Songs like Place In This World by Michael W. Smith
Based on a tempo of (+/- 10%) and a similar genre
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Selah
His Eye Is On The Sparrow
145 bpm • F Maj • 03:42 • -16db
33% Popularity • 24% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
33% Popularity • 24% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
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Kutless
Everything I Need
145 bpm • A# Maj • 03:01 • -6.26db
33% Popularity • 40% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 42% Positiveness
33% Popularity • 40% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 42% Positiveness
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Nicole C. Mullen
One Touch (Press)
145 bpm • E Maj • 04:25 • -6.01db
30% Popularity • 44% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
30% Popularity • 44% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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![10,000 Reasons (Bless The Lord) [Radio Version] - Radio Version/Live cover art](https://i.scdn.co/image/ab67616d00001e02cb42bd9d215944791fc8f5c0)
Matt Redman
10,000 Reasons (Bless The Lord) [Radio V...
145 bpm • G Maj • 04:16 • -7.09db
64% Popularity • 46% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
64% Popularity • 46% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Michael W. Smith
Place In This World
145 bpm • E Maj • 04:00 • -8.32db
43% Popularity • 45% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
43% Popularity • 45% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Carman
No Way, We are Not Ashamed
146 bpm • A min • 04:16 • -10.18db
20% Popularity • 49% Danceability • 78% Energy • 81% Liveness
0% Instrumentalness • 43% Positiveness
20% Popularity • 49% Danceability • 78% Energy • 81% Liveness
0% Instrumentalness • 43% Positiveness
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David Phelps
I Just Call You Mine
144 bpm • C# Maj • 04:29 • -7db
13% Popularity • 48% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
13% Popularity • 48% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Jim Brickman
Be Thou Near To Me
146 bpm • A Maj • 03:30 • -9.53db
25% Popularity • 49% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 29% Positiveness
25% Popularity • 49% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 29% Positiveness
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Chris Tomlin
Is He Worthy?
146 bpm • E Maj • 04:31 • -6.08db
55% Popularity • 36% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
55% Popularity • 36% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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FFH
Watching Over Me
146 bpm • A Maj • 03:05 • -4.04db
25% Popularity • 52% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
25% Popularity • 52% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Sidewalk Prophets
To Live Is Christ
144 bpm • B Maj • 03:48 • -7db
43% Popularity • 55% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
43% Popularity • 55% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Carman
America Again
144 bpm • C Maj • 05:53 • -10.98db
24% Popularity • 43% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
24% Popularity • 43% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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Michael W. Smith
Live The Life
146 bpm • F Maj • 04:35 • -6.78db
22% Popularity • 40% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 31% Positiveness
22% Popularity • 40% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 31% Positiveness
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Bebo Norman
Great Light Of The World
146 bpm • C# Maj • 04:10 • -10.83db
30% Popularity • 57% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
30% Popularity • 57% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Chris Tomlin
At The Cross (Love Ran Red)
146 bpm • G# Maj • 04:10 • -4.52db
59% Popularity • 39% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 13% Positiveness
59% Popularity • 39% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 13% Positiveness
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Big Daddy Weave
Alive
146 bpm • C Maj • 03:26 • -6db
47% Popularity • 52% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
47% Popularity • 52% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Josh Wilson
Fall Apart
146 bpm • F Maj • 03:27 • -5.67db
34% Popularity • 47% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
34% Popularity • 47% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Tenth Avenue North
Love Is Here
146 bpm • B Maj • 04:03 • -5.36db
39% Popularity • 37% Danceability • 71% Energy • 35% Liveness
0% Instrumentalness • 30% Positiveness
39% Popularity • 37% Danceability • 71% Energy • 35% Liveness
0% Instrumentalness • 30% Positiveness
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Michael W. Smith
I Will Be Here For You
144 bpm • A Maj • 04:33 • -9.71db
53% Popularity • 42% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
53% Popularity • 42% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Francesca Battistelli
Holy Spirit
144 bpm • D Maj • 05:02 • -7.84db
61% Popularity • 38% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
61% Popularity • 38% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Kari Jobe
I Am Not Alone - Radio Version
144 bpm • E Maj • 03:57 • -7.2db
51% Popularity • 42% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
51% Popularity • 42% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Sweet Comfort Band
Valerie
143 bpm • F Maj • 03:34 • -12.13db
17% Popularity • 54% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 54% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
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Danny Gokey
Rise
148 bpm • E Maj • 03:39 • -3.85db
48% Popularity • 52% Danceability • 89% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
48% Popularity • 52% Danceability • 89% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
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Carman
The River
142 bpm • D Maj • 03:45 • -9.2db
27% Popularity • 58% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
27% Popularity • 58% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Michael W. Smith
Old Enough To Know
144 bpm • G# Maj • 04:47 • -10.8db
18% Popularity • 61% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
18% Popularity • 61% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Delirious?
Majesty
142 bpm • C# Maj • 05:31 • -7db
44% Popularity • 54% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
44% Popularity • 54% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
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MercyMe
Homesick
148 bpm • F Maj • 03:39 • -6db
43% Popularity • 43% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
43% Popularity • 43% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Casting Crowns
Does Anybody Hear Her
148 bpm • F Maj • 04:28 • -6.59db
22% Popularity • 49% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
22% Popularity • 49% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Building 429
Listen To The Sound
148 bpm • E Maj • 03:40 • -5db
41% Popularity • 54% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
41% Popularity • 54% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Carman
Awesome God
148 bpm • F min • 05:27 • -8.42db
31% Popularity • 34% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
31% Popularity • 34% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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John Elefante
This Is What Love Is
148 bpm • G Maj • 04:58 • -8.8db
17% Popularity • 50% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
17% Popularity • 50% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Big Daddy Weave
Overwhelmed
148 bpm • C Maj • 05:29 • -6.83db
52% Popularity • 53% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
52% Popularity • 53% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Plumb
Lord I'm Ready Now
142 bpm • D# Maj • 03:33 • -3.31db
40% Popularity • 54% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
40% Popularity • 54% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Mack Brock
Greater Things
142 bpm • B Maj • 04:40 • -7.93db
47% Popularity • 48% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
47% Popularity • 48% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Chris Tomlin
Whom Shall I Fear (God Of Angel Armies)
148 bpm • C Maj • 04:27 • -3.04db
59% Popularity • 44% Danceability • 78% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
59% Popularity • 44% Danceability • 78% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
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Rush Of Fools
Undo
148 bpm • D Maj • 03:41 • -3.05db
43% Popularity • 41% Danceability • 79% Energy • 29% Liveness
0% Instrumentalness • 47% Positiveness
43% Popularity • 41% Danceability • 79% Energy • 29% Liveness
0% Instrumentalness • 47% Positiveness
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John Elefante
That's Why God Made the Moon
142 bpm • D# Maj • 05:56 • -8.65db
19% Popularity • 38% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
19% Popularity • 38% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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BarlowGirl
I Need You to Love Me
142 bpm • D# Maj • 04:23 • -6db
33% Popularity • 49% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
33% Popularity • 49% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Allies
How Much Love
148 bpm • F Maj • 05:48 • -12.78db
10% Popularity • 48% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
10% Popularity • 48% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Amy Grant
That's What Love Is For
142 bpm • A Maj • 04:17 • -4db
46% Popularity • 54% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
46% Popularity • 54% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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DeGarmo & Key
Boycott Hell - The Pledge Album Version
149 bpm • G Maj • 03:20 • -10.89db
26% Popularity • 65% Danceability • 62% Energy • 18% Liveness
1% Instrumentalness • 67% Positiveness
26% Popularity • 65% Danceability • 62% Energy • 18% Liveness
1% Instrumentalness • 67% Positiveness
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Michael W. Smith
Pray For Me
142 bpm • G Maj • 03:56 • -18.84db
22% Popularity • 47% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
22% Popularity • 47% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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Scott Wesley Brown
Yeshua Ha Mashiach
141 bpm • D# Maj • 04:28 • -11.42db
28% Popularity • 60% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 60% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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Sidewalk Prophets
You Love Me Anyway
141 bpm • E Maj • 04:20 • -5db
52% Popularity • 40% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
52% Popularity • 40% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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David Crowder Band
How He Loves
149 bpm • C Maj • 05:18 • -6.16db
61% Popularity • 22% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
61% Popularity • 22% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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The Imperials
The Trumpet of Jesus
149 bpm • F Maj • 03:47 • -16.37db
30% Popularity • 41% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
30% Popularity • 41% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
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Steve & Annie Chapman
Circle Of Two
140 bpm • D# Maj • 04:13 • -15.56db
11% Popularity • 59% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 59% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Michael W. Smith
Go West Young Man
141 bpm • E Maj • 04:01 • -9.33db
29% Popularity • 55% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
29% Popularity • 55% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
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Steve Camp
Do You Feel Their Pain?
140 bpm • C Maj • 06:27 • -15.78db
8% Popularity • 51% Danceability • 34% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
8% Popularity • 51% Danceability • 34% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
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Tenth Avenue North
Losing
150 bpm • E Maj • 03:32 • -7.93db
41% Popularity • 62% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
41% Popularity • 62% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Kutless
Better Is One Day
150 bpm • F# Maj • 04:50 • -6db
41% Popularity • 44% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
41% Popularity • 44% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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The Imperials
Praise the Lord
141 bpm • A Maj • 03:35 • -7db
34% Popularity • 43% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
34% Popularity • 43% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Tim Hughes
Here I Am To Worship
150 bpm • E Maj • 05:17 • -6.07db
52% Popularity • 38% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
52% Popularity • 38% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
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Michael W. Smith
Healing Rain
140 bpm • C# Maj • 04:59 • -6.83db
37% Popularity • 42% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
37% Popularity • 42% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Chris Sligh
Empty Me
140 bpm • D# Maj • 04:18 • -3db
23% Popularity • 39% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
23% Popularity • 39% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Ryan Stevenson
With Lifted Hands
140 bpm • D Maj • 03:37 • -6.97db
47% Popularity • 43% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
47% Popularity • 43% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Aaron Shust
My Hope Is in You
150 bpm • D Maj • 04:14 • -4db
47% Popularity • 43% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness
47% Popularity • 43% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness
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Big Daddy Weave
My Story
140 bpm • C Maj • 04:38 • -6.79db
53% Popularity • 57% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
53% Popularity • 57% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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John Elefante
No One's Ever Died for Me Before
140 bpm • A Maj • 04:11 • -8.27db
17% Popularity • 46% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
17% Popularity • 46% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Phil Baggaley
The Golden City
140 bpm • F# min • 03:55 • -9.93db
11% Popularity • 67% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 67% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
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Sixpence None The Richer
Beautiful Scandalous Night
140 bpm • C Maj • 03:47 • -10.2db
31% Popularity • 56% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
31% Popularity • 56% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Casting Crowns
God of All My Days
140 bpm • B Maj • 05:01 • -7.94db
51% Popularity • 58% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
51% Popularity • 58% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Brandon Heath
Love Never Fails
139 bpm • G# Maj • 03:06 • -10db
42% Popularity • 36% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
42% Popularity • 36% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Steven Curtis Chapman
The Great Adventure
139 bpm • D Maj • 04:37 • -12.11db
42% Popularity • 61% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
42% Popularity • 61% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
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Keith Green
Easter Song
151 bpm • E Maj • 03:56 • -13.43db
40% Popularity • 47% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
40% Popularity • 47% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Selah
I Turn To You
152 bpm • C# Maj • 04:06 • -8.34db
22% Popularity • 36% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
22% Popularity • 36% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Michael W. Smith
Somebody Love Me
152 bpm • A Maj • 03:58 • -8.6db
22% Popularity • 44% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
22% Popularity • 44% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Chris Tomlin
How Great Is Our God
152 bpm • C# Maj • 04:26 • -5.69db
43% Popularity • 47% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
43% Popularity • 47% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Kutless
Strong Tower
152 bpm • C# min • 03:58 • -6.57db
47% Popularity • 47% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
47% Popularity • 47% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Matt Redman
Never Once
138 bpm • G# min • 04:00 • -6db
44% Popularity • 48% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
44% Popularity • 48% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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MercyMe
Beautiful
138 bpm • G Maj • 04:21 • -8db
48% Popularity • 48% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
48% Popularity • 48% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Keith & Kristyn Getty
In Christ Alone
138 bpm • G Maj • 04:39 • -8db
53% Popularity • 51% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
53% Popularity • 51% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
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The Imperials
I'd Rather Believe In You
138 bpm • B Maj • 03:33 • -16.32db
19% Popularity • 46% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 46% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 23% Positiveness
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Michael W. Smith
In My Arms Again
138 bpm • A# Maj • 06:11 • -8.84db
18% Popularity • 44% Danceability • 43% Energy • 62% Liveness
0% Instrumentalness • 4% Positiveness
18% Popularity • 44% Danceability • 43% Energy • 62% Liveness
0% Instrumentalness • 4% Positiveness
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Kutless
What Faith Can Do
138 bpm • D Maj • 03:53 • -7.35db
50% Popularity • 49% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
50% Popularity • 49% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Big Daddy Weave
What Life Would Be Like
153 bpm • E Maj • 04:05 • -6db
34% Popularity • 42% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
34% Popularity • 42% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Steve Camp
He's All You Need
138 bpm • E Maj • 05:03 • -17.01db
28% Popularity • 30% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
28% Popularity • 30% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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The Kry
I'll Find You There
154 bpm • C# Maj • 04:21 • -7.39db
17% Popularity • 49% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
17% Popularity • 49% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Michael English
Holding Out Hope To You
136 bpm • C Maj • 05:04 • -10.56db
25% Popularity • 54% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 29% Positiveness
25% Popularity • 54% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 29% Positiveness
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Michael W. Smith
Trilogy: The Other Side Of Me
138 bpm • E Maj • 04:23 • -13.03db
20% Popularity • 28% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
20% Popularity • 28% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
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Mandisa
Way Maker
136 bpm • A Maj • 04:02 • -6db
54% Popularity • 48% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
54% Popularity • 48% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
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Big Daddy Weave
Every Time I Breathe
136 bpm • D Maj • 03:52 • -13.56db
36% Popularity • 57% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
36% Popularity • 57% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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FFH
Ready To Fly
136 bpm • A min • 04:04 • -3.35db
22% Popularity • 42% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
22% Popularity • 42% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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The Kry
He Won't Let You Go
136 bpm • G# Maj • 04:12 • -13.24db
15% Popularity • 57% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
15% Popularity • 57% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Aaron Shust
Watch Over Me
155 bpm • D Maj • 05:12 • -8.58db
21% Popularity • 23% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
21% Popularity • 23% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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Michael W. Smith
Straight To The Heart
136 bpm • G# Maj • 02:47 • -16.12db
25% Popularity • 53% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
25% Popularity • 53% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Scott Krippayne
Sometimes He Calms the Storm
155 bpm • G# Maj • 03:43 • -9.17db
29% Popularity • 43% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
29% Popularity • 43% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Nicol Sponberg
Resurrection
135 bpm • A min • 04:29 • -7.18db
16% Popularity • 32% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 12% Positiveness
16% Popularity • 32% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 12% Positiveness
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Mylon LeFevre
Crack The Sky
135 bpm • F Maj • 03:58 • -6db
23% Popularity • 44% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
23% Popularity • 44% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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MercyMe
The Hurt & The Healer
135 bpm • A Maj • 04:50 • -4.89db
45% Popularity • 45% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
45% Popularity • 45% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Crowder
Come As You Are
135 bpm • C Maj • 04:49 • -8.84db
64% Popularity • 46% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
64% Popularity • 46% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Michael W. Smith
Friends 2003
136 bpm • G Maj • 04:56 • -7.75db
21% Popularity • 30% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
21% Popularity • 30% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Sidewalk Prophets
The Words I Would Say
156 bpm • A# Maj • 03:20 • -3.14db
52% Popularity • 39% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
52% Popularity • 39% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Chris Tomlin
How Great Is Our God
156 bpm • C# Maj • 05:05 • -5.65db
65% Popularity • 32% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
65% Popularity • 32% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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for KING & COUNTRY
The Proof of Your Love
156 bpm • C min • 03:17 • -6.95db
57% Popularity • 40% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
57% Popularity • 40% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Zach Williams
Chain Breaker
156 bpm • C Maj • 03:16 • -5.08db
66% Popularity • 47% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
66% Popularity • 47% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Fernando Ortega
This Good Day
134 bpm • G Maj • 04:19 • -7.8db
22% Popularity • 58% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
22% Popularity • 58% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Michael W. Smith
Friends
136 bpm • G Maj • 04:43 • -10.89db
39% Popularity • 59% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 41% Positiveness
39% Popularity • 59% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 41% Positiveness
