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Pipe on the Hob
Songs like
Pipe on the Hob
by
Ronn McFarlane
Based on a tempo of (+/- 10%) and a similar genre
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Ronn McFarlane
Pipe on the Hob
154 bpm • D# min • 01:52 • -16.21db
15% Popularity • 42% Danceability • 24% Energy • 11% Liveness
94% Instrumentalness • 86% Positiveness
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Alessandro Piccinini
Corrente IX
154 bpm • F min • 01:13 • -21db
28% Popularity • 42% Danceability • 13% Energy • 10% Liveness
89% Instrumentalness • 42% Positiveness
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David Kellner
Courante
154 bpm • C# Maj • 02:05 • -27.29db
1% Popularity • 25% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 76% Positiveness
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Marco Dall'Aquila
La Traditora #3
155 bpm • G min • 02:20 • -24.54db
9% Popularity • 39% Danceability • 9% Energy • 21% Liveness
90% Instrumentalness • 71% Positiveness
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Adagio Trio
Garret Barry's Jig
155 bpm • E min • 02:40 • -14.87db
8% Popularity • 36% Danceability • 23% Energy • 10% Liveness
94% Instrumentalness • 55% Positiveness
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Rolf Lislevand
Folias Gallegas
152 bpm • C# Maj • 05:24 • -24.99db
15% Popularity • 35% Danceability • 30% Energy • 15% Liveness
92% Instrumentalness • 77% Positiveness
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Johann Sebastian Bach
Fugue in G Minor, BWV 1000
151 bpm • F# min • 05:40 • -22.06db
6% Popularity • 35% Danceability • 10% Energy • 14% Liveness
94% Instrumentalness • 30% Positiveness
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Ronn McFarlane
Cliffs of Moher
157 bpm • C# Maj • 01:13 • -17db
13% Popularity • 41% Danceability • 15% Energy • 12% Liveness
89% Instrumentalness • 96% Positiveness
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Guiraut Riquier
Cantinga
150 bpm • A min • 01:39 • -28.5db
12% Popularity • 55% Danceability • 4% Energy • 13% Liveness
65% Instrumentalness • 72% Positiveness
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Marco Dall'Aquila
Saltarello, "La traditora"
153 bpm • B Maj • 01:12 • -24db
30% Popularity • 54% Danceability • 7% Energy • 14% Liveness
83% Instrumentalness • 91% Positiveness
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Mr Beck
The newest scotts measure
150 bpm • E Maj • 00:59 • -22.6db
2% Popularity • 34% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 68% Positiveness
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Paolo da Firenze
Istampita instrumentale "Isabella"
150 bpm • F min • 06:33 • -21.06db
9% Popularity • 36% Danceability • 13% Energy • 10% Liveness
82% Instrumentalness • 32% Positiveness
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Cesare Negri
Le Gratie d'amore: No. 6. Spagnoletto
159 bpm • C Maj • 01:21 • -22.51db
0% Popularity • 44% Danceability • 17% Energy • 6% Liveness
92% Instrumentalness • 36% Positiveness
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Christian Zimmermann
Anonymus: Calata
149 bpm • B Maj • 01:34 • -20.23db
14% Popularity • 29% Danceability • 23% Energy • 10% Liveness
85% Instrumentalness • 55% Positiveness
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Giorgio Mainerio
Schiarazula Marazula
149 bpm • A min • 01:19 • -19.79db
15% Popularity • 36% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Heringman
De Navarez : Mille regretz
161 bpm • G min • 02:33 • -30.22db
15% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 34% Positiveness
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Mr Beck
I never New, I loved the
159 bpm • C# min • 01:20 • -21.06db
6% Popularity • 35% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 55% Positiveness
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Ronn McFarlane
The Butterfly
147 bpm • C# min • 02:31 • -23db
28% Popularity • 38% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 84% Positiveness
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Guillaume de Machaut
J'aim sans penser
147 bpm • D# min • 02:17 • -18db
17% Popularity • 13% Danceability • 27% Energy • 10% Liveness
95% Instrumentalness • 28% Positiveness
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Hans Neusidler
Der ander Theil des Lautenbuchs: Ein wel...
161 bpm • C# min • 00:54 • -22db
27% Popularity • 39% Danceability • 15% Energy • 22% Liveness
93% Instrumentalness • 96% Positiveness
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Cesare Negri
Le Gratie d'amore: No. 1. La catena d'am...
161 bpm • G min • 01:41 • -27.95db
0% Popularity • 36% Danceability • 7% Energy • 15% Liveness
71% Instrumentalness • 24% Positiveness
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French 13th Cent.
Estampie Real: La Seste
146 bpm • G Maj • 03:27 • -41db
10% Popularity • 28% Danceability • 0% Energy • 8% Liveness
10% Instrumentalness • 64% Positiveness
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Moniot d'Arras
Ce fut en mai
164 bpm • F Maj • 01:51 • -32db
10% Popularity • 30% Danceability • 8% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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Francesco da Milano
Spagna Contrapunto
164 bpm • B min • 01:58 • -20db
13% Popularity • 36% Danceability • 53% Energy • 23% Liveness
96% Instrumentalness • 70% Positiveness
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Ronn McFarlane
Overland
145 bpm • D min • 03:48 • -20.97db
3% Popularity • 53% Danceability • 17% Energy • 11% Liveness
78% Instrumentalness • 45% Positiveness
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Silvius Leopold Weiss
Sonata for Lute No. 8 in A Major: V. Cia...
144 bpm • G# Maj • 03:18 • -25.3db
34% Popularity • 41% Danceability • 9% Energy • 8% Liveness
88% Instrumentalness • 42% Positiveness
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Jean-Baptiste Besard
Thesaurus harmonicus: Branle gay
162 bpm • C Maj • 01:57 • -27.07db
0% Popularity • 33% Danceability • 8% Energy • 10% Liveness
75% Instrumentalness • 41% Positiveness
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John Dowland
Grays Inn - My Lord Willoughby's Welcome...
165 bpm • A# Maj • 04:19 • -23.96db
2% Popularity • 37% Danceability • 3% Energy • 12% Liveness
79% Instrumentalness • 42% Positiveness
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Robert Ballard
Courante: Corante
165 bpm • A Maj • 01:28 • -21db
18% Popularity • 37% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 35% Positiveness
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Francesco da Milano
Fantasia 31
145 bpm • G Maj • 01:13 • -32.14db
30% Popularity • 28% Danceability • 4% Energy • 18% Liveness
89% Instrumentalness • 94% Positiveness
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Edward Martin
Basse dance :La Magdalena: -Recoupe - To...
143 bpm • D min • 02:21 • -24db
19% Popularity • 45% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 52% Positiveness
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Silvius Leopold Weiss
Prelude in D Minor
144 bpm • C min • 01:32 • -33db
21% Popularity • 27% Danceability • 7% Energy • 9% Liveness
88% Instrumentalness • 22% Positiveness
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Jean-Baptiste Besard
Thesaurus harmonicus: Branle
165 bpm • F Maj • 01:37 • -19.93db
0% Popularity • 47% Danceability • 27% Energy • 9% Liveness
90% Instrumentalness • 57% Positiveness
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Eduardo Paniagua
Calata 3 A La Spagnola
166 bpm • A# Maj • 02:01 • -20.32db
11% Popularity • 60% Danceability • 15% Energy • 12% Liveness
91% Instrumentalness • 56% Positiveness
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Joachim van den Hove
Pavana lachrimae
144 bpm • F# min • 05:46 • -21.44db
20% Popularity • 39% Danceability • 16% Energy • 11% Liveness
87% Instrumentalness • 61% Positiveness
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Mr Beck
The New Highland ladie
143 bpm • E Maj • 01:56 • -24.91db
2% Popularity • 36% Danceability • 9% Energy • 10% Liveness
85% Instrumentalness • 52% Positiveness
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Ronn McFarlane
Sheebeg and Sheemore
143 bpm • E Maj • 02:54 • -20.32db
12% Popularity • 43% Danceability • 12% Energy • 11% Liveness
82% Instrumentalness • 69% Positiveness
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The Mulliner Book
La Shymyze
143 bpm • A min • 01:19 • -23.24db
11% Popularity • 14% Danceability • 13% Energy • 48% Liveness
95% Instrumentalness • 41% Positiveness
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Ensemble Galilei
John Come Kiss Me Now
166 bpm • D Maj • 02:37 • -16.25db
19% Popularity • 62% Danceability • 28% Energy • 11% Liveness
87% Instrumentalness • 75% Positiveness
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Ramon Llull
Cantaben els osells
167 bpm • A min • 05:54 • -19.04db
12% Popularity • 41% Danceability • 35% Energy • 11% Liveness
86% Instrumentalness • 46% Positiveness
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Unicorn Ensemble
Trotto
141 bpm • C Maj • 02:28 • -20.33db
24% Popularity • 47% Danceability • 20% Energy • 9% Liveness
48% Instrumentalness • 85% Positiveness
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Edward Martin
The Fowerth Branle of Malte (Le Roy)
168 bpm • F Maj • 01:08 • -23.27db
17% Popularity • 32% Danceability • 10% Energy • 9% Liveness
69% Instrumentalness • 84% Positiveness
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Ronn McFarlane
The Kid on the Mountain
167 bpm • E Maj • 02:24 • -22.45db
13% Popularity • 38% Danceability • 26% Energy • 11% Liveness
91% Instrumentalness • 97% Positiveness
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Diego Ortiz
Recercada No. 1
141 bpm • C Maj • 03:22 • -19.26db
17% Popularity • 58% Danceability • 16% Energy • 13% Liveness
88% Instrumentalness • 63% Positiveness
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Francesco Spinacino
Recercare: Racercare
141 bpm • A# Maj • 01:04 • -34.65db
33% Popularity • 30% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 65% Positiveness
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Francesco de la Torre
Danza alta
140 bpm • A min • 01:42 • -21db
17% Popularity • 48% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 57% Positiveness
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Hans Judenkünig
Ain hoff dantz mit zway stimen
171 bpm • G min • 01:36 • -30.51db
0% Popularity • 44% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 54% Positiveness
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Henry VIII
Tandernaken: The Kynge Henry VIII
139 bpm • F Maj • 01:52 • -23db
7% Popularity • 32% Danceability • 11% Energy • 10% Liveness
88% Instrumentalness • 44% Positiveness
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Ronn McFarlane
Lady Athenry
169 bpm • A Maj • 02:28 • -24.66db
10% Popularity • 40% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 30% Positiveness
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Jacopo da Bologna
Aspire refus contre doulce priere
140 bpm • C Maj • 04:17 • -23.91db
21% Popularity • 56% Danceability • 4% Energy • 11% Liveness
85% Instrumentalness • 28% Positiveness
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Georg Philipp Telemann
Viola da gamba Sonata in E Minor, TWV 41...
169 bpm • F# Maj • 02:59 • -18.63db
4% Popularity • 25% Danceability • 5% Energy • 13% Liveness
78% Instrumentalness • 25% Positiveness
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Edward Martin
Sans Liberte (Morlaye)
139 bpm • G min • 02:52 • -25db
16% Popularity • 42% Danceability • 3% Energy • 26% Liveness
88% Instrumentalness • 39% Positiveness
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Johann Walter
Christ lag in Todesbanden
138 bpm • D min • 01:12 • -29.1db
35% Popularity • 15% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
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Hans Neusidler
Ein guter welscher tantz
139 bpm • A# Maj • 01:53 • -20.75db
0% Popularity • 47% Danceability • 12% Energy • 10% Liveness
91% Instrumentalness • 47% Positiveness
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Thibaut de Champagne
Puisk'il m'estuet
138 bpm • E min • 01:16 • -30db
12% Popularity • 37% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 15% Positiveness
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Unicorn Ensemble
Saltarello No. 2
138 bpm • G Maj • 01:50 • -15db
32% Popularity • 41% Danceability • 45% Energy • 33% Liveness
94% Instrumentalness • 61% Positiveness
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John Playford
Dances From the English Dancing Master: ...
172 bpm • A min • 01:35 • -24db
18% Popularity • 24% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Marco Dall'Aquila
La traditora: Saltarello, "La traditora"
138 bpm • A# Maj • 02:18 • -35db
33% Popularity • 35% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
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Joan Ambrosio Dalza
Piva
138 bpm • C# Maj • 02:10 • -20db
27% Popularity • 62% Danceability • 23% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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John Dowland
Lady Hunsdon's Puffe, P. 54
173 bpm • A# min • 01:19 • -34.11db
3% Popularity • 24% Danceability • 3% Energy • 7% Liveness
73% Instrumentalness • 71% Positiveness
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Hans Judenkünig
Ain niderlendisch runden dantz
137 bpm • G min • 01:01 • -16.89db
0% Popularity • 64% Danceability • 33% Energy • 20% Liveness
86% Instrumentalness • 94% Positiveness
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Unicorn Ensemble
Principio Di Virtu
138 bpm • B min • 04:30 • -20db
14% Popularity • 62% Danceability • 19% Energy • 9% Liveness
96% Instrumentalness • 66% Positiveness
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The Broadside Band
The Fits Come on Me Now or the Bishop of...
137 bpm • C Maj • 01:56 • -17db
11% Popularity • 55% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Giorgio Mainerio
Ungarescha
137 bpm • D Maj • 01:14 • -15.37db
13% Popularity • 60% Danceability • 24% Energy • 48% Liveness
97% Instrumentalness • 21% Positiveness
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Eduardo Paniagua
Tastar da Corde
137 bpm • G min • 01:29 • -21.96db
17% Popularity • 41% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 37% Positiveness
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William Byrd
Will yow Walke the Woods soe Wylde
174 bpm • F Maj • 04:42 • -33.56db
13% Popularity • 25% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 63% Positiveness
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Ensemble Galilei
Inneståfrid’n efter Arvid Brännlund ...
136 bpm • G min • 05:51 • -15db
4% Popularity • 42% Danceability • 14% Energy • 6% Liveness
75% Instrumentalness • 17% Positiveness
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Ronn McFarlane
Daniel's Chaconne
136 bpm • F# min • 04:49 • -21.97db
4% Popularity • 44% Danceability • 7% Energy • 11% Liveness
88% Instrumentalness • 20% Positiveness
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Alphonse X le Sage
Quem a omagen da virgen...
136 bpm • A Maj • 02:34 • -15.52db
15% Popularity • 35% Danceability • 24% Energy • 7% Liveness
4% Instrumentalness • 23% Positiveness
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Unicorn Ensemble
Lamento Di Tristano - La Rotta
136 bpm • G Maj • 06:19 • -19db
21% Popularity • 33% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Heinrich Isaac
Innsbruck, ich muß dich lassen
135 bpm • C Maj • 01:57 • -29.02db
16% Popularity • 15% Danceability • 0% Energy • 11% Liveness
93% Instrumentalness • 34% Positiveness
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Mr Beck
Simon brodie
176 bpm • C# min • 01:19 • -20.92db
3% Popularity • 34% Danceability • 22% Energy • 11% Liveness
76% Instrumentalness • 32% Positiveness
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Gasparo Zanetti
La bergamasca
134 bpm • D Maj • 01:08 • -17db
22% Popularity • 61% Danceability • 30% Energy • 8% Liveness
93% Instrumentalness • 97% Positiveness
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Ronn McFarlane
Denali
135 bpm • C Maj • 04:18 • -21.3db
2% Popularity • 50% Danceability • 8% Energy • 12% Liveness
93% Instrumentalness • 7% Positiveness
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David Kellner
Giga in D Major: Giga
177 bpm • C# Maj • 02:19 • -22.74db
0% Popularity • 23% Danceability • 32% Energy • 11% Liveness
90% Instrumentalness • 14% Positiveness
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Albert de Rippe
Fantasia VIII
134 bpm • G min • 03:09 • -29.19db
15% Popularity • 40% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 61% Positiveness
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Ensemble Galilei
I Moirrey NY Cainle - Sir Watkins Jig
134 bpm • G Maj • 03:08 • -16.73db
11% Popularity • 47% Danceability • 12% Energy • 14% Liveness
14% Instrumentalness • 32% Positiveness
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Antoine Busnois
Amours amours amours
134 bpm • G Maj • 02:19 • -26.9db
36% Popularity • 45% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 44% Positiveness
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Mr Beck
Cutte spoon and tree ladie
177 bpm • B Maj • 01:22 • -22.37db
3% Popularity • 32% Danceability • 12% Energy • 10% Liveness
87% Instrumentalness • 44% Positiveness
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Zachara da Teramo
Un fiore gentile m'apparse
178 bpm • D min • 02:08 • -20db
26% Popularity • 52% Danceability • 10% Energy • 8% Liveness
78% Instrumentalness • 62% Positiveness
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Hopkinson Smith
Marizapalos
133 bpm • G min • 04:25 • -29.39db
20% Popularity • 48% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 40% Positiveness
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Johann Sebastian Bach
Sinfomia from Cantata 29
178 bpm • C# min • 04:56 • -18.89db
1% Popularity • 28% Danceability • 23% Energy • 9% Liveness
89% Instrumentalness • 80% Positiveness
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Ensemble Galilei
The Pretty Girl Milking the Cows
134 bpm • A min • 02:03 • -28.29db
23% Popularity • 16% Danceability • 2% Energy • 25% Liveness
60% Instrumentalness • 10% Positiveness
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Pierre Attaingnant
Branle gay
178 bpm • A# Maj • 01:08 • -23.94db
27% Popularity • 51% Danceability • 4% Energy • 11% Liveness
81% Instrumentalness • 42% Positiveness
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Mr Beck
If thou wert my own thing
133 bpm • B Maj • 01:06 • -23.2db
6% Popularity • 40% Danceability • 16% Energy • 11% Liveness
90% Instrumentalness • 25% Positiveness
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Sylvain Bergeron
Perceval la quete du Graal: A jig
133 bpm • D Maj • 02:46 • -19.58db
20% Popularity • 45% Danceability • 24% Energy • 19% Liveness
94% Instrumentalness • 66% Positiveness
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Fabritio Caroso
Spagnoletta
179 bpm • C Maj • 01:43 • -29.06db
17% Popularity • 33% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 55% Positiveness
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Luis de Narváez
Diferéncias Sobre Guárdame Las Vacas
179 bpm • G Maj • 01:24 • -23db
21% Popularity • 30% Danceability • 13% Energy • 12% Liveness
91% Instrumentalness • 26% Positiveness
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Antoine de Févin
Sancta Trinitas
132 bpm • E Maj • 03:31 • -25db
29% Popularity • 42% Danceability • 7% Energy • 12% Liveness
89% Instrumentalness • 59% Positiveness
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Gaucelm Faidit
Fort Chos' Oiatz
132 bpm • A min • 02:14 • -23db
12% Popularity • 37% Danceability • 1% Energy • 10% Liveness
3% Instrumentalness • 47% Positiveness
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Piffaro
Greyner, Zanner
132 bpm • A Maj • 01:16 • -17db
20% Popularity • 36% Danceability • 12% Energy • 6% Liveness
94% Instrumentalness • 71% Positiveness
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Jessica Baran-Surel
Ecco la primavera
180 bpm • C Maj • 03:13 • -7.86db
34% Popularity • 36% Danceability • 55% Energy • 19% Liveness
6% Instrumentalness • 81% Positiveness
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Walther von der Vogelweide
Palastinalied
132 bpm • G min • 03:10 • -20db
18% Popularity • 46% Danceability • 35% Energy • 11% Liveness
89% Instrumentalness • 40% Positiveness
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Ronn McFarlane
The Flaggon
131 bpm • G# min • 01:47 • -16.97db
9% Popularity • 60% Danceability • 20% Energy • 15% Liveness
85% Instrumentalness • 65% Positiveness
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Santiago De Murcia
Folias Gallegas (arr. G. Herreid)
132 bpm • G# Maj • 01:35 • -28db
23% Popularity • 38% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 57% Positiveness
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Michelangelo Galilei
Il primo libro d'Intavolatura di Liuto: ...
131 bpm • F# min • 01:48 • -22.62db
22% Popularity • 39% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 62% Positiveness
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Juan del Encina
Si habrá en este baldrés?
181 bpm • C Maj • 03:25 • -20db
11% Popularity • 29% Danceability • 24% Energy • 14% Liveness
94% Instrumentalness • 50% Positiveness
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Hans Neusidler
Der ander Theil des Lautenbuchs: Der hup...
131 bpm • G# min • 01:42 • -18db
23% Popularity • 60% Danceability • 34% Energy • 13% Liveness
73% Instrumentalness • 15% Positiveness
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John Playford
The Dancing Master: Greensleeves
182 bpm • F Maj • 01:42 • -30.48db
22% Popularity • 24% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 29% Positiveness
► Preview
Ronn McFarlane
Trinity Grove
131 bpm • C# min • 04:20 • -16.4db
5% Popularity • 53% Danceability • 31% Energy • 11% Liveness
87% Instrumentalness • 23% Positiveness
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