Songs like Pieces in D: L'Otoñera by Israel Golani
Based on a tempo of (+/- 10%) and a similar genre
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William Byrd
Byrd: Sermone blando a 3 & a 4
125 bpm • A# Maj • 04:18 • -23.79db
8% Popularity • 17% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 17% Positiveness
8% Popularity • 17% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 17% Positiveness
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Martino Bitti
Sonata in G Minor: IV. Gavotta
125 bpm • F# min • 00:57 • -22.13db
10% Popularity • 75% Danceability • 6% Energy • 11% Liveness
24% Instrumentalness • 76% Positiveness
10% Popularity • 75% Danceability • 6% Energy • 11% Liveness
24% Instrumentalness • 76% Positiveness
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Israel Golani
Suite in D minor: Gigue
125 bpm • C# min • 01:06 • -32.97db
0% Popularity • 46% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 94% Positiveness
0% Popularity • 46% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 94% Positiveness
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Rocco Greco
Sinfonia Viggesima seconda a due viole
124 bpm • G min • 02:25 • -20db
7% Popularity • 39% Danceability • 18% Energy • 9% Liveness
97% Instrumentalness • 56% Positiveness
7% Popularity • 39% Danceability • 18% Energy • 9% Liveness
97% Instrumentalness • 56% Positiveness
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Johann Kuhnau
Christ lag in Todesbanden: IVf. Rittorne...
126 bpm • C# min • 01:11 • -16.9db
14% Popularity • 17% Danceability • 11% Energy • 12% Liveness
34% Instrumentalness • 8% Positiveness
14% Popularity • 17% Danceability • 11% Energy • 12% Liveness
34% Instrumentalness • 8% Positiveness
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The Royal Wind Music
Duo Et misericordia eius
126 bpm • G# min • 01:01 • -38.02db
14% Popularity • 44% Danceability • 1% Energy • 11% Liveness
84% Instrumentalness • 53% Positiveness
14% Popularity • 44% Danceability • 1% Energy • 11% Liveness
84% Instrumentalness • 53% Positiveness
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Nicola Matteis
The False Consonances of Musick, Aria II
126 bpm • F# Maj • 01:10 • -27.77db
24% Popularity • 64% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 47% Positiveness
24% Popularity • 64% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 47% Positiveness
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Adrien Le Roy
Passemezzo for Lute & Bass Viol
124 bpm • B Maj • 01:44 • -23.13db
14% Popularity • 59% Danceability • 18% Energy • 14% Liveness
84% Instrumentalness • 60% Positiveness
14% Popularity • 59% Danceability • 18% Energy • 14% Liveness
84% Instrumentalness • 60% Positiveness
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Israel Golani
Pieces in D: L'Otoñera
125 bpm • C# Maj • 00:53 • -27.56db
0% Popularity • 58% Danceability • 2% Energy • 11% Liveness
85% Instrumentalness • 90% Positiveness
0% Popularity • 58% Danceability • 2% Energy • 11% Liveness
85% Instrumentalness • 90% Positiveness
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Andrea Falconieri
Il Spiritillo Brando
126 bpm • G Maj • 01:00 • -19.24db
20% Popularity • 57% Danceability • 15% Energy • 14% Liveness
80% Instrumentalness • 69% Positiveness
20% Popularity • 57% Danceability • 15% Energy • 14% Liveness
80% Instrumentalness • 69% Positiveness
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Giulio Regondi
Concertina Etude in B-Flat Major (Transc...
126 bpm • A# Maj • 01:36 • -30db
15% Popularity • 54% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 70% Positiveness
15% Popularity • 54% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 70% Positiveness
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Adam Falckenhagen
Lute Sonata in C Minor, Op. 1, No. 1: I....
124 bpm • E min • 05:16 • -25.8db
10% Popularity • 55% Danceability • 6% Energy • 31% Liveness
73% Instrumentalness • 6% Positiveness
10% Popularity • 55% Danceability • 6% Energy • 31% Liveness
73% Instrumentalness • 6% Positiveness
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Claudio Monteverdi
Lamento della Ninfa, SV 163 (Arr. for Ba...
126 bpm • A min • 04:51 • -14.27db
8% Popularity • 36% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
8% Popularity • 36% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Alonso Mudarra
Pavana de Alexandre (Gallárda)
126 bpm • E Maj • 03:44 • -22db
13% Popularity • 43% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 55% Positiveness
13% Popularity • 43% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 55% Positiveness
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Johann Sebastian Bach
Suite in E Minor, BWV 996: VI. Giga
124 bpm • F min • 04:13 • -22.97db
10% Popularity • 35% Danceability • 19% Energy • 9% Liveness
89% Instrumentalness • 52% Positiveness
10% Popularity • 35% Danceability • 19% Energy • 9% Liveness
89% Instrumentalness • 52% Positiveness
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Robert de Visée
Suite in A Major: VI. Menuet
123 bpm • G Maj • 01:37 • -29.41db
12% Popularity • 36% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
12% Popularity • 36% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
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Pierre Phalèse
Auprès de vous (Sermisy)
127 bpm • A# Maj • 02:30 • -29.21db
0% Popularity • 46% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 45% Positiveness
0% Popularity • 46% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 45% Positiveness
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Giovanni Paolo Foscarini
Ciacona
123 bpm • F# Maj • 01:42 • -23.99db
23% Popularity • 68% Danceability • 8% Energy • 15% Liveness
3% Instrumentalness • 40% Positiveness
23% Popularity • 68% Danceability • 8% Energy • 15% Liveness
3% Instrumentalness • 40% Positiveness
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Alessandro Piccinini
Toccata cromatica XII
127 bpm • A# Maj • 03:39 • -19.74db
8% Popularity • 44% Danceability • 13% Energy • 8% Liveness
91% Instrumentalness • 21% Positiveness
8% Popularity • 44% Danceability • 13% Energy • 8% Liveness
91% Instrumentalness • 21% Positiveness
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François Dufaut
Suite in G Minor: III. Sarabande
127 bpm • F# min • 03:48 • -26.71db
11% Popularity • 56% Danceability • 3% Energy • 7% Liveness
76% Instrumentalness • 18% Positiveness
11% Popularity • 56% Danceability • 3% Energy • 7% Liveness
76% Instrumentalness • 18% Positiveness
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Hopkinson Smith
Gagliarda
128 bpm • E Maj • 02:04 • -27db
17% Popularity • 40% Danceability • 8% Energy • 9% Liveness
86% Instrumentalness • 58% Positiveness
17% Popularity • 40% Danceability • 8% Energy • 9% Liveness
86% Instrumentalness • 58% Positiveness
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The Royal Wind Music
Galiarda Veneziana
122 bpm • B Maj • 01:22 • -22.4db
15% Popularity • 41% Danceability • 17% Energy • 16% Liveness
82% Instrumentalness • 22% Positiveness
15% Popularity • 41% Danceability • 17% Energy • 16% Liveness
82% Instrumentalness • 22% Positiveness
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Pierre Attaingnant
Basse dance "Beure frais"
127 bpm • G min • 02:25 • -27.53db
0% Popularity • 44% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 60% Positiveness
0% Popularity • 44% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 60% Positiveness
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Francesco Corbetta
Caprice de chacone: Caprice de Chaconne
122 bpm • B Maj • 04:05 • -27.89db
9% Popularity • 31% Danceability • 4% Energy • 14% Liveness
94% Instrumentalness • 45% Positiveness
9% Popularity • 31% Danceability • 4% Energy • 14% Liveness
94% Instrumentalness • 45% Positiveness
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Jacob van Eyck
Amarilli mia bella (Modo IV)
128 bpm • G# Maj • 01:57 • -33db
23% Popularity • 26% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 34% Positiveness
23% Popularity • 26% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 34% Positiveness
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Robert de Visée
De Visée: Chaconne in G Minor
129 bpm • G min • 03:53 • -31.09db
11% Popularity • 32% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 48% Positiveness
11% Popularity • 32% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 48% Positiveness
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Giovanni Girolamo Kapsberger
Doni Lute Book: Canario
121 bpm • G Maj • 01:22 • -24.47db
12% Popularity • 37% Danceability • 26% Energy • 22% Liveness
92% Instrumentalness • 35% Positiveness
12% Popularity • 37% Danceability • 26% Energy • 22% Liveness
92% Instrumentalness • 35% Positiveness
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Johann Sebastian Bach
Partita No. 2 for Solo Violin in D Minor...
121 bpm • D min • 03:28 • -21.06db
10% Popularity • 53% Danceability • 12% Energy • 5% Liveness
88% Instrumentalness • 43% Positiveness
10% Popularity • 53% Danceability • 12% Energy • 5% Liveness
88% Instrumentalness • 43% Positiveness
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Pierre Attaingnant
Branle gay "C'est mon amy"
123 bpm • G min • 01:09 • -25.51db
1% Popularity • 48% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 33% Positiveness
1% Popularity • 48% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 33% Positiveness
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Carlo Calvi
Canario
122 bpm • C# Maj • 01:49 • -21.15db
20% Popularity • 68% Danceability • 9% Energy • 9% Liveness
82% Instrumentalness • 42% Positiveness
20% Popularity • 68% Danceability • 9% Energy • 9% Liveness
82% Instrumentalness • 42% Positiveness
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![Dances: Galliard [22] cover art](https://i.scdn.co/image/ab67616d00001e02c3336736e770b698ae7e58d0)
Anthony Holborne
Dances: Galliard [22]
129 bpm • F Maj • 01:13 • -16.96db
7% Popularity • 43% Danceability • 8% Energy • 6% Liveness
58% Instrumentalness • 64% Positiveness
7% Popularity • 43% Danceability • 8% Energy • 6% Liveness
58% Instrumentalness • 64% Positiveness
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Christian Zimmermann
Gagliarda
129 bpm • B min • 02:00 • -17.71db
8% Popularity • 56% Danceability • 17% Energy • 9% Liveness
93% Instrumentalness • 33% Positiveness
8% Popularity • 56% Danceability • 17% Energy • 9% Liveness
93% Instrumentalness • 33% Positiveness
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Ennemond Gaultier
32 courantes: No. 10, L'immortelle in D ...
129 bpm • C# min • 01:26 • -26.63db
9% Popularity • 37% Danceability • 9% Energy • 15% Liveness
86% Instrumentalness • 39% Positiveness
9% Popularity • 37% Danceability • 9% Energy • 15% Liveness
86% Instrumentalness • 39% Positiveness
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Johann Sebastian Bach
Suite in E Minor, BWV 996: I. Praeludio
129 bpm • F min • 02:56 • -21.78db
11% Popularity • 41% Danceability • 15% Energy • 18% Liveness
83% Instrumentalness • 31% Positiveness
11% Popularity • 41% Danceability • 15% Energy • 18% Liveness
83% Instrumentalness • 31% Positiveness
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Clément Janequin
C'est mon amy
122 bpm • A# Maj • 01:02 • -26.96db
1% Popularity • 50% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 72% Positiveness
1% Popularity • 50% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 72% Positiveness
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Israel Golani
Chaconne
129 bpm • B Maj • 03:00 • -29.34db
2% Popularity • 49% Danceability • 3% Energy • 12% Liveness
94% Instrumentalness • 32% Positiveness
2% Popularity • 49% Danceability • 3% Energy • 12% Liveness
94% Instrumentalness • 32% Positiveness
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![[Suite en la majeur]: XIII. Chaconne (No. 31) cover art](https://i.scdn.co/image/ab67616d00001e020dc6972d7e8b1544b6486e51)
Marin Marais
[Suite en la majeur]: XIII. Chaconne (No...
121 bpm • G# Maj • 02:45 • -19.42db
9% Popularity • 38% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 39% Positiveness
9% Popularity • 38% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 39% Positiveness
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Silvius Leopold Weiss
Lute Sonata No. 11 in D Minor: I. Fantas...
129 bpm • C# min • 01:33 • -29db
28% Popularity • 37% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
28% Popularity • 37% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
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Andrei Sychra
Etude in G Minor for Guitar (1)
130 bpm • G min • 02:14 • -25.69db
14% Popularity • 30% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 33% Positiveness
14% Popularity • 30% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 33% Positiveness
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Hans Judenkünig
Ein seer guter Organistischer Preambel
130 bpm • G min • 03:05 • -31db
12% Popularity • 35% Danceability • 3% Energy • 12% Liveness
94% Instrumentalness • 27% Positiveness
12% Popularity • 35% Danceability • 3% Energy • 12% Liveness
94% Instrumentalness • 27% Positiveness
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Pierre Attaingnant
Basse dance "Auprès de vous"
121 bpm • A# Maj • 02:11 • -26.02db
0% Popularity • 55% Danceability • 8% Energy • 11% Liveness
85% Instrumentalness • 40% Positiveness
0% Popularity • 55% Danceability • 8% Energy • 11% Liveness
85% Instrumentalness • 40% Positiveness
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Israel Golani
Suite in D minor: Courante
129 bpm • C# min • 01:29 • -34.66db
0% Popularity • 49% Danceability • 1% Energy • 15% Liveness
95% Instrumentalness • 45% Positiveness
0% Popularity • 49% Danceability • 1% Energy • 15% Liveness
95% Instrumentalness • 45% Positiveness
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Francisco Guerau
Villanos
129 bpm • C# Maj • 04:55 • -22db
11% Popularity • 44% Danceability • 7% Energy • 11% Liveness
71% Instrumentalness • 44% Positiveness
11% Popularity • 44% Danceability • 7% Energy • 11% Liveness
71% Instrumentalness • 44% Positiveness
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Giulio Segni Da Modena
Ricercar Ottavo
120 bpm • D Maj • 02:06 • -25db
10% Popularity • 46% Danceability • 4% Energy • 14% Liveness
88% Instrumentalness • 49% Positiveness
10% Popularity • 46% Danceability • 4% Energy • 14% Liveness
88% Instrumentalness • 49% Positiveness
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Michael Praetorius
Ballet
130 bpm • G Maj • 01:04 • -28.95db
8% Popularity • 51% Danceability • 7% Energy • 11% Liveness
88% Instrumentalness • 58% Positiveness
8% Popularity • 51% Danceability • 7% Energy • 11% Liveness
88% Instrumentalness • 58% Positiveness
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Girolamo Frescobaldi
Balletto (Arr. for Harp and Baroque Guit...
120 bpm • B Maj • 01:08 • -25db
22% Popularity • 47% Danceability • 10% Energy • 12% Liveness
87% Instrumentalness • 20% Positiveness
22% Popularity • 47% Danceability • 10% Energy • 12% Liveness
87% Instrumentalness • 20% Positiveness
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Ronn McFarlane
George Brabazon
120 bpm • E Maj • 01:27 • -22.15db
23% Popularity • 52% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 56% Positiveness
23% Popularity • 52% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 56% Positiveness
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Israel Golani
Suite in D minor: Passacaille
120 bpm • C# min • 03:01 • -30.11db
0% Popularity • 55% Danceability • 2% Energy • 10% Liveness
78% Instrumentalness • 23% Positiveness
0% Popularity • 55% Danceability • 2% Energy • 10% Liveness
78% Instrumentalness • 23% Positiveness
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Marin Marais
Suite in A Major: III. La Gracieuse
131 bpm • G# Maj • 03:10 • -30.59db
0% Popularity • 22% Danceability • 1% Energy • 34% Liveness
50% Instrumentalness • 16% Positiveness
0% Popularity • 22% Danceability • 1% Energy • 34% Liveness
50% Instrumentalness • 16% Positiveness
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Thomas Robinson
A Fantasy
120 bpm • F Maj • 02:22 • -20db
11% Popularity • 61% Danceability • 12% Energy • 6% Liveness
78% Instrumentalness • 60% Positiveness
11% Popularity • 61% Danceability • 12% Energy • 6% Liveness
78% Instrumentalness • 60% Positiveness
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Hans Neusidler
Myn Hert Altyt Heeft Verlanghen II
131 bpm • G min • 03:39 • -34db
17% Popularity • 36% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 27% Positiveness
17% Popularity • 36% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 27% Positiveness
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Giovanni Maria da Crema
Recercar decimoquinto - Mon amy (Mathieu...
119 bpm • G min • 05:01 • -26db
10% Popularity • 56% Danceability • 6% Energy • 8% Liveness
78% Instrumentalness • 37% Positiveness
10% Popularity • 56% Danceability • 6% Energy • 8% Liveness
78% Instrumentalness • 37% Positiveness
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Ensemble Project Ars Nova
Regina gloriosa
119 bpm • D min • 02:19 • -33db
15% Popularity • 44% Danceability • 4% Energy • 7% Liveness
87% Instrumentalness • 57% Positiveness
15% Popularity • 44% Danceability • 4% Energy • 7% Liveness
87% Instrumentalness • 57% Positiveness
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Israel Golani
Passacaille
120 bpm • D# min • 03:40 • -38.78db
0% Popularity • 45% Danceability • 1% Energy • 10% Liveness
87% Instrumentalness • 15% Positiveness
0% Popularity • 45% Danceability • 1% Energy • 10% Liveness
87% Instrumentalness • 15% Positiveness
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Marin Marais
Suite in A Major: II. Boutade
131 bpm • G# Maj • 01:39 • -21.95db
0% Popularity • 36% Danceability • 11% Energy • 13% Liveness
36% Instrumentalness • 34% Positiveness
0% Popularity • 36% Danceability • 11% Energy • 13% Liveness
36% Instrumentalness • 34% Positiveness
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Albert de Rippe
Un jour le temps
131 bpm • D min • 04:13 • -28.02db
0% Popularity • 46% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 46% Positiveness
0% Popularity • 46% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 46% Positiveness
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Michelangelo Galilei
Il primo libro d'Intavolatura di Liuto: ...
131 bpm • F# min • 01:48 • -22.62db
22% Popularity • 39% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 62% Positiveness
22% Popularity • 39% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 62% Positiveness
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Edward Martin and Paul Berget
Sonata in C Major (Weiss) - Tempo de Min...
132 bpm • B Maj • 03:46 • -20db
10% Popularity • 49% Danceability • 19% Energy • 7% Liveness
89% Instrumentalness • 56% Positiveness
10% Popularity • 49% Danceability • 19% Energy • 7% Liveness
89% Instrumentalness • 56% Positiveness
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Christian Zimmermann
Partita BWV 1007 V.
131 bpm • C# Maj • 01:09 • -20db
11% Popularity • 38% Danceability • 28% Energy • 11% Liveness
90% Instrumentalness • 83% Positiveness
11% Popularity • 38% Danceability • 28% Energy • 11% Liveness
90% Instrumentalness • 83% Positiveness
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Charles Mouton
Suite in C Minor from Pieces de luth Pre...
119 bpm • B min • 01:33 • -22.24db
13% Popularity • 48% Danceability • 11% Energy • 9% Liveness
94% Instrumentalness • 39% Positiveness
13% Popularity • 48% Danceability • 11% Energy • 9% Liveness
94% Instrumentalness • 39% Positiveness
► Preview
Israel Golani
Suite in A minor: Courante
119 bpm • G# min • 02:01 • -30.09db
0% Popularity • 54% Danceability • 3% Energy • 11% Liveness
84% Instrumentalness • 50% Positiveness
0% Popularity • 54% Danceability • 3% Energy • 11% Liveness
84% Instrumentalness • 50% Positiveness
► Preview
Robert de Visée
Suite in A Major: III. Courante
132 bpm • D Maj • 01:25 • -28.93db
16% Popularity • 39% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 44% Positiveness
16% Popularity • 39% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 44% Positiveness
► Preview
Francesco Corbetta
La Guitarre Royalle: Autre fanfare
133 bpm • B Maj • 01:28 • -27db
17% Popularity • 55% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 70% Positiveness
17% Popularity • 55% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 70% Positiveness
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Jimmy Page
Black Mountain Side (Arr. for Lute & Har...
117 bpm • A# Maj • 01:27 • -18.25db
7% Popularity • 53% Danceability • 28% Energy • 13% Liveness
94% Instrumentalness • 19% Positiveness
7% Popularity • 53% Danceability • 28% Energy • 13% Liveness
94% Instrumentalness • 19% Positiveness
► Preview
Nigel North
Suite in C Minor: No. 5. Menuet
133 bpm • B min • 02:40 • -24.51db
8% Popularity • 34% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 58% Positiveness
8% Popularity • 34% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 58% Positiveness
► Preview
Diego Ortiz
Trattado de glosas: Recercadas primera y...
133 bpm • G Maj • 01:13 • -19.37db
8% Popularity • 33% Danceability • 35% Energy • 14% Liveness
64% Instrumentalness • 40% Positiveness
8% Popularity • 33% Danceability • 35% Energy • 14% Liveness
64% Instrumentalness • 40% Positiveness
► Preview
Israel Golani
Suite in G major: Courante
133 bpm • F# Maj • 01:28 • -33.1db
0% Popularity • 45% Danceability • 3% Energy • 11% Liveness
79% Instrumentalness • 53% Positiveness
0% Popularity • 45% Danceability • 3% Energy • 11% Liveness
79% Instrumentalness • 53% Positiveness
► Preview
Hopkinson Smith
Canarios
134 bpm • C# Maj • 02:29 • -31.95db
14% Popularity • 35% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 84% Positiveness
14% Popularity • 35% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 84% Positiveness
► Preview
Robert de Visée
Suite in C Minor: III. Courante
132 bpm • F min • 01:40 • -26.91db
12% Popularity • 40% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 40% Positiveness
12% Popularity • 40% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 40% Positiveness
► Preview
Ennemond Gaultier
10 gigues: No. 1, Carillon in D Minor
117 bpm • C# min • 01:32 • -22.94db
11% Popularity • 35% Danceability • 16% Energy • 8% Liveness
88% Instrumentalness • 71% Positiveness
11% Popularity • 35% Danceability • 16% Energy • 8% Liveness
88% Instrumentalness • 71% Positiveness
► Preview
Nigel North
Partita in G Minor: No. 5. Sarabande
133 bpm • F# min • 03:11 • -25.63db
9% Popularity • 37% Danceability • 7% Energy • 10% Liveness
86% Instrumentalness • 30% Positiveness
9% Popularity • 37% Danceability • 7% Energy • 10% Liveness
86% Instrumentalness • 30% Positiveness
► Preview
Thomas Robinson
A Plaine song for 2 Lutes
117 bpm • G Maj • 01:09 • -20.61db
15% Popularity • 56% Danceability • 12% Energy • 8% Liveness
85% Instrumentalness • 33% Positiveness
15% Popularity • 56% Danceability • 12% Energy • 8% Liveness
85% Instrumentalness • 33% Positiveness
► Preview
Israel Golani
Vilanelle
133 bpm • G# min • 04:12 • -31.6db
2% Popularity • 54% Danceability • 2% Energy • 12% Liveness
87% Instrumentalness • 43% Positiveness
2% Popularity • 54% Danceability • 2% Energy • 12% Liveness
87% Instrumentalness • 43% Positiveness
► Preview
Edward Martin and Paul Berget
Suite for 2 Lutes in Bb (Baron) - Couran...
117 bpm • A Maj • 02:17 • -25db
19% Popularity • 59% Danceability • 9% Energy • 13% Liveness
85% Instrumentalness • 54% Positiveness
19% Popularity • 59% Danceability • 9% Energy • 13% Liveness
85% Instrumentalness • 54% Positiveness
► Preview
Antonio de Cabezón
Tres 'Sobre El Canto Ilano De La Alta'
117 bpm • F Maj • 02:32 • -21db
11% Popularity • 42% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 25% Positiveness
11% Popularity • 42% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 25% Positiveness
► Preview
Giovanni Girolamo Kapsberger
Gagliarda 12a
117 bpm • A# min • 01:44 • -20.37db
22% Popularity • 51% Danceability • 14% Energy • 12% Liveness
84% Instrumentalness • 55% Positiveness
22% Popularity • 51% Danceability • 14% Energy • 12% Liveness
84% Instrumentalness • 55% Positiveness
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Johann Sebastian Bach
Suite in G Minor, BWV 995: IV. Sarabande
116 bpm • F# min • 02:45 • -28.85db
13% Popularity • 56% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 22% Positiveness
13% Popularity • 56% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 22% Positiveness
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Silvius Leopold Weiss
Lute Sonata No. 37 in C Major, WeissSW 3...
134 bpm • B Maj • 01:16 • -29.13db
10% Popularity • 39% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 60% Positiveness
10% Popularity • 39% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 60% Positiveness
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Robert de Visée
Suite No. 9 en ré mineur: Menuet
135 bpm • C# Maj • 01:12 • -27.09db
22% Popularity • 59% Danceability • 2% Energy • 9% Liveness
71% Instrumentalness • 71% Positiveness
22% Popularity • 59% Danceability • 2% Energy • 9% Liveness
71% Instrumentalness • 71% Positiveness
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Giovanni Battista Granata
Armoniosi toni di varie suonate musicali...
135 bpm • G# min • 03:20 • -33db
9% Popularity • 35% Danceability • 3% Energy • 10% Liveness
73% Instrumentalness • 29% Positiveness
9% Popularity • 35% Danceability • 3% Energy • 10% Liveness
73% Instrumentalness • 29% Positiveness
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Joan Ambrosio Dalza
Piva for Lute & Bass Viol
135 bpm • C# Maj • 01:55 • -20db
14% Popularity • 55% Danceability • 21% Energy • 11% Liveness
86% Instrumentalness • 60% Positiveness
14% Popularity • 55% Danceability • 21% Energy • 11% Liveness
86% Instrumentalness • 60% Positiveness
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Claude Gervaise
Troisième livre de danseries: Suite d�...
116 bpm • G Maj • 01:32 • -26.66db
11% Popularity • 59% Danceability • 1% Energy • 14% Liveness
93% Instrumentalness • 43% Positiveness
11% Popularity • 59% Danceability • 1% Energy • 14% Liveness
93% Instrumentalness • 43% Positiveness
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Biagio Marini
Sinfonia
115 bpm • A min • 01:39 • -24.05db
22% Popularity • 22% Danceability • 5% Energy • 11% Liveness
5% Instrumentalness • 6% Positiveness
22% Popularity • 22% Danceability • 5% Energy • 11% Liveness
5% Instrumentalness • 6% Positiveness
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Joachim van den Hove
Toccata
115 bpm • E Maj • 01:01 • -20.31db
16% Popularity • 50% Danceability • 22% Energy • 10% Liveness
94% Instrumentalness • 46% Positiveness
16% Popularity • 50% Danceability • 22% Energy • 10% Liveness
94% Instrumentalness • 46% Positiveness
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Edward Martin
Sixiesme Branle de Bourgogne (Le Roy)
136 bpm • F Maj • 01:21 • -27.77db
13% Popularity • 44% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 71% Positiveness
13% Popularity • 44% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 71% Positiveness
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Christian Zimmermann
Españoleta
136 bpm • B Maj • 01:30 • -20db
13% Popularity • 54% Danceability • 12% Energy • 14% Liveness
88% Instrumentalness • 37% Positiveness
13% Popularity • 54% Danceability • 12% Energy • 14% Liveness
88% Instrumentalness • 37% Positiveness
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Marin Marais
[Suite en la majeur]: III. Sarabande (No...
115 bpm • G# Maj • 02:18 • -21.36db
11% Popularity • 27% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 14% Positiveness
11% Popularity • 27% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 14% Positiveness
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Vincenzo Galilei
Gagliarda Ecco
136 bpm • C Maj • 01:59 • -22.96db
12% Popularity • 53% Danceability • 8% Energy • 12% Liveness
93% Instrumentalness • 54% Positiveness
12% Popularity • 53% Danceability • 8% Energy • 12% Liveness
93% Instrumentalness • 54% Positiveness
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Luis de Narváez
FantasÃa del Primer Tono - Libro 2
136 bpm • G min • 01:10 • -14.44db
16% Popularity • 51% Danceability • 21% Energy • 7% Liveness
90% Instrumentalness • 56% Positiveness
16% Popularity • 51% Danceability • 21% Energy • 7% Liveness
90% Instrumentalness • 56% Positiveness
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Jean Mercure
Pieces in A Minor: I. Allemande
136 bpm • G# min • 02:46 • -22db
15% Popularity • 38% Danceability • 9% Energy • 13% Liveness
92% Instrumentalness • 32% Positiveness
15% Popularity • 38% Danceability • 9% Energy • 13% Liveness
92% Instrumentalness • 32% Positiveness
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Pierre Attaingnant
Bransle de Poictou
136 bpm • E Maj • 03:01 • -22.86db
13% Popularity • 44% Danceability • 14% Energy • 13% Liveness
93% Instrumentalness • 78% Positiveness
13% Popularity • 44% Danceability • 14% Energy • 13% Liveness
93% Instrumentalness • 78% Positiveness
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Antonio Vivaldi
Sonata for Violoncello and Continuo in A...
115 bpm • D Maj • 02:25 • -29db
8% Popularity • 19% Danceability • 6% Energy • 10% Liveness
38% Instrumentalness • 7% Positiveness
8% Popularity • 19% Danceability • 6% Energy • 10% Liveness
38% Instrumentalness • 7% Positiveness
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Marin Marais
Suite in G Minor: IV. Gigue La Chicane
115 bpm • F# min • 02:08 • -20.47db
0% Popularity • 43% Danceability • 10% Energy • 10% Liveness
82% Instrumentalness • 60% Positiveness
0% Popularity • 43% Danceability • 10% Energy • 10% Liveness
82% Instrumentalness • 60% Positiveness
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Orlande de Lassus
Io ti vorria contar, LV 658 (Transcr. fo...
136 bpm • B Maj • 01:22 • -23.12db
22% Popularity • 48% Danceability • 17% Energy • 10% Liveness
84% Instrumentalness • 42% Positiveness
22% Popularity • 48% Danceability • 17% Energy • 10% Liveness
84% Instrumentalness • 42% Positiveness
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William Byrd
Byrd: In nomine a 4 I
115 bpm • C min • 02:18 • -23.74db
8% Popularity • 17% Danceability • 4% Energy • 9% Liveness
59% Instrumentalness • 10% Positiveness
8% Popularity • 17% Danceability • 4% Energy • 9% Liveness
59% Instrumentalness • 10% Positiveness
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Giovanni Girolamo Kapsberger
Uscita, Ballo Primo
136 bpm • G# min • 01:04 • -21db
9% Popularity • 45% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 55% Positiveness
9% Popularity • 45% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 55% Positiveness
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Francesco Corbetta
Folias
115 bpm • B Maj • 03:05 • -33.4db
12% Popularity • 43% Danceability • 3% Energy • 19% Liveness
50% Instrumentalness • 31% Positiveness
12% Popularity • 43% Danceability • 3% Energy • 19% Liveness
50% Instrumentalness • 31% Positiveness
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Johann Sebastian Bach
Minuet in A Minor, BWV Anh. 120
136 bpm • A# min • 01:28 • -39.57db
10% Popularity • 36% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 22% Positiveness
10% Popularity • 36% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 22% Positiveness