Songs like Pierrot Lunaire, Op. 21 -English Translation: XXI. O Ancient Scent by Arnold Schoenberg
Based on a tempo of (+/- 10%) and a similar genre
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Pyotr Ilyich Tchaikovsky
Serenade in C Major, Op. 48: III. Elegie
89 bpm • D Maj • 09:05 • -21.19db
41% Popularity • 11% Danceability • 7% Energy • 22% Liveness
53% Instrumentalness • 4% Positiveness
41% Popularity • 11% Danceability • 7% Energy • 22% Liveness
53% Instrumentalness • 4% Positiveness
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Edvard Grieg
Grieg: The Last Spring, Op. 34, No. 2
89 bpm • G Maj • 05:47 • -25db
20% Popularity • 12% Danceability • 4% Energy • 17% Liveness
84% Instrumentalness • 3% Positiveness
20% Popularity • 12% Danceability • 4% Energy • 17% Liveness
84% Instrumentalness • 3% Positiveness
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Arnold Schoenberg
Verklärte Nacht, Op. 4: I. Grave (Arr. ...
89 bpm • G min • 06:37 • -20.73db
16% Popularity • 11% Danceability • 14% Energy • 22% Liveness
80% Instrumentalness • 4% Positiveness
16% Popularity • 11% Danceability • 14% Energy • 22% Liveness
80% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
12 Romances, Op. 21: No. 7, How Fair Thi...
89 bpm • A Maj • 01:49 • -24.42db
42% Popularity • 16% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
42% Popularity • 16% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Jules Massenet
Méditation from Thaïs
89 bpm • E min • 05:31 • -23.42db
56% Popularity • 11% Danceability • 7% Energy • 9% Liveness
43% Instrumentalness • 4% Positiveness
56% Popularity • 11% Danceability • 7% Energy • 9% Liveness
43% Instrumentalness • 4% Positiveness
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Maurice Ravel
Ravel: Ma mère l'Oye, M. 60: V. Le jard...
89 bpm • C Maj • 03:45 • -22db
36% Popularity • 13% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
36% Popularity • 13% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Variations on a Rococo Theme, Op. 33, TH...
89 bpm • D Maj • 02:36 • -31.18db
59% Popularity • 12% Danceability • 3% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
59% Popularity • 12% Danceability • 3% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
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Pablo Casals
El cant dels ocells (Song of the Birds) ...
89 bpm • A min • 03:49 • -33db
57% Popularity • 16% Danceability • 3% Energy • 11% Liveness
23% Instrumentalness • 3% Positiveness
57% Popularity • 16% Danceability • 3% Energy • 11% Liveness
23% Instrumentalness • 3% Positiveness
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Arnold Schoenberg
Verklärte Nacht, Op. 4: 5. Sehr ruhig (...
89 bpm • D Maj • 04:22 • -26.17db
8% Popularity • 17% Danceability • 5% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 5% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Aleko: Intermezzo
90 bpm • A# Maj • 01:54 • -32.72db
44% Popularity • 19% Danceability • 2% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
44% Popularity • 19% Danceability • 2% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
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Léo Delibes
Le roi s'amuse: Passepied
88 bpm • A Maj • 01:41 • -31db
54% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 32% Positiveness
54% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 32% Positiveness
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Aram Khachaturian
Khachaturian: Spartacus (Highlights from...
88 bpm • G# Maj • 09:54 • -21.56db
39% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
39% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
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Franz Schubert
Sonate pour Arpeggione et Piano en La Mi...
90 bpm • B Maj • 04:28 • -26.93db
44% Popularity • 12% Danceability • 3% Energy • 21% Liveness
94% Instrumentalness • 4% Positiveness
44% Popularity • 12% Danceability • 3% Energy • 21% Liveness
94% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Andante Cantabile
90 bpm • A# Maj • 07:42 • -34.44db
25% Popularity • 10% Danceability • 1% Energy • 10% Liveness
66% Instrumentalness • 4% Positiveness
25% Popularity • 10% Danceability • 1% Energy • 10% Liveness
66% Instrumentalness • 4% Positiveness
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Ottorino Respighi
6 Pieces for Piano, P. 44: No. 3. Nottur...
88 bpm • F# Maj • 05:00 • -29.23db
45% Popularity • 15% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
45% Popularity • 15% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Claude Debussy
Prélude à l'après-midi d'un faune, L....
90 bpm • G# min • 10:44 • -30.2db
43% Popularity • 10% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
43% Popularity • 10% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
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Gabriel Fauré
Fauré: Élégie, Op. 24
90 bpm • G# Maj • 06:46 • -26db
22% Popularity • 16% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
22% Popularity • 16% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Arnold Schoenberg
Suite für Klavier, Op. 25: V. Gigue: Ra...
90 bpm • E Maj • 02:37 • -19.5db
4% Popularity • 35% Danceability • 18% Energy • 31% Liveness
80% Instrumentalness • 57% Positiveness
4% Popularity • 35% Danceability • 18% Energy • 31% Liveness
80% Instrumentalness • 57% Positiveness
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Anton Arensky
Piano Trio No. 1 in D Minor, Op. 32: III...
90 bpm • G min • 05:08 • -35db
30% Popularity • 21% Danceability • 1% Energy • 10% Liveness
57% Instrumentalness • 7% Positiveness
30% Popularity • 21% Danceability • 1% Energy • 10% Liveness
57% Instrumentalness • 7% Positiveness
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Frederick Delius
3 Small Tone Poems: No. 1. Summer Evenin...
90 bpm • D Maj • 06:17 • -24db
34% Popularity • 10% Danceability • 4% Energy • 6% Liveness
77% Instrumentalness • 3% Positiveness
34% Popularity • 10% Danceability • 4% Energy • 6% Liveness
77% Instrumentalness • 3% Positiveness
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Frank Bridge
4 Short Pieces for Violin & Piano, H. 10...
87 bpm • G Maj • 02:32 • -27db
39% Popularity • 15% Danceability • 2% Energy • 7% Liveness
84% Instrumentalness • 8% Positiveness
39% Popularity • 15% Danceability • 2% Energy • 7% Liveness
84% Instrumentalness • 8% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade: The Sea & Sinbad's Ship
87 bpm • A min • 03:37 • -20.67db
40% Popularity • 14% Danceability • 12% Energy • 28% Liveness
62% Instrumentalness • 3% Positiveness
40% Popularity • 14% Danceability • 12% Energy • 28% Liveness
62% Instrumentalness • 3% Positiveness
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Gabriel Fauré
Elégie in C Minor, Op. 24 (Arr. Parkin ...
88 bpm • G# Maj • 07:35 • -24db
49% Popularity • 12% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
49% Popularity • 12% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Arnold Schoenberg
Sechs kleine Klavierstücke, Op. 19: No....
90 bpm • C Maj • 00:54 • -45.67db
7% Popularity • 53% Danceability • 0% Energy • 5% Liveness
57% Instrumentalness • 0% Positiveness
7% Popularity • 53% Danceability • 0% Energy • 5% Liveness
57% Instrumentalness • 0% Positiveness
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Pyotr Ilyich Tchaikovsky
Album for the Young, Op. 39: No. 3. Mamm...
87 bpm • G Maj • 01:33 • -37.26db
65% Popularity • 42% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 42% Positiveness
65% Popularity • 42% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 42% Positiveness
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Richard Wagner
Wagner: Albumblatt, WWV 94
87 bpm • A Maj • 04:48 • -13db
34% Popularity • 19% Danceability • 24% Energy • 6% Liveness
2% Instrumentalness • 6% Positiveness
34% Popularity • 19% Danceability • 24% Energy • 6% Liveness
2% Instrumentalness • 6% Positiveness
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Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
90 bpm • D# Maj • 01:23 • -29db
52% Popularity • 35% Danceability • 2% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
52% Popularity • 35% Danceability • 2% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
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Igor Stravinsky
The Rite of Spring: Part One: Adoration ...
87 bpm • B min • 03:28 • -30.17db
47% Popularity • 10% Danceability • 2% Energy • 7% Liveness
85% Instrumentalness • 3% Positiveness
47% Popularity • 10% Danceability • 2% Energy • 7% Liveness
85% Instrumentalness • 3% Positiveness
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Léo Delibes
Le roi s'amuse: Pavane
91 bpm • A# Maj • 01:28 • -34db
64% Popularity • 20% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 24% Positiveness
64% Popularity • 20% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 24% Positiveness
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Arnold Schoenberg
Fünf Klavierstücke: III. Langsam
91 bpm • F# Maj • 02:49 • -29.79db
5% Popularity • 45% Danceability • 1% Energy • 11% Liveness
65% Instrumentalness • 15% Positiveness
5% Popularity • 45% Danceability • 1% Energy • 11% Liveness
65% Instrumentalness • 15% Positiveness
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Sergei Rachmaninoff
Zdes' khorosho ('How Fair This Spot'), O...
87 bpm • A Maj • 01:59 • -29.09db
57% Popularity • 25% Danceability • 2% Energy • 4% Liveness
94% Instrumentalness • 6% Positiveness
57% Popularity • 25% Danceability • 2% Energy • 4% Liveness
94% Instrumentalness • 6% Positiveness
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Florence Beatrice Price
String Quartet No. 2 in A Minor: II. And...
87 bpm • A Maj • 07:06 • -30.53db
49% Popularity • 15% Danceability • 3% Energy • 16% Liveness
56% Instrumentalness • 3% Positiveness
49% Popularity • 15% Danceability • 3% Energy • 16% Liveness
56% Instrumentalness • 3% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 / Act II: Danc...
87 bpm • B min • 03:07 • -22db
34% Popularity • 16% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
34% Popularity • 16% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
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Maurice Ravel
A la manière de. . . Chabrier
87 bpm • C Maj • 02:25 • -36db
41% Popularity • 29% Danceability • 1% Energy • 7% Liveness
89% Instrumentalness • 8% Positiveness
41% Popularity • 29% Danceability • 1% Energy • 7% Liveness
89% Instrumentalness • 8% Positiveness
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Alexander Glazunov
The Seasons, Op. 67, Pt. 1 "L'hiver": No...
87 bpm • G# Maj • 01:17 • -29.98db
55% Popularity • 28% Danceability • 1% Energy • 9% Liveness
70% Instrumentalness • 11% Positiveness
55% Popularity • 28% Danceability • 1% Energy • 9% Liveness
70% Instrumentalness • 11% Positiveness
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Arnold Schoenberg
Moses und Aron / Act I: Einziger, ewiger...
91 bpm • D Maj • 07:51 • -26.92db
3% Popularity • 16% Danceability • 10% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
3% Popularity • 16% Danceability • 10% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Vocalise, Op 34, No. 14
87 bpm • E min • 05:59 • -26.49db
34% Popularity • 13% Danceability • 5% Energy • 7% Liveness
78% Instrumentalness • 4% Positiveness
34% Popularity • 13% Danceability • 5% Energy • 7% Liveness
78% Instrumentalness • 4% Positiveness
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Clara Schumann
Schumann: 12 Gedichte aus Liebesfrühlin...
91 bpm • C# Maj • 02:08 • -30.66db
29% Popularity • 17% Danceability • 0% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
29% Popularity • 17% Danceability • 0% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Capriccio brillant, Op. 22: Andante
91 bpm • B Maj • 02:30 • -30.47db
54% Popularity • 25% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
54% Popularity • 25% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
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Gustav Mahler
Symphony No. 5 In C Sharp Minor: IV. Ada...
87 bpm • F Maj • 10:59 • -33db
47% Popularity • 9% Danceability • 1% Energy • 12% Liveness
82% Instrumentalness • 3% Positiveness
47% Popularity • 9% Danceability • 1% Energy • 12% Liveness
82% Instrumentalness • 3% Positiveness
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Nadia Boulanger
3 Pieces for cello and piano: No. 1. Mod...
87 bpm • D# min • 02:37 • -30.78db
52% Popularity • 16% Danceability • 2% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
52% Popularity • 16% Danceability • 2% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
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Arnold Schoenberg
Fünf Klavierstücke: II. Sehr rasch
87 bpm • F# Maj • 01:19 • -21.22db
6% Popularity • 37% Danceability • 11% Energy • 11% Liveness
92% Instrumentalness • 16% Positiveness
6% Popularity • 37% Danceability • 11% Energy • 11% Liveness
92% Instrumentalness • 16% Positiveness
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Karol Szymanowski
9 Preludes, Op. 1: No. 1 in B Minor. And...
91 bpm • E min • 02:56 • -27.93db
31% Popularity • 27% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
31% Popularity • 27% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
87 bpm • D# Maj • 08:32 • -21.36db
27% Popularity • 12% Danceability • 11% Energy • 8% Liveness
13% Instrumentalness • 5% Positiveness
27% Popularity • 12% Danceability • 11% Energy • 8% Liveness
13% Instrumentalness • 5% Positiveness
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Alexander Glazunov
The Seasons, Op. 67: XIV. Petit Adagio
87 bpm • A Maj • 03:29 • -21.96db
34% Popularity • 18% Danceability • 10% Energy • 15% Liveness
81% Instrumentalness • 6% Positiveness
34% Popularity • 18% Danceability • 10% Energy • 15% Liveness
81% Instrumentalness • 6% Positiveness
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Franz Schubert
Minuet in A major, D. 334
92 bpm • A Maj • 03:13 • -39.25db
60% Popularity • 27% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
60% Popularity • 27% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
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Einojuhani Rautavaara
Deux Sérénades (Written for Hilary Hah...
92 bpm • A min • 07:50 • -25.19db
17% Popularity • 11% Danceability • 8% Energy • 11% Liveness
73% Instrumentalness • 4% Positiveness
17% Popularity • 11% Danceability • 8% Energy • 11% Liveness
73% Instrumentalness • 4% Positiveness
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Arnold Schoenberg
Verklärte Nacht, Op. 4: 4. Sehr breit u...
91 bpm • C# Maj • 09:40 • -20db
10% Popularity • 14% Danceability • 12% Energy • 16% Liveness
9% Instrumentalness • 4% Positiveness
10% Popularity • 14% Danceability • 12% Energy • 16% Liveness
9% Instrumentalness • 4% Positiveness
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Valentin Silvestrov
Stille Musik: 3. Augenblicke der Serenad...
86 bpm • C Maj • 02:17 • -39db
59% Popularity • 16% Danceability • 1% Energy • 14% Liveness
95% Instrumentalness • 3% Positiveness
59% Popularity • 16% Danceability • 1% Energy • 14% Liveness
95% Instrumentalness • 3% Positiveness
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Henning Kraggerud
Hjertets melodier (Melodies of the Heart...
86 bpm • A min • 01:38 • -29db
49% Popularity • 18% Danceability • 4% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
49% Popularity • 18% Danceability • 4% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Maurice Ravel
Le tombeau de Couperin (version for orch...
86 bpm • G Maj • 04:25 • -30db
42% Popularity • 12% Danceability • 2% Energy • 5% Liveness
88% Instrumentalness • 8% Positiveness
42% Popularity • 12% Danceability • 2% Energy • 5% Liveness
88% Instrumentalness • 8% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): II...
92 bpm • D# Maj • 02:48 • -33.21db
49% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
49% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Johan Svendsen
2 Swedish Folk-Melodies, Op. 27: No. 1 A...
92 bpm • E min • 03:10 • -23.3db
31% Popularity • 12% Danceability • 8% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
31% Popularity • 12% Danceability • 8% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Arnold Schoenberg
Pelléas und Mélisande, Op. 5: VIII. Se...
87 bpm • C# Maj • 04:43 • -26.33db
4% Popularity • 13% Danceability • 4% Energy • 12% Liveness
69% Instrumentalness • 4% Positiveness
4% Popularity • 13% Danceability • 4% Energy • 12% Liveness
69% Instrumentalness • 4% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: IV. Air (Andante ...
86 bpm • A# Maj • 05:21 • -25.03db
25% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
25% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
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Claude Debussy
Beau soir, L. 6 (Arranged for Violin and...
86 bpm • F# min • 02:28 • -24.49db
33% Popularity • 14% Danceability • 5% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
33% Popularity • 14% Danceability • 5% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
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Samuel Barber
Concerto for Violin & Orchestra, Op. 14:...
92 bpm • G Maj • 10:13 • -18.16db
17% Popularity • 21% Danceability • 17% Energy • 52% Liveness
70% Instrumentalness • 7% Positiveness
17% Popularity • 21% Danceability • 17% Energy • 52% Liveness
70% Instrumentalness • 7% Positiveness
► Preview
Gabriel Fauré
Pelléas et Mélisande, Op. 80: 4. Sicil...
92 bpm • G min • 04:04 • -30.09db
36% Popularity • 11% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
36% Popularity • 11% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
► Preview
Johann Sebastian Bach
Come, Sweet Death, BWV 478 (Arr. for 5 C...
86 bpm • C min • 03:17 • -20.73db
55% Popularity • 10% Danceability • 9% Energy • 15% Liveness
87% Instrumentalness • 4% Positiveness
55% Popularity • 10% Danceability • 9% Energy • 15% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Arnold Schoenberg
Schoenberg: Verklärte Nacht, Op. 4: III...
86 bpm • A# min • 03:05 • -24.24db
25% Popularity • 18% Danceability • 5% Energy • 12% Liveness
53% Instrumentalness • 4% Positiveness
25% Popularity • 18% Danceability • 5% Energy • 12% Liveness
53% Instrumentalness • 4% Positiveness
► Preview
Luigi Boccherini
Bocherini / Arr. Grützmacher: Cello Con...
86 bpm • G min • 06:54 • -23.72db
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Claude Debussy
Beau soir, L. 6 (L. 84) (Arr. Heifetz fo...
92 bpm • F# min • 02:14 • -28.57db
48% Popularity • 18% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
48% Popularity • 18% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Ottorino Respighi
Suite No. 3, P. 172: III. Siciliana: And...
93 bpm • C min • 03:58 • -23.41db
39% Popularity • 15% Danceability • 4% Energy • 5% Liveness
87% Instrumentalness • 13% Positiveness
39% Popularity • 15% Danceability • 4% Energy • 5% Liveness
87% Instrumentalness • 13% Positiveness
► Preview
Felix Mendelssohn
Mendelssohn: Song Without Words in D Maj...
93 bpm • D Maj • 05:30 • -24.91db
26% Popularity • 18% Danceability • 4% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
26% Popularity • 18% Danceability • 4% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Gustav Holst
Japanese Suite, Op. 33: V. Dance under t...
85 bpm • A# Maj • 01:59 • -42.87db
39% Popularity • 20% Danceability • 0% Energy • 44% Liveness
2% Instrumentalness • 8% Positiveness
39% Popularity • 20% Danceability • 0% Energy • 44% Liveness
2% Instrumentalness • 8% Positiveness
► Preview
Arnold Schoenberg
Verklärte Nacht, Op. 4: 1. Sehr langsam...
92 bpm • D min • 06:41 • -20db
10% Popularity • 13% Danceability • 12% Energy • 44% Liveness
6% Instrumentalness • 4% Positiveness
10% Popularity • 13% Danceability • 12% Energy • 44% Liveness
6% Instrumentalness • 4% Positiveness
► Preview
AntonÃn Dvořák
From the Bohemian Forest, Op. 68, B. 133...
85 bpm • C# Maj • 05:58 • -26db
24% Popularity • 9% Danceability • 4% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
24% Popularity • 9% Danceability • 4% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Claude Debussy
Petite suite: I. En bateau (arr. H. Buss...
93 bpm • G Maj • 03:47 • -30.82db
54% Popularity • 14% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 7% Positiveness
54% Popularity • 14% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 7% Positiveness
► Preview
Krzysztof Penderecki
3 Pieces in Old Style: No. 1. Aria
85 bpm • G min • 02:13 • -31.17db
56% Popularity • 15% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
56% Popularity • 15% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Igor Stravinsky
Choral-Vatiationen: Var. I. In canone al...
93 bpm • C Maj • 01:13 • -29.05db
40% Popularity • 43% Danceability • 9% Energy • 7% Liveness
91% Instrumentalness • 72% Positiveness
40% Popularity • 43% Danceability • 9% Energy • 7% Liveness
91% Instrumentalness • 72% Positiveness
► Preview
Anton Webern
Two Pieces for Cello and Piano (1899 Ver...
93 bpm • G Maj • 02:40 • -30db
19% Popularity • 19% Danceability • 2% Energy • 7% Liveness
97% Instrumentalness • 5% Positiveness
19% Popularity • 19% Danceability • 2% Energy • 7% Liveness
97% Instrumentalness • 5% Positiveness
► Preview
Arnold Schoenberg
Pelléas und Mélisande, Op. 5: V. Ein w...
86 bpm • E Maj • 01:21 • -20.92db
5% Popularity • 15% Danceability • 17% Energy • 16% Liveness
91% Instrumentalness • 4% Positiveness
5% Popularity • 15% Danceability • 17% Energy • 16% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Johann Sebastian Bach
St. Matthew Passion, BWV 244 / Part Two:...
93 bpm • B min • 07:01 • -25.18db
21% Popularity • 17% Danceability • 7% Energy • 15% Liveness
2% Instrumentalness • 8% Positiveness
21% Popularity • 17% Danceability • 7% Energy • 15% Liveness
2% Instrumentalness • 8% Positiveness
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Lili Boulanger
Nocturne
85 bpm • F Maj • 03:18 • -26db
27% Popularity • 13% Danceability • 3% Energy • 7% Liveness
72% Instrumentalness • 3% Positiveness
27% Popularity • 13% Danceability • 3% Energy • 7% Liveness
72% Instrumentalness • 3% Positiveness
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Edward Elgar
Elgar: Cello Concerto in E Minor, Op. 85...
93 bpm • A# Maj • 05:18 • -26.07db
31% Popularity • 16% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
31% Popularity • 16% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
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Gerald Finzi
Love's Labour's Lost, Op. 28a: II. Longa...
94 bpm • D min • 01:40 • -30db
38% Popularity • 14% Danceability • 1% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
38% Popularity • 14% Danceability • 1% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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Maurice Ravel
Introduction and Allegro for Harp, Flute...
85 bpm • D# min • 10:18 • -23db
26% Popularity • 23% Danceability • 7% Energy • 10% Liveness
80% Instrumentalness • 5% Positiveness
26% Popularity • 23% Danceability • 7% Energy • 10% Liveness
80% Instrumentalness • 5% Positiveness
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Arnold Schoenberg
Schoenberg: Gurre-Lieder, Melodram: "Seh...
86 bpm • F Maj • 05:33 • -17db
10% Popularity • 9% Danceability • 30% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
10% Popularity • 9% Danceability • 30% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Suite for Viola & Small Orchestra: II. C...
85 bpm • C min • 03:01 • -33db
38% Popularity • 17% Danceability • 2% Energy • 14% Liveness
89% Instrumentalness • 7% Positiveness
38% Popularity • 17% Danceability • 2% Energy • 14% Liveness
89% Instrumentalness • 7% Positiveness
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Franz Schubert
Die Nacht (Arr. for Cello and Guitar by ...
85 bpm • G Maj • 02:23 • -27.02db
56% Popularity • 16% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
56% Popularity • 16% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
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Camille Saint-Saëns
Sarabande et rigaudon, Op. 93: Sarabande
84 bpm • E Maj • 06:16 • -26db
43% Popularity • 11% Danceability • 8% Energy • 22% Liveness
80% Instrumentalness • 5% Positiveness
43% Popularity • 11% Danceability • 8% Energy • 22% Liveness
80% Instrumentalness • 5% Positiveness
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Kurt Atterberg
Suite No. 3, Op. 19, No. 1 (version for ...
94 bpm • C# min • 02:33 • -18db
17% Popularity • 16% Danceability • 17% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 17% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Alexander Glazunov
Mélodie, Op. 20, No. 1
84 bpm • D Maj • 06:39 • -23db
43% Popularity • 9% Danceability • 10% Energy • 19% Liveness
90% Instrumentalness • 8% Positiveness
43% Popularity • 9% Danceability • 10% Energy • 19% Liveness
90% Instrumentalness • 8% Positiveness
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Arnold Schoenberg
Verklärte Nacht, Op. 4: IV. Sehr breit ...
85 bpm • F# Maj • 09:30 • -24db
8% Popularity • 10% Danceability • 4% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
8% Popularity • 10% Danceability • 4% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
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Frédéric Chopin
Cello Sonata in G Minor, Op. 65: III. La...
84 bpm • A# Maj • 03:24 • -32db
59% Popularity • 12% Danceability • 1% Energy • 10% Liveness
85% Instrumentalness • 8% Positiveness
59% Popularity • 12% Danceability • 1% Energy • 10% Liveness
85% Instrumentalness • 8% Positiveness
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Ottorino Respighi
Suite No. 3, P. 172: I. Italiana: Andant...
94 bpm • A# Maj • 02:46 • -27.36db
48% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
48% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
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Jean Sibelius
6 Impromptus, Op. 5: Impromptu No. 5 in ...
84 bpm • B min • 03:07 • -28db
39% Popularity • 18% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
39% Popularity • 18% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Claude Debussy
Prélude à l'après-midi d'un faune, CD...
84 bpm • G# min • 09:22 • -27db
37% Popularity • 16% Danceability • 4% Energy • 5% Liveness
88% Instrumentalness • 3% Positiveness
37% Popularity • 16% Danceability • 4% Energy • 5% Liveness
88% Instrumentalness • 3% Positiveness
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César Franck
Violin Sonata in A major, FWV 8: IV. All...
94 bpm • A Maj • 06:04 • -18.62db
52% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
52% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
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Arnold Schoenberg
5 Klavierstücke, Op. 23: No. 4, Schwung...
85 bpm • A# Maj • 02:49 • -23.05db
7% Popularity • 46% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 13% Positiveness
7% Popularity • 46% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 13% Positiveness
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Domenico Scarlatti
Sonata in D Minor, K. 9
94 bpm • D min • 04:14 • -32.37db
42% Popularity • 40% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 32% Positiveness
42% Popularity • 40% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 32% Positiveness
► Preview
Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 6 Andante...
84 bpm • G min • 01:50 • -22.09db
40% Popularity • 32% Danceability • 3% Energy • 10% Liveness
76% Instrumentalness • 16% Positiveness
40% Popularity • 32% Danceability • 3% Energy • 10% Liveness
76% Instrumentalness • 16% Positiveness
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Frank Bridge
Berceuse (Arr. For viola and piano)
84 bpm • A# Maj • 03:34 • -35.15db
50% Popularity • 9% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 12% Positiveness
50% Popularity • 9% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 12% Positiveness
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Claude Debussy
Prélude à l'après-midi d'un faune, L....
84 bpm • G# min • 10:00 • -30.04db
25% Popularity • 18% Danceability • 4% Energy • 12% Liveness
78% Instrumentalness • 3% Positiveness
25% Popularity • 18% Danceability • 4% Energy • 12% Liveness
78% Instrumentalness • 3% Positiveness
► Preview
Francis Poulenc
Poulenc: Concerto for Two Pianos in D Mi...
84 bpm • A# Maj • 05:29 • -29.52db
18% Popularity • 21% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
18% Popularity • 21% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
► Preview
Arnold Schoenberg
Pelléas und Mélisande, Op. 5: VII. Ein...
85 bpm • C Maj • 04:09 • -13.9db
4% Popularity • 17% Danceability • 30% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
4% Popularity • 17% Danceability • 30% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Domenico Scarlatti
Sonata in E Major, K. 380
84 bpm • B Maj • 02:52 • -31.38db
42% Popularity • 45% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 17% Positiveness
42% Popularity • 45% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 17% Positiveness
► Preview
Leonard Bernstein
Divertimento: II. Waltz: Allegretto, con...
84 bpm • G Maj • 01:58 • -36db
47% Popularity • 17% Danceability • 2% Energy • 17% Liveness
9% Instrumentalness • 17% Positiveness
47% Popularity • 17% Danceability • 2% Energy • 17% Liveness
9% Instrumentalness • 17% Positiveness
