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Pinebox Jim
Songs like
Pinebox Jim
by
Kellen Smith
Based on a tempo of (+/- 10%) and a similar genre
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Cole Barnhill
Hell Home
130 bpm • D Maj • 03:50 • -7.05db
30% Popularity • 55% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Logan Ryan Band
Easier Said Than Done
130 bpm • D Maj • 04:48 • -9db
26% Popularity • 65% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Cole Chaney
The Flood
130 bpm • E Maj • 05:40 • -10db
28% Popularity • 65% Danceability • 29% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
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Kellen Smith
Pinebox Jim
130 bpm • C Maj • 04:36 • -9.37db
39% Popularity • 41% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
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Parker Ryan
When You Leave
130 bpm • F# Maj • 04:09 • -10.18db
19% Popularity • 60% Danceability • 29% Energy • 33% Liveness
0% Instrumentalness • 25% Positiveness
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Zach Bryan
Oklahoma City
130 bpm • F Maj • 04:39 • -8.01db
53% Popularity • 61% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Red Shahan
Southern Man
130 bpm • C# Maj • 02:53 • -4.2db
38% Popularity • 52% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Danno Simpson
Pills & Motörhead
131 bpm • B Maj • 03:23 • -7.3db
18% Popularity • 59% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
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Cole Chaney
Wishing Well
130 bpm • E min • 04:36 • -10.27db
34% Popularity • 43% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Wade Montgomery
Weakness
129 bpm • D Maj • 03:40 • -11.68db
31% Popularity • 66% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Nicholas Jamerson
Feather Bed
131 bpm • A Maj • 02:09 • -4.32db
46% Popularity • 68% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Tyler Halverson
Codigo GoGo
129 bpm • G Maj • 03:10 • -8.71db
37% Popularity • 60% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Carson Jeffrey
Somewhere in the Middle
129 bpm • F# Maj • 03:29 • -7.8db
26% Popularity • 58% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
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Jayce Turley
Ghost Of Your Goodbye
129 bpm • D Maj • 03:12 • -8.71db
21% Popularity • 50% Danceability • 30% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
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Cole Chaney
The Air Between
131 bpm • G# Maj • 04:11 • -9.93db
27% Popularity • 70% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Tanner Usrey
Come Back Down
131 bpm • G# Maj • 04:33 • -4.48db
60% Popularity • 44% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Taylor McCall
White Wine
129 bpm • C Maj • 04:07 • -8db
28% Popularity • 52% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Colten Jesse
Downfall - DBPC
128 bpm • C Maj • 04:28 • -7db
36% Popularity • 40% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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49 Winchester
Don't Speak
128 bpm • E Maj • 04:18 • -8db
26% Popularity • 43% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Jacob Stelly
Burnout
132 bpm • F# Maj • 04:02 • -13.43db
37% Popularity • 52% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Cole Chaney
Another Day in the Life
128 bpm • G# Maj • 05:00 • -9db
38% Popularity • 59% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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J.R. Carroll
Girl from a Song
132 bpm • A Maj • 03:32 • -7.21db
33% Popularity • 61% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Taylor McCall
Wide Open
132 bpm • F Maj • 03:28 • -8db
26% Popularity • 50% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Cameron Sacky Band
Honky Tonkin'
128 bpm • A Maj • 02:29 • -5.68db
24% Popularity • 68% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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49 Winchester
Hays, Kansas
128 bpm • C Maj • 03:30 • -4db
52% Popularity • 48% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Cole Barnhill
Broken at Best
128 bpm • F Maj • 04:53 • -7.09db
29% Popularity • 55% Danceability • 73% Energy • 12% Liveness
1% Instrumentalness • 31% Positiveness
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Mason Lively
Love Ain't Done a Damn Thing
128 bpm • G min • 03:59 • -4db
36% Popularity • 65% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Tyler Halverson
Your Bar Now
128 bpm • E Maj • 03:34 • -9.39db
39% Popularity • 64% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Kellen Smith
Dead Lonely
128 bpm • D Maj • 03:21 • -10.78db
19% Popularity • 63% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 63% Positiveness
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Kaitlin Butts
blood
128 bpm • F# Maj • 04:58 • -8.35db
32% Popularity • 50% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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49 Winchester
Never Again
132 bpm • E min • 03:21 • -7.07db
32% Popularity • 48% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Logan Halstead
Man's Gotta Eat
127 bpm • E Maj • 02:43 • -4.71db
26% Popularity • 48% Danceability • 31% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
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Whiskey Myers
Glitter Ain't Gold
127 bpm • A Maj • 03:36 • -4.8db
49% Popularity • 55% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Kolton Moore & the Clever Few
Ain't so Well
127 bpm • E min • 02:54 • -11.21db
43% Popularity • 64% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Wyatt Flores
Write In Stone
127 bpm • C Maj • 03:40 • -7.89db
46% Popularity • 56% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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Matt Robertson
Wild West Show
127 bpm • C Maj • 04:04 • -8.48db
17% Popularity • 62% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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49 Winchester
Neon
133 bpm • E Maj • 03:55 • -6.37db
41% Popularity • 59% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Logan Halstead
Coal River
127 bpm • G Maj • 03:41 • -7.04db
32% Popularity • 36% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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The Wilder Blue
Company Man
127 bpm • G Maj • 02:37 • -8.33db
39% Popularity • 67% Danceability • 62% Energy • 50% Liveness
0% Instrumentalness • 85% Positiveness
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Tim Goodin
Sad Bird Still Sings - Acoustic
133 bpm • B Maj • 03:47 • -13.31db
24% Popularity • 50% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Logan Ryan Band
Pretty Devil
127 bpm • G# Maj • 04:07 • -9.45db
22% Popularity • 45% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Seth Ward
Hurricane Wind
127 bpm • F# min • 04:18 • -4.84db
22% Popularity • 48% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 60% Positiveness
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Tyler Childers
Hard Times
133 bpm • G Maj • 02:58 • -13.64db
69% Popularity • 60% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Gavin Adcock
Georgia Sun
133 bpm • G Maj • 02:53 • -7.76db
46% Popularity • 70% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Cole Chaney
Grind (OurVinyl Sessions)
133 bpm • G# min • 03:34 • -8.68db
39% Popularity • 66% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Tim Goodin
Pills and Poverty - Acoustic
134 bpm • C min • 03:27 • -9.91db
40% Popularity • 57% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Taylor McCall
South of Broadway
127 bpm • C Maj • 03:14 • -4.66db
29% Popularity • 45% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Danno Simpson
Appetite
126 bpm • G Maj • 04:37 • -9.24db
27% Popularity • 53% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Whiskey Myers
Little More Money
134 bpm • G# min • 04:05 • -3.98db
51% Popularity • 62% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Kade Hoffman
Hungover & Heartbroken
126 bpm • D Maj • 02:25 • -12.05db
44% Popularity • 57% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Cole Chaney
Back to Kentucky
134 bpm • C Maj • 05:23 • -10.42db
30% Popularity • 29% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Uncle Lucius
Liquor Store
134 bpm • E min • 03:59 • -6.4db
46% Popularity • 59% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Slade Coulter
Hang Me Out to Dry
126 bpm • G Maj • 03:57 • -11.62db
28% Popularity • 52% Danceability • 45% Energy • 23% Liveness
0% Instrumentalness • 9% Positiveness
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J.R. Carroll
Diamondhead
135 bpm • F# min • 03:07 • -4.54db
55% Popularity • 43% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Tanner Usrey
Siren's Song
135 bpm • G Maj • 03:33 • -5.45db
47% Popularity • 42% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Shea Abshier & The Nighthowlers
Kickapoo Redemption
135 bpm • F min • 04:26 • -8.64db
39% Popularity • 58% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Koe Wetzel
Gravedigger
135 bpm • B min • 04:00 • -6.31db
46% Popularity • 38% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 50% Positiveness
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Kolton Moore & the Clever Few
While the Gettin's Easy
125 bpm • F min • 03:14 • -5.23db
33% Popularity • 67% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Carson Jeffrey
Tall Boy
135 bpm • G Maj • 03:39 • -4.33db
41% Popularity • 60% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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J.R. Carroll
Other Than That
125 bpm • A# Maj • 04:18 • -7.41db
33% Popularity • 63% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Colten Jesse
Sorrow Symphony
135 bpm • G Maj • 03:26 • -15.4db
45% Popularity • 76% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Tyler Childers
Play Me a Hank Song
135 bpm • D# Maj • 05:13 • -14db
56% Popularity • 37% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Mason & the Gin Line
Loose Tonight
125 bpm • G Maj • 03:13 • -10.01db
27% Popularity • 63% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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Danno Simpson
The Final Stand of Henry Lee
125 bpm • C# min • 04:41 • -14.06db
20% Popularity • 66% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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The Lowdown Drifters
Daylight
125 bpm • E Maj • 03:34 • -5db
29% Popularity • 56% Danceability • 80% Energy • 9% Liveness
1% Instrumentalness • 33% Positiveness
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Jarrod Morris
One Pack a Day
125 bpm • G Maj • 02:50 • -5.97db
35% Popularity • 64% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
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Tanner Usrey
Who I Am
125 bpm • G Maj • 04:17 • -7.13db
33% Popularity • 58% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
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Ryan Bingham
Wishing Well
135 bpm • G Maj • 03:58 • -6db
43% Popularity • 66% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Tyler Halverson
Cut You Loose
125 bpm • F# Maj • 03:05 • -12.59db
32% Popularity • 51% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
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Danno Simpson
Madeline
125 bpm • D# Maj • 03:46 • -12.64db
24% Popularity • 59% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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49 Winchester
Second Chance
136 bpm • E Maj • 03:36 • -8.4db
48% Popularity • 39% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Jayce Turley
Lone Hearted Fool
136 bpm • B min • 06:42 • -8.64db
29% Popularity • 45% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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J.R. Carroll
Where the Red Fern Grows
136 bpm • F# min • 03:43 • -9.56db
52% Popularity • 49% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Tyler Hatley
In Came You
136 bpm • D Maj • 03:34 • -6.37db
45% Popularity • 56% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Whiskey Myers
Good Ole Days
136 bpm • A# Maj • 03:57 • -8db
36% Popularity • 59% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Tyler Halverson
Beer Garden Baby
136 bpm • A Maj • 03:44 • -8.78db
47% Popularity • 56% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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49 Winchester
Everlasting Lover
136 bpm • D Maj • 03:13 • -6.73db
56% Popularity • 42% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Cole Chaney
Fever Dream
136 bpm • G# Maj • 03:53 • -11.25db
26% Popularity • 64% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Bryan Martin
Addiction
136 bpm • B Maj • 03:59 • -7.45db
54% Popularity • 55% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 37% Positiveness
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Gannon Fremin & CCREV
Rose Tattoo
136 bpm • A Maj • 03:26 • -7.72db
30% Popularity • 68% Danceability • 80% Energy • 42% Liveness
0% Instrumentalness • 78% Positiveness
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Cole Barnhill
El Camino
136 bpm • C Maj • 04:39 • -6db
29% Popularity • 58% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 65% Positiveness
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Logan Ryan Band
Signed, Love Wynonna
136 bpm • F# Maj • 05:23 • -7.37db
47% Popularity • 59% Danceability • 58% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
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Flatland Cavalry
War With My Mind
136 bpm • D Maj • 04:04 • -10.91db
57% Popularity • 43% Danceability • 28% Energy • 12% Liveness
2% Instrumentalness • 17% Positiveness
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Taylor McCall
Waccamaw Drive
136 bpm • C# Maj • 03:47 • -8.95db
41% Popularity • 53% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Jeremy Pinnell
Ballad of 1892
124 bpm • D Maj • 03:05 • -8.81db
48% Popularity • 80% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Braxton Keith
Make Up Your Mind
124 bpm • A min • 03:36 • -4.52db
42% Popularity • 68% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Sam Williams
Weatherman
124 bpm • A Maj • 03:34 • -5.24db
49% Popularity • 52% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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The Wilder Blue
Hey Susanna
124 bpm • C Maj • 03:32 • -9.22db
36% Popularity • 64% Danceability • 65% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
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Tyler Childers
If Whiskey Could Talk
136 bpm • G Maj • 03:51 • -13.11db
59% Popularity • 58% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Turnpike Troubadours
The Winding Stair Mountain Blues
124 bpm • E min • 03:27 • -5.3db
43% Popularity • 42% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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Tyler Halverson
'94 Camaro
124 bpm • G Maj • 02:46 • -7.84db
51% Popularity • 71% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Tennessee Jet
What Kind of Man
137 bpm • G Maj • 03:34 • -11.65db
31% Popularity • 49% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Kolton Moore & the Clever Few
Just Stay
137 bpm • G Maj • 03:52 • -13db
37% Popularity • 63% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Low Gap
Mockingbird
137 bpm • A# Maj • 03:28 • -5.96db
33% Popularity • 58% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Drew Moreland
God & Cash
137 bpm • A Maj • 04:08 • -6db
31% Popularity • 62% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
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Carson Jeffrey
High Tonight
137 bpm • F# Maj • 04:31 • -7db
36% Popularity • 54% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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The Panhandlers
The Last Gentleman in Southwest Texas
123 bpm • A# Maj • 04:10 • -8.1db
23% Popularity • 64% Danceability • 51% Energy • 25% Liveness
0% Instrumentalness • 58% Positiveness
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Cole Barnhill
Don't Even Say Bye
123 bpm • G# Maj • 03:57 • -4.37db
48% Popularity • 56% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Koe Wetzel
Drug Problem
123 bpm • C# Maj • 04:08 • -5.65db
44% Popularity • 54% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Slade Coulter
Hey Mary
123 bpm • G# Maj • 03:46 • -9.34db
33% Popularity • 51% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Pinebox Jim