Songs like Pillars of Salt by Murder By Death
Based on a tempo of (+/- 10%) and a similar genre
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Murder By Death
Only Time
105 bpm • A min • 03:35 • -8.49db
24% Popularity • 49% Danceability • 35% Energy • 12% Liveness
39% Instrumentalness • 20% Positiveness
24% Popularity • 49% Danceability • 35% Energy • 12% Liveness
39% Instrumentalness • 20% Positiveness
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Dan Andriano in the Emergency Room
Of Peace, Quiet And Monsters
105 bpm • C# min • 04:21 • -12.62db
19% Popularity • 48% Danceability • 28% Energy • 11% Liveness
4% Instrumentalness • 62% Positiveness
19% Popularity • 48% Danceability • 28% Energy • 11% Liveness
4% Instrumentalness • 62% Positiveness
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Slim Cessna's Auto Club
Three Bloodhounds Two Shepherds One Fila...
105 bpm • C# Maj • 05:20 • -5.09db
11% Popularity • 65% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 65% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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The Jane Austen Argument
Here In Melbourne
105 bpm • B min • 05:08 • -14db
8% Popularity • 46% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
8% Popularity • 46% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Two Gallants
Long Summer Day
105 bpm • F# Maj • 04:54 • -8.16db
18% Popularity • 48% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
18% Popularity • 48% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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The Antlers
Wake
104 bpm • D Maj • 08:44 • -12.28db
32% Popularity • 28% Danceability • 35% Energy • 44% Liveness
90% Instrumentalness • 10% Positiveness
32% Popularity • 28% Danceability • 35% Energy • 44% Liveness
90% Instrumentalness • 10% Positiveness
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Murder By Death
Pillars of Salt
105 bpm • G# min • 04:45 • -16.22db
15% Popularity • 24% Danceability • 21% Energy • 10% Liveness
82% Instrumentalness • 9% Positiveness
15% Popularity • 24% Danceability • 21% Energy • 10% Liveness
82% Instrumentalness • 9% Positiveness
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Say Hi
Yeah, I'm In Love With An Android
106 bpm • C Maj • 02:18 • -14.5db
8% Popularity • 53% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
8% Popularity • 53% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Slim Cessna's Auto Club
An Introduction To The Power Of Braces -...
104 bpm • C min • 01:17 • -12.26db
14% Popularity • 40% Danceability • 28% Energy • 44% Liveness
0% Instrumentalness • 65% Positiveness
14% Popularity • 40% Danceability • 28% Energy • 44% Liveness
0% Instrumentalness • 65% Positiveness
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Bright Eyes
Bowl of Oranges
106 bpm • C Maj • 04:48 • -11db
37% Popularity • 38% Danceability • 60% Energy • 16% Liveness
3% Instrumentalness • 10% Positiveness
37% Popularity • 38% Danceability • 60% Energy • 16% Liveness
3% Instrumentalness • 10% Positiveness
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Man Man
Against The Peruvian Monster
103 bpm • A min • 02:51 • -4.54db
12% Popularity • 33% Danceability • 86% Energy • 59% Liveness
0% Instrumentalness • 51% Positiveness
12% Popularity • 33% Danceability • 86% Energy • 59% Liveness
0% Instrumentalness • 51% Positiveness
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The Builders and The Butchers
Raise Up
102 bpm • G Maj • 04:09 • -6.23db
13% Popularity • 40% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
13% Popularity • 40% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Murder By Death
Rumbrave
106 bpm • D min • 03:06 • -6.71db
27% Popularity • 37% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 55% Positiveness
27% Popularity • 37% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 55% Positiveness
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Iron & Wine
Jezebel
102 bpm • D Maj • 05:07 • -9.19db
37% Popularity • 58% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
37% Popularity • 58% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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The Weakerthans
Illustrated Bible Stories For Children
102 bpm • D Maj • 01:42 • -22.09db
17% Popularity • 59% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
17% Popularity • 59% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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The Mountain Goats
The Autopsy Garland
102 bpm • G min • 02:50 • -16db
21% Popularity • 65% Danceability • 25% Energy • 11% Liveness
9% Instrumentalness • 34% Positiveness
21% Popularity • 65% Danceability • 25% Energy • 11% Liveness
9% Instrumentalness • 34% Positiveness
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Man Man
Poor Jackie
107 bpm • F min • 08:23 • -8.01db
21% Popularity • 44% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 44% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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The Builders and The Butchers
Vampire Lake
102 bpm • A min • 02:57 • -4db
27% Popularity • 53% Danceability • 89% Energy • 10% Liveness
9% Instrumentalness • 47% Positiveness
27% Popularity • 53% Danceability • 89% Energy • 10% Liveness
9% Instrumentalness • 47% Positiveness
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Ours
Broken
102 bpm • E Maj • 06:55 • -7.29db
7% Popularity • 31% Danceability • 20% Energy • 24% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 31% Danceability • 20% Energy • 24% Liveness
0% Instrumentalness • 4% Positiveness
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The New Amsterdams
Idaho
108 bpm • D Maj • 04:33 • -12.06db
10% Popularity • 50% Danceability • 36% Energy • 8% Liveness
82% Instrumentalness • 9% Positiveness
10% Popularity • 50% Danceability • 36% Energy • 8% Liveness
82% Instrumentalness • 9% Positiveness
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The Long Winters
Ultimatum
102 bpm • D Maj • 03:38 • -8.57db
11% Popularity • 21% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 19% Positiveness
11% Popularity • 21% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 19% Positiveness
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The Weakerthans
Bigfoot!
102 bpm • C Maj • 02:23 • -11.9db
21% Popularity • 49% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
21% Popularity • 49% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Iron & Wine
Slow Black River
109 bpm • G# min • 02:27 • -11.66db
25% Popularity • 59% Danceability • 42% Energy • 18% Liveness
83% Instrumentalness • 37% Positiveness
25% Popularity • 59% Danceability • 42% Energy • 18% Liveness
83% Instrumentalness • 37% Positiveness
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Amigo the Devil
Perfect Wife
101 bpm • A min • 04:19 • -7db
46% Popularity • 59% Danceability • 67% Energy • 8% Liveness
3% Instrumentalness • 40% Positiveness
46% Popularity • 59% Danceability • 67% Energy • 8% Liveness
3% Instrumentalness • 40% Positiveness
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mewithoutYou
Bullet To Binary (Pt. Two)
101 bpm • A Maj • 05:12 • -7.32db
24% Popularity • 42% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
24% Popularity • 42% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Conor Oberst
Big Black Nothing
109 bpm • F# min • 03:39 • -5.51db
2% Popularity • 53% Danceability • 81% Energy • 19% Liveness
1% Instrumentalness • 80% Positiveness
2% Popularity • 53% Danceability • 81% Energy • 19% Liveness
1% Instrumentalness • 80% Positiveness
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Okkervil River
Okkervil River Song
101 bpm • A Maj • 05:54 • -9db
18% Popularity • 42% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
18% Popularity • 42% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Listener
You Have Never Lived Because You Have Ne...
110 bpm • D# Maj • 03:04 • -3.72db
20% Popularity • 71% Danceability • 80% Energy • 46% Liveness
11% Instrumentalness • 54% Positiveness
20% Popularity • 71% Danceability • 80% Energy • 46% Liveness
11% Instrumentalness • 54% Positiveness
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DeVotchKa
One Last Vow
100 bpm • D Maj • 04:56 • -9.09db
14% Popularity • 60% Danceability • 52% Energy • 10% Liveness
39% Instrumentalness • 63% Positiveness
14% Popularity • 60% Danceability • 52% Energy • 10% Liveness
39% Instrumentalness • 63% Positiveness
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Amigo the Devil
The Weight
100 bpm • C Maj • 04:03 • -6.64db
46% Popularity • 69% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
46% Popularity • 69% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
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The Mountain Goats
Damn These Vampires
99 bpm • D Maj • 03:24 • -14.52db
41% Popularity • 59% Danceability • 27% Energy • 9% Liveness
2% Instrumentalness • 30% Positiveness
41% Popularity • 59% Danceability • 27% Energy • 9% Liveness
2% Instrumentalness • 30% Positiveness
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Conor Oberst
Eagle on a Pole
110 bpm • D min • 04:42 • -7.56db
24% Popularity • 44% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
24% Popularity • 44% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Brown Bird
Train To The City
111 bpm • A Maj • 04:29 • -12.28db
12% Popularity • 43% Danceability • 27% Energy • 11% Liveness
7% Instrumentalness • 10% Positiveness
12% Popularity • 43% Danceability • 27% Energy • 11% Liveness
7% Instrumentalness • 10% Positiveness
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Listener
It's Time For Drastic Measures They're N...
100 bpm • D Maj • 03:10 • -3.5db
14% Popularity • 58% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 8% Positiveness
14% Popularity • 58% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 8% Positiveness
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Murder By Death
Ash
111 bpm • G# Maj • 03:32 • -6.58db
24% Popularity • 50% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 50% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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The Good Life
Album Of The Year
100 bpm • G Maj • 05:10 • -8db
33% Popularity • 39% Danceability • 63% Energy • 25% Liveness
0% Instrumentalness • 65% Positiveness
33% Popularity • 39% Danceability • 63% Energy • 25% Liveness
0% Instrumentalness • 65% Positiveness
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Bright Eyes
Smoke Without Fire
111 bpm • D Maj • 04:59 • -17.12db
15% Popularity • 36% Danceability • 17% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
15% Popularity • 36% Danceability • 17% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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Conor Oberst and the Mystic Valley Band
One of My Kind
111 bpm • C# Maj • 03:42 • -5db
25% Popularity • 30% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
25% Popularity • 30% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Brown Bird
My Daddy's a Preacher
99 bpm • A# Maj • 02:38 • -12.2db
13% Popularity • 57% Danceability • 20% Energy • 30% Liveness
0% Instrumentalness • 49% Positiveness
13% Popularity • 57% Danceability • 20% Energy • 30% Liveness
0% Instrumentalness • 49% Positiveness
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Deadboy & The Elephantmen
Evil Friend
111 bpm • G# min • 03:09 • -9.38db
21% Popularity • 49% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 49% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Two Gallants
Waves Of Grain
112 bpm • C Maj • 09:34 • -8.19db
17% Popularity • 30% Danceability • 73% Energy • 4% Liveness
0% Instrumentalness • 24% Positiveness
17% Popularity • 30% Danceability • 73% Energy • 4% Liveness
0% Instrumentalness • 24% Positiveness
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Hayden
I'm to Blame
98 bpm • C Maj • 02:24 • -13.94db
12% Popularity • 33% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
12% Popularity • 33% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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The Good Life
On The Picket Fence
98 bpm • C Maj • 03:33 • -11.49db
20% Popularity • 52% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 52% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Murder By Death
Oh, to be an Animal
98 bpm • F min • 03:00 • -11.54db
21% Popularity • 25% Danceability • 36% Energy • 12% Liveness
6% Instrumentalness • 4% Positiveness
21% Popularity • 25% Danceability • 36% Energy • 12% Liveness
6% Instrumentalness • 4% Positiveness
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Brown Bird
Lake Bed
99 bpm • A min • 03:30 • -8.78db
17% Popularity • 49% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
17% Popularity • 49% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Toh Kay
Somewhere in the Between
112 bpm • C# Maj • 03:15 • -14.31db
30% Popularity • 65% Danceability • 19% Energy • 11% Liveness
5% Instrumentalness • 66% Positiveness
30% Popularity • 65% Danceability • 19% Energy • 11% Liveness
5% Instrumentalness • 66% Positiveness
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Ugly Casanova
Diamonds on the Face of Evil
112 bpm • G Maj • 03:16 • -7.38db
25% Popularity • 63% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
25% Popularity • 63% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
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Death Cab for Cutie
Information Travels Faster
98 bpm • D Maj • 04:02 • -6.97db
28% Popularity • 63% Danceability • 57% Energy • 20% Liveness
1% Instrumentalness • 41% Positiveness
28% Popularity • 63% Danceability • 57% Energy • 20% Liveness
1% Instrumentalness • 41% Positiveness
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The Snake The Cross The Crown
On the Threshold of Eternity
98 bpm • G Maj • 05:50 • -10.19db
8% Popularity • 41% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
8% Popularity • 41% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
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Islands
I Feel Evil Creeping In
98 bpm • B min • 05:31 • -7.77db
3% Popularity • 41% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
3% Popularity • 41% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Murder By Death
Hunted
98 bpm • F Maj • 03:49 • -7.76db
17% Popularity • 48% Danceability • 59% Energy • 27% Liveness
24% Instrumentalness • 20% Positiveness
17% Popularity • 48% Danceability • 59% Energy • 27% Liveness
24% Instrumentalness • 20% Positiveness
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Neko Case
Dirty Knife
98 bpm • C Maj • 03:18 • -9.02db
26% Popularity • 42% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
26% Popularity • 42% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Two Gallants
Las Cruces Jail
98 bpm • E Maj • 05:46 • -8.39db
29% Popularity • 32% Danceability • 85% Energy • 54% Liveness
0% Instrumentalness • 12% Positiveness
29% Popularity • 32% Danceability • 85% Energy • 54% Liveness
0% Instrumentalness • 12% Positiveness
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The Weakerthans
Benediction
98 bpm • F Maj • 03:28 • -7.95db
27% Popularity • 49% Danceability • 75% Energy • 13% Liveness
1% Instrumentalness • 57% Positiveness
27% Popularity • 49% Danceability • 75% Energy • 13% Liveness
1% Instrumentalness • 57% Positiveness
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Iron & Wine
Evening On the Ground (Lilith's Song)
98 bpm • B min • 03:04 • -8.56db
28% Popularity • 27% Danceability • 77% Energy • 11% Liveness
65% Instrumentalness • 48% Positiveness
28% Popularity • 27% Danceability • 77% Energy • 11% Liveness
65% Instrumentalness • 48% Positiveness
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Madeline
Sleeping Dogs
97 bpm • C Maj • 02:36 • -21.79db
13% Popularity • 67% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 67% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Brown Bird
Bilgewater
113 bpm • D min • 03:46 • -11db
48% Popularity • 57% Danceability • 32% Energy • 11% Liveness
2% Instrumentalness • 76% Positiveness
48% Popularity • 57% Danceability • 32% Energy • 11% Liveness
2% Instrumentalness • 76% Positiveness
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Hayden
Hardly
97 bpm • B min • 04:13 • -15.13db
11% Popularity • 45% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
11% Popularity • 45% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Man Man
Haute Tropique
114 bpm • G# min • 03:51 • -7.82db
22% Popularity • 68% Danceability • 68% Energy • 5% Liveness
1% Instrumentalness • 82% Positiveness
22% Popularity • 68% Danceability • 68% Energy • 5% Liveness
1% Instrumentalness • 82% Positiveness
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The Weakerthans
Without Mythologies
114 bpm • B min • 03:12 • -11.32db
21% Popularity • 68% Danceability • 52% Energy • 11% Liveness
7% Instrumentalness • 56% Positiveness
21% Popularity • 68% Danceability • 52% Energy • 11% Liveness
7% Instrumentalness • 56% Positiveness
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Tim Kasher
The Prodigal Husband
114 bpm • A Maj • 03:12 • -14.63db
7% Popularity • 68% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
7% Popularity • 68% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Iron & Wine
On Your Wings
97 bpm • D min • 03:53 • -16.02db
35% Popularity • 82% Danceability • 19% Energy • 11% Liveness
2% Instrumentalness • 80% Positiveness
35% Popularity • 82% Danceability • 19% Energy • 11% Liveness
2% Instrumentalness • 80% Positiveness
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Murder By Death
My Hill
115 bpm • G Maj • 02:36 • -13.38db
22% Popularity • 57% Danceability • 28% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
22% Popularity • 57% Danceability • 28% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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J Mascis
Very Nervous and Love
115 bpm • D min • 04:47 • -14db
18% Popularity • 43% Danceability • 31% Energy • 16% Liveness
26% Instrumentalness • 33% Positiveness
18% Popularity • 43% Danceability • 31% Energy • 16% Liveness
26% Instrumentalness • 33% Positiveness
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Desaparecidos
Mañana
115 bpm • B Maj • 03:24 • -7.22db
35% Popularity • 27% Danceability • 93% Energy • 66% Liveness
59% Instrumentalness • 19% Positiveness
35% Popularity • 27% Danceability • 93% Energy • 66% Liveness
59% Instrumentalness • 19% Positiveness
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Jason Webley
Almost Time to Go
96 bpm • F Maj • 03:40 • -11.07db
12% Popularity • 76% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
12% Popularity • 76% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Larry and His Flask
So Long
96 bpm • E Maj • 03:30 • -8.47db
3% Popularity • 62% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
3% Popularity • 62% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Iron & Wine
Gray Stables
114 bpm • A min • 03:55 • -9.75db
22% Popularity • 62% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
22% Popularity • 62% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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Frontier Ruckus
Orion Town 3
115 bpm • E Maj • 01:59 • -12.19db
8% Popularity • 50% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
8% Popularity • 50% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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The Good Life
Night And Day
115 bpm • F Maj • 03:29 • -14.36db
22% Popularity • 38% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
22% Popularity • 38% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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The Avett Brothers
Colorshow
96 bpm • A min • 03:57 • -4.8db
26% Popularity • 40% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
26% Popularity • 40% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Jessica Lea Mayfield
Somewhere in Your Heart
115 bpm • D Maj • 03:14 • -9.98db
11% Popularity • 57% Danceability • 48% Energy • 7% Liveness
1% Instrumentalness • 16% Positiveness
11% Popularity • 57% Danceability • 48% Energy • 7% Liveness
1% Instrumentalness • 16% Positiveness
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Larry and His Flask
Hobo's Lament
96 bpm • C Maj • 04:21 • -6db
6% Popularity • 65% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
6% Popularity • 65% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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The Paper Chase
Dying With Decent Music
115 bpm • C Maj • 05:10 • -12.13db
13% Popularity • 46% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 46% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Iron & Wine
Muddy Hymnal
96 bpm • G# Maj • 02:43 • -10.34db
27% Popularity • 59% Danceability • 36% Energy • 11% Liveness
91% Instrumentalness • 36% Positiveness
27% Popularity • 59% Danceability • 36% Energy • 11% Liveness
91% Instrumentalness • 36% Positiveness
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Monsters Of Folk
Man Named Truth
95 bpm • D min • 03:51 • -5.05db
15% Popularity • 53% Danceability • 91% Energy • 54% Liveness
0% Instrumentalness • 94% Positiveness
15% Popularity • 53% Danceability • 91% Energy • 54% Liveness
0% Instrumentalness • 94% Positiveness
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Jim Ward
On My Way Back Home Again
96 bpm • D Maj • 03:28 • -11.43db
3% Popularity • 62% Danceability • 38% Energy • 18% Liveness
1% Instrumentalness • 64% Positiveness
3% Popularity • 62% Danceability • 38% Energy • 18% Liveness
1% Instrumentalness • 64% Positiveness
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Toh Kay
Watch It Crash
116 bpm • F# min • 03:38 • -13.23db
31% Popularity • 49% Danceability • 31% Energy • 11% Liveness
9% Instrumentalness • 40% Positiveness
31% Popularity • 49% Danceability • 31% Energy • 11% Liveness
9% Instrumentalness • 40% Positiveness
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Manchester Orchestra
Sleeper 1972
116 bpm • D Maj • 04:08 • -23db
30% Popularity • 31% Danceability • 3% Energy • 8% Liveness
7% Instrumentalness • 23% Positiveness
30% Popularity • 31% Danceability • 3% Energy • 8% Liveness
7% Instrumentalness • 23% Positiveness
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Murder By Death
Ramblin'
95 bpm • A Maj • 03:12 • -6.82db
23% Popularity • 22% Danceability • 87% Energy • 11% Liveness
45% Instrumentalness • 11% Positiveness
23% Popularity • 22% Danceability • 87% Energy • 11% Liveness
45% Instrumentalness • 11% Positiveness
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Bright Eyes
Firewall
116 bpm • G Maj • 07:15 • -12.25db
24% Popularity • 48% Danceability • 38% Energy • 18% Liveness
1% Instrumentalness • 30% Positiveness
24% Popularity • 48% Danceability • 38% Energy • 18% Liveness
1% Instrumentalness • 30% Positiveness
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Man Man
Top Drawer
95 bpm • F min • 03:26 • -4.55db
30% Popularity • 64% Danceability • 68% Energy • 33% Liveness
1% Instrumentalness • 79% Positiveness
30% Popularity • 64% Danceability • 68% Energy • 33% Liveness
1% Instrumentalness • 79% Positiveness
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Crooked Fingers
Big Darkness
116 bpm • F# Maj • 04:40 • -7.78db
13% Popularity • 36% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
13% Popularity • 36% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
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The Twilight Singers
Get Lucky
116 bpm • A# Maj • 04:11 • -8.69db
14% Popularity • 55% Danceability • 67% Energy • 68% Liveness
1% Instrumentalness • 33% Positiveness
14% Popularity • 55% Danceability • 67% Energy • 68% Liveness
1% Instrumentalness • 33% Positiveness
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Deer Tick
Not So Dense
116 bpm • F Maj • 04:22 • -4.79db
24% Popularity • 59% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
24% Popularity • 59% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Murder By Death
Solitary One
95 bpm • G Maj • 02:48 • -6.15db
18% Popularity • 52% Danceability • 74% Energy • 40% Liveness
70% Instrumentalness • 57% Positiveness
18% Popularity • 52% Danceability • 74% Energy • 40% Liveness
70% Instrumentalness • 57% Positiveness
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Toh Kay
We Will Fall Together
116 bpm • C# min • 06:46 • -14.83db
26% Popularity • 69% Danceability • 13% Energy • 11% Liveness
18% Instrumentalness • 34% Positiveness
26% Popularity • 69% Danceability • 13% Energy • 11% Liveness
18% Instrumentalness • 34% Positiveness
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The Mountain Goats
Lakeside View Apartments Suite
95 bpm • B min • 03:58 • -13.92db
7% Popularity • 46% Danceability • 40% Energy • 8% Liveness
1% Instrumentalness • 18% Positiveness
7% Popularity • 46% Danceability • 40% Energy • 8% Liveness
1% Instrumentalness • 18% Positiveness
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The Weakerthans
Psalm For The Elks Lodge Last Call
116 bpm • D Maj • 02:44 • -8.27db
33% Popularity • 64% Danceability • 66% Energy • 15% Liveness
59% Instrumentalness • 48% Positiveness
33% Popularity • 64% Danceability • 66% Energy • 15% Liveness
59% Instrumentalness • 48% Positiveness
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Okkervil River
Maine Island Lovers
94 bpm • D Maj • 04:51 • -14.71db
13% Popularity • 34% Danceability • 9% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
13% Popularity • 34% Danceability • 9% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Deer Tick
Christ Jesus
116 bpm • A Maj • 04:32 • -6.32db
20% Popularity • 48% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
20% Popularity • 48% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Murder By Death
On the Dark Streets Below
116 bpm • F min • 02:36 • -8.65db
21% Popularity • 57% Danceability • 85% Energy • 38% Liveness
1% Instrumentalness • 78% Positiveness
21% Popularity • 57% Danceability • 85% Energy • 38% Liveness
1% Instrumentalness • 78% Positiveness
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Iron & Wine
House By the Sea
117 bpm • G# Maj • 04:21 • -7.59db
35% Popularity • 73% Danceability • 60% Energy • 10% Liveness
50% Instrumentalness • 48% Positiveness
35% Popularity • 73% Danceability • 60% Energy • 10% Liveness
50% Instrumentalness • 48% Positiveness
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Jason Webley
Music That Puts Everything Together
94 bpm • C Maj • 04:54 • -10.08db
9% Popularity • 45% Danceability • 43% Energy • 46% Liveness
0% Instrumentalness • 48% Positiveness
9% Popularity • 45% Danceability • 43% Energy • 46% Liveness
0% Instrumentalness • 48% Positiveness
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The Weakerthans
Left And Leaving
117 bpm • B Maj • 04:45 • -10db
37% Popularity • 59% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
37% Popularity • 59% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Cloud Cult
The Ghost Inside Our House
118 bpm • G Maj • 02:52 • -12.93db
20% Popularity • 61% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
20% Popularity • 61% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Colour Revolt
Our Names
118 bpm • C Maj • 05:27 • -7.63db
11% Popularity • 29% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
11% Popularity • 29% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Murder By Death
The Day
95 bpm • F min • 03:32 • -6.01db
14% Popularity • 55% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
14% Popularity • 55% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
