Songs like Pieces faciles et agreables, Op. 74: XII. Grazioso by Mauro Giuliani
Based on a tempo of (+/- 10%) and a similar genre
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Mauro Giuliani
Studio Op.48 N.22 - Allegro Maestoso
121 bpm • E Maj • 01:07 • -20.2db
26% Popularity • 41% Danceability • 26% Energy • 11% Liveness
88% Instrumentalness • 94% Positiveness
26% Popularity • 41% Danceability • 26% Energy • 11% Liveness
88% Instrumentalness • 94% Positiveness
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Marek Pasieczny
Little Sonata, Pt. I. Moderto Galante
121 bpm • D Maj • 01:43 • -15.55db
12% Popularity • 62% Danceability • 17% Energy • 12% Liveness
91% Instrumentalness • 47% Positiveness
12% Popularity • 62% Danceability • 17% Energy • 12% Liveness
91% Instrumentalness • 47% Positiveness
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Regino Sáinz de la Maza
4 Obras Originales: No. 1. Baile de Mune...
121 bpm • E Maj • 01:39 • -23.98db
15% Popularity • 51% Danceability • 9% Energy • 14% Liveness
93% Instrumentalness • 32% Positiveness
15% Popularity • 51% Danceability • 9% Energy • 14% Liveness
93% Instrumentalness • 32% Positiveness
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Vincenzo Galilei
26 Ricercares: No. 1, Ricercare del prim...
121 bpm • E Maj • 00:55 • -23.12db
18% Popularity • 61% Danceability • 6% Energy • 11% Liveness
95% Instrumentalness • 79% Positiveness
18% Popularity • 61% Danceability • 6% Energy • 11% Liveness
95% Instrumentalness • 79% Positiveness
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Timothy Lane Brace
Interlude 4 - Arpeggios
121 bpm • D Maj • 01:23 • -15.17db
13% Popularity • 57% Danceability • 30% Energy • 11% Liveness
97% Instrumentalness • 18% Positiveness
13% Popularity • 57% Danceability • 30% Energy • 11% Liveness
97% Instrumentalness • 18% Positiveness
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Paolo Pegoraro
Barcarola 'Julia Florida'
121 bpm • D Maj • 05:10 • -31.5db
11% Popularity • 38% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 24% Positiveness
11% Popularity • 38% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 24% Positiveness
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Oscar Ahnfelt
Blott en dag (arr. for Guitar by Mattias...
121 bpm • E Maj • 02:15 • -23.81db
9% Popularity • 65% Danceability • 3% Energy • 9% Liveness
84% Instrumentalness • 68% Positiveness
9% Popularity • 65% Danceability • 3% Energy • 9% Liveness
84% Instrumentalness • 68% Positiveness
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Mauro Giuliani
32 Etudes Simples, Op. 30: No. 19
120 bpm • C Maj • 01:27 • -23.03db
2% Popularity • 35% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 50% Positiveness
2% Popularity • 35% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 50% Positiveness
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Niccolò Paganini
Ghiribizzi, MS 43: No. 15. Allegro
121 bpm • G Maj • 01:10 • -27.18db
25% Popularity • 41% Danceability • 11% Energy • 21% Liveness
90% Instrumentalness • 95% Positiveness
25% Popularity • 41% Danceability • 11% Energy • 21% Liveness
90% Instrumentalness • 95% Positiveness
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Gioachino Rossini
Semiramide, Act 1: III. Quartetto. di ta...
120 bpm • C Maj • 02:03 • -24.35db
5% Popularity • 48% Danceability • 13% Energy • 18% Liveness
80% Instrumentalness • 22% Positiveness
5% Popularity • 48% Danceability • 13% Energy • 18% Liveness
80% Instrumentalness • 22% Positiveness
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Domenico Scarlatti
Keyboard Sonata in G Major, K.14/L.387/P...
120 bpm • G Maj • 04:36 • -28db
15% Popularity • 43% Danceability • 12% Energy • 21% Liveness
91% Instrumentalness • 54% Positiveness
15% Popularity • 43% Danceability • 12% Energy • 21% Liveness
91% Instrumentalness • 54% Positiveness
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Alexandre Tansman
Pièces brèves pour guitare: IV. Berceu...
120 bpm • A Maj • 02:08 • -36db
11% Popularity • 38% Danceability • 2% Energy • 12% Liveness
96% Instrumentalness • 35% Positiveness
11% Popularity • 38% Danceability • 2% Energy • 12% Liveness
96% Instrumentalness • 35% Positiveness
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Mario Castelnuovo-Tedesco
Les guitares bien temperees (The Well-Te...
122 bpm • B min • 01:40 • -22.78db
13% Popularity • 57% Danceability • 32% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
13% Popularity • 57% Danceability • 32% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
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Mauro Giuliani
18 Etudes Progressives, Op. 51: No. 3
122 bpm • C Maj • 01:52 • -28.01db
2% Popularity • 48% Danceability • 12% Energy • 12% Liveness
93% Instrumentalness • 78% Positiveness
2% Popularity • 48% Danceability • 12% Energy • 12% Liveness
93% Instrumentalness • 78% Positiveness
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Joaquim Homs
Piano Suite "Entre dues línies" (Versio...
120 bpm • A min • 01:19 • -27db
23% Popularity • 63% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 95% Positiveness
23% Popularity • 63% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 95% Positiveness
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Hermann Ambrosius
Suite Galante (Arr. for 2 Guitars by Ano...
122 bpm • G Maj • 01:26 • -16.85db
9% Popularity • 70% Danceability • 27% Energy • 12% Liveness
93% Instrumentalness • 74% Positiveness
9% Popularity • 70% Danceability • 27% Energy • 12% Liveness
93% Instrumentalness • 74% Positiveness
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Renata Tarragó
Fernando Sor : Variaciones sobre un tema...
122 bpm • F Maj • 06:10 • -14.06db
4% Popularity • 54% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 41% Positiveness
4% Popularity • 54% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 41% Positiveness
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Ernest Shand
Légende, Op. 201
119 bpm • G Maj • 03:02 • -20.7db
14% Popularity • 60% Danceability • 9% Energy • 9% Liveness
94% Instrumentalness • 36% Positiveness
14% Popularity • 60% Danceability • 9% Energy • 9% Liveness
94% Instrumentalness • 36% Positiveness
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Jeffrey McFadden
Stepping Lightly
119 bpm • C Maj • 01:38 • -18.65db
15% Popularity • 48% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 69% Positiveness
15% Popularity • 48% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 69% Positiveness
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Mauro Giuliani
24 Etudes, Op. 100: No. 2
122 bpm • G Maj • 01:02 • -24.4db
3% Popularity • 28% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 28% Positiveness
3% Popularity • 28% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 28% Positiveness
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Fernando Sor
Study in D op. 35 no. 17
119 bpm • D Maj • 01:18 • -29.39db
21% Popularity • 33% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 51% Positiveness
21% Popularity • 33% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 51% Positiveness
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Niccolò Paganini
Grand Sonata in A Major, MS 3: I. Allegr...
123 bpm • A Maj • 09:28 • -24.95db
11% Popularity • 35% Danceability • 13% Energy • 20% Liveness
89% Instrumentalness • 35% Positiveness
11% Popularity • 35% Danceability • 13% Energy • 20% Liveness
89% Instrumentalness • 35% Positiveness
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Dwight Holly Juarez
Sonata Eroica, Op. 150
123 bpm • A Maj • 08:30 • -23.52db
5% Popularity • 44% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 38% Positiveness
5% Popularity • 44% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 38% Positiveness
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Napoléon Coste
25 Etudes, Op. 38: No. 6 in A Major: And...
119 bpm • D Maj • 01:46 • -30.02db
27% Popularity • 36% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 16% Positiveness
27% Popularity • 36% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 16% Positiveness
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Renata Tarragó
Fernando Sor : Estudio en si bemol mayor...
123 bpm • B Maj • 03:12 • -25.46db
10% Popularity • 41% Danceability • 9% Energy • 10% Liveness
94% Instrumentalness • 42% Positiveness
10% Popularity • 41% Danceability • 9% Energy • 10% Liveness
94% Instrumentalness • 42% Positiveness
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Mauro Giuliani
Grande ouverture, Op. 61
123 bpm • A Maj • 07:30 • -19.4db
10% Popularity • 39% Danceability • 25% Energy • 11% Liveness
87% Instrumentalness • 23% Positiveness
10% Popularity • 39% Danceability • 25% Energy • 11% Liveness
87% Instrumentalness • 23% Positiveness
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Domenico Scarlatti
Keyboard Sonata in D Major, K.178/L.162/...
119 bpm • A Maj • 02:17 • -27db
32% Popularity • 37% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 56% Positiveness
32% Popularity • 37% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 56% Positiveness
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Matteo Mela
Sonata K. 455 (Arr. for Two Guitars by M...
124 bpm • D Maj • 03:36 • -17.67db
7% Popularity • 43% Danceability • 37% Energy • 12% Liveness
86% Instrumentalness • 83% Positiveness
7% Popularity • 43% Danceability • 37% Energy • 12% Liveness
86% Instrumentalness • 83% Positiveness
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Heitor Villa-Lobos
Prelude No. 1
118 bpm • E min • 04:56 • -14.38db
14% Popularity • 40% Danceability • 31% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
14% Popularity • 40% Danceability • 31% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
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Napoléon Coste
25 Etudes, Op. 38: No. 23 in A Major: Mo...
119 bpm • D Maj • 02:24 • -29.08db
26% Popularity • 38% Danceability • 16% Energy • 12% Liveness
88% Instrumentalness • 71% Positiveness
26% Popularity • 38% Danceability • 16% Energy • 12% Liveness
88% Instrumentalness • 71% Positiveness
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Vincenzo Galilei
26 Ricercares: No. 19, Ricercare del set...
124 bpm • B min • 01:14 • -21.6db
18% Popularity • 60% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 64% Positiveness
18% Popularity • 60% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 64% Positiveness
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Joaquín Rodrigo
El álbum de Cecilia (Arr. P. Romero for...
124 bpm • C Maj • 01:23 • -17.4db
20% Popularity • 45% Danceability • 18% Energy • 10% Liveness
83% Instrumentalness • 32% Positiveness
20% Popularity • 45% Danceability • 18% Energy • 10% Liveness
83% Instrumentalness • 32% Positiveness
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Luigi Legnani
36 Caprices, Op. 20: No. 6 in F Major
124 bpm • C Maj • 01:31 • -15db
12% Popularity • 56% Danceability • 22% Energy • 12% Liveness
91% Instrumentalness • 33% Positiveness
12% Popularity • 56% Danceability • 22% Energy • 12% Liveness
91% Instrumentalness • 33% Positiveness
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Hermann Ambrosius
Small Concert in Old Style: III. Vivace
124 bpm • D Maj • 03:00 • -15db
14% Popularity • 68% Danceability • 30% Energy • 11% Liveness
89% Instrumentalness • 82% Positiveness
14% Popularity • 68% Danceability • 30% Energy • 11% Liveness
89% Instrumentalness • 82% Positiveness
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Federico Mompou
Canción y danza I (transcribed by James...
124 bpm • A Maj • 02:46 • -23.42db
9% Popularity • 50% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 19% Positiveness
9% Popularity • 50% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 19% Positiveness
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Napoléon Coste
Prelude No.3 in F Major
118 bpm • D min • 00:58 • -15.58db
22% Popularity • 37% Danceability • 31% Energy • 10% Liveness
95% Instrumentalness • 47% Positiveness
22% Popularity • 37% Danceability • 31% Energy • 10% Liveness
95% Instrumentalness • 47% Positiveness
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Antonio Ruiz Pipó
Homenaje a Antonio de Cabezón: III. Glo...
124 bpm • G Maj • 02:35 • -27.26db
14% Popularity • 60% Danceability • 1% Energy • 7% Liveness
73% Instrumentalness • 39% Positiveness
14% Popularity • 60% Danceability • 1% Energy • 7% Liveness
73% Instrumentalness • 39% Positiveness
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Federico Moreno Torroba
Castillos de Espana II: No. 6. Torija
124 bpm • D Maj • 02:10 • -32.19db
33% Popularity • 36% Danceability • 2% Energy • 9% Liveness
87% Instrumentalness • 18% Positiveness
33% Popularity • 36% Danceability • 2% Energy • 9% Liveness
87% Instrumentalness • 18% Positiveness
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Luigi Legnani
36 Caprices, Op. 20: I. Andante
124 bpm • C Maj • 02:16 • -30db
18% Popularity • 49% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
18% Popularity • 49% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
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Matteo Carcassi
Carcassi Op.60 N.3 Andantino
118 bpm • A Maj • 02:41 • -20db
30% Popularity • 32% Danceability • 22% Energy • 9% Liveness
94% Instrumentalness • 23% Positiveness
30% Popularity • 32% Danceability • 22% Energy • 9% Liveness
94% Instrumentalness • 23% Positiveness
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Martin Romberg
Nilmë, variasjoner over et gammelt tema...
118 bpm • A min • 05:54 • -25.64db
17% Popularity • 42% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 13% Positiveness
17% Popularity • 42% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 13% Positiveness
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Anabel Montesinos
Preludio en Mi, M. M. Ponce
125 bpm • E Maj • 02:24 • -18.61db
29% Popularity • 42% Danceability • 23% Energy • 11% Liveness
96% Instrumentalness • 59% Positiveness
29% Popularity • 42% Danceability • 23% Energy • 11% Liveness
96% Instrumentalness • 59% Positiveness
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Niccolò Paganini
Guitar Sonata No. 30 in A Major: Minuet ...
117 bpm • A Maj • 03:11 • -26db
16% Popularity • 34% Danceability • 15% Energy • 8% Liveness
83% Instrumentalness • 50% Positiveness
16% Popularity • 34% Danceability • 15% Energy • 8% Liveness
83% Instrumentalness • 50% Positiveness
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Mauro Giuliani
32 Etudes Simples, Op. 30: No. 30, Andan...
117 bpm • G Maj • 01:27 • -23.64db
2% Popularity • 46% Danceability • 14% Energy • 12% Liveness
96% Instrumentalness • 67% Positiveness
2% Popularity • 46% Danceability • 14% Energy • 12% Liveness
96% Instrumentalness • 67% Positiveness
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Tim Brace
Prelude No. 4
117 bpm • E min • 01:42 • -20db
22% Popularity • 57% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 21% Positiveness
22% Popularity • 57% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 21% Positiveness
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Leo Brouwer
Musica Incidental Campesina Interludio -...
117 bpm • F# min • 01:31 • -31.33db
11% Popularity • 64% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 26% Positiveness
11% Popularity • 64% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 26% Positiveness
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Regino Sáinz de la Maza
Rondena
117 bpm • G min • 03:56 • -20db
18% Popularity • 48% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 32% Positiveness
18% Popularity • 48% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 32% Positiveness
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Stephanie Jones
Verano Porteño
125 bpm • F Maj • 03:27 • -20.19db
10% Popularity • 46% Danceability • 16% Energy • 12% Liveness
89% Instrumentalness • 14% Positiveness
10% Popularity • 46% Danceability • 16% Energy • 12% Liveness
89% Instrumentalness • 14% Positiveness
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Jérémy Jouve
3 Piezas espanolas (3 Spanish Pieces): N...
117 bpm • A Maj • 02:47 • -28db
31% Popularity • 29% Danceability • 14% Energy • 14% Liveness
84% Instrumentalness • 78% Positiveness
31% Popularity • 29% Danceability • 14% Energy • 14% Liveness
84% Instrumentalness • 78% Positiveness
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Heitor Villa-Lobos
Suite populaire brésilienne, W020: No. ...
126 bpm • A min • 03:28 • -15db
15% Popularity • 48% Danceability • 18% Energy • 9% Liveness
94% Instrumentalness • 23% Positiveness
15% Popularity • 48% Danceability • 18% Energy • 9% Liveness
94% Instrumentalness • 23% Positiveness
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Lennox Berkeley
Guitar Sonatina, Op. 52, No. 1: I. Alleg...
117 bpm • D Maj • 04:54 • -27.28db
12% Popularity • 32% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 31% Positiveness
12% Popularity • 32% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 31% Positiveness
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Astor Piazzolla
Chau Paris (Transcr. F. Cucchi for Guita...
116 bpm • D min • 02:42 • -19db
15% Popularity • 44% Danceability • 14% Energy • 10% Liveness
94% Instrumentalness • 31% Positiveness
15% Popularity • 44% Danceability • 14% Energy • 10% Liveness
94% Instrumentalness • 31% Positiveness
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Joaquín Turina
Homenaje a Tárrega, Op. 69: II. Soleare...
116 bpm • D Maj • 01:51 • -26db
19% Popularity • 30% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 47% Positiveness
19% Popularity • 30% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 47% Positiveness
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Ferdinando Carulli
Andantino in G Major
116 bpm • G Maj • 01:14 • -31db
25% Popularity • 35% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 46% Positiveness
25% Popularity • 35% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 46% Positiveness
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
126 bpm • E Maj • 02:04 • -24.17db
23% Popularity • 63% Danceability • 4% Energy • 9% Liveness
86% Instrumentalness • 28% Positiveness
23% Popularity • 63% Danceability • 4% Energy • 9% Liveness
86% Instrumentalness • 28% Positiveness
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Mauro Giuliani
24 Etudes, Op. 48: No. 1, Vivace
126 bpm • C Maj • 01:10 • -12.65db
2% Popularity • 54% Danceability • 35% Energy • 11% Liveness
89% Instrumentalness • 59% Positiveness
2% Popularity • 54% Danceability • 35% Energy • 11% Liveness
89% Instrumentalness • 59% Positiveness
► Preview
Leo Brouwer
Preludios Epigramaticos: No. 2
126 bpm • A min • 03:01 • -33.79db
8% Popularity • 42% Danceability • 0% Energy • 17% Liveness
88% Instrumentalness • 18% Positiveness
8% Popularity • 42% Danceability • 0% Energy • 17% Liveness
88% Instrumentalness • 18% Positiveness
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Napoléon Coste
25 Etudes, Op. 38: No. 3 in D Minor: Pre...
116 bpm • D min • 01:07 • -31.64db
36% Popularity • 31% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 17% Positiveness
36% Popularity • 31% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 17% Positiveness
► Preview
John Dowland
Lachrimae Antiquae - Live
126 bpm • A min • 03:30 • -23.57db
8% Popularity • 58% Danceability • 11% Energy • 14% Liveness
83% Instrumentalness • 34% Positiveness
8% Popularity • 58% Danceability • 11% Energy • 14% Liveness
83% Instrumentalness • 34% Positiveness
► Preview
Gabriele Leone
Sonata
116 bpm • A Maj • 02:27 • -18.42db
7% Popularity • 57% Danceability • 19% Energy • 12% Liveness
89% Instrumentalness • 49% Positiveness
7% Popularity • 57% Danceability • 19% Energy • 12% Liveness
89% Instrumentalness • 49% Positiveness
► Preview
Antoine Forqueray
Suite No. 1 in D Minor: No. 4, La Bellmo...
116 bpm • D min • 03:45 • -19db
9% Popularity • 51% Danceability • 16% Energy • 12% Liveness
88% Instrumentalness • 48% Positiveness
9% Popularity • 51% Danceability • 16% Energy • 12% Liveness
88% Instrumentalness • 48% Positiveness
► Preview
Randy Titus
Lunar Lavender
116 bpm • A Maj • 01:12 • -14.15db
16% Popularity • 58% Danceability • 22% Energy • 14% Liveness
58% Instrumentalness • 44% Positiveness
16% Popularity • 58% Danceability • 22% Energy • 14% Liveness
58% Instrumentalness • 44% Positiveness
► Preview
Renata Tarragó
Gaspar Sanz : Folias
116 bpm • D# min • 01:34 • -19.18db
23% Popularity • 60% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 36% Positiveness
23% Popularity • 60% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 36% Positiveness
► Preview
Federico Moreno Torroba
Castillos de Espana II: No. 2. Manzanare...
127 bpm • A min • 01:05 • -27db
31% Popularity • 36% Danceability • 16% Energy • 10% Liveness
84% Instrumentalness • 78% Positiveness
31% Popularity • 36% Danceability • 16% Energy • 10% Liveness
84% Instrumentalness • 78% Positiveness
► Preview
Napoléon Coste
25 Etudes for Guitar, Op. 38: Etude No. ...
115 bpm • D min • 01:20 • -19.2db
19% Popularity • 37% Danceability • 20% Energy • 12% Liveness
96% Instrumentalness • 14% Positiveness
19% Popularity • 37% Danceability • 20% Energy • 12% Liveness
96% Instrumentalness • 14% Positiveness
► Preview
Florian Forestino
Indecisive
127 bpm • C min • 01:02 • -32.54db
23% Popularity • 52% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 39% Positiveness
23% Popularity • 52% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 39% Positiveness
► Preview
Stephanie Jones
Otoño Porteño
127 bpm • D min • 05:17 • -20.13db
9% Popularity • 40% Danceability • 14% Energy • 11% Liveness
87% Instrumentalness • 13% Positiveness
9% Popularity • 40% Danceability • 14% Energy • 11% Liveness
87% Instrumentalness • 13% Positiveness
► Preview
Kevin Callahan
Yesler Way
115 bpm • G min • 04:06 • -29.85db
8% Popularity • 42% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 27% Positiveness
8% Popularity • 42% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 27% Positiveness
► Preview
Jorge Morel
Danza in E Minor
115 bpm • E min • 03:49 • -32db
15% Popularity • 21% Danceability • 5% Energy • 7% Liveness
86% Instrumentalness • 32% Positiveness
15% Popularity • 21% Danceability • 5% Energy • 7% Liveness
86% Instrumentalness • 32% Positiveness
► Preview
Giulio Regondi
"Nocturne" Reverie, Op. 19
128 bpm • D Maj • 09:59 • -18.67db
15% Popularity • 27% Danceability • 25% Energy • 9% Liveness
92% Instrumentalness • 24% Positiveness
15% Popularity • 27% Danceability • 25% Energy • 9% Liveness
92% Instrumentalness • 24% Positiveness
► Preview
Dilermando Reis
Uma Valsa e Dois Amores
114 bpm • E Maj • 03:44 • -22.79db
13% Popularity • 37% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 33% Positiveness
13% Popularity • 37% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 33% Positiveness
► Preview
Hermann Ambrosius
Duo for 2 Guitars in G Major: II. Romanz...
128 bpm • C Maj • 03:02 • -22.57db
10% Popularity • 55% Danceability • 5% Energy • 10% Liveness
85% Instrumentalness • 12% Positiveness
10% Popularity • 55% Danceability • 5% Energy • 10% Liveness
85% Instrumentalness • 12% Positiveness
► Preview
Gaspar Sanz
Preludio o Capricho Arpeado
114 bpm • E min • 01:08 • -34db
30% Popularity • 27% Danceability • 9% Energy • 8% Liveness
91% Instrumentalness • 20% Positiveness
30% Popularity • 27% Danceability • 9% Energy • 8% Liveness
91% Instrumentalness • 20% Positiveness
► Preview
Luigi Boccherini
Guitar Quintet No. 4 in D Major, G. 448 ...
114 bpm • D Maj • 01:22 • -30db
33% Popularity • 52% Danceability • 2% Energy • 10% Liveness
95% Instrumentalness • 18% Positiveness
33% Popularity • 52% Danceability • 2% Energy • 10% Liveness
95% Instrumentalness • 18% Positiveness
► Preview
Horacio Salgán
A Don Agustin Bardi (arr. J. Morel): Don...
128 bpm • A min • 03:15 • -26.55db
12% Popularity • 36% Danceability • 10% Energy • 9% Liveness
85% Instrumentalness • 57% Positiveness
12% Popularity • 36% Danceability • 10% Energy • 9% Liveness
85% Instrumentalness • 57% Positiveness
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Maximo Diego Pujol
Suite Buenos Aires for Flute and Guitar:...
128 bpm • A min • 03:58 • -24.33db
8% Popularity • 49% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 24% Positiveness
8% Popularity • 49% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 24% Positiveness
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Vicente Asencio
Collectici Íntim: I. la serener
114 bpm • D Maj • 04:21 • -30.41db
2% Popularity • 51% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
2% Popularity • 51% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Mauro Giuliani
32 Etudes Simples, Op. 30: No. 18, Alleg...
114 bpm • G Maj • 01:12 • -19.81db
2% Popularity • 37% Danceability • 17% Energy • 12% Liveness
97% Instrumentalness • 64% Positiveness
2% Popularity • 37% Danceability • 17% Energy • 12% Liveness
97% Instrumentalness • 64% Positiveness
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Janco de Leeuw
Een Zwerm Spreeuwen
114 bpm • E min • 01:09 • -18.46db
11% Popularity • 32% Danceability • 28% Energy • 7% Liveness
93% Instrumentalness • 26% Positiveness
11% Popularity • 32% Danceability • 28% Energy • 7% Liveness
93% Instrumentalness • 26% Positiveness
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Matteo Carcassi
Carcassi Op.60 N.13 Andantino Grazioso
114 bpm • A Maj • 01:44 • -17db
21% Popularity • 29% Danceability • 41% Energy • 14% Liveness
92% Instrumentalness • 30% Positiveness
21% Popularity • 29% Danceability • 41% Energy • 14% Liveness
92% Instrumentalness • 30% Positiveness
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Johann Kaspar Mertz
Bardenklange, Op. 13: Capriccio
129 bpm • D min • 01:48 • -27.45db
23% Popularity • 19% Danceability • 10% Energy • 12% Liveness
84% Instrumentalness • 32% Positiveness
23% Popularity • 19% Danceability • 10% Energy • 12% Liveness
84% Instrumentalness • 32% Positiveness
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Harish Powar
Once Upon a Time
129 bpm • E Maj • 02:09 • -23.24db
29% Popularity • 49% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 45% Positiveness
29% Popularity • 49% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 45% Positiveness
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Claude Debussy
Children's Corner: V. The Little Shepher...
129 bpm • E Maj • 02:55 • -33.62db
24% Popularity • 39% Danceability • 1% Energy • 14% Liveness
77% Instrumentalness • 16% Positiveness
24% Popularity • 39% Danceability • 1% Energy • 14% Liveness
77% Instrumentalness • 16% Positiveness
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Maximo Diego Pujol
Suite del Plata, No. 1: Milonga
114 bpm • D min • 04:02 • -29.81db
26% Popularity • 38% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 18% Positiveness
26% Popularity • 38% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 18% Positiveness
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Mario Castelnuovo-Tedesco
Capriccio, Op. 195, No. 18, "El sueno de...
129 bpm • C Maj • 01:58 • -24.92db
18% Popularity • 38% Danceability • 17% Energy • 10% Liveness
89% Instrumentalness • 34% Positiveness
18% Popularity • 38% Danceability • 17% Energy • 10% Liveness
89% Instrumentalness • 34% Positiveness
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Mauro Giuliani
Studio Op.100 N.11 - Allegro
129 bpm • A min • 01:13 • -22.98db
26% Popularity • 26% Danceability • 31% Energy • 13% Liveness
86% Instrumentalness • 38% Positiveness
26% Popularity • 26% Danceability • 31% Energy • 13% Liveness
86% Instrumentalness • 38% Positiveness
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Jose Luis Merlin
Suite del recuerdo: Chacarera
113 bpm • E min • 03:02 • -20db
20% Popularity • 47% Danceability • 22% Energy • 10% Liveness
81% Instrumentalness • 14% Positiveness
20% Popularity • 47% Danceability • 22% Energy • 10% Liveness
81% Instrumentalness • 14% Positiveness
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Enea Leone
C'era una volta il west: II. C'era una v...
113 bpm • G Maj • 02:48 • -28.15db
8% Popularity • 47% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 29% Positiveness
8% Popularity • 47% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 29% Positiveness
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Astor Piazzolla
La Muerte del Angel - Arr. for Guitar an...
130 bpm • E min • 04:11 • -15.29db
12% Popularity • 44% Danceability • 29% Energy • 9% Liveness
90% Instrumentalness • 15% Positiveness
12% Popularity • 44% Danceability • 29% Energy • 9% Liveness
90% Instrumentalness • 15% Positiveness
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Fernando Sor
莫扎特主题与变奏, 作品9: 主�...
129 bpm • E Maj • 01:12 • -25.92db
15% Popularity • 48% Danceability • 7% Energy • 10% Liveness
86% Instrumentalness • 80% Positiveness
15% Popularity • 48% Danceability • 7% Energy • 10% Liveness
86% Instrumentalness • 80% Positiveness
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Jim Ten Boske
Kruispunt
113 bpm • E min • 03:21 • -15.38db
20% Popularity • 52% Danceability • 25% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
20% Popularity • 52% Danceability • 25% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Mauro Giuliani
Study
113 bpm • G Maj • 00:50 • -36.43db
19% Popularity • 27% Danceability • 2% Energy • 12% Liveness
87% Instrumentalness • 28% Positiveness
19% Popularity • 27% Danceability • 2% Energy • 12% Liveness
87% Instrumentalness • 28% Positiveness
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Mario Castelnuovo-Tedesco
Sonatina canonica, Op. 196: III. Fandang...
113 bpm • A min • 02:36 • -24db
24% Popularity • 51% Danceability • 19% Energy • 11% Liveness
88% Instrumentalness • 65% Positiveness
24% Popularity • 51% Danceability • 19% Energy • 11% Liveness
88% Instrumentalness • 65% Positiveness
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Ernest Shand
The Gnomes, Op. 77
130 bpm • E min • 02:00 • -14.9db
14% Popularity • 51% Danceability • 37% Energy • 25% Liveness
91% Instrumentalness • 18% Positiveness
14% Popularity • 51% Danceability • 37% Energy • 25% Liveness
91% Instrumentalness • 18% Positiveness
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Napoléon Coste
Les Soirées d’Auteuil, Op. 23: Serena...
113 bpm • A Maj • 03:20 • -20.05db
16% Popularity • 42% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
16% Popularity • 42% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
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Bret Williams
Time with People
112 bpm • D Maj • 03:54 • -27db
24% Popularity • 40% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 48% Positiveness
24% Popularity • 40% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 48% Positiveness
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Johann Kaspar Mertz
Bardenklänge, Op. 13: Unruhe (Restlessn...
112 bpm • C min • 02:45 • -23db
13% Popularity • 45% Danceability • 13% Energy • 7% Liveness
87% Instrumentalness • 22% Positiveness
13% Popularity • 45% Danceability • 13% Energy • 7% Liveness
87% Instrumentalness • 22% Positiveness
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Mauro Giuliani
Studio op.1 parte 3a n.1 - maestoso
130 bpm • C Maj • 01:28 • -21.11db
4% Popularity • 52% Danceability • 14% Energy • 11% Liveness
96% Instrumentalness • 96% Positiveness
4% Popularity • 52% Danceability • 14% Energy • 11% Liveness
96% Instrumentalness • 96% Positiveness
