Songs like Planxty Noel Hill by The Pogues
Based on a tempo of (+/- 10%) and a similar genre
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Paddy Reilly
Galtee Mountain Boy
81 bpm • G# Maj • 03:43 • -8.42db
35% Popularity • 28% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 34% Positiveness
35% Popularity • 28% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 34% Positiveness
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Anne Briggs
Maa Bonny Lad
81 bpm • F Maj • 01:18 • -19.52db
26% Popularity • 57% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
26% Popularity • 57% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Fee McGorman
The Man from the Daily Mail
81 bpm • F# Maj • 02:10 • -8.46db
29% Popularity • 50% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
29% Popularity • 50% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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The Pogues
Planxty Noel Hill
81 bpm • E min • 03:12 • -8.85db
28% Popularity • 57% Danceability • 62% Energy • 22% Liveness
93% Instrumentalness • 61% Positiveness
28% Popularity • 57% Danceability • 62% Energy • 22% Liveness
93% Instrumentalness • 61% Positiveness
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Tim Van Eyken
Barleycorn
81 bpm • E Maj • 06:05 • -12.7db
7% Popularity • 45% Danceability • 34% Energy • 10% Liveness
1% Instrumentalness • 45% Positiveness
7% Popularity • 45% Danceability • 34% Energy • 10% Liveness
1% Instrumentalness • 45% Positiveness
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The Copper Family
Good Ale
80 bpm • G# Maj • 02:42 • -16.1db
12% Popularity • 64% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
12% Popularity • 64% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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The Men of No Property
The Bogside Man
80 bpm • E Maj • 02:04 • -17.81db
16% Popularity • 69% Danceability • 17% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
16% Popularity • 69% Danceability • 17% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
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Sir Reg
CoimhthÃoch
80 bpm • G Maj • 02:43 • -4.17db
13% Popularity • 26% Danceability • 76% Energy • 17% Liveness
68% Instrumentalness • 50% Positiveness
13% Popularity • 26% Danceability • 76% Energy • 17% Liveness
68% Instrumentalness • 50% Positiveness
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The Fureys
From Clare to Here
82 bpm • B min • 03:46 • -15.41db
34% Popularity • 36% Danceability • 34% Energy • 25% Liveness
0% Instrumentalness • 53% Positiveness
34% Popularity • 36% Danceability • 34% Energy • 25% Liveness
0% Instrumentalness • 53% Positiveness
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The Mary Wallopers
The Hot Asphalt
80 bpm • D Maj • 02:57 • -6.59db
36% Popularity • 65% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
36% Popularity • 65% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Eliza Carthy
Rolling Sea
80 bpm • A min • 04:50 • -9.56db
13% Popularity • 60% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
13% Popularity • 60% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Vin Garbutt
The Land of Three Rivers
83 bpm • G Maj • 02:48 • -11db
14% Popularity • 71% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
14% Popularity • 71% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Lou Reed
Leave Her Johnny
79 bpm • A Maj • 05:30 • -15.26db
8% Popularity • 39% Danceability • 36% Energy • 11% Liveness
98% Instrumentalness • 15% Positiveness
8% Popularity • 39% Danceability • 36% Energy • 11% Liveness
98% Instrumentalness • 15% Positiveness
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Paul Brady
Mary and the Soldier
83 bpm • G# Maj • 04:06 • -14db
19% Popularity • 46% Danceability • 37% Energy • 70% Liveness
0% Instrumentalness • 58% Positiveness
19% Popularity • 46% Danceability • 37% Energy • 70% Liveness
0% Instrumentalness • 58% Positiveness
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Show Of Hands
Roots
83 bpm • D min • 04:48 • -5.71db
8% Popularity • 59% Danceability • 75% Energy • 90% Liveness
0% Instrumentalness • 69% Positiveness
8% Popularity • 59% Danceability • 75% Energy • 90% Liveness
0% Instrumentalness • 69% Positiveness
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Levellers
The Boatman - Remastered Version
83 bpm • B min • 05:57 • -10.36db
31% Popularity • 30% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
31% Popularity • 30% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Maddy Prior & Tim Hart
Sorry the Day I Was Married
83 bpm • A# min • 01:27 • -15db
24% Popularity • 69% Danceability • 7% Energy • 28% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 69% Danceability • 7% Energy • 28% Liveness
0% Instrumentalness • 50% Positiveness
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The Tossers
Siobhan
79 bpm • G Maj • 02:08 • -2.35db
34% Popularity • 32% Danceability • 99% Energy • 35% Liveness
0% Instrumentalness • 94% Positiveness
34% Popularity • 32% Danceability • 99% Energy • 35% Liveness
0% Instrumentalness • 94% Positiveness
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Jake Thackray
Old Molly Metcalfe - 2006 Remaster
79 bpm • C Maj • 03:45 • -17.15db
8% Popularity • 58% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
8% Popularity • 58% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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The Pogues
Boat Train
79 bpm • F Maj • 02:41 • -9.68db
29% Popularity • 28% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
29% Popularity • 28% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Andy Irvine
Never Tire of the Road
79 bpm • E Maj • 03:59 • -15db
24% Popularity • 68% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
24% Popularity • 68% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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The Albion Band
Ragged Heroes - 2003 Remaster
79 bpm • C Maj • 03:20 • -6.7db
12% Popularity • 46% Danceability • 89% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 46% Danceability • 89% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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Nic Jones
Flanders Shore
78 bpm • C# Maj • 03:33 • -9.8db
9% Popularity • 45% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 45% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Shilpa Ray
Pirate Jenny
83 bpm • C min • 07:30 • -6.56db
11% Popularity • 31% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
11% Popularity • 31% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
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The Tossers
Katie At The Races
84 bpm • G Maj • 02:21 • -4.73db
26% Popularity • 37% Danceability • 97% Energy • 97% Liveness
0% Instrumentalness • 83% Positiveness
26% Popularity • 37% Danceability • 97% Energy • 97% Liveness
0% Instrumentalness • 83% Positiveness
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Peter Bellamy
Mandalay
84 bpm • C Maj • 05:45 • -9db
11% Popularity • 44% Danceability • 46% Energy • 13% Liveness
9% Instrumentalness • 78% Positiveness
11% Popularity • 44% Danceability • 46% Energy • 13% Liveness
9% Instrumentalness • 78% Positiveness
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Andy Irvine
Arthur McBride
78 bpm • G Maj • 07:05 • -12.21db
34% Popularity • 55% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
34% Popularity • 55% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Paddy Reilly
Spancil Hill
84 bpm • C min • 03:17 • -11.97db
27% Popularity • 59% Danceability • 23% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
27% Popularity • 59% Danceability • 23% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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Seán Ó Sé
Mná Na hÉireann (Women of Ireland)
84 bpm • D Maj • 03:10 • -12db
10% Popularity • 26% Danceability • 39% Energy • 83% Liveness
0% Instrumentalness • 40% Positiveness
10% Popularity • 26% Danceability • 39% Energy • 83% Liveness
0% Instrumentalness • 40% Positiveness
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Faustus
Slaves
78 bpm • D Maj • 02:57 • -5.41db
13% Popularity • 54% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
13% Popularity • 54% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
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Dave Van Ronk
Leave Her Johnny, Leave Her
78 bpm • D Maj • 01:29 • -16.31db
20% Popularity • 65% Danceability • 2% Energy • 27% Liveness
0% Instrumentalness • 74% Positiveness
20% Popularity • 65% Danceability • 2% Energy • 27% Liveness
0% Instrumentalness • 74% Positiveness
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Gavin Friday
Baltimore Whores
77 bpm • G Maj • 04:40 • -9.07db
12% Popularity • 51% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
12% Popularity • 51% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Shane MacGowan & The Popes
Donegal Express
77 bpm • D Maj • 03:00 • -10.36db
29% Popularity • 47% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
29% Popularity • 47% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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The Oldham Tinkers
A Mon Like Thee
85 bpm • G Maj • 03:54 • -17db
12% Popularity • 57% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
12% Popularity • 57% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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The Watersons
The Thirty-foot Trailer
77 bpm • F Maj • 03:32 • -11.72db
18% Popularity • 73% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
18% Popularity • 73% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Ashley Hutchings
I'll Go 'List For A Sailor
86 bpm • A min • 02:26 • -9db
11% Popularity • 72% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
11% Popularity • 72% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Mike Waterson
Rubber Band
76 bpm • A Maj • 02:56 • -6.05db
8% Popularity • 66% Danceability • 56% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
8% Popularity • 66% Danceability • 56% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
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Bob Fox
Blackleg Mining Man
75 bpm • C Maj • 02:31 • -17.3db
12% Popularity • 76% Danceability • 8% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
12% Popularity • 76% Danceability • 8% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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Nic Jones
Clyde Water
75 bpm • A# Maj • 06:03 • -5db
13% Popularity • 33% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
13% Popularity • 33% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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The Bothy Band
The Ballintore Fancy
87 bpm • G Maj • 03:34 • -13.36db
11% Popularity • 33% Danceability • 26% Energy • 10% Liveness
71% Instrumentalness • 36% Positiveness
11% Popularity • 33% Danceability • 26% Energy • 10% Liveness
71% Instrumentalness • 36% Positiveness
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The Watersons
The Broom of Cowdenknowes
76 bpm • C# Maj • 01:25 • -15.87db
25% Popularity • 44% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
25% Popularity • 44% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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The Mary Wallopers
Eileen Og
87 bpm • D# min • 03:01 • -7.13db
50% Popularity • 60% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
50% Popularity • 60% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Shooglenifty
Waiting For Conrad
88 bpm • D min • 05:42 • -15.9db
8% Popularity • 60% Danceability • 47% Energy • 77% Liveness
83% Instrumentalness • 76% Positiveness
8% Popularity • 60% Danceability • 47% Energy • 77% Liveness
83% Instrumentalness • 76% Positiveness
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Lankum
Peat Bog Soldiers
74 bpm • F min • 02:53 • -6.35db
21% Popularity • 52% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
21% Popularity • 52% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Leon Rosselson
Who Reaps the Profits? Who Pays the Pric...
88 bpm • A min • 06:48 • -12.19db
9% Popularity • 51% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
9% Popularity • 51% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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The Incredible String Band
October Song - 2010 Remaster
89 bpm • F# Maj • 04:08 • -14db
19% Popularity • 47% Danceability • 24% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 47% Danceability • 24% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
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Ye Vagabonds
The Hare's Lament
89 bpm • A# Maj • 05:01 • -11.2db
30% Popularity • 43% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 43% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 30% Positiveness
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Lal Waterson
Some Old Salty
89 bpm • A# Maj • 02:47 • -12db
14% Popularity • 39% Danceability • 14% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
14% Popularity • 39% Danceability • 14% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
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The Woods Band
Noisey Johnny - 2021 Remaster
89 bpm • G Maj • 02:36 • -9.42db
8% Popularity • 45% Danceability • 85% Energy • 24% Liveness
4% Instrumentalness • 96% Positiveness
8% Popularity • 45% Danceability • 85% Energy • 24% Liveness
4% Instrumentalness • 96% Positiveness
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The Watersons
The Greenland Whale Fishery
89 bpm • C Maj • 02:36 • -14.31db
13% Popularity • 53% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
13% Popularity • 53% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Joe Strummer
Tennessee Rain
89 bpm • C Maj • 02:55 • -16db
27% Popularity • 58% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
27% Popularity • 58% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
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Alistair Hulett
Destitution Road
73 bpm • E Maj • 03:22 • -10.08db
8% Popularity • 68% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
8% Popularity • 68% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Ian Dury
Fucking Ada
73 bpm • A Maj • 05:59 • -8.32db
24% Popularity • 20% Danceability • 64% Energy • 41% Liveness
0% Instrumentalness • 34% Positiveness
24% Popularity • 20% Danceability • 64% Energy • 41% Liveness
0% Instrumentalness • 34% Positiveness
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Sean Tyrrell
Mattie
90 bpm • A Maj • 03:26 • -7db
16% Popularity • 53% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
16% Popularity • 53% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
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Andy Cutting
Uphill Way
90 bpm • F Maj • 04:17 • -10.33db
8% Popularity • 57% Danceability • 19% Energy • 11% Liveness
88% Instrumentalness • 70% Positiveness
8% Popularity • 57% Danceability • 19% Energy • 11% Liveness
88% Instrumentalness • 70% Positiveness
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The Mary Wallopers
Building Up And Tearing England Down
90 bpm • C Maj • 04:50 • -13.66db
40% Popularity • 66% Danceability • 26% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
40% Popularity • 66% Danceability • 26% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
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Paul Brady
Nothing but the Same Old Story
90 bpm • F# min • 06:03 • -10db
31% Popularity • 55% Danceability • 66% Energy • 72% Liveness
1% Instrumentalness • 18% Positiveness
31% Popularity • 55% Danceability • 66% Energy • 72% Liveness
1% Instrumentalness • 18% Positiveness
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Mat Williams
John Peel
91 bpm • D Maj • 02:26 • -6.81db
11% Popularity • 68% Danceability • 61% Energy • 42% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 68% Danceability • 61% Energy • 42% Liveness
0% Instrumentalness • 96% Positiveness
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Sharon Shannon
Say You Love Me
91 bpm • G Maj • 04:28 • -6db
28% Popularity • 35% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
28% Popularity • 35% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
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Andy Irvine
Willy of Winsbury
92 bpm • A Maj • 06:24 • -10db
8% Popularity • 68% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 68% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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The Bothy Band
Is Trua Nach Bhfuil Mé in Éirinn
72 bpm • G Maj • 04:17 • -14.96db
13% Popularity • 49% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
13% Popularity • 49% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Joe Strummer
Long Shadow
92 bpm • G Maj • 03:34 • -9.6db
29% Popularity • 70% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
29% Popularity • 70% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Silly Wizard
Golden, Golden
93 bpm • C# Maj • 03:55 • -17.87db
9% Popularity • 43% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
9% Popularity • 43% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Caera
BáidÃn FheilimÃ
93 bpm • C# min • 01:52 • -11db
27% Popularity • 61% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
27% Popularity • 61% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Lankum
Sergeant William Bailey
94 bpm • G Maj • 05:23 • -6.62db
19% Popularity • 29% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 29% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 23% Positiveness
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Andy Irvine
Lough Erne Shore
71 bpm • A# Maj • 03:43 • -12.86db
22% Popularity • 55% Danceability • 17% Energy • 16% Liveness
4% Instrumentalness • 64% Positiveness
22% Popularity • 55% Danceability • 17% Energy • 16% Liveness
4% Instrumentalness • 64% Positiveness
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Half Man Half Biscuit
For What Is Chatteris...
93 bpm • G Maj • 02:03 • -8db
31% Popularity • 53% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
31% Popularity • 53% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
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Paddy Reilly
Star of the County Down
94 bpm • F min • 02:19 • -14.59db
23% Popularity • 68% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
23% Popularity • 68% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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The Incredible String Band
Maybe Someday - 2010 Remaster
94 bpm • D min • 02:17 • -12.14db
14% Popularity • 49% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
14% Popularity • 49% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
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Andy M. Stewart and Manus Lunny
The Haughs Of Cromdale
94 bpm • D min • 03:42 • -14db
12% Popularity • 50% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
12% Popularity • 50% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Show Of Hands
The Galway Farmer
94 bpm • B min • 05:42 • -5db
24% Popularity • 29% Danceability • 78% Energy • 95% Liveness
0% Instrumentalness • 79% Positiveness
24% Popularity • 29% Danceability • 78% Energy • 95% Liveness
0% Instrumentalness • 79% Positiveness
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Barry Coope
Rufford Park Poachers
95 bpm • B Maj • 03:03 • -8.46db
8% Popularity • 82% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 82% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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The Saw Doctors
Clare Island - Radio Edit
94 bpm • B Maj • 04:01 • -9.35db
38% Popularity • 58% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
38% Popularity • 58% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
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Mad Dog Mcrea
Coolies Reel
95 bpm • E min • 05:08 • -8db
22% Popularity • 38% Danceability • 73% Energy • 50% Liveness
84% Instrumentalness • 40% Positiveness
22% Popularity • 38% Danceability • 73% Energy • 50% Liveness
84% Instrumentalness • 40% Positiveness
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Richard Thompson
Blackleg Miner
95 bpm • A# min • 03:21 • -7.37db
8% Popularity • 65% Danceability • 71% Energy • 79% Liveness
2% Instrumentalness • 54% Positiveness
8% Popularity • 65% Danceability • 71% Energy • 79% Liveness
2% Instrumentalness • 54% Positiveness
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The Irish Brigade
Medley - The Man from the Daily Mail, Me...
95 bpm • D Maj • 05:22 • -12db
35% Popularity • 68% Danceability • 41% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
35% Popularity • 68% Danceability • 41% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
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Andy Irvine
O'Donoghue's
96 bpm • F Maj • 05:20 • -8.43db
15% Popularity • 61% Danceability • 48% Energy • 71% Liveness
0% Instrumentalness • 90% Positiveness
15% Popularity • 61% Danceability • 48% Energy • 71% Liveness
0% Instrumentalness • 90% Positiveness
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Lankum
Master Crowley's
96 bpm • D Maj • 05:45 • -13.63db
40% Popularity • 35% Danceability • 64% Energy • 12% Liveness
85% Instrumentalness • 50% Positiveness
40% Popularity • 35% Danceability • 64% Energy • 12% Liveness
85% Instrumentalness • 50% Positiveness
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The Men of No Property
Crossmaglen
96 bpm • D Maj • 03:04 • -22.56db
14% Popularity • 55% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
14% Popularity • 55% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Young Dubliners
Abhainn Mor
96 bpm • D Maj • 03:58 • -5.23db
39% Popularity • 39% Danceability • 84% Energy • 12% Liveness
44% Instrumentalness • 41% Positiveness
39% Popularity • 39% Danceability • 84% Energy • 12% Liveness
44% Instrumentalness • 41% Positiveness
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Frank Harte/Donal Lunny
Do Me Justice
96 bpm • D Maj • 03:49 • -13.88db
9% Popularity • 68% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
9% Popularity • 68% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Robert Wyatt
Red Flag
96 bpm • F Maj • 03:10 • -17.95db
0% Popularity • 30% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
0% Popularity • 30% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Shirley Collins & Albion Country Band
The White Hare
97 bpm • G Maj • 02:42 • -9.58db
9% Popularity • 70% Danceability • 33% Energy • 27% Liveness
0% Instrumentalness • 74% Positiveness
9% Popularity • 70% Danceability • 33% Energy • 27% Liveness
0% Instrumentalness • 74% Positiveness
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Lankum
Bad Luck to the Rolling Water
96 bpm • G Maj • 05:18 • -8.61db
20% Popularity • 40% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
20% Popularity • 40% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Horslips
Charolais
97 bpm • F Maj • 04:03 • -14.76db
15% Popularity • 56% Danceability • 39% Energy • 15% Liveness
7% Instrumentalness • 80% Positiveness
15% Popularity • 56% Danceability • 39% Energy • 15% Liveness
7% Instrumentalness • 80% Positiveness
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The Tossers
Drinking In The Day
97 bpm • C Maj • 06:53 • -6.82db
24% Popularity • 52% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
24% Popularity • 52% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Ian Dury
Billericay Dickie
97 bpm • C# Maj • 04:16 • -12.42db
30% Popularity • 83% Danceability • 44% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
30% Popularity • 83% Danceability • 44% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
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Faustus
Broken Down Gentlemen
97 bpm • G Maj • 03:11 • -4.08db
8% Popularity • 72% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 95% Positiveness
8% Popularity • 72% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 95% Positiveness
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The Pogues
The Wild Rover
98 bpm • G Maj • 02:37 • -11.87db
46% Popularity • 66% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
46% Popularity • 66% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Maddy Prior & Tim Hart
Three Drunken Maidens
97 bpm • F Maj • 02:14 • -14.56db
21% Popularity • 69% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
21% Popularity • 69% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Horslips
Sword of Light
98 bpm • D Maj • 05:02 • -8db
19% Popularity • 54% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 91% Positiveness
19% Popularity • 54% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 91% Positiveness
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Eliza Carthy
Bonaparte's Lament
98 bpm • E Maj • 03:21 • -5.01db
14% Popularity • 67% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
14% Popularity • 67% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Paddy Reilly
Only Our Rivers Run Free
99 bpm • A# Maj • 03:15 • -8.93db
24% Popularity • 41% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
24% Popularity • 41% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Silly Wizard
The Twa Brithers
99 bpm • E min • 06:14 • -16.62db
10% Popularity • 28% Danceability • 27% Energy • 25% Liveness
5% Instrumentalness • 38% Positiveness
10% Popularity • 28% Danceability • 27% Energy • 25% Liveness
5% Instrumentalness • 38% Positiveness
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The Watersons
The Holmfirth Anthem
100 bpm • G Maj • 02:01 • -13.11db
9% Popularity • 52% Danceability • 7% Energy • 26% Liveness
0% Instrumentalness • 42% Positiveness
9% Popularity • 52% Danceability • 7% Energy • 26% Liveness
0% Instrumentalness • 42% Positiveness
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The Oldham Tinkers
Owden Edge
100 bpm • D Maj • 02:25 • -14.52db
11% Popularity • 82% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 82% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Horslips
The Unfortunate Cup of Tea
99 bpm • D Maj • 01:14 • -10.76db
19% Popularity • 65% Danceability • 55% Energy • 11% Liveness
26% Instrumentalness • 97% Positiveness
19% Popularity • 65% Danceability • 55% Energy • 11% Liveness
26% Instrumentalness • 97% Positiveness
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Peter Bellamy
Ford O' Kabul River
100 bpm • A# Maj • 03:24 • -12.11db
13% Popularity • 46% Danceability • 27% Energy • 23% Liveness
0% Instrumentalness • 69% Positiveness
13% Popularity • 46% Danceability • 27% Energy • 23% Liveness
0% Instrumentalness • 69% Positiveness
