73% Danceability • 42% Energy • 28% Liveness
72% Instrumentalness • 89% Positiveness
23% Popularity • 73% Danceability • 42% Energy • 28% Liveness
72% Instrumentalness • 89% Positiveness
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Arpa Romántica
Candilejas
121 bpm • E Maj • 02:35 • -9db
34% Popularity • 34% Danceability • 33% Energy • 11% Liveness
90% Instrumentalness • 20% Positiveness
34% Popularity • 34% Danceability • 33% Energy • 11% Liveness
90% Instrumentalness • 20% Positiveness
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Zantalino and his Orchestra
Love Is Blue
121 bpm • G# Maj • 03:22 • -15.46db
27% Popularity • 48% Danceability • 40% Energy • 13% Liveness
28% Instrumentalness • 45% Positiveness
27% Popularity • 48% Danceability • 40% Energy • 13% Liveness
28% Instrumentalness • 45% Positiveness
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Henry Salomon y su Orquesta
Emmanuelle - De "Emmanuelle"
121 bpm • C min • 03:02 • -14db
51% Popularity • 48% Danceability • 24% Energy • 10% Liveness
4% Instrumentalness • 36% Positiveness
51% Popularity • 48% Danceability • 24% Energy • 10% Liveness
4% Instrumentalness • 36% Positiveness
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Orquesta Casino De La Habana
Verdad Tropical
119 bpm • G min • 02:50 • -15.07db
27% Popularity • 78% Danceability • 40% Energy • 28% Liveness
4% Instrumentalness • 88% Positiveness
27% Popularity • 78% Danceability • 40% Energy • 28% Liveness
4% Instrumentalness • 88% Positiveness
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Orquesta Popular de las Americas
La Violetera (Instrumental)
119 bpm • G# Maj • 02:36 • -13.45db
33% Popularity • 78% Danceability • 49% Energy • 25% Liveness
47% Instrumentalness • 98% Positiveness
33% Popularity • 78% Danceability • 49% Energy • 25% Liveness
47% Instrumentalness • 98% Positiveness
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Alfred Hause
Un Violon Dans La Nuit
119 bpm • C Maj • 02:22 • -10.16db
37% Popularity • 36% Danceability • 38% Energy • 20% Liveness
21% Instrumentalness • 59% Positiveness
37% Popularity • 36% Danceability • 38% Energy • 20% Liveness
21% Instrumentalness • 59% Positiveness
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Saxo
Emmanuelle
122 bpm • C min • 02:59 • -18db
36% Popularity • 34% Danceability • 17% Energy • 10% Liveness
97% Instrumentalness • 34% Positiveness
36% Popularity • 34% Danceability • 17% Energy • 10% Liveness
97% Instrumentalness • 34% Positiveness
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Billy Vaughn y su Orquesta
Petite Fleur
118 bpm • G min • 02:39 • -7.95db
24% Popularity • 41% Danceability • 28% Energy • 12% Liveness
67% Instrumentalness • 38% Positiveness
24% Popularity • 41% Danceability • 28% Energy • 12% Liveness
67% Instrumentalness • 38% Positiveness
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Al Caiola
Adelita
118 bpm • D# Maj • 02:07 • -13.17db
31% Popularity • 74% Danceability • 51% Energy • 14% Liveness
82% Instrumentalness • 95% Positiveness
31% Popularity • 74% Danceability • 51% Energy • 14% Liveness
82% Instrumentalness • 95% Positiveness
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Orquesta Casino De La Habana
Aquellos Ojos Verdes
118 bpm • D Maj • 02:29 • -12db
28% Popularity • 57% Danceability • 48% Energy • 26% Liveness
13% Instrumentalness • 66% Positiveness
28% Popularity • 57% Danceability • 48% Energy • 26% Liveness
13% Instrumentalness • 66% Positiveness
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Jean Claude Borelly
Le temps des fleurs
122 bpm • A min • 02:53 • -7.86db
24% Popularity • 30% Danceability • 53% Energy • 30% Liveness
94% Instrumentalness • 47% Positiveness
24% Popularity • 30% Danceability • 53% Energy • 30% Liveness
94% Instrumentalness • 47% Positiveness
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Camilo Orozco
La Casita
122 bpm • G Maj • 02:03 • -6db
34% Popularity • 59% Danceability • 77% Energy • 12% Liveness
1% Instrumentalness • 54% Positiveness
34% Popularity • 59% Danceability • 77% Energy • 12% Liveness
1% Instrumentalness • 54% Positiveness
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Giovanni Vivanco
Bésame Mucho
118 bpm • D# Maj • 02:42 • -10.9db
50% Popularity • 54% Danceability • 38% Energy • 9% Liveness
19% Instrumentalness • 19% Positiveness
50% Popularity • 54% Danceability • 38% Energy • 9% Liveness
19% Instrumentalness • 19% Positiveness
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Manuel Angel y Su Arpa Maravillosa
Noches de Barcelona
118 bpm • G Maj • 03:05 • -10db
28% Popularity • 67% Danceability • 55% Energy • 7% Liveness
47% Instrumentalness • 92% Positiveness
28% Popularity • 67% Danceability • 55% Energy • 7% Liveness
47% Instrumentalness • 92% Positiveness
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MelodÃas Mágicas
Nubes
118 bpm • G Maj • 03:31 • -16.21db
37% Popularity • 49% Danceability • 34% Energy • 30% Liveness
72% Instrumentalness • 35% Positiveness
37% Popularity • 49% Danceability • 34% Energy • 30% Liveness
72% Instrumentalness • 35% Positiveness
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Asi Es El Beguine
Amapola
122 bpm • C Maj • 02:57 • -16.27db
24% Popularity • 58% Danceability • 35% Energy • 8% Liveness
90% Instrumentalness • 90% Positiveness
24% Popularity • 58% Danceability • 35% Energy • 8% Liveness
90% Instrumentalness • 90% Positiveness
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Orquesta Casino De La Habana
Sin Ti
118 bpm • C Maj • 02:56 • -10.86db
17% Popularity • 52% Danceability • 54% Energy • 6% Liveness
34% Instrumentalness • 54% Positiveness
17% Popularity • 52% Danceability • 54% Energy • 6% Liveness
34% Instrumentalness • 54% Positiveness
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Bob Fleming
Stars in your Eyes / Orquids in the Moon...
123 bpm • C Maj • 03:00 • -7.22db
33% Popularity • 61% Danceability • 57% Energy • 18% Liveness
88% Instrumentalness • 70% Positiveness
33% Popularity • 61% Danceability • 57% Energy • 18% Liveness
88% Instrumentalness • 70% Positiveness
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Zariz
Cuando Salà de Cuba
117 bpm • D# Maj • 01:54 • -9.46db
32% Popularity • 77% Danceability • 42% Energy • 11% Liveness
85% Instrumentalness • 48% Positiveness
32% Popularity • 77% Danceability • 42% Energy • 11% Liveness
85% Instrumentalness • 48% Positiveness
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Manuel Angel
El Amor Está en Cada Habitación
117 bpm • A min • 02:56 • -11db
30% Popularity • 46% Danceability • 62% Energy • 12% Liveness
42% Instrumentalness • 54% Positiveness
30% Popularity • 46% Danceability • 62% Energy • 12% Liveness
42% Instrumentalness • 54% Positiveness
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MelodÃas Mágicas
Tengo Dos Amores
123 bpm • F Maj • 02:01 • -19.5db
47% Popularity • 58% Danceability • 15% Energy • 12% Liveness
89% Instrumentalness • 77% Positiveness
47% Popularity • 58% Danceability • 15% Energy • 12% Liveness
89% Instrumentalness • 77% Positiveness
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Orquesta Los Ritmicos del Caribe
Frenesi - Instrumental
123 bpm • A Maj • 02:52 • -11.59db
35% Popularity • 69% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 69% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Asi Es El Beguine
Torna A Sorrento
123 bpm • D Maj • 02:13 • -10db
35% Popularity • 56% Danceability • 55% Energy • 15% Liveness
85% Instrumentalness • 90% Positiveness
35% Popularity • 56% Danceability • 55% Energy • 15% Liveness
85% Instrumentalness • 90% Positiveness
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Orquesta Cuerdas Y Metales
Sueno de Amor
123 bpm • G# Maj • 02:48 • -10.24db
36% Popularity • 84% Danceability • 46% Energy • 20% Liveness
2% Instrumentalness • 78% Positiveness
36% Popularity • 84% Danceability • 46% Energy • 20% Liveness
2% Instrumentalness • 78% Positiveness
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Juan Torres Y Su Organo Melodico
Picolissima Serenata
123 bpm • C Maj • 02:28 • -12.85db
46% Popularity • 65% Danceability • 32% Energy • 13% Liveness
87% Instrumentalness • 65% Positiveness
46% Popularity • 65% Danceability • 32% Energy • 13% Liveness
87% Instrumentalness • 65% Positiveness
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Hugo Strasser und die Heinrich Haas jr. Combo
ONCE IN A WHILE
123 bpm • D# Maj • 03:19 • -11db
22% Popularity • 68% Danceability • 31% Energy • 8% Liveness
6% Instrumentalness • 59% Positiveness
22% Popularity • 68% Danceability • 31% Energy • 8% Liveness
6% Instrumentalness • 59% Positiveness
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Jorge Zapata
El Gato en la Oscuridad & Cama y Mesa
123 bpm • G min • 04:22 • -8.68db
23% Popularity • 58% Danceability • 55% Energy • 11% Liveness
36% Instrumentalness • 55% Positiveness
23% Popularity • 58% Danceability • 55% Energy • 11% Liveness
36% Instrumentalness • 55% Positiveness
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Orquesta Románticos Del Caribe
Nuestro Juramento
117 bpm • G min • 02:30 • -9db
33% Popularity • 55% Danceability • 46% Energy • 51% Liveness
82% Instrumentalness • 76% Positiveness
33% Popularity • 55% Danceability • 46% Energy • 51% Liveness
82% Instrumentalness • 76% Positiveness
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Asi Es El Beguine
Sueno De Amor (Tema de Liszt)
123 bpm • G# Maj • 02:45 • -13.29db
20% Popularity • 53% Danceability • 42% Energy • 10% Liveness
83% Instrumentalness • 64% Positiveness
20% Popularity • 53% Danceability • 42% Energy • 10% Liveness
83% Instrumentalness • 64% Positiveness
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Orquesta Los Ritmicos del Caribe
Al Di La - Instrumental
117 bpm • B Maj • 02:33 • -8.6db
34% Popularity • 50% Danceability • 52% Energy • 36% Liveness
73% Instrumentalness • 60% Positiveness
34% Popularity • 50% Danceability • 52% Energy • 36% Liveness
73% Instrumentalness • 60% Positiveness
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Ronnie Aldrich
California Dreamin'
123 bpm • A min • 02:40 • -13db
32% Popularity • 57% Danceability • 32% Energy • 12% Liveness
57% Instrumentalness • 30% Positiveness
32% Popularity • 57% Danceability • 32% Energy • 12% Liveness
57% Instrumentalness • 30% Positiveness
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Saxo
Candilejas
117 bpm • A Maj • 03:20 • -13.57db
39% Popularity • 26% Danceability • 47% Energy • 15% Liveness
98% Instrumentalness • 50% Positiveness
39% Popularity • 26% Danceability • 47% Energy • 15% Liveness
98% Instrumentalness • 50% Positiveness
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Coral de Arpa latina
Cerezo Rosa
117 bpm • F Maj • 03:04 • -4db
29% Popularity • 81% Danceability • 71% Energy • 24% Liveness
59% Instrumentalness • 90% Positiveness
29% Popularity • 81% Danceability • 71% Energy • 24% Liveness
59% Instrumentalness • 90% Positiveness
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Orquesta Popular de las Americas
El Dia Que Me Quieras (Instrumental)
117 bpm • D# Maj • 03:01 • -14.26db
25% Popularity • 41% Danceability • 24% Energy • 26% Liveness
31% Instrumentalness • 35% Positiveness
25% Popularity • 41% Danceability • 24% Energy • 26% Liveness
31% Instrumentalness • 35% Positiveness
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François Gilbert
La Felicidad
123 bpm • F min • 02:06 • -10.14db
31% Popularity • 58% Danceability • 30% Energy • 8% Liveness
71% Instrumentalness • 36% Positiveness
31% Popularity • 58% Danceability • 30% Energy • 8% Liveness
71% Instrumentalness • 36% Positiveness
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The Gino Marinello Orchestra
Song of Silence
116 bpm • D min • 01:48 • -15.22db
43% Popularity • 65% Danceability • 22% Energy • 21% Liveness
76% Instrumentalness • 62% Positiveness
43% Popularity • 65% Danceability • 22% Energy • 21% Liveness
76% Instrumentalness • 62% Positiveness
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Piano Marico
Amorcito Corazón / No Me Quieras Tanto
117 bpm • C Maj • 04:37 • -10db
37% Popularity • 39% Danceability • 48% Energy • 13% Liveness
92% Instrumentalness • 48% Positiveness
37% Popularity • 39% Danceability • 48% Energy • 13% Liveness
92% Instrumentalness • 48% Positiveness
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Orquesta Románticos Del Caribe
Que Te Vaya Bien
116 bpm • C# Maj • 02:32 • -7db
28% Popularity • 62% Danceability • 59% Energy • 39% Liveness
59% Instrumentalness • 86% Positiveness
28% Popularity • 62% Danceability • 59% Energy • 39% Liveness
59% Instrumentalness • 86% Positiveness
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Francis Pourcel Orchestra
El Solitario
124 bpm • D min • 04:23 • -14.11db
24% Popularity • 32% Danceability • 18% Energy • 7% Liveness
1% Instrumentalness • 12% Positiveness
24% Popularity • 32% Danceability • 18% Energy • 7% Liveness
1% Instrumentalness • 12% Positiveness
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Pepe Jaramillo
The Breeze and I
124 bpm • A# Maj • 02:19 • -15.2db
34% Popularity • 74% Danceability • 26% Energy • 11% Liveness
95% Instrumentalness • 77% Positiveness
34% Popularity • 74% Danceability • 26% Energy • 11% Liveness
95% Instrumentalness • 77% Positiveness
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Luis Siu Riveron
Solamente Una Vez / Sabor a Mi - Instrum...
116 bpm • C Maj • 03:44 • -14.22db
32% Popularity • 64% Danceability • 30% Energy • 16% Liveness
90% Instrumentalness • 77% Positiveness
32% Popularity • 64% Danceability • 30% Energy • 16% Liveness
90% Instrumentalness • 77% Positiveness
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Aldo Livorno Y Su Acordeón Napolitano
FrenesÃ
116 bpm • G# Maj • 02:59 • -7.19db
18% Popularity • 75% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
18% Popularity • 75% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Asi Es El Beguine
La Novia
124 bpm • C Maj • 02:32 • -13.03db
33% Popularity • 54% Danceability • 43% Energy • 14% Liveness
90% Instrumentalness • 69% Positiveness
33% Popularity • 54% Danceability • 43% Energy • 14% Liveness
90% Instrumentalness • 69% Positiveness
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Manuel Angel
Nunca en Domingo
124 bpm • G Maj • 02:24 • -8.49db
29% Popularity • 62% Danceability • 63% Energy • 8% Liveness
73% Instrumentalness • 96% Positiveness
29% Popularity • 62% Danceability • 63% Energy • 8% Liveness
73% Instrumentalness • 96% Positiveness
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Jean Claude Borelly
Amarcord
116 bpm • B Maj • 02:29 • -8db
35% Popularity • 46% Danceability • 43% Energy • 17% Liveness
55% Instrumentalness • 53% Positiveness
35% Popularity • 46% Danceability • 43% Energy • 17% Liveness
55% Instrumentalness • 53% Positiveness
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Manuel Olivera Almada
Ojos Espanoles
124 bpm • D Maj • 02:40 • -10db
48% Popularity • 64% Danceability • 54% Energy • 10% Liveness
88% Instrumentalness • 82% Positiveness
48% Popularity • 64% Danceability • 54% Energy • 10% Liveness
88% Instrumentalness • 82% Positiveness
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Luis Siu Riveron
Aquellos Ojos Verdes - Instrumental
116 bpm • C Maj • 02:57 • -14db
33% Popularity • 65% Danceability • 32% Energy • 8% Liveness
95% Instrumentalness • 40% Positiveness
33% Popularity • 65% Danceability • 32% Energy • 8% Liveness
95% Instrumentalness • 40% Positiveness
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Bob Fleming
Una Mujer / Desesperadamente
116 bpm • A# Maj • 02:30 • -8.52db
39% Popularity • 63% Danceability • 43% Energy • 14% Liveness
2% Instrumentalness • 67% Positiveness
39% Popularity • 63% Danceability • 43% Energy • 14% Liveness
2% Instrumentalness • 67% Positiveness
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Orquesta Casino De La Habana
Tres Palabras
116 bpm • G min • 02:30 • -12.3db
23% Popularity • 54% Danceability • 47% Energy • 38% Liveness
12% Instrumentalness • 66% Positiveness
23% Popularity • 54% Danceability • 47% Energy • 38% Liveness
12% Instrumentalness • 66% Positiveness
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EDDY GUIRAO
Piel Canela
125 bpm • G Maj • 03:00 • -9db
44% Popularity • 76% Danceability • 66% Energy • 9% Liveness
90% Instrumentalness • 97% Positiveness
44% Popularity • 76% Danceability • 66% Energy • 9% Liveness
90% Instrumentalness • 97% Positiveness
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Aldo Livorno Y Su Acordeón Napolitano
Tornero Tornera
125 bpm • A Maj • 04:15 • -12.55db
16% Popularity • 53% Danceability • 52% Energy • 8% Liveness
82% Instrumentalness • 16% Positiveness
16% Popularity • 53% Danceability • 52% Energy • 8% Liveness
82% Instrumentalness • 16% Positiveness
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Charlie Shaffer
Green Eyes - Amapoloa - Tangerine
125 bpm • D min • 03:20 • -17db
23% Popularity • 71% Danceability • 23% Energy • 12% Liveness
85% Instrumentalness • 60% Positiveness
23% Popularity • 71% Danceability • 23% Energy • 12% Liveness
85% Instrumentalness • 60% Positiveness
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Luis Siu Riveron
Smile - Instrumental
116 bpm • C Maj • 02:31 • -13.26db
38% Popularity • 62% Danceability • 39% Energy • 16% Liveness
87% Instrumentalness • 81% Positiveness
38% Popularity • 62% Danceability • 39% Energy • 16% Liveness
87% Instrumentalness • 81% Positiveness
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Bob Fleming
Maria Elena / La Violetera
115 bpm • C min • 02:36 • -6.87db
35% Popularity • 58% Danceability • 50% Energy • 9% Liveness
76% Instrumentalness • 66% Positiveness
35% Popularity • 58% Danceability • 50% Energy • 9% Liveness
76% Instrumentalness • 66% Positiveness
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Richard Abel
Marina
115 bpm • D Maj • 03:19 • -10db
23% Popularity • 76% Danceability • 76% Energy • 8% Liveness
78% Instrumentalness • 96% Positiveness
23% Popularity • 76% Danceability • 76% Energy • 8% Liveness
78% Instrumentalness • 96% Positiveness
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Paul Latin
Aquellos Ojos Verdes
115 bpm • D Maj • 01:48 • -7db
42% Popularity • 78% Danceability • 70% Energy • 18% Liveness
86% Instrumentalness • 89% Positiveness
42% Popularity • 78% Danceability • 70% Energy • 18% Liveness
86% Instrumentalness • 89% Positiveness
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Aldo Livorno Y Su Acordeón Napolitano
Y la Amo
115 bpm • C# min • 02:44 • -8.77db
44% Popularity • 63% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
44% Popularity • 63% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Chico GarcÃa
La Paloma
115 bpm • C Maj • 04:01 • -3db
21% Popularity • 65% Danceability • 52% Energy • 7% Liveness
80% Instrumentalness • 43% Positiveness
21% Popularity • 65% Danceability • 52% Energy • 7% Liveness
80% Instrumentalness • 43% Positiveness
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Luis Siu Riveron
Siboney - Instrumental
124 bpm • C Maj • 02:17 • -13db
42% Popularity • 62% Danceability • 38% Energy • 7% Liveness
78% Instrumentalness • 78% Positiveness
42% Popularity • 62% Danceability • 38% Energy • 7% Liveness
78% Instrumentalness • 78% Positiveness
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Asi Es El Beguine
Beguine The Beguine
125 bpm • D min • 03:35 • -13db
33% Popularity • 55% Danceability • 52% Energy • 31% Liveness
92% Instrumentalness • 71% Positiveness
33% Popularity • 55% Danceability • 52% Energy • 31% Liveness
92% Instrumentalness • 71% Positiveness
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Ballroom Dance Orchestra
Red Roses for a Blue Lady
115 bpm • C Maj • 02:24 • -11.97db
39% Popularity • 40% Danceability • 48% Energy • 10% Liveness
80% Instrumentalness • 36% Positiveness
39% Popularity • 40% Danceability • 48% Energy • 10% Liveness
80% Instrumentalness • 36% Positiveness
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Tony Mottola y Su Orquesta
Anna
115 bpm • G Maj • 02:06 • -9.74db
27% Popularity • 72% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 72% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Orquesta Casino De La Habana
La Paloma
126 bpm • C Maj • 03:03 • -19.78db
44% Popularity • 66% Danceability • 23% Energy • 14% Liveness
48% Instrumentalness • 88% Positiveness
44% Popularity • 66% Danceability • 23% Energy • 14% Liveness
48% Instrumentalness • 88% Positiveness
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Chico GarcÃa
Aquellos ojos verdes
115 bpm • D Maj • 01:48 • -15db
36% Popularity • 81% Danceability • 30% Energy • 11% Liveness
88% Instrumentalness • 72% Positiveness
36% Popularity • 81% Danceability • 30% Energy • 11% Liveness
88% Instrumentalness • 72% Positiveness
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Lucien Pariseau
Tres Palabras
115 bpm • D min • 02:32 • -9.46db
24% Popularity • 52% Danceability • 48% Energy • 31% Liveness
54% Instrumentalness • 63% Positiveness
24% Popularity • 52% Danceability • 48% Energy • 31% Liveness
54% Instrumentalness • 63% Positiveness
