Songs like Planteur Punch - Out Of The Slum by Dr Kex
Based on a tempo of (+/- 10%) and a similar genre
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Stand High Patrol
Tempest
146 bpm • E Maj • 03:12 • -15.56db
27% Popularity • 77% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
27% Popularity • 77% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Linton Kwesi Johnson
Reality Poem
146 bpm • G Maj • 04:44 • -15.59db
24% Popularity • 80% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
24% Popularity • 80% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Pupajim
DNA
146 bpm • A# min • 04:02 • -9.06db
20% Popularity • 92% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
20% Popularity • 92% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Pablo Moses
Let's Face It - 2010 Remastered Version
146 bpm • D# min • 03:27 • -7.44db
18% Popularity • 89% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
18% Popularity • 89% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
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Peter Tosh
Them a Fe Get a Beaten
146 bpm • C Maj • 01:56 • -6.21db
21% Popularity • 74% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
21% Popularity • 74% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Clint Eastwood
Sweet Sweet Matilda
146 bpm • D min • 04:03 • -9.03db
17% Popularity • 63% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
17% Popularity • 63% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Dr Kex
Planteur Punch - Out Of The Slum
146 bpm • G# Maj • 02:47 • -8.69db
3% Popularity • 68% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
3% Popularity • 68% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Culture
Poor People Hungry
145 bpm • E Maj • 03:40 • -4.47db
22% Popularity • 75% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
22% Popularity • 75% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
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Mighty Diamonds
Talk About It
145 bpm • F# Maj • 06:23 • -7.27db
11% Popularity • 87% Danceability • 71% Energy • 32% Liveness
5% Instrumentalness • 97% Positiveness
11% Popularity • 87% Danceability • 71% Energy • 32% Liveness
5% Instrumentalness • 97% Positiveness
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Tapper Zukie
Prophecy Dub
145 bpm • C# Maj • 03:16 • -11.03db
24% Popularity • 73% Danceability • 43% Energy • 31% Liveness
11% Instrumentalness • 29% Positiveness
24% Popularity • 73% Danceability • 43% Energy • 31% Liveness
11% Instrumentalness • 29% Positiveness
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Israel Vibration
Scavenger Dub
145 bpm • G# min • 04:17 • -15.07db
8% Popularity • 78% Danceability • 27% Energy • 9% Liveness
61% Instrumentalness • 80% Positiveness
8% Popularity • 78% Danceability • 27% Energy • 9% Liveness
61% Instrumentalness • 80% Positiveness
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Max Romeo
Sipple Out Deh (War in Babylon) (Jamaica...
145 bpm • G Maj • 03:39 • -8.94db
14% Popularity • 74% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
14% Popularity • 74% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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I-Three
Planteur punch - Dub Style
145 bpm • G# Maj • 04:24 • -9.17db
13% Popularity • 83% Danceability • 72% Energy • 8% Liveness
79% Instrumentalness • 81% Positiveness
13% Popularity • 83% Danceability • 72% Energy • 8% Liveness
79% Instrumentalness • 81% Positiveness
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Raspigaous
Vitrolles
147 bpm • G min • 05:04 • -7.6db
30% Popularity • 78% Danceability • 49% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 78% Danceability • 49% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
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Eek-A-Mouse
Terrorists In The City
145 bpm • A min • 03:29 • -22.19db
15% Popularity • 74% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
15% Popularity • 74% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Zion Train
Life That I Choose
145 bpm • C min • 03:32 • -2.95db
16% Popularity • 64% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
16% Popularity • 64% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Stand High Patrol
Gambling Johnny
147 bpm • C# min • 04:12 • -11.4db
23% Popularity • 82% Danceability • 48% Energy • 4% Liveness
3% Instrumentalness • 94% Positiveness
23% Popularity • 82% Danceability • 48% Energy • 4% Liveness
3% Instrumentalness • 94% Positiveness
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Papa Michigan & General Smiley
Downpression
147 bpm • C Maj • 03:08 • -13db
12% Popularity • 84% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
12% Popularity • 84% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
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Peter Tosh
Burial - Dub Version 1
147 bpm • G min • 04:06 • -17.01db
14% Popularity • 61% Danceability • 45% Energy • 25% Liveness
77% Instrumentalness • 53% Positiveness
14% Popularity • 61% Danceability • 45% Energy • 25% Liveness
77% Instrumentalness • 53% Positiveness
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African Brothers
Original Dub
145 bpm • B min • 02:24 • -7.37db
31% Popularity • 72% Danceability • 84% Energy • 36% Liveness
87% Instrumentalness • 88% Positiveness
31% Popularity • 72% Danceability • 84% Energy • 36% Liveness
87% Instrumentalness • 88% Positiveness
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Jerry Harris
Spreading All Over
145 bpm • F# min • 03:07 • -8.97db
12% Popularity • 79% Danceability • 49% Energy • 7% Liveness
6% Instrumentalness • 66% Positiveness
12% Popularity • 79% Danceability • 49% Energy • 7% Liveness
6% Instrumentalness • 66% Positiveness
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Dub Inc
Speed
145 bpm • A min • 04:49 • -6.69db
14% Popularity • 72% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
14% Popularity • 72% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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The Aggrovators
Chapter Of Money
145 bpm • A Maj • 02:52 • -9.36db
11% Popularity • 58% Danceability • 54% Energy • 7% Liveness
62% Instrumentalness • 52% Positiveness
11% Popularity • 58% Danceability • 54% Energy • 7% Liveness
62% Instrumentalness • 52% Positiveness
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Johnny Osbourne
Words Of The Ghetto
144 bpm • C Maj • 03:37 • -13.68db
12% Popularity • 85% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
12% Popularity • 85% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
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Pierpoljak
Boulets Rouges
144 bpm • A Maj • 03:25 • -9.98db
21% Popularity • 80% Danceability • 49% Energy • 32% Liveness
0% Instrumentalness • 95% Positiveness
21% Popularity • 80% Danceability • 49% Energy • 32% Liveness
0% Instrumentalness • 95% Positiveness
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Zoot Simms
African Challenge
144 bpm • G# min • 03:13 • -8.6db
25% Popularity • 79% Danceability • 66% Energy • 7% Liveness
49% Instrumentalness • 97% Positiveness
25% Popularity • 79% Danceability • 66% Energy • 7% Liveness
49% Instrumentalness • 97% Positiveness
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U-Roy
Dreamland Version
144 bpm • F# Maj • 02:25 • -5.22db
15% Popularity • 83% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
15% Popularity • 83% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Linton Kwesi Johnson
Independent Intavenshan
144 bpm • C# min • 04:19 • -14db
22% Popularity • 80% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 80% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
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Winston McAnuff & Fixi
I'm a Rebel
144 bpm • F min • 04:15 • -4.98db
10% Popularity • 75% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
10% Popularity • 75% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Brain Damage
Kings Engine
144 bpm • B min • 03:49 • -9.03db
11% Popularity • 72% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
11% Popularity • 72% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Johnny Osbourne
Kiss Kiss Dub
148 bpm • E min • 03:25 • -12.45db
17% Popularity • 75% Danceability • 45% Energy • 17% Liveness
12% Instrumentalness • 67% Positiveness
17% Popularity • 75% Danceability • 45% Energy • 17% Liveness
12% Instrumentalness • 67% Positiveness
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High Tone
Do Be Dub Addict - Steaming Jungle
144 bpm • B min • 06:29 • -7.91db
12% Popularity • 77% Danceability • 75% Energy • 9% Liveness
84% Instrumentalness • 58% Positiveness
12% Popularity • 77% Danceability • 75% Energy • 9% Liveness
84% Instrumentalness • 58% Positiveness
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Dillinger
Buckingham Palace
144 bpm • D min • 04:10 • -10.73db
8% Popularity • 78% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
8% Popularity • 78% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Joe Gibbs & The Professionals
Satta Amassa Gana Version
144 bpm • G# Maj • 03:08 • -10.54db
21% Popularity • 80% Danceability • 62% Energy • 8% Liveness
84% Instrumentalness • 70% Positiveness
21% Popularity • 80% Danceability • 62% Energy • 8% Liveness
84% Instrumentalness • 70% Positiveness
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Patrice
Fear Dub
148 bpm • A# min • 01:34 • -17.08db
15% Popularity • 72% Danceability • 40% Energy • 10% Liveness
90% Instrumentalness • 92% Positiveness
15% Popularity • 72% Danceability • 40% Energy • 10% Liveness
90% Instrumentalness • 92% Positiveness
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Pablo Moses
Each Is a Servant - 2010 Remastered Vers...
149 bpm • A min • 04:17 • -7.1db
18% Popularity • 82% Danceability • 51% Energy • 8% Liveness
39% Instrumentalness • 53% Positiveness
18% Popularity • 82% Danceability • 51% Energy • 8% Liveness
39% Instrumentalness • 53% Positiveness
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Barrington Levy
Robin Hood
144 bpm • A Maj • 04:02 • -6.24db
13% Popularity • 72% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
13% Popularity • 72% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Mighty Diamonds
4000 Years - 2002 Digital Remaster
149 bpm • C min • 03:29 • -8.45db
13% Popularity • 79% Danceability • 54% Energy • 17% Liveness
3% Instrumentalness • 96% Positiveness
13% Popularity • 79% Danceability • 54% Energy • 17% Liveness
3% Instrumentalness • 96% Positiveness
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Dillinger
Rizla Skank
143 bpm • A min • 05:08 • -8.34db
32% Popularity • 64% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
32% Popularity • 64% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Linton Kwesi Johnson
Time Come
143 bpm • E min • 03:25 • -14db
26% Popularity • 85% Danceability • 51% Energy • 10% Liveness
2% Instrumentalness • 71% Positiveness
26% Popularity • 85% Danceability • 51% Energy • 10% Liveness
2% Instrumentalness • 71% Positiveness
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Culture
Informer
149 bpm • B min • 03:15 • -6.21db
10% Popularity • 73% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 89% Positiveness
10% Popularity • 73% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 89% Positiveness
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Junior Murvin
False Teachin'
143 bpm • B min • 04:06 • -13db
31% Popularity • 76% Danceability • 47% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
31% Popularity • 76% Danceability • 47% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
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Dub Inc
Never More
149 bpm • G# Maj • 03:32 • -10.6db
13% Popularity • 62% Danceability • 53% Energy • 15% Liveness
45% Instrumentalness • 48% Positiveness
13% Popularity • 62% Danceability • 53% Energy • 15% Liveness
45% Instrumentalness • 48% Positiveness
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Mighty Diamonds
Bodyguard - 2002 Digital Remaster
149 bpm • G min • 03:31 • -6.84db
17% Popularity • 79% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 97% Positiveness
17% Popularity • 79% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 97% Positiveness
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King Tubby
Bad Boy Rhythm Dub
143 bpm • G Maj • 02:52 • -13.99db
9% Popularity • 77% Danceability • 38% Energy • 17% Liveness
3% Instrumentalness • 50% Positiveness
9% Popularity • 77% Danceability • 38% Energy • 17% Liveness
3% Instrumentalness • 50% Positiveness
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K2R Riddim
One by One
143 bpm • G# Maj • 03:58 • -5.94db
27% Popularity • 60% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
27% Popularity • 60% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Max Romeo
Melt Away
150 bpm • A min • 03:34 • -6db
15% Popularity • 76% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
15% Popularity • 76% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Barry Brown
Natty Roots Man
143 bpm • G Maj • 03:33 • -10.1db
13% Popularity • 85% Danceability • 64% Energy • 7% Liveness
61% Instrumentalness • 84% Positiveness
13% Popularity • 85% Danceability • 64% Energy • 7% Liveness
61% Instrumentalness • 84% Positiveness
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Barrington Levy
The Letter Song
142 bpm • G Maj • 04:18 • -8.76db
11% Popularity • 77% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
11% Popularity • 77% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Inna De Yard
Rebellion in Heaven
150 bpm • D min • 04:16 • -8db
17% Popularity • 65% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
17% Popularity • 65% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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U-Roy
Listen To The Teacher - 1990 Digital Rem...
142 bpm • G Maj • 02:39 • -15.34db
14% Popularity • 79% Danceability • 34% Energy • 30% Liveness
29% Instrumentalness • 59% Positiveness
14% Popularity • 79% Danceability • 34% Energy • 30% Liveness
29% Instrumentalness • 59% Positiveness
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Peter Tosh
Burial - Dub Version 2
150 bpm • D Maj • 03:56 • -11.58db
14% Popularity • 74% Danceability • 43% Energy • 8% Liveness
75% Instrumentalness • 77% Positiveness
14% Popularity • 74% Danceability • 43% Energy • 8% Liveness
75% Instrumentalness • 77% Positiveness
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Sinsémilia
C'est déjà ça
150 bpm • G# min • 05:43 • -9.17db
9% Popularity • 84% Danceability • 50% Energy • 10% Liveness
38% Instrumentalness • 75% Positiveness
9% Popularity • 84% Danceability • 50% Energy • 10% Liveness
38% Instrumentalness • 75% Positiveness
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Dr. Alimantado
Plead I Cause
150 bpm • G Maj • 03:34 • -10.76db
14% Popularity • 79% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
14% Popularity • 79% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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Barrington Levy
You Come To Ask Me What Is Love
142 bpm • E min • 04:16 • -7.49db
9% Popularity • 72% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
9% Popularity • 72% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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King Tubby/Roots Radics
Hungry Belly Dub
142 bpm • C Maj • 03:48 • -9.44db
13% Popularity • 86% Danceability • 40% Energy • 11% Liveness
89% Instrumentalness • 88% Positiveness
13% Popularity • 86% Danceability • 40% Energy • 11% Liveness
89% Instrumentalness • 88% Positiveness
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U-Roy
Jah Jah - 1991 Digital Remaster
142 bpm • A# Maj • 04:25 • -14.48db
4% Popularity • 77% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
4% Popularity • 77% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Peter Tosh
Here Comes The Judge
142 bpm • G# Maj • 03:28 • -8.54db
13% Popularity • 80% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 80% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
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Easy Star All-Stars
Fitter Happier
151 bpm • F# Maj • 02:20 • -10.36db
20% Popularity • 72% Danceability • 66% Energy • 7% Liveness
5% Instrumentalness • 37% Positiveness
20% Popularity • 72% Danceability • 66% Energy • 7% Liveness
5% Instrumentalness • 37% Positiveness
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Jah Shaka & Mad Professor
One Million Man Dub
151 bpm • G# Maj • 03:51 • -14.35db
12% Popularity • 79% Danceability • 41% Energy • 28% Liveness
68% Instrumentalness • 59% Positiveness
12% Popularity • 79% Danceability • 41% Energy • 28% Liveness
68% Instrumentalness • 59% Positiveness
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Welton Irie
Lamb's Bread International
151 bpm • B Maj • 04:27 • -6.13db
11% Popularity • 74% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 94% Positiveness
11% Popularity • 74% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 94% Positiveness
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Jr Thomas & The Volcanos
Bumps In The Night
151 bpm • A min • 03:11 • -7.11db
17% Popularity • 73% Danceability • 49% Energy • 39% Liveness
0% Instrumentalness • 92% Positiveness
17% Popularity • 73% Danceability • 49% Energy • 39% Liveness
0% Instrumentalness • 92% Positiveness
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Max Romeo
Public Enemy No. 1
141 bpm • G Maj • 03:16 • -10.85db
24% Popularity • 89% Danceability • 48% Energy • 9% Liveness
2% Instrumentalness • 95% Positiveness
24% Popularity • 89% Danceability • 48% Energy • 9% Liveness
2% Instrumentalness • 95% Positiveness
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Joe Gibbs & The Professionals
Hully Gully Rock
141 bpm • C# Maj • 03:02 • -11.09db
12% Popularity • 79% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
12% Popularity • 79% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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King Tubby
Assassin Dub
151 bpm • B min • 03:24 • -12.25db
9% Popularity • 60% Danceability • 55% Energy • 28% Liveness
32% Instrumentalness • 28% Positiveness
9% Popularity • 60% Danceability • 55% Energy • 28% Liveness
32% Instrumentalness • 28% Positiveness
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High Tone
Lysergic Sound of Dub
151 bpm • C Maj • 07:28 • -13.78db
13% Popularity • 75% Danceability • 40% Energy • 15% Liveness
79% Instrumentalness • 67% Positiveness
13% Popularity • 75% Danceability • 40% Energy • 15% Liveness
79% Instrumentalness • 67% Positiveness
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Culture
Iron Sharpen Iron
141 bpm • A# min • 04:14 • -13.97db
11% Popularity • 77% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
11% Popularity • 77% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Rasta Bigoud
Sweet reggae
141 bpm • F Maj • 03:17 • -9.69db
15% Popularity • 75% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
15% Popularity • 75% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Big Youth
Honesty
152 bpm • E Maj • 02:37 • -5.11db
17% Popularity • 82% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 82% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Junior Murvin
Rebellion
141 bpm • A min • 03:01 • -15.11db
23% Popularity • 86% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
23% Popularity • 86% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Barry Brown
Tribulation
140 bpm • G Maj • 03:40 • -9.31db
7% Popularity • 82% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
7% Popularity • 82% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Gregory Isaacs
Soon Forward
152 bpm • D min • 06:24 • -10.27db
9% Popularity • 77% Danceability • 42% Energy • 38% Liveness
4% Instrumentalness • 87% Positiveness
9% Popularity • 77% Danceability • 42% Energy • 38% Liveness
4% Instrumentalness • 87% Positiveness
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Yabby You
Love Thy Neighbour
140 bpm • D Maj • 03:36 • -7.89db
22% Popularity • 67% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
22% Popularity • 67% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Earl Sixteen
Malcolm X
140 bpm • C# min • 03:18 • -8.97db
15% Popularity • 81% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
15% Popularity • 81% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Poet and The Roots
Song Of Blood - 1990 Digital Remaster
152 bpm • D min • 06:29 • -15.4db
17% Popularity • 71% Danceability • 41% Energy • 7% Liveness
4% Instrumentalness • 67% Positiveness
17% Popularity • 71% Danceability • 41% Energy • 7% Liveness
4% Instrumentalness • 67% Positiveness
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Pablo Moses
I Man a Grasshoper
140 bpm • G# Maj • 04:33 • -5db
26% Popularity • 80% Danceability • 73% Energy • 7% Liveness
91% Instrumentalness • 49% Positiveness
26% Popularity • 80% Danceability • 73% Energy • 7% Liveness
91% Instrumentalness • 49% Positiveness
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Zion Train
Boxes and Amps
152 bpm • C min • 03:10 • -2.49db
15% Popularity • 58% Danceability • 86% Energy • 23% Liveness
0% Instrumentalness • 86% Positiveness
15% Popularity • 58% Danceability • 86% Energy • 23% Liveness
0% Instrumentalness • 86% Positiveness
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Mighty Diamonds
Go Seek Your Rights - 2001 Digital Remas...
140 bpm • E min • 03:30 • -9db
23% Popularity • 75% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
23% Popularity • 75% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Big Youth
The Killer
140 bpm • G min • 03:25 • -7.15db
23% Popularity • 89% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 93% Positiveness
23% Popularity • 89% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 93% Positiveness
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Dr. Alimantado
Unitone Scank
152 bpm • F min • 03:30 • -8.7db
17% Popularity • 72% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
17% Popularity • 72% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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The Twinkle Brothers
Get Conscious
140 bpm • C# min • 04:09 • -11db
12% Popularity • 85% Danceability • 47% Energy • 4% Liveness
0% Instrumentalness • 72% Positiveness
12% Popularity • 85% Danceability • 47% Energy • 4% Liveness
0% Instrumentalness • 72% Positiveness
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King Tubby/Roots Radics
Banana And Yam Skank
140 bpm • A# min • 03:01 • -10.53db
8% Popularity • 76% Danceability • 34% Energy • 24% Liveness
90% Instrumentalness • 64% Positiveness
8% Popularity • 76% Danceability • 34% Energy • 24% Liveness
90% Instrumentalness • 64% Positiveness
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MIlton Henry
Hold My Hands
140 bpm • D min • 03:34 • -6.07db
28% Popularity • 81% Danceability • 52% Energy • 4% Liveness
32% Instrumentalness • 75% Positiveness
28% Popularity • 81% Danceability • 52% Energy • 4% Liveness
32% Instrumentalness • 75% Positiveness
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Max Romeo
Three Blind Mice
140 bpm • E Maj • 03:41 • -4.65db
23% Popularity • 81% Danceability • 71% Energy • 64% Liveness
0% Instrumentalness • 93% Positiveness
23% Popularity • 81% Danceability • 71% Energy • 64% Liveness
0% Instrumentalness • 93% Positiveness
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Inna De Yard
Slaving
140 bpm • A min • 03:37 • -9.87db
16% Popularity • 67% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
16% Popularity • 67% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Sunshiners
In Between Days
140 bpm • A Maj • 03:06 • -7.03db
8% Popularity • 82% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
8% Popularity • 82% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
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Peter Tosh
Legalize It - Dub Version
140 bpm • A min • 07:02 • -12.45db
15% Popularity • 74% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
15% Popularity • 74% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Culture
Get Ready To Ride The Lion To Zion
140 bpm • G Maj • 03:25 • -9.64db
26% Popularity • 74% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 78% Positiveness
26% Popularity • 74% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 78% Positiveness
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The Viceroys
Take Care Of The Youths
153 bpm • F# Maj • 04:59 • -9.63db
12% Popularity • 79% Danceability • 53% Energy • 8% Liveness
1% Instrumentalness • 91% Positiveness
12% Popularity • 79% Danceability • 53% Energy • 8% Liveness
1% Instrumentalness • 91% Positiveness
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Rockamovya
Rock In Place
153 bpm • G Maj • 05:26 • -8.45db
18% Popularity • 64% Danceability • 61% Energy • 17% Liveness
22% Instrumentalness • 71% Positiveness
18% Popularity • 64% Danceability • 61% Energy • 17% Liveness
22% Instrumentalness • 71% Positiveness
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Linton Kwesi Johnson
Forces Of Viktry
140 bpm • D Maj • 04:54 • -14.67db
21% Popularity • 82% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
21% Popularity • 82% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
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High Tone
Dub Fever
139 bpm • F# Maj • 05:02 • -7.78db
12% Popularity • 75% Danceability • 61% Energy • 13% Liveness
59% Instrumentalness • 69% Positiveness
12% Popularity • 75% Danceability • 61% Energy • 13% Liveness
59% Instrumentalness • 69% Positiveness
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Peter Tosh
Burial - Original Jamaican Mix
153 bpm • F Maj • 03:55 • -6.41db
17% Popularity • 79% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
17% Popularity • 79% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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The Heptones
Babylon Falling
139 bpm • F# Maj • 03:14 • -8.66db
13% Popularity • 74% Danceability • 49% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 74% Danceability • 49% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
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Sly & The Revolutionaries
Collie
153 bpm • D Maj • 02:49 • -9.7db
16% Popularity • 86% Danceability • 57% Energy • 18% Liveness
45% Instrumentalness • 59% Positiveness
16% Popularity • 86% Danceability • 57% Energy • 18% Liveness
45% Instrumentalness • 59% Positiveness
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Eek-A-Mouse
Modelling Queen
139 bpm • A min • 03:35 • -20.1db
13% Popularity • 89% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 89% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Brother Culture
Brick By Brick
139 bpm • C min • 02:05 • -7.35db
8% Popularity • 77% Danceability • 67% Energy • 57% Liveness
0% Instrumentalness • 71% Positiveness
8% Popularity • 77% Danceability • 67% Energy • 57% Liveness
0% Instrumentalness • 71% Positiveness
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Matthew McAnuff
African Chanting
139 bpm • C# min • 05:13 • -7.36db
12% Popularity • 72% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
12% Popularity • 72% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
