Songs like Pizzicato Polka by Johann Strauss II
Based on a tempo of (+/- 10%) and a similar genre
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Léo Delibes
Sylvia: Act III: Divertissement: Variati...
97 bpm • D# Maj • 01:15 • -23db
62% Popularity • 35% Danceability • 6% Energy • 21% Liveness
93% Instrumentalness • 42% Positiveness
62% Popularity • 35% Danceability • 6% Energy • 21% Liveness
93% Instrumentalness • 42% Positiveness
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Gioachino Rossini
The Thieving Magpie Overture
97 bpm • E Maj • 09:00 • -9db
8% Popularity • 36% Danceability • 44% Energy • 8% Liveness
82% Instrumentalness • 37% Positiveness
8% Popularity • 36% Danceability • 44% Energy • 8% Liveness
82% Instrumentalness • 37% Positiveness
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Antonio Vivaldi
I. Allegro
97 bpm • C Maj • 02:42 • -11db
21% Popularity • 49% Danceability • 61% Energy • 27% Liveness
96% Instrumentalness • 63% Positiveness
21% Popularity • 49% Danceability • 61% Energy • 27% Liveness
96% Instrumentalness • 63% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 72, B. 147: 2. Du...
97 bpm • C Maj • 05:41 • -15db
30% Popularity • 16% Danceability • 19% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
30% Popularity • 16% Danceability • 19% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
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Richard Wagner
Tannhauser: Overture
98 bpm • B Maj • 09:48 • -21db
30% Popularity • 18% Danceability • 4% Energy • 58% Liveness
92% Instrumentalness • 4% Positiveness
30% Popularity • 18% Danceability • 4% Energy • 58% Liveness
92% Instrumentalness • 4% Positiveness
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Arthur Fiedler
Carmen L'amour est un oiseau rebelle - I...
98 bpm • D Maj • 01:51 • -16.64db
21% Popularity • 48% Danceability • 12% Energy • 27% Liveness
42% Instrumentalness • 55% Positiveness
21% Popularity • 48% Danceability • 12% Energy • 27% Liveness
42% Instrumentalness • 55% Positiveness
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Aram Khachaturian
Maskerade-Suite: I. Waltz
98 bpm • C Maj • 04:14 • -18db
34% Popularity • 36% Danceability • 30% Energy • 8% Liveness
94% Instrumentalness • 24% Positiveness
34% Popularity • 36% Danceability • 30% Energy • 8% Liveness
94% Instrumentalness • 24% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia: Overture (Sinfo...
98 bpm • E Maj • 06:59 • -15.16db
27% Popularity • 35% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 45% Positiveness
27% Popularity • 35% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 45% Positiveness
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Antonio Vivaldi
I. Allegro
96 bpm • E Maj • 03:33 • -17db
37% Popularity • 38% Danceability • 11% Energy • 11% Liveness
71% Instrumentalness • 14% Positiveness
37% Popularity • 38% Danceability • 11% Energy • 11% Liveness
71% Instrumentalness • 14% Positiveness
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Johann Strauss II
Roses from the South - Waltz Op. 388
98 bpm • F Maj • 08:48 • -20db
27% Popularity • 30% Danceability • 7% Energy • 5% Liveness
83% Instrumentalness • 21% Positiveness
27% Popularity • 30% Danceability • 7% Energy • 5% Liveness
83% Instrumentalness • 21% Positiveness
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Pyotr Ilyich Tchaikovsky
Swan Lake, Op. 20: No. 2 Valse
96 bpm • A Maj • 07:59 • -14db
29% Popularity • 19% Danceability • 9% Energy • 7% Liveness
89% Instrumentalness • 7% Positiveness
29% Popularity • 19% Danceability • 9% Energy • 7% Liveness
89% Instrumentalness • 7% Positiveness
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Orchestra of the Viennese Volksoper & Alfred Scholz
Voices of Spring Waltz, Op. 410
99 bpm • C min • 06:57 • -22.38db
38% Popularity • 28% Danceability • 7% Energy • 8% Liveness
81% Instrumentalness • 21% Positiveness
38% Popularity • 28% Danceability • 7% Energy • 8% Liveness
81% Instrumentalness • 21% Positiveness
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Aram Khachaturian
Gayaneh: Sabre Dance
98 bpm • C Maj • 02:15 • -16.94db
21% Popularity • 44% Danceability • 64% Energy • 22% Liveness
86% Instrumentalness • 22% Positiveness
21% Popularity • 44% Danceability • 64% Energy • 22% Liveness
86% Instrumentalness • 22% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia (The Barber of S...
99 bpm • C Maj • 05:00 • -18db
49% Popularity • 48% Danceability • 27% Energy • 22% Liveness
1% Instrumentalness • 40% Positiveness
49% Popularity • 48% Danceability • 27% Energy • 22% Liveness
1% Instrumentalness • 40% Positiveness
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Strauss Festival Orchestra
Fruhlingsstimmen (Voices Of Spring), Op....
99 bpm • A# Maj • 06:09 • -22db
20% Popularity • 35% Danceability • 7% Energy • 32% Liveness
82% Instrumentalness • 37% Positiveness
20% Popularity • 35% Danceability • 7% Energy • 32% Liveness
82% Instrumentalness • 37% Positiveness
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Johann Strauss II
Artist's Life - Waltz Op. 316
98 bpm • C Maj • 08:40 • -24db
33% Popularity • 31% Danceability • 3% Energy • 12% Liveness
64% Instrumentalness • 13% Positiveness
33% Popularity • 31% Danceability • 3% Energy • 12% Liveness
64% Instrumentalness • 13% Positiveness
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Sergei Prokofiev
Peter and the Wolf, Op. 67 (Without Narr...
99 bpm • C Maj • 01:12 • -37.4db
51% Popularity • 35% Danceability • 1% Energy • 26% Liveness
53% Instrumentalness • 13% Positiveness
51% Popularity • 35% Danceability • 1% Energy • 26% Liveness
53% Instrumentalness • 13% Positiveness
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Edward Elgar
Salut d'amour, Op. 12
95 bpm • E Maj • 02:54 • -22db
50% Popularity • 17% Danceability • 13% Energy • 13% Liveness
4% Instrumentalness • 5% Positiveness
50% Popularity • 17% Danceability • 13% Energy • 13% Liveness
4% Instrumentalness • 5% Positiveness
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Ion Ivanovici
The Danube Waves: Donauwellen, Walzer
95 bpm • C Maj • 05:26 • -18db
29% Popularity • 34% Danceability • 18% Energy • 11% Liveness
74% Instrumentalness • 41% Positiveness
29% Popularity • 34% Danceability • 18% Energy • 11% Liveness
74% Instrumentalness • 41% Positiveness
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Polish State Philharmonic Orchestra, Katowice
Kaiser (Emperor), Op. 437 : Kaiserwalzer
95 bpm • C Maj • 12:56 • -21db
29% Popularity • 27% Danceability • 3% Energy • 7% Liveness
64% Instrumentalness • 9% Positiveness
29% Popularity • 27% Danceability • 3% Energy • 7% Liveness
64% Instrumentalness • 9% Positiveness
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Ludwig van Beethoven
Beethoven: Minuet in G Major, WoO 10, No...
95 bpm • G Maj • 02:50 • -25.76db
38% Popularity • 25% Danceability • 6% Energy • 31% Liveness
70% Instrumentalness • 27% Positiveness
38% Popularity • 25% Danceability • 6% Energy • 31% Liveness
70% Instrumentalness • 27% Positiveness
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Johann Strauss II
Lagunen Waltz, Op. 411
99 bpm • D Maj • 06:57 • -16.17db
16% Popularity • 31% Danceability • 16% Energy • 9% Liveness
91% Instrumentalness • 38% Positiveness
16% Popularity • 31% Danceability • 16% Energy • 9% Liveness
91% Instrumentalness • 38% Positiveness
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Karoly Botvay
The 4 Seasons: Violin Concerto in E majo...
95 bpm • E Maj • 03:37 • -16.07db
49% Popularity • 45% Danceability • 14% Energy • 19% Liveness
87% Instrumentalness • 28% Positiveness
49% Popularity • 45% Danceability • 14% Energy • 19% Liveness
87% Instrumentalness • 28% Positiveness
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Camille Saint-Saëns
Carnival of the Animals, R. 125: Finale
99 bpm • C Maj • 01:56 • -16.47db
34% Popularity • 60% Danceability • 25% Energy • 5% Liveness
88% Instrumentalness • 66% Positiveness
34% Popularity • 60% Danceability • 25% Energy • 5% Liveness
88% Instrumentalness • 66% Positiveness
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Edvard Grieg
Norwegian Peasant Dances, Op. 72
95 bpm • D Maj • 02:19 • -19.12db
36% Popularity • 42% Danceability • 7% Energy • 7% Liveness
94% Instrumentalness • 30% Positiveness
36% Popularity • 42% Danceability • 7% Energy • 7% Liveness
94% Instrumentalness • 30% Positiveness
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Johann Sebastian Bach
Violin Concerto BWV 1042 in E Major: Vio...
99 bpm • D# Maj • 07:33 • -13.99db
50% Popularity • 44% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
50% Popularity • 44% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Orquesta De Conciertos Vienesa
El bello Danubio azul, Op. 314
95 bpm • D Maj • 09:59 • -11db
24% Popularity • 34% Danceability • 22% Energy • 35% Liveness
91% Instrumentalness • 22% Positiveness
24% Popularity • 34% Danceability • 22% Energy • 35% Liveness
91% Instrumentalness • 22% Positiveness
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Johann Strauss II
Die Fledermaus (The Bat), Overture (RV 5...
99 bpm • D Maj • 02:04 • -20.93db
34% Popularity • 33% Danceability • 14% Energy • 7% Liveness
81% Instrumentalness • 20% Positiveness
34% Popularity • 33% Danceability • 14% Energy • 7% Liveness
81% Instrumentalness • 20% Positiveness
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Bedřich Smetana
The Moldau (Vlatava), No. 2
99 bpm • E Maj • 12:21 • -17.21db
33% Popularity • 16% Danceability • 16% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
33% Popularity • 16% Danceability • 16% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
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Alexander Glazunov
Vremena Goda (The Seasons), Op. 67: Summ...
100 bpm • D Maj • 01:58 • -24.74db
36% Popularity • 40% Danceability • 8% Energy • 12% Liveness
62% Instrumentalness • 23% Positiveness
36% Popularity • 40% Danceability • 8% Energy • 12% Liveness
62% Instrumentalness • 23% Positiveness
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Giuseppe Verdi
Nabucco: Overture
100 bpm • F Maj • 07:30 • -16.05db
27% Popularity • 29% Danceability • 17% Energy • 14% Liveness
94% Instrumentalness • 17% Positiveness
27% Popularity • 29% Danceability • 17% Energy • 14% Liveness
94% Instrumentalness • 17% Positiveness
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Strauss Festival Orchestra
Rosen Aus Dem Suden (Roses From The Sout...
100 bpm • F Maj • 08:24 • -19db
15% Popularity • 34% Danceability • 10% Energy • 7% Liveness
68% Instrumentalness • 33% Positiveness
15% Popularity • 34% Danceability • 10% Energy • 7% Liveness
68% Instrumentalness • 33% Positiveness
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St. Petersburg State Symphony Orchestra
Masquerade Suite: Maskarad (Masquerade):...
94 bpm • C Maj • 04:22 • -17.68db
54% Popularity • 30% Danceability • 26% Energy • 10% Liveness
95% Instrumentalness • 20% Positiveness
54% Popularity • 30% Danceability • 26% Energy • 10% Liveness
95% Instrumentalness • 20% Positiveness
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Johann Strauss II
An der schönen blauen Donau, Op. 314
95 bpm • D Maj • 11:47 • -24.82db
61% Popularity • 23% Danceability • 3% Energy • 14% Liveness
60% Instrumentalness • 9% Positiveness
61% Popularity • 23% Danceability • 3% Energy • 14% Liveness
60% Instrumentalness • 9% Positiveness
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Franz Schubert
Moment musical in F Minor, Op. 94, No. 3
100 bpm • G# Maj • 01:42 • -26db
26% Popularity • 60% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 59% Positiveness
26% Popularity • 60% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 59% Positiveness
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Richard Wagner
Lohengrin, Act III: Prelude
94 bpm • G Maj • 02:31 • -17db
41% Popularity • 38% Danceability • 21% Energy • 77% Liveness
93% Instrumentalness • 21% Positiveness
41% Popularity • 38% Danceability • 21% Energy • 77% Liveness
93% Instrumentalness • 21% Positiveness
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Pyotr Ilyich Tchaikovsky
The Sleeping Beauty, Op. 66, TH 13: Vals...
100 bpm • A# Maj • 04:43 • -17db
29% Popularity • 26% Danceability • 24% Energy • 23% Liveness
92% Instrumentalness • 42% Positiveness
29% Popularity • 26% Danceability • 24% Energy • 23% Liveness
92% Instrumentalness • 42% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 1: Entr'acte
100 bpm • E Maj • 01:18 • -15db
37% Popularity • 48% Danceability • 24% Energy • 22% Liveness
90% Instrumentalness • 68% Positiveness
37% Popularity • 48% Danceability • 24% Energy • 22% Liveness
90% Instrumentalness • 68% Positiveness
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Dmitri Shostakovich
Jazz Suite No. 2: II. Lyric Waltz
100 bpm • C min • 02:08 • -19.27db
49% Popularity • 31% Danceability • 14% Energy • 17% Liveness
73% Instrumentalness • 27% Positiveness
49% Popularity • 31% Danceability • 14% Energy • 17% Liveness
73% Instrumentalness • 27% Positiveness
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Johann Strauss II
La valse des noces (Arr. Samuel Pegg d'a...
100 bpm • A Maj • 02:26 • -11db
17% Popularity • 28% Danceability • 37% Energy • 13% Liveness
75% Instrumentalness • 24% Positiveness
17% Popularity • 28% Danceability • 37% Energy • 13% Liveness
75% Instrumentalness • 24% Positiveness
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Gioachino Rossini
Rossini: Il barbiere di Siviglia: Overtu...
94 bpm • E Maj • 06:55 • -19db
9% Popularity • 34% Danceability • 14% Energy • 28% Liveness
88% Instrumentalness • 38% Positiveness
9% Popularity • 34% Danceability • 14% Energy • 28% Liveness
88% Instrumentalness • 38% Positiveness
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Richard Wagner
Die Walküre, WWV 86B - Concert version ...
100 bpm • G Maj • 04:53 • -14.32db
38% Popularity • 29% Danceability • 35% Energy • 12% Liveness
75% Instrumentalness • 16% Positiveness
38% Popularity • 29% Danceability • 35% Energy • 12% Liveness
75% Instrumentalness • 16% Positiveness
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Nikolai Rimsky-Korsakov
Flight of the Bumblebee
94 bpm • D min • 01:17 • -11.65db
51% Popularity • 58% Danceability • 72% Energy • 39% Liveness
81% Instrumentalness • 97% Positiveness
51% Popularity • 58% Danceability • 72% Energy • 39% Liveness
81% Instrumentalness • 97% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: The Nutcracker, Op. 71, Act...
100 bpm • D Maj • 06:47 • -19db
15% Popularity • 24% Danceability • 12% Energy • 9% Liveness
74% Instrumentalness • 10% Positiveness
15% Popularity • 24% Danceability • 12% Energy • 9% Liveness
74% Instrumentalness • 10% Positiveness
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Léo Delibes
Le roi s'amuse: Final
94 bpm • A min • 01:04 • -19.13db
55% Popularity • 43% Danceability • 12% Energy • 11% Liveness
60% Instrumentalness • 48% Positiveness
55% Popularity • 43% Danceability • 12% Energy • 11% Liveness
60% Instrumentalness • 48% Positiveness
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Johann Strauss II
Frühlingsstimmen, Op.410)
100 bpm • A# Maj • 05:47 • -19.49db
14% Popularity • 32% Danceability • 14% Energy • 19% Liveness
89% Instrumentalness • 50% Positiveness
14% Popularity • 32% Danceability • 14% Energy • 19% Liveness
89% Instrumentalness • 50% Positiveness
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Camille Saint-Saëns
Le carnaval des animaux, R. 125: XIII. L...
101 bpm • G Maj • 02:49 • -34db
31% Popularity • 15% Danceability • 5% Energy • 10% Liveness
43% Instrumentalness • 5% Positiveness
31% Popularity • 15% Danceability • 5% Energy • 10% Liveness
43% Instrumentalness • 5% Positiveness
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Jacques Offenbach
Gaîté parisienne: No. 23: Barcarolle
101 bpm • D Maj • 03:46 • -22db
18% Popularity • 20% Danceability • 10% Energy • 28% Liveness
3% Instrumentalness • 13% Positiveness
18% Popularity • 20% Danceability • 10% Energy • 28% Liveness
3% Instrumentalness • 13% Positiveness
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Giuseppe Verdi
Verdi: Aida, Act 2: Triumphal march
93 bpm • D# Maj • 01:35 • -28.24db
44% Popularity • 39% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 27% Positiveness
44% Popularity • 39% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 27% Positiveness
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Finghin Collins
Nocturnes, Op. 9: No. 2 in E-Flat Major
101 bpm • A# Maj • 04:53 • -24.9db
38% Popularity • 43% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
38% Popularity • 43% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
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Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
101 bpm • E Maj • 04:19 • -16.24db
49% Popularity • 32% Danceability • 14% Energy • 26% Liveness
88% Instrumentalness • 30% Positiveness
49% Popularity • 32% Danceability • 14% Energy • 26% Liveness
88% Instrumentalness • 30% Positiveness
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Johann Strauss II
Bei uns z'Haus, Op. 361
100 bpm • C Maj • 09:00 • -23.6db
27% Popularity • 26% Danceability • 8% Energy • 9% Liveness
94% Instrumentalness • 17% Positiveness
27% Popularity • 26% Danceability • 8% Energy • 9% Liveness
94% Instrumentalness • 17% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Serenade for Strings in C, ...
101 bpm • G Maj • 03:34 • -17db
39% Popularity • 24% Danceability • 22% Energy • 18% Liveness
59% Instrumentalness • 30% Positiveness
39% Popularity • 24% Danceability • 22% Energy • 18% Liveness
59% Instrumentalness • 30% Positiveness
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![Brandenburg Concerto No. 3 in G Major, BWV 1048: I. [Allegro] cover art](https://i.scdn.co/image/ab67616d00001e024747d8d612db02dd7791a699)
Johann Sebastian Bach
Brandenburg Concerto No. 3 in G Major, B...
101 bpm • F# Maj • 05:32 • -14.77db
50% Popularity • 57% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
50% Popularity • 57% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Modest Mussorgsky
Promenade
93 bpm • F Maj • 01:32 • -12db
20% Popularity • 26% Danceability • 18% Energy • 35% Liveness
88% Instrumentalness • 27% Positiveness
20% Popularity • 26% Danceability • 18% Energy • 35% Liveness
88% Instrumentalness • 27% Positiveness
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Jacques Offenbach
Les contes d'Hoffmann (The Tales of Hoff...
93 bpm • G Maj • 02:12 • -18db
45% Popularity • 56% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 59% Positiveness
45% Popularity • 56% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 59% Positiveness
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George Frideric Handel
Music for the Royal Fireworks: Suite HWV...
102 bpm • C# Maj • 02:15 • -15.52db
43% Popularity • 58% Danceability • 42% Energy • 18% Liveness
96% Instrumentalness • 85% Positiveness
43% Popularity • 58% Danceability • 42% Energy • 18% Liveness
96% Instrumentalness • 85% Positiveness
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Johann Strauss II
Accelerations - Waltz Op. 234
101 bpm • G Maj • 07:39 • -23.01db
16% Popularity • 31% Danceability • 5% Energy • 8% Liveness
41% Instrumentalness • 15% Positiveness
16% Popularity • 31% Danceability • 5% Energy • 8% Liveness
41% Instrumentalness • 15% Positiveness
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Pyotr Ilyich Tchaikovsky
The Sleeping Beauty, Op. 66, TH 13 / Act...
102 bpm • A# Maj • 04:39 • -20.06db
46% Popularity • 27% Danceability • 15% Energy • 31% Liveness
89% Instrumentalness • 47% Positiveness
46% Popularity • 27% Danceability • 15% Energy • 31% Liveness
89% Instrumentalness • 47% Positiveness
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Sergei Rachmaninoff
The Flight of the Bumblebee
92 bpm • D min • 01:13 • -28db
44% Popularity • 40% Danceability • 17% Energy • 26% Liveness
90% Instrumentalness • 18% Positiveness
44% Popularity • 40% Danceability • 17% Energy • 26% Liveness
90% Instrumentalness • 18% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 4. Sicil...
92 bpm • G min • 04:04 • -30.09db
36% Popularity • 11% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
36% Popularity • 11% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
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Jacques Offenbach
La vie parisienne, Cancan
92 bpm • G Maj • 02:29 • -15db
39% Popularity • 64% Danceability • 60% Energy • 14% Liveness
78% Instrumentalness • 71% Positiveness
39% Popularity • 64% Danceability • 60% Energy • 14% Liveness
78% Instrumentalness • 71% Positiveness
► Preview
Hector Berlioz
La damnation de Faust, Op. 24, H. 111 / ...
102 bpm • A min • 04:24 • -11db
22% Popularity • 48% Danceability • 43% Energy • 17% Liveness
92% Instrumentalness • 56% Positiveness
22% Popularity • 48% Danceability • 43% Energy • 17% Liveness
92% Instrumentalness • 56% Positiveness
► Preview
Johann Strauss II
Die Fledermaus: Overture
101 bpm • D Maj • 08:23 • -23.63db
14% Popularity • 32% Danceability • 7% Energy • 8% Liveness
80% Instrumentalness • 15% Positiveness
14% Popularity • 32% Danceability • 7% Energy • 8% Liveness
80% Instrumentalness • 15% Positiveness
► Preview
Gioachino Rossini
Il barbiere di Siviglia: Overture (Sinfo...
92 bpm • E Maj • 07:05 • -20.75db
51% Popularity • 32% Danceability • 14% Energy • 12% Liveness
76% Instrumentalness • 28% Positiveness
51% Popularity • 32% Danceability • 14% Energy • 12% Liveness
76% Instrumentalness • 28% Positiveness
► Preview
London Festival Orchestra
Carmen, Opera Suite No. 1: V. Seguedille...
92 bpm • D Maj • 01:53 • -27db
43% Popularity • 49% Danceability • 3% Energy • 9% Liveness
82% Instrumentalness • 40% Positiveness
43% Popularity • 49% Danceability • 3% Energy • 9% Liveness
82% Instrumentalness • 40% Positiveness
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Camille Saint-Saëns
Henry VIII: Scherzetto
92 bpm • A# Maj • 01:34 • -28.97db
45% Popularity • 44% Danceability • 2% Energy • 17% Liveness
94% Instrumentalness • 19% Positiveness
45% Popularity • 44% Danceability • 2% Energy • 17% Liveness
94% Instrumentalness • 19% Positiveness
► Preview
Sergei Rachmaninoff
Rachmaninov: Piano Concerto No. 3 in D M...
103 bpm • D min • 02:52 • -23.34db
34% Popularity • 27% Danceability • 18% Energy • 9% Liveness
88% Instrumentalness • 33% Positiveness
34% Popularity • 27% Danceability • 18% Energy • 9% Liveness
88% Instrumentalness • 33% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Shéhérazade, Op. 35: III. The Young Pr...
103 bpm • G Maj • 09:54 • -31.17db
23% Popularity • 16% Danceability • 3% Energy • 7% Liveness
61% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 3% Energy • 7% Liveness
61% Instrumentalness • 4% Positiveness
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Johann Strauss II
Seid umschlungen Millionen (Be United Mi...
92 bpm • G Maj • 03:23 • -19.29db
24% Popularity • 34% Danceability • 6% Energy • 15% Liveness
77% Instrumentalness • 42% Positiveness
24% Popularity • 34% Danceability • 6% Energy • 15% Liveness
77% Instrumentalness • 42% Positiveness
► Preview
Jacques Offenbach
La Grande Duchess de Gerolstein, Acte II...
92 bpm • D Maj • 03:22 • -21.24db
18% Popularity • 48% Danceability • 36% Energy • 6% Liveness
71% Instrumentalness • 93% Positiveness
18% Popularity • 48% Danceability • 36% Energy • 6% Liveness
71% Instrumentalness • 93% Positiveness
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Franz Schubert
Schwanengesang, D.957: No. 4 Serenade
91 bpm • C Maj • 04:23 • -25.32db
55% Popularity • 10% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
55% Popularity • 10% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Alexander Borodin
Polovtsian Dances From "Prince Igor"
103 bpm • D Maj • 11:30 • -21.85db
33% Popularity • 22% Danceability • 10% Energy • 9% Liveness
62% Instrumentalness • 8% Positiveness
33% Popularity • 22% Danceability • 10% Energy • 9% Liveness
62% Instrumentalness • 8% Positiveness
► Preview
Sergei Rachmaninoff
Italian Polka
103 bpm • D# Maj • 02:09 • -27db
36% Popularity • 47% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 74% Positiveness
36% Popularity • 47% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 74% Positiveness
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Aram Khachaturian
Gayane Suite No. 2: VI. Sabre Dance
91 bpm • D# Maj • 02:26 • -15.58db
36% Popularity • 43% Danceability • 78% Energy • 14% Liveness
85% Instrumentalness • 30% Positiveness
36% Popularity • 43% Danceability • 78% Energy • 14% Liveness
85% Instrumentalness • 30% Positiveness
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Johann Strauss II
Die Fledermaus, Act III: No. 14, Couplet...
102 bpm • G Maj • 04:12 • -17db
18% Popularity • 45% Danceability • 12% Energy • 65% Liveness
0% Instrumentalness • 31% Positiveness
18% Popularity • 45% Danceability • 12% Energy • 65% Liveness
0% Instrumentalness • 31% Positiveness
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Boris Khaykin
Minuet from String Quintet in E Major, O...
103 bpm • G min • 03:15 • -26db
12% Popularity • 49% Danceability • 11% Energy • 44% Liveness
82% Instrumentalness • 50% Positiveness
12% Popularity • 49% Danceability • 11% Energy • 44% Liveness
82% Instrumentalness • 50% Positiveness
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Léo Delibes
Le roi s'amuse: Pavane
91 bpm • A# Maj • 01:28 • -34db
63% Popularity • 20% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 24% Positiveness
63% Popularity • 20% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 24% Positiveness
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Christian Sinding
Sinding / Arr Sitt : Rustle of Spring
90 bpm • F min • 02:38 • -15.07db
19% Popularity • 18% Danceability • 19% Energy • 11% Liveness
78% Instrumentalness • 12% Positiveness
19% Popularity • 18% Danceability • 19% Energy • 11% Liveness
78% Instrumentalness • 12% Positiveness
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Richard Wagner
Die Walkure, Act III: Ride of the Valkyr...
90 bpm • G Maj • 05:25 • -16.78db
53% Popularity • 25% Danceability • 22% Energy • 8% Liveness
93% Instrumentalness • 10% Positiveness
53% Popularity • 25% Danceability • 22% Energy • 8% Liveness
93% Instrumentalness • 10% Positiveness
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Aram Khachaturian
Gayane: Sabre Dance
90 bpm • C Maj • 02:28 • -14db
24% Popularity • 42% Danceability • 61% Energy • 12% Liveness
81% Instrumentalness • 49% Positiveness
24% Popularity • 42% Danceability • 61% Energy • 12% Liveness
81% Instrumentalness • 49% Positiveness
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Johann Strauss II
Tik-Tak Polka, Polka schnell, Op. 365
90 bpm • A Maj • 02:42 • -13.79db
30% Popularity • 53% Danceability • 63% Energy • 82% Liveness
68% Instrumentalness • 57% Positiveness
30% Popularity • 53% Danceability • 63% Energy • 82% Liveness
68% Instrumentalness • 57% Positiveness
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Edvard Grieg
Grieg: Peer Gynt, Op. 23, Act 2: No. 7, ...
105 bpm • B min • 02:43 • -22db
14% Popularity • 46% Danceability • 7% Energy • 17% Liveness
89% Instrumentalness • 41% Positiveness
14% Popularity • 46% Danceability • 7% Energy • 17% Liveness
89% Instrumentalness • 41% Positiveness
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Léo Delibes
Coppélia, Act I: Valse Lente
90 bpm • D# Maj • 00:56 • -12.93db
41% Popularity • 26% Danceability • 25% Energy • 25% Liveness
94% Instrumentalness • 31% Positiveness
41% Popularity • 26% Danceability • 25% Energy • 25% Liveness
94% Instrumentalness • 31% Positiveness
► Preview
Jacques Offenbach
La vie parisienne, Polka
105 bpm • G Maj • 02:27 • -16db
34% Popularity • 56% Danceability • 38% Energy • 7% Liveness
44% Instrumentalness • 72% Positiveness
34% Popularity • 56% Danceability • 38% Energy • 7% Liveness
44% Instrumentalness • 72% Positiveness
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Niccolò Paganini
Violin Concerto No. 2 in B Minor, Op. 7,...
105 bpm • B min • 08:43 • -23.55db
48% Popularity • 47% Danceability • 18% Energy • 37% Liveness
31% Instrumentalness • 24% Positiveness
48% Popularity • 47% Danceability • 18% Energy • 37% Liveness
31% Instrumentalness • 24% Positiveness
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Gioachino Rossini
The Thieving Magpie
89 bpm • E Maj • 05:07 • -19.88db
37% Popularity • 35% Danceability • 18% Energy • 8% Liveness
84% Instrumentalness • 33% Positiveness
37% Popularity • 35% Danceability • 18% Energy • 8% Liveness
84% Instrumentalness • 33% Positiveness
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Johann Strauss II
Emperor Waltz, Op. 437
92 bpm • C Maj • 10:23 • -22.13db
22% Popularity • 27% Danceability • 5% Energy • 10% Liveness
24% Instrumentalness • 17% Positiveness
22% Popularity • 27% Danceability • 5% Energy • 10% Liveness
24% Instrumentalness • 17% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: The Sleeping Beauty, Op. 66...
105 bpm • A# Maj • 04:39 • -16.55db
27% Popularity • 28% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 31% Positiveness
27% Popularity • 28% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 31% Positiveness
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Ludwig van Beethoven
Symphony No. 7 in A Major, Op. 92: III. ...
105 bpm • D Maj • 08:27 • -19.29db
40% Popularity • 33% Danceability • 21% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
40% Popularity • 33% Danceability • 21% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
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The Jane Austen Era
Menuet No. 5, Op. 11
105 bpm • A Maj • 03:35 • -24.99db
36% Popularity • 46% Danceability • 6% Energy • 11% Liveness
87% Instrumentalness • 55% Positiveness
36% Popularity • 46% Danceability • 6% Energy • 11% Liveness
87% Instrumentalness • 55% Positiveness
► Preview
Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
105 bpm • E Maj • 03:16 • -14db
53% Popularity • 47% Danceability • 16% Energy • 11% Liveness
97% Instrumentalness • 43% Positiveness
53% Popularity • 47% Danceability • 16% Energy • 11% Liveness
97% Instrumentalness • 43% Positiveness
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Luigi Boccherini
Minuet from String Quintet in E, Op. 13,...
106 bpm • A Maj • 03:40 • -31.65db
18% Popularity • 37% Danceability • 1% Energy • 19% Liveness
69% Instrumentalness • 18% Positiveness
18% Popularity • 37% Danceability • 1% Energy • 19% Liveness
69% Instrumentalness • 18% Positiveness
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Johann Strauss II
Strauss II, J: Frühlingsstimmen, Op. 41...
103 bpm • A# Maj • 06:01 • -25.75db
36% Popularity • 27% Danceability • 4% Energy • 16% Liveness
80% Instrumentalness • 27% Positiveness
36% Popularity • 27% Danceability • 4% Energy • 16% Liveness
80% Instrumentalness • 27% Positiveness
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Arthur Fiedler
Rákóczy March
106 bpm • A Maj • 04:12 • -18.58db
11% Popularity • 42% Danceability • 29% Energy • 8% Liveness
88% Instrumentalness • 51% Positiveness
11% Popularity • 42% Danceability • 29% Energy • 8% Liveness
88% Instrumentalness • 51% Positiveness
► Preview
George Frideric Handel
Handel: Serse, HWV 40, Act 1, Scene 1: A...
89 bpm • E Maj • 03:23 • -20.19db
36% Popularity • 13% Danceability • 12% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
36% Popularity • 13% Danceability • 12% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Giuseppe Verdi
Nabucco: Overture
89 bpm • C Maj • 07:29 • -18db
31% Popularity • 32% Danceability • 14% Energy • 6% Liveness
74% Instrumentalness • 22% Positiveness
31% Popularity • 32% Danceability • 14% Energy • 6% Liveness
74% Instrumentalness • 22% Positiveness
► Preview
Antonio Vivaldi
Violin Concerto No. 1 in E Major, RV 269...
105 bpm • E Maj • 03:19 • -16.03db
40% Popularity • 45% Danceability • 19% Energy • 20% Liveness
66% Instrumentalness • 14% Positiveness
40% Popularity • 45% Danceability • 19% Energy • 20% Liveness
66% Instrumentalness • 14% Positiveness
