Songs like Pity The Child by Murray Head
Based on a tempo of (+/- 10%) and a similar genre
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Gavin Creel
Aquarius Goodnights / Ain't Got No / Yip...
127 bpm • E min • 01:49 • -7.77db
19% Popularity • 70% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
19% Popularity • 70% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Murray Head
On Your Own Again
127 bpm • D Maj • 03:43 • -6.75db
7% Popularity • 69% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
7% Popularity • 69% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Jerry Herman
Mame: Mame
127 bpm • F min • 06:16 • -11.54db
20% Popularity • 38% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
20% Popularity • 38% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Andrew Lloyd Webber
Heaven On Their Minds
127 bpm • D min • 04:22 • -7.08db
29% Popularity • 47% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 69% Positiveness
29% Popularity • 47% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 69% Positiveness
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The Pirates Of Penzance
When the Foeman Bares His Steel
127 bpm • C Maj • 04:44 • -10.65db
24% Popularity • 56% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
24% Popularity • 56% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Cheryl Freeman
Acid Queen
128 bpm • G Maj • 04:01 • -10.51db
20% Popularity • 41% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
20% Popularity • 41% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Tim Curry
I'm Going Home
128 bpm • F Maj • 02:54 • -14.28db
42% Popularity • 34% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
42% Popularity • 34% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Murray Head
Pity The Child
127 bpm • D# Maj • 05:32 • -9.06db
29% Popularity • 57% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
29% Popularity • 57% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
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Gavin Creel
Hair
126 bpm • C min • 03:16 • -5.5db
31% Popularity • 58% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 58% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Tommy Körberg
Drömmar av glas / Historien om schack
126 bpm • A# Maj • 10:00 • -18.54db
14% Popularity • 31% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
14% Popularity • 31% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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The Pirates Of Penzance
With Cat-Like Tread, Upon Our Prey We St...
128 bpm • D Maj • 03:22 • -10.79db
25% Popularity • 44% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
25% Popularity • 44% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Unknown
Overture / Prologue - 1999 / Musical "Ma...
128 bpm • C# Maj • 02:56 • -10db
35% Popularity • 37% Danceability • 36% Energy • 34% Liveness
3% Instrumentalness • 14% Positiveness
35% Popularity • 37% Danceability • 36% Energy • 34% Liveness
3% Instrumentalness • 14% Positiveness
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Jin Ha
This Jesus Must Die
126 bpm • C min • 03:36 • -8.65db
31% Popularity • 71% Danceability • 61% Energy • 92% Liveness
0% Instrumentalness • 55% Positiveness
31% Popularity • 71% Danceability • 61% Energy • 92% Liveness
0% Instrumentalness • 55% Positiveness
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Murray Head
New Laws Of Love
126 bpm • B Maj • 05:15 • -3.85db
2% Popularity • 66% Danceability • 95% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
2% Popularity • 66% Danceability • 95% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Madonna
Another Suitcase in Another Hall
126 bpm • G# Maj • 03:33 • -14.17db
36% Popularity • 51% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
36% Popularity • 51% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Josefin Nilsson
Han är en man han är ett barn
128 bpm • A# Maj • 04:54 • -18.63db
16% Popularity • 41% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
16% Popularity • 41% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Alan Stivell
Reflets, Adskedoù, Reflections
126 bpm • F Maj • 05:02 • -11.51db
7% Popularity • 23% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
7% Popularity • 23% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
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Ian Tucker
Little People
126 bpm • D Maj • 02:23 • -11.72db
35% Popularity • 74% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
35% Popularity • 74% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Stephen Weller
I'm Martin Guerre
126 bpm • D Maj • 03:02 • -9db
12% Popularity • 52% Danceability • 40% Energy • 31% Liveness
0% Instrumentalness • 31% Positiveness
12% Popularity • 52% Danceability • 40% Energy • 31% Liveness
0% Instrumentalness • 31% Positiveness
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Murray Head
Good Old Days
128 bpm • A# Maj • 04:22 • -6.05db
3% Popularity • 32% Danceability • 66% Energy • 42% Liveness
0% Instrumentalness • 49% Positiveness
3% Popularity • 32% Danceability • 66% Energy • 42% Liveness
0% Instrumentalness • 49% Positiveness
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Madonna
Rainbow High
126 bpm • A# min • 02:26 • -7.76db
31% Popularity • 47% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
31% Popularity • 47% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Jerry Herman
Cocktail Counterpoint
128 bpm • G# Maj • 02:30 • -8.91db
13% Popularity • 66% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
13% Popularity • 66% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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Anders Ekborg
Vem ser ett barn
128 bpm • C Maj • 05:43 • -14.3db
17% Popularity • 54% Danceability • 32% Energy • 24% Liveness
1% Instrumentalness • 19% Positiveness
17% Popularity • 54% Danceability • 32% Energy • 24% Liveness
1% Instrumentalness • 19% Positiveness
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Hank Azaria
His Name Is Lancelot - Original Broadway...
129 bpm • C# Maj • 02:11 • -4.11db
33% Popularity • 56% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
33% Popularity • 56% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Willard White
Ol' Man River
129 bpm • C Maj • 06:38 • -13.04db
13% Popularity • 27% Danceability • 22% Energy • 5% Liveness
54% Instrumentalness • 7% Positiveness
13% Popularity • 27% Danceability • 22% Energy • 5% Liveness
54% Instrumentalness • 7% Positiveness
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Murray Head
Cathy's Clown
126 bpm • G Maj • 04:12 • -10.49db
2% Popularity • 74% Danceability • 50% Energy • 76% Liveness
0% Instrumentalness • 56% Positiveness
2% Popularity • 74% Danceability • 50% Energy • 76% Liveness
0% Instrumentalness • 56% Positiveness
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The Pirates Of Penzance
Sighing Softly to the River
125 bpm • F Maj • 02:46 • -15.91db
19% Popularity • 28% Danceability • 24% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
19% Popularity • 28% Danceability • 24% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
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Patina Miller
Magic to Do
125 bpm • A Maj • 04:35 • -7.36db
40% Popularity • 35% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
40% Popularity • 35% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Tommy Körberg
Historien om schack
125 bpm • G min • 04:17 • -28.32db
16% Popularity • 40% Danceability • 3% Energy • 11% Liveness
2% Instrumentalness • 32% Positiveness
16% Popularity • 40% Danceability • 3% Energy • 11% Liveness
2% Instrumentalness • 32% Positiveness
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Sally Dexter
As Long As He Needs Me
125 bpm • E Maj • 03:16 • -15.99db
34% Popularity • 29% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
34% Popularity • 29% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Stephanie D'Abruzzo
There's a Fine, Fine Line
129 bpm • G Maj • 02:39 • -9.98db
28% Popularity • 52% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
28% Popularity • 52% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Murray Head
It's So Hard, Singing the Blues
128 bpm • E min • 04:35 • -8.83db
7% Popularity • 68% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
7% Popularity • 68% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Galt MacDermot
Manchester
124 bpm • A Maj • 01:58 • -9.15db
36% Popularity • 66% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
36% Popularity • 66% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Michael McGrath
Always Look On The Bright Side Of Life -...
130 bpm • F# min • 04:29 • -6.74db
36% Popularity • 54% Danceability • 54% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
36% Popularity • 54% Danceability • 54% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
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Antonio Banderas
Rainbow Tour
130 bpm • A Maj • 04:50 • -7.68db
29% Popularity • 66% Danceability • 72% Energy • 40% Liveness
0% Instrumentalness • 60% Positiveness
29% Popularity • 66% Danceability • 72% Energy • 40% Liveness
0% Instrumentalness • 60% Positiveness
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Ben Wright
Giants In The Sky
130 bpm • D# min • 02:22 • -17db
18% Popularity • 52% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
18% Popularity • 52% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Andrew Rannells
Hello!
130 bpm • C Maj • 02:52 • -9.93db
54% Popularity • 66% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
54% Popularity • 66% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
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Murray Head
How Do You Stop
125 bpm • B Maj • 03:49 • -3.29db
5% Popularity • 54% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
5% Popularity • 54% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Bette Midler
So Long Dearie
124 bpm • G# Maj • 02:43 • -8.52db
23% Popularity • 55% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
23% Popularity • 55% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Tim Curry
Come With Me - Broadway/Original Cast/20...
130 bpm • G Maj • 01:41 • -9.04db
31% Popularity • 30% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 30% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
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Henning Sommerro
Vårsøg - Alternative
124 bpm • D min • 03:44 • -15.43db
7% Popularity • 38% Danceability • 38% Energy • 72% Liveness
0% Instrumentalness • 29% Positiveness
7% Popularity • 38% Danceability • 38% Energy • 72% Liveness
0% Instrumentalness • 29% Positiveness
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Fred Ebb
Overture from Chicago...All that Jazz (C...
124 bpm • E Maj • 06:25 • -12.82db
13% Popularity • 61% Danceability • 33% Energy • 26% Liveness
0% Instrumentalness • 59% Positiveness
13% Popularity • 61% Danceability • 33% Energy • 26% Liveness
0% Instrumentalness • 59% Positiveness
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Wallace Smith
On the Willows
123 bpm • A Maj • 03:08 • -12.68db
27% Popularity • 35% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
27% Popularity • 35% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Lucy
Someone Like You
131 bpm • F Maj • 03:46 • -11db
37% Popularity • 28% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
37% Popularity • 28% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Antonio Banderas
Oh What a Circus
131 bpm • B Maj • 05:44 • -10.33db
35% Popularity • 37% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
35% Popularity • 37% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
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Glenn Close
One Brick at a Time
123 bpm • D Maj • 03:24 • -8.41db
17% Popularity • 75% Danceability • 72% Energy • 63% Liveness
0% Instrumentalness • 79% Positiveness
17% Popularity • 75% Danceability • 72% Energy • 63% Liveness
0% Instrumentalness • 79% Positiveness
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Company
Always Look On The Bright Side of Life -...
131 bpm • A Maj • 01:19 • -5.06db
30% Popularity • 68% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
30% Popularity • 68% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
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Nick Ullett
The Sun Has Got His Hat On - Original Ca...
123 bpm • D# Maj • 02:43 • -16db
16% Popularity • 58% Danceability • 50% Energy • 76% Liveness
0% Instrumentalness • 74% Positiveness
16% Popularity • 58% Danceability • 50% Energy • 76% Liveness
0% Instrumentalness • 74% Positiveness
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Anthony Warlow
This Is the Moment
131 bpm • E Maj • 03:31 • -8db
38% Popularity • 35% Danceability • 49% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
38% Popularity • 35% Danceability • 49% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
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Murray Head
Affair - Across a Crowded Room
132 bpm • E Maj • 04:07 • -6.19db
1% Popularity • 66% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
1% Popularity • 66% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Antonio Banderas
The Actress Hasn't Learned the Lines (Yo...
123 bpm • A# Maj • 02:31 • -15.06db
26% Popularity • 49% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
26% Popularity • 49% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Jerry Herman
We Are What We Are
123 bpm • C# min • 05:47 • -11db
23% Popularity • 60% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
23% Popularity • 60% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Michael Maguire
Do You Hear The People Sing? - Live
132 bpm • C Maj • 01:49 • -15.32db
40% Popularity • 51% Danceability • 37% Energy • 66% Liveness
0% Instrumentalness • 58% Positiveness
40% Popularity • 51% Danceability • 37% Energy • 66% Liveness
0% Instrumentalness • 58% Positiveness
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Company
Act II Finale - Original Broadway Cast R...
122 bpm • C Maj • 03:28 • -5.36db
26% Popularity • 42% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
26% Popularity • 42% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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The New York Theatre Orchestra - The Broadway Choir
The Phantom of the Opera from the Phanto...
122 bpm • C Maj • 04:15 • -9.35db
15% Popularity • 53% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
15% Popularity • 53% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Murray Head
Beds Are Burning
122 bpm • E min • 04:05 • -2.37db
6% Popularity • 56% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
6% Popularity • 56% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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2021 London Cast of Cabaret
Mein Herr
132 bpm • G# Maj • 04:42 • -12db
35% Popularity • 50% Danceability • 31% Energy • 96% Liveness
0% Instrumentalness • 51% Positiveness
35% Popularity • 50% Danceability • 31% Energy • 96% Liveness
0% Instrumentalness • 51% Positiveness
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Antonio Banderas
High Flying, Adored
123 bpm • D# Maj • 03:32 • -12db
35% Popularity • 69% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
35% Popularity • 69% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Deborah Grant
One Brick at a Time
122 bpm • D Maj • 03:54 • -13db
20% Popularity • 77% Danceability • 55% Energy • 69% Liveness
0% Instrumentalness • 82% Positiveness
20% Popularity • 77% Danceability • 55% Energy • 69% Liveness
0% Instrumentalness • 82% Positiveness
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Stanley Holloway
With a Liitle Bit of Luck
122 bpm • C Maj • 04:07 • -7.75db
11% Popularity • 70% Danceability • 66% Energy • 17% Liveness
1% Instrumentalness • 85% Positiveness
11% Popularity • 70% Danceability • 66% Energy • 17% Liveness
1% Instrumentalness • 85% Positiveness
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Elaine Paige
Heaven Help My Heart
122 bpm • D Maj • 03:32 • -10.63db
30% Popularity • 38% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
30% Popularity • 38% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Murray Head
Sorry, I Love You
132 bpm • A min • 05:43 • -9.81db
5% Popularity • 23% Danceability • 22% Energy • 18% Liveness
1% Instrumentalness • 4% Positiveness
5% Popularity • 23% Danceability • 22% Energy • 18% Liveness
1% Instrumentalness • 4% Positiveness
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Frederick Loewe
Camelot: I Wonder What the King Is Doing...
133 bpm • D# Maj • 02:01 • -15db
26% Popularity • 64% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
26% Popularity • 64% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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Madonna
Buenos Aires
123 bpm • F min • 04:09 • -8db
34% Popularity • 77% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
34% Popularity • 77% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Sherie Rene Scott
Still Hurting
133 bpm • C Maj • 05:01 • -13.04db
34% Popularity • 34% Danceability • 16% Energy • 42% Liveness
0% Instrumentalness • 7% Positiveness
34% Popularity • 34% Danceability • 16% Energy • 42% Liveness
0% Instrumentalness • 7% Positiveness
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Philharmonia Orchestra
Phantom of the Opera
122 bpm • D min • 03:31 • -13.31db
9% Popularity • 52% Danceability • 48% Energy • 3% Liveness
0% Instrumentalness • 46% Positiveness
9% Popularity • 52% Danceability • 48% Energy • 3% Liveness
0% Instrumentalness • 46% Positiveness
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Marvin Hamlisch
One (Reprise) / Finale
133 bpm • D# Maj • 05:04 • -8.99db
27% Popularity • 56% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
27% Popularity • 56% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Murray Head
How Can a Poor Man
122 bpm • G Maj • 03:52 • -8.18db
1% Popularity • 70% Danceability • 65% Energy • 97% Liveness
0% Instrumentalness • 66% Positiveness
1% Popularity • 70% Danceability • 65% Energy • 97% Liveness
0% Instrumentalness • 66% Positiveness
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Jimmy Johnston
Kansas City
133 bpm • D# Maj • 05:28 • -13.61db
21% Popularity • 51% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
21% Popularity • 51% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Antonio Banderas
Peron's Latest Flame
132 bpm • C Maj • 05:17 • -10.75db
29% Popularity • 74% Danceability • 47% Energy • 68% Liveness
0% Instrumentalness • 54% Positiveness
29% Popularity • 74% Danceability • 47% Energy • 68% Liveness
0% Instrumentalness • 54% Positiveness
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Andrew Lloyd Webber
Everything's Alright
133 bpm • E Maj • 05:14 • -8.27db
33% Popularity • 41% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
33% Popularity • 41% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Marissa Jaret Winokur
Good Morning Baltimore
133 bpm • G# Maj • 03:40 • -5.01db
38% Popularity • 69% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
38% Popularity • 69% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
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Frances Ruffelle
On My Own
133 bpm • D min • 03:59 • -11db
46% Popularity • 32% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
46% Popularity • 32% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Brandon Victor Dixon
Superstar
121 bpm • A Maj • 04:34 • -6.75db
17% Popularity • 54% Danceability • 86% Energy • 87% Liveness
0% Instrumentalness • 38% Positiveness
17% Popularity • 54% Danceability • 86% Energy • 87% Liveness
0% Instrumentalness • 38% Positiveness
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Murray Head
One, Two, Three
121 bpm • E Maj • 03:09 • -3.72db
4% Popularity • 66% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
4% Popularity • 66% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
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Natasha Richardson
Cabaret
121 bpm • A Maj • 04:14 • -9.36db
36% Popularity • 63% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
36% Popularity • 63% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
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Adam Pascal
A Step Too Far
121 bpm • F min • 03:59 • -9db
31% Popularity • 51% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 51% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Adam Searles
Consider Yourself
134 bpm • C Maj • 05:40 • -13.37db
36% Popularity • 56% Danceability • 28% Energy • 52% Liveness
0% Instrumentalness • 67% Positiveness
36% Popularity • 56% Danceability • 28% Energy • 52% Liveness
0% Instrumentalness • 67% Positiveness
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The Pirates Of Penzance
When a Felon's Not Engaged in His Employ...
121 bpm • F Maj • 02:17 • -16.92db
23% Popularity • 58% Danceability • 34% Energy • 27% Liveness
0% Instrumentalness • 86% Positiveness
23% Popularity • 58% Danceability • 34% Energy • 27% Liveness
0% Instrumentalness • 86% Positiveness
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Antonio Banderas
Lament
120 bpm • A# Maj • 05:16 • -15.27db
26% Popularity • 40% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
26% Popularity • 40% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Murray Head
Children Only Play - Do You Remember?
121 bpm • G Maj • 04:44 • -11.62db
4% Popularity • 59% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
4% Popularity • 59% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Sister Act Original London Cast
Spread the Love Around
134 bpm • F Maj • 04:48 • -6db
32% Popularity • 58% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
32% Popularity • 58% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Ian Mcshane
Dance with the Devil
120 bpm • C# Maj • 05:54 • -8db
16% Popularity • 53% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
16% Popularity • 53% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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Nikki M. James
Sal Tlay Ka Siti
134 bpm • C Maj • 03:41 • -11db
42% Popularity • 44% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
42% Popularity • 44% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Marvin Hamlisch
One (Chorus Line)
120 bpm • A# Maj • 05:13 • -11.9db
9% Popularity • 44% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 44% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Marti Webb
Tell Me On A Sunday
120 bpm • C Maj • 03:48 • -19.1db
11% Popularity • 31% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
11% Popularity • 31% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Murray Head
Rubbernecker
121 bpm • F# min • 04:43 • -11.71db
3% Popularity • 81% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
3% Popularity • 81% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Jekyll
This Is the Moment
135 bpm • D# Maj • 03:14 • -8.69db
33% Popularity • 32% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
33% Popularity • 32% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Jennifer Holliday
And I Am Telling You I'm Not Going - Sin...
120 bpm • A# Maj • 04:05 • -9.72db
12% Popularity • 37% Danceability • 42% Energy • 39% Liveness
84% Instrumentalness • 13% Positiveness
12% Popularity • 37% Danceability • 42% Energy • 39% Liveness
84% Instrumentalness • 13% Positiveness
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Alun Armstrong
Dog Eats Dog
120 bpm • C Maj • 01:54 • -8.78db
30% Popularity • 65% Danceability • 67% Energy • 24% Liveness
1% Instrumentalness • 32% Positiveness
30% Popularity • 65% Danceability • 67% Energy • 24% Liveness
1% Instrumentalness • 32% Positiveness
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Sherie Rene Scott
A Summer in Ohio
135 bpm • A# Maj • 03:57 • -11db
28% Popularity • 57% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
28% Popularity • 57% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Norbert Leo Butz
With a Little Bit of Luck
119 bpm • C Maj • 03:01 • -6.15db
18% Popularity • 71% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
18% Popularity • 71% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
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Murray Head
We Won’t Get Fooled Again
134 bpm • D Maj • 06:15 • -5.58db
4% Popularity • 55% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
4% Popularity • 55% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
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Lucy
A New Life
135 bpm • E Maj • 04:40 • -12db
30% Popularity • 26% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 9% Positiveness
30% Popularity • 26% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 9% Positiveness
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Helen Sjöholm
Lämna inga dörrar på glänt
135 bpm • E Maj • 04:04 • -12.49db
27% Popularity • 64% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
27% Popularity • 64% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Frederick Loewe
Camelot: The Seven Deadly Virtues
135 bpm • A min • 01:26 • -16.4db
20% Popularity • 64% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
20% Popularity • 64% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Galt MacDermot
Easy to Be Hard
135 bpm • C Maj • 03:40 • -10.64db
34% Popularity • 47% Danceability • 34% Energy • 42% Liveness
0% Instrumentalness • 21% Positiveness
34% Popularity • 47% Danceability • 34% Energy • 42% Liveness
0% Instrumentalness • 21% Positiveness
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Ted Neeley
The Last Supper
119 bpm • G Maj • 07:14 • -10.18db
42% Popularity • 44% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
42% Popularity • 44% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
