Songs like Pink Soldiers by 23
Based on a tempo of (+/- 10%) and a similar genre
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Lorne Balfe
The Beginning
120 bpm • C# Maj • 03:55 • -11.86db
8% Popularity • 62% Danceability • 51% Energy • 12% Liveness
90% Instrumentalness • 25% Positiveness
8% Popularity • 62% Danceability • 51% Energy • 12% Liveness
90% Instrumentalness • 25% Positiveness
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Subway Surfers
BERLIN Theme (Punk Alternative Mix)
120 bpm • C# Maj • 02:18 • -10.02db
37% Popularity • 72% Danceability • 75% Energy • 14% Liveness
83% Instrumentalness • 61% Positiveness
37% Popularity • 72% Danceability • 75% Energy • 14% Liveness
83% Instrumentalness • 61% Positiveness
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Joel Eriksson
Battlefield 1942 Theme
120 bpm • A# min • 04:09 • -10db
29% Popularity • 76% Danceability • 75% Energy • 29% Liveness
87% Instrumentalness • 68% Positiveness
29% Popularity • 76% Danceability • 75% Energy • 29% Liveness
87% Instrumentalness • 68% Positiveness
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Michael Vignola
Before the Fight
120 bpm • C# Maj • 02:01 • -13db
10% Popularity • 79% Danceability • 44% Energy • 11% Liveness
82% Instrumentalness • 5% Positiveness
10% Popularity • 79% Danceability • 44% Energy • 11% Liveness
82% Instrumentalness • 5% Positiveness
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RainbowNotFound
Michael Myers Theme
120 bpm • E Maj • 03:19 • -8.38db
25% Popularity • 81% Danceability • 55% Energy • 9% Liveness
94% Instrumentalness • 60% Positiveness
25% Popularity • 81% Danceability • 55% Energy • 9% Liveness
94% Instrumentalness • 60% Positiveness
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23
Pink Soldiers (SwoleBoy Remix)
120 bpm • C# Maj • 02:51 • -11.1db
11% Popularity • 79% Danceability • 50% Energy • 7% Liveness
90% Instrumentalness • 29% Positiveness
11% Popularity • 79% Danceability • 50% Energy • 7% Liveness
90% Instrumentalness • 29% Positiveness
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Junkie XL
Skull Island (Kong Theme)
120 bpm • F min • 07:25 • -14.63db
28% Popularity • 26% Danceability • 18% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
28% Popularity • 26% Danceability • 18% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Young Skryll
Closer to Me
120 bpm • F# Maj • 01:24 • -5.88db
2% Popularity • 54% Danceability • 87% Energy • 14% Liveness
91% Instrumentalness • 53% Positiveness
2% Popularity • 54% Danceability • 87% Energy • 14% Liveness
91% Instrumentalness • 53% Positiveness
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Ari Pulkkinen
Angry Birds Theme
120 bpm • B min • 01:08 • -9.2db
52% Popularity • 84% Danceability • 79% Energy • 6% Liveness
86% Instrumentalness • 98% Positiveness
52% Popularity • 84% Danceability • 79% Energy • 6% Liveness
86% Instrumentalness • 98% Positiveness
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Samuel K.
Pink Soldiers (Epic Version)
120 bpm • F min • 02:34 • -9.7db
38% Popularity • 66% Danceability • 70% Energy • 9% Liveness
56% Instrumentalness • 7% Positiveness
38% Popularity • 66% Danceability • 70% Energy • 9% Liveness
56% Instrumentalness • 7% Positiveness
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Thierry Caroubi
Armed Robbery
120 bpm • D Maj • 02:55 • -11.71db
12% Popularity • 67% Danceability • 49% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
12% Popularity • 67% Danceability • 49% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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23
Pink Soldiers
120 bpm • F min • 00:38 • -17.27db
40% Popularity • 61% Danceability • 20% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
40% Popularity • 61% Danceability • 20% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
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Vivek Abhishek
Broken Piano
120 bpm • D min • 02:38 • -24db
14% Popularity • 55% Danceability • 2% Energy • 25% Liveness
94% Instrumentalness • 9% Positiveness
14% Popularity • 55% Danceability • 2% Energy • 25% Liveness
94% Instrumentalness • 9% Positiveness
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Neezy N.E.B
White Chapel
120 bpm • C# min • 02:00 • -18.09db
14% Popularity • 65% Danceability • 12% Energy • 6% Liveness
90% Instrumentalness • 11% Positiveness
14% Popularity • 65% Danceability • 12% Energy • 6% Liveness
90% Instrumentalness • 11% Positiveness
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FreshmanSound
Time Bomb
120 bpm • D Maj • 02:19 • -14.72db
12% Popularity • 92% Danceability • 20% Energy • 11% Liveness
81% Instrumentalness • 27% Positiveness
12% Popularity • 92% Danceability • 20% Energy • 11% Liveness
81% Instrumentalness • 27% Positiveness
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Bobby Cole
Epic Dawn
120 bpm • C# Maj • 03:16 • -14.92db
20% Popularity • 68% Danceability • 66% Energy • 11% Liveness
84% Instrumentalness • 5% Positiveness
20% Popularity • 68% Danceability • 66% Energy • 11% Liveness
84% Instrumentalness • 5% Positiveness
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Stephen Barton
Apex Legends: Main Theme
120 bpm • A# Maj • 02:39 • -11.76db
37% Popularity • 46% Danceability • 65% Energy • 11% Liveness
88% Instrumentalness • 36% Positiveness
37% Popularity • 46% Danceability • 65% Energy • 11% Liveness
88% Instrumentalness • 36% Positiveness
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Sh4d0wStrider
Eternals Trailer Music (Marvel Studio's ...
120 bpm • D Maj • 05:05 • -11db
11% Popularity • 25% Danceability • 57% Energy • 37% Liveness
88% Instrumentalness • 15% Positiveness
11% Popularity • 25% Danceability • 57% Energy • 37% Liveness
88% Instrumentalness • 15% Positiveness
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23
Pink Soliders - Jaap Stamina Remix
120 bpm • D# Maj • 03:56 • -5.11db
1% Popularity • 46% Danceability • 88% Energy • 9% Liveness
66% Instrumentalness • 27% Positiveness
1% Popularity • 46% Danceability • 88% Energy • 9% Liveness
66% Instrumentalness • 27% Positiveness
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Arthur Benson
I Have a Plan, Mr Norton
120 bpm • D Maj • 02:07 • -20.08db
21% Popularity • 86% Danceability • 44% Energy • 10% Liveness
88% Instrumentalness • 80% Positiveness
21% Popularity • 86% Danceability • 44% Energy • 10% Liveness
88% Instrumentalness • 80% Positiveness
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Daniel Pemberton
Spider-Man Loves You
120 bpm • E min • 01:51 • -9.23db
42% Popularity • 59% Danceability • 87% Energy • 21% Liveness
96% Instrumentalness • 16% Positiveness
42% Popularity • 59% Danceability • 87% Energy • 21% Liveness
96% Instrumentalness • 16% Positiveness
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Mik
Pink Soldiers - Squid Game Lofi
120 bpm • C# Maj • 01:46 • -13db
26% Popularity • 79% Danceability • 42% Energy • 11% Liveness
61% Instrumentalness • 28% Positiveness
26% Popularity • 79% Danceability • 42% Energy • 11% Liveness
61% Instrumentalness • 28% Positiveness
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will.i.am
Big And Chunky
120 bpm • F# min • 03:21 • -6.9db
57% Popularity • 96% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
57% Popularity • 96% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Keith Strachan
Fastest Finger First
120 bpm • F Maj • 01:35 • -17.51db
25% Popularity • 48% Danceability • 14% Energy • 17% Liveness
94% Instrumentalness • 18% Positiveness
25% Popularity • 48% Danceability • 14% Energy • 17% Liveness
94% Instrumentalness • 18% Positiveness
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FreshmanSound
Fear
120 bpm • D Maj • 01:58 • -10.77db
28% Popularity • 60% Danceability • 29% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
28% Popularity • 60% Danceability • 29% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Jack Wall
Cold War
120 bpm • C# min • 03:21 • -12.16db
37% Popularity • 51% Danceability • 39% Energy • 10% Liveness
94% Instrumentalness • 9% Positiveness
37% Popularity • 51% Danceability • 39% Energy • 10% Liveness
94% Instrumentalness • 9% Positiveness
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Stephen Barton
Preparing The Arena
120 bpm • F min • 04:21 • -14.74db
25% Popularity • 43% Danceability • 38% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
25% Popularity • 43% Danceability • 38% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Hans Zimmer
Tick-Tock
120 bpm • A min • 08:18 • -15.83db
52% Popularity • 26% Danceability • 23% Energy • 24% Liveness
90% Instrumentalness • 4% Positiveness
52% Popularity • 26% Danceability • 23% Energy • 24% Liveness
90% Instrumentalness • 4% Positiveness
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Tobias Lilja
End of the Hall
120 bpm • F Maj • 03:40 • -23.53db
37% Popularity • 45% Danceability • 18% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
37% Popularity • 45% Danceability • 18% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
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Rob
Memorial
120 bpm • C Maj • 02:29 • -14.55db
7% Popularity • 20% Danceability • 34% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
7% Popularity • 20% Danceability • 34% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
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Randy Newman
When All Your Friends Are Gone / Crash
120 bpm • F Maj • 03:44 • -10.64db
31% Popularity • 38% Danceability • 33% Energy • 11% Liveness
66% Instrumentalness • 10% Positiveness
31% Popularity • 38% Danceability • 33% Energy • 11% Liveness
66% Instrumentalness • 10% Positiveness
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Music Druggies
Squid Games (red light green light) trap...
120 bpm • G Maj • 04:24 • -9db
22% Popularity • 36% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
22% Popularity • 36% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Michael Price
The Game is On
120 bpm • C Maj • 03:40 • -19.28db
44% Popularity • 32% Danceability • 29% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
44% Popularity • 32% Danceability • 29% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
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23
Hostage Crisis
119 bpm • C# Maj • 02:22 • -18.51db
20% Popularity • 28% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
20% Popularity • 28% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Heitor Pereira
Star Light-Star Bright
121 bpm • G# Maj • 01:19 • -17.94db
34% Popularity • 28% Danceability • 24% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
34% Popularity • 28% Danceability • 24% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
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Hildur Guðnadóttir
Call Me Joker
121 bpm • D Maj • 04:48 • -14.43db
44% Popularity • 20% Danceability • 32% Energy • 14% Liveness
89% Instrumentalness • 5% Positiveness
44% Popularity • 20% Danceability • 32% Energy • 14% Liveness
89% Instrumentalness • 5% Positiveness
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The Greatest Bits
Wii Sports Theme
119 bpm • C# min • 02:19 • -9.58db
45% Popularity • 50% Danceability • 72% Energy • 38% Liveness
97% Instrumentalness • 36% Positiveness
45% Popularity • 50% Danceability • 72% Energy • 38% Liveness
97% Instrumentalness • 36% Positiveness
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Ludwig Göransson
Eddie's Blues
119 bpm • C# min • 04:50 • -17db
17% Popularity • 22% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
17% Popularity • 22% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Jon Ekstrand
Dr. Michael Morbius
121 bpm • D Maj • 01:28 • -16.42db
15% Popularity • 38% Danceability • 16% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
15% Popularity • 38% Danceability • 16% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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Natalie Holt
DB Cooper
119 bpm • G min • 01:35 • -12.35db
28% Popularity • 66% Danceability • 47% Energy • 6% Liveness
98% Instrumentalness • 58% Positiveness
28% Popularity • 66% Danceability • 47% Energy • 6% Liveness
98% Instrumentalness • 58% Positiveness
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BeatsBoomingGang
Avengers Theme Kazoo Orchestra
119 bpm • C Maj • 01:58 • -10.81db
36% Popularity • 58% Danceability • 10% Energy • 13% Liveness
3% Instrumentalness • 45% Positiveness
36% Popularity • 58% Danceability • 10% Energy • 13% Liveness
3% Instrumentalness • 45% Positiveness
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Mary Riddle
A Hoax
121 bpm • D# min • 02:23 • -13.17db
13% Popularity • 47% Danceability • 30% Energy • 10% Liveness
20% Instrumentalness • 18% Positiveness
13% Popularity • 47% Danceability • 30% Energy • 10% Liveness
20% Instrumentalness • 18% Positiveness
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Ashton Gleckman
Suite from "Interstellar"
121 bpm • C Maj • 08:32 • -22.01db
18% Popularity • 20% Danceability • 11% Energy • 18% Liveness
71% Instrumentalness • 3% Positiveness
18% Popularity • 20% Danceability • 11% Energy • 18% Liveness
71% Instrumentalness • 3% Positiveness
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jung jaeil
Dawn
122 bpm • E min • 06:41 • -13.19db
26% Popularity • 49% Danceability • 26% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
26% Popularity • 49% Danceability • 26% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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John Murphy
Ratism
119 bpm • C Maj • 03:28 • -9.23db
33% Popularity • 29% Danceability • 56% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
33% Popularity • 29% Danceability • 56% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
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Christophe Beck
Hawkeye's Theme
122 bpm • G min • 01:48 • -11.1db
35% Popularity • 54% Danceability • 45% Energy • 12% Liveness
90% Instrumentalness • 19% Positiveness
35% Popularity • 54% Danceability • 45% Energy • 12% Liveness
90% Instrumentalness • 19% Positiveness
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Nicholas Britell
Discovery
118 bpm • G# min • 01:21 • -15.67db
30% Popularity • 48% Danceability • 21% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
30% Popularity • 48% Danceability • 21% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Alec Koff
The Dark Night
118 bpm • D Maj • 01:37 • -15.02db
20% Popularity • 58% Danceability • 63% Energy • 9% Liveness
56% Instrumentalness • 4% Positiveness
20% Popularity • 58% Danceability • 63% Energy • 9% Liveness
56% Instrumentalness • 4% Positiveness
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bleh362_
fluffing a duck
122 bpm • D Maj • 01:07 • -17.02db
45% Popularity • 95% Danceability • 23% Energy • 10% Liveness
56% Instrumentalness • 73% Positiveness
45% Popularity • 95% Danceability • 23% Energy • 10% Liveness
56% Instrumentalness • 73% Positiveness
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Ludwig Göransson
Red Moon Ritual
118 bpm • G Maj • 03:19 • -12.54db
15% Popularity • 24% Danceability • 27% Energy • 10% Liveness
66% Instrumentalness • 4% Positiveness
15% Popularity • 24% Danceability • 27% Energy • 10% Liveness
66% Instrumentalness • 4% Positiveness
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Halfbrick
Jetpack Joyride Main Theme
123 bpm • G# Maj • 02:13 • -7.56db
50% Popularity • 66% Danceability • 87% Energy • 27% Liveness
92% Instrumentalness • 92% Positiveness
50% Popularity • 66% Danceability • 87% Energy • 27% Liveness
92% Instrumentalness • 92% Positiveness
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Benjamin Wallfisch
Every 27 Years
118 bpm • E Maj • 02:36 • -23.89db
35% Popularity • 26% Danceability • 7% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
35% Popularity • 26% Danceability • 7% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
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Nicholas Britell
The Call
118 bpm • G min • 02:32 • -17.06db
26% Popularity • 45% Danceability • 15% Energy • 8% Liveness
92% Instrumentalness • 18% Positiveness
26% Popularity • 45% Danceability • 15% Energy • 8% Liveness
92% Instrumentalness • 18% Positiveness
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Luca Riviero
Dead Silence Theme (Intro) [From "Dead S...
123 bpm • D# min • 01:10 • -14.22db
36% Popularity • 58% Danceability • 43% Energy • 20% Liveness
94% Instrumentalness • 14% Positiveness
36% Popularity • 58% Danceability • 43% Energy • 20% Liveness
94% Instrumentalness • 14% Positiveness
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Chris Benstead
Coffee Frother
123 bpm • C# Maj • 03:29 • -19.71db
29% Popularity • 33% Danceability • 17% Energy • 10% Liveness
85% Instrumentalness • 3% Positiveness
29% Popularity • 33% Danceability • 17% Energy • 10% Liveness
85% Instrumentalness • 3% Positiveness
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jung jaeil
The Rope is Tied
123 bpm • G# min • 03:18 • -12.8db
26% Popularity • 58% Danceability • 70% Energy • 11% Liveness
82% Instrumentalness • 24% Positiveness
26% Popularity • 58% Danceability • 70% Energy • 11% Liveness
82% Instrumentalness • 24% Positiveness
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Henry Jackman
Manners Maketh Man
117 bpm • B min • 01:37 • -12.15db
42% Popularity • 32% Danceability • 26% Energy • 9% Liveness
49% Instrumentalness • 17% Positiveness
42% Popularity • 32% Danceability • 26% Energy • 9% Liveness
49% Instrumentalness • 17% Positiveness
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Steve Jablonsky
One More Job
116 bpm • F Maj • 02:38 • -13.15db
7% Popularity • 30% Danceability • 33% Energy • 15% Liveness
88% Instrumentalness • 5% Positiveness
7% Popularity • 30% Danceability • 33% Energy • 15% Liveness
88% Instrumentalness • 5% Positiveness
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101 Strings Orchestra
THE X-FILE THEME
117 bpm • E min • 03:24 • -11.61db
21% Popularity • 23% Danceability • 35% Energy • 10% Liveness
28% Instrumentalness • 5% Positiveness
21% Popularity • 23% Danceability • 35% Energy • 10% Liveness
28% Instrumentalness • 5% Positiveness
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Michael Giacchino
Far From Home Suite Home
125 bpm • A min • 08:27 • -10.18db
40% Popularity • 26% Danceability • 55% Energy • 38% Liveness
82% Instrumentalness • 6% Positiveness
40% Popularity • 26% Danceability • 55% Energy • 38% Liveness
82% Instrumentalness • 6% Positiveness
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Christophe Beck
It's All a Lie
116 bpm • F min • 02:19 • -26.27db
6% Popularity • 44% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
6% Popularity • 44% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
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Arthur Benson
You Might Have Heard of Me
125 bpm • D# Maj • 02:06 • -18.66db
10% Popularity • 93% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 71% Positiveness
10% Popularity • 93% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 71% Positiveness
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Timothy Williams
Brightburn
116 bpm • D Maj • 01:09 • -26.63db
15% Popularity • 31% Danceability • 11% Energy • 10% Liveness
77% Instrumentalness • 13% Positiveness
15% Popularity • 31% Danceability • 11% Energy • 10% Liveness
77% Instrumentalness • 13% Positiveness
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Mike Franklyn
Rinky-Dink
125 bpm • D Maj • 01:50 • -7.23db
13% Popularity • 82% Danceability • 40% Energy • 20% Liveness
23% Instrumentalness • 97% Positiveness
13% Popularity • 82% Danceability • 40% Energy • 20% Liveness
23% Instrumentalness • 97% Positiveness
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Kujaku familiar
DUSK TO DOWN
125 bpm • A min • 03:42 • -9.92db
0% Popularity • 67% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
0% Popularity • 67% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Jerry Lacey
Crab Walk
125 bpm • F min • 02:00 • -14.75db
9% Popularity • 78% Danceability • 20% Energy • 16% Liveness
61% Instrumentalness • 39% Positiveness
9% Popularity • 78% Danceability • 20% Energy • 16% Liveness
61% Instrumentalness • 39% Positiveness
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Mary Riddle
Bad Dreams
125 bpm • D Maj • 02:13 • -9.17db
8% Popularity • 63% Danceability • 29% Energy • 31% Liveness
87% Instrumentalness • 22% Positiveness
8% Popularity • 63% Danceability • 29% Energy • 31% Liveness
87% Instrumentalness • 22% Positiveness
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Pianistec
20th Century Fox Theme - Epic Version
115 bpm • G min • 02:33 • -15.17db
11% Popularity • 24% Danceability • 43% Energy • 22% Liveness
81% Instrumentalness • 7% Positiveness
11% Popularity • 24% Danceability • 43% Energy • 22% Liveness
81% Instrumentalness • 7% Positiveness
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Yutaka Yamada
DOLDRUMS
115 bpm • D Maj • 05:37 • -14.13db
17% Popularity • 52% Danceability • 32% Energy • 8% Liveness
82% Instrumentalness • 18% Positiveness
17% Popularity • 52% Danceability • 32% Energy • 8% Liveness
82% Instrumentalness • 18% Positiveness
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Bo Burnham
Bezos I
115 bpm • D Maj • 00:58 • -5.31db
66% Popularity • 69% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
66% Popularity • 69% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Mike Franklyn
Ghoul Disco
115 bpm • E Maj • 01:47 • -8.66db
9% Popularity • 49% Danceability • 90% Energy • 26% Liveness
92% Instrumentalness • 55% Positiveness
9% Popularity • 49% Danceability • 90% Energy • 26% Liveness
92% Instrumentalness • 55% Positiveness
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Arthur Benson
How to Tango
115 bpm • B min • 02:21 • -20.34db
19% Popularity • 66% Danceability • 12% Energy • 11% Liveness
42% Instrumentalness • 38% Positiveness
19% Popularity • 66% Danceability • 12% Energy • 11% Liveness
42% Instrumentalness • 38% Positiveness
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Socialpoint
Dragon City Main Theme
115 bpm • C Maj • 02:49 • -19.52db
18% Popularity • 53% Danceability • 8% Energy • 12% Liveness
94% Instrumentalness • 34% Positiveness
18% Popularity • 53% Danceability • 8% Energy • 12% Liveness
94% Instrumentalness • 34% Positiveness
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Hans Zimmer
Around The World In 80 Days Theme
115 bpm • G Maj • 01:16 • -14.31db
33% Popularity • 51% Danceability • 38% Energy • 7% Liveness
76% Instrumentalness • 18% Positiveness
33% Popularity • 51% Danceability • 38% Energy • 7% Liveness
76% Instrumentalness • 18% Positiveness
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Henry Jackman
The Winter Soldier
115 bpm • C# Maj • 06:24 • -15.31db
39% Popularity • 25% Danceability • 38% Energy • 47% Liveness
94% Instrumentalness • 4% Positiveness
39% Popularity • 25% Danceability • 38% Energy • 47% Liveness
94% Instrumentalness • 4% Positiveness
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Bobby Cole
Do the Funky Strut
115 bpm • C Maj • 03:14 • -5.54db
24% Popularity • 81% Danceability • 73% Energy • 7% Liveness
90% Instrumentalness • 90% Positiveness
24% Popularity • 81% Danceability • 73% Energy • 7% Liveness
90% Instrumentalness • 90% Positiveness
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Antonio Banderas
Fearless Hero
126 bpm • D Maj • 04:57 • -9.62db
48% Popularity • 40% Danceability • 69% Energy • 14% Liveness
2% Instrumentalness • 21% Positiveness
48% Popularity • 40% Danceability • 69% Energy • 14% Liveness
2% Instrumentalness • 21% Positiveness
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Cheat Codes
Way Back Then - Squid Game Remix
126 bpm • B min • 02:45 • -4.59db
16% Popularity • 76% Danceability • 88% Energy • 14% Liveness
76% Instrumentalness • 69% Positiveness
16% Popularity • 76% Danceability • 88% Energy • 14% Liveness
76% Instrumentalness • 69% Positiveness
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Arthur Benson
Creepy Crawly
114 bpm • E min • 02:21 • -16.41db
7% Popularity • 57% Danceability • 9% Energy • 11% Liveness
89% Instrumentalness • 13% Positiveness
7% Popularity • 57% Danceability • 9% Energy • 11% Liveness
89% Instrumentalness • 13% Positiveness
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Nevermore Academy Orchestra
Don't Stop
126 bpm • E Maj • 01:03 • -7.58db
26% Popularity • 66% Danceability • 55% Energy • 46% Liveness
0% Instrumentalness • 82% Positiveness
26% Popularity • 66% Danceability • 55% Energy • 46% Liveness
0% Instrumentalness • 82% Positiveness
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Natalie Holt
Pep Talk
126 bpm • F min • 04:04 • -12.63db
30% Popularity • 22% Danceability • 42% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
30% Popularity • 22% Danceability • 42% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
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Matthew Margeson
My Shepherd
114 bpm • D min • 04:33 • -13.95db
13% Popularity • 22% Danceability • 24% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
13% Popularity • 22% Danceability • 24% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
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Ludwig Göransson
Battle on the Launch Pad
113 bpm • A# min • 08:18 • -13db
17% Popularity • 24% Danceability • 43% Energy • 10% Liveness
81% Instrumentalness • 7% Positiveness
17% Popularity • 24% Danceability • 43% Energy • 10% Liveness
81% Instrumentalness • 7% Positiveness
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Henry Jackman
Into the Jungle
127 bpm • C# min • 01:23 • -21db
25% Popularity • 82% Danceability • 33% Energy • 10% Liveness
74% Instrumentalness • 27% Positiveness
25% Popularity • 82% Danceability • 33% Energy • 10% Liveness
74% Instrumentalness • 27% Positiveness
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Blake Neely
I Have To Try
127 bpm • D min • 04:56 • -14db
27% Popularity • 28% Danceability • 65% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
27% Popularity • 28% Danceability • 65% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Michel F. April
Dead by Daylight (Theme)
127 bpm • F Maj • 04:00 • -12.16db
41% Popularity • 59% Danceability • 30% Energy • 11% Liveness
91% Instrumentalness • 25% Positiveness
41% Popularity • 59% Danceability • 30% Energy • 11% Liveness
91% Instrumentalness • 25% Positiveness
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Natalie Holt
Loki Green Theme
126 bpm • F Maj • 02:24 • -12.58db
51% Popularity • 46% Danceability • 48% Energy • 12% Liveness
84% Instrumentalness • 13% Positiveness
51% Popularity • 46% Danceability • 48% Energy • 12% Liveness
84% Instrumentalness • 13% Positiveness
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Jeff Russo
The Umbrella Academy
127 bpm • F Maj • 05:17 • -14db
28% Popularity • 25% Danceability • 30% Energy • 10% Liveness
77% Instrumentalness • 4% Positiveness
28% Popularity • 25% Danceability • 30% Energy • 10% Liveness
77% Instrumentalness • 4% Positiveness
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Marco Beltrami
St. Estes Reform School (Extended)
113 bpm • C min • 03:26 • -16db
19% Popularity • 18% Danceability • 23% Energy • 12% Liveness
76% Instrumentalness • 4% Positiveness
19% Popularity • 18% Danceability • 23% Energy • 12% Liveness
76% Instrumentalness • 4% Positiveness
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Henry Jackman
The Puss Suite
128 bpm • A min • 03:09 • -11db
34% Popularity • 63% Danceability • 69% Energy • 13% Liveness
87% Instrumentalness • 55% Positiveness
34% Popularity • 63% Danceability • 69% Energy • 13% Liveness
87% Instrumentalness • 55% Positiveness
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M&A
Simple dimpl pop it squish
128 bpm • C# Maj • 02:21 • -6.65db
45% Popularity • 94% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
45% Popularity • 94% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Andrew Gold
Spooky, Scary Skeletons - Undead Tombsto...
128 bpm • A min • 02:05 • -5.41db
59% Popularity • 77% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 57% Positiveness
59% Popularity • 77% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 57% Positiveness
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Birdies
Skipping Class
128 bpm • C# Maj • 02:08 • -8.46db
32% Popularity • 94% Danceability • 68% Energy • 9% Liveness
92% Instrumentalness • 96% Positiveness
32% Popularity • 94% Danceability • 68% Energy • 9% Liveness
92% Instrumentalness • 96% Positiveness
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Bear McCreary
The Rats of Tobruk
128 bpm • D Maj • 03:11 • -14.79db
12% Popularity • 62% Danceability • 57% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
12% Popularity • 62% Danceability • 57% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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Eurynomous
The Sound of Your Fear
128 bpm • D# min • 01:25 • -12.72db
45% Popularity • 42% Danceability • 36% Energy • 13% Liveness
83% Instrumentalness • 4% Positiveness
45% Popularity • 42% Danceability • 36% Energy • 13% Liveness
83% Instrumentalness • 4% Positiveness
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Marco Beltrami
Carnage Unleashed
112 bpm • F min • 02:04 • -10.04db
23% Popularity • 22% Danceability • 79% Energy • 20% Liveness
56% Instrumentalness • 4% Positiveness
23% Popularity • 22% Danceability • 79% Energy • 20% Liveness
56% Instrumentalness • 4% Positiveness
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Final Space
Final Space
112 bpm • C# Maj • 07:57 • -21.16db
15% Popularity • 22% Danceability • 9% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
15% Popularity • 22% Danceability • 9% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
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Gustavo Santaolalla
The Last of Us Part II
129 bpm • D min • 02:52 • -18.03db
51% Popularity • 45% Danceability • 5% Energy • 10% Liveness
78% Instrumentalness • 13% Positiveness
51% Popularity • 45% Danceability • 5% Energy • 10% Liveness
78% Instrumentalness • 13% Positiveness
