Songs like Plastic (Mid-City Island Version) by Moses Sumney
Based on a tempo of (+/- 10%) and a similar genre
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Sango
Hipster Girl
120 bpm • D min • 03:16 • -10.73db
36% Popularity • 70% Danceability • 37% Energy • 11% Liveness
2% Instrumentalness • 20% Positiveness
36% Popularity • 70% Danceability • 37% Energy • 11% Liveness
2% Instrumentalness • 20% Positiveness
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Dessert
Cookie
120 bpm • D Maj • 02:45 • -13db
15% Popularity • 69% Danceability • 36% Energy • 10% Liveness
56% Instrumentalness • 22% Positiveness
15% Popularity • 69% Danceability • 36% Energy • 10% Liveness
56% Instrumentalness • 22% Positiveness
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Berhana
Janet
120 bpm • C Maj • 03:24 • -8.19db
48% Popularity • 81% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
48% Popularity • 81% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Babeheaven
Ode to Dom
120 bpm • G Maj • 03:45 • -10db
31% Popularity • 70% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
31% Popularity • 70% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Syd
Smile More
120 bpm • D# min • 04:01 • -5.98db
35% Popularity • 85% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
35% Popularity • 85% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Moses Sumney
Plastic (Mid-City Island Version)
120 bpm • B Maj • 02:37 • -12.55db
42% Popularity • 46% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
42% Popularity • 46% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Charlotte Dos Santos
Sumer Is Icumen In
120 bpm • F# Maj • 01:41 • -13db
29% Popularity • 79% Danceability • 31% Energy • 36% Liveness
11% Instrumentalness • 14% Positiveness
29% Popularity • 79% Danceability • 31% Energy • 36% Liveness
11% Instrumentalness • 14% Positiveness
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Raveena
Spell
120 bpm • A Maj • 03:13 • -10db
44% Popularity • 80% Danceability • 37% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
44% Popularity • 80% Danceability • 37% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
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Xavier Omär
Speculate
120 bpm • B min • 03:30 • -10.15db
34% Popularity • 62% Danceability • 25% Energy • 42% Liveness
0% Instrumentalness • 45% Positiveness
34% Popularity • 62% Danceability • 25% Energy • 42% Liveness
0% Instrumentalness • 45% Positiveness
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Choker
Juno
120 bpm • G Maj • 03:51 • -12.86db
50% Popularity • 44% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
50% Popularity • 44% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
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Solange
Mad
120 bpm • C Maj • 03:55 • -5.03db
52% Popularity • 83% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
52% Popularity • 83% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Toulouse
Hurtin
120 bpm • F# Maj • 04:07 • -10db
17% Popularity • 54% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
17% Popularity • 54% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Charlotte Dos Santos
Red Clay
120 bpm • B min • 02:27 • -9.81db
38% Popularity • 74% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
38% Popularity • 74% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Moses Sumney
Plastic
119 bpm • B Maj • 03:08 • -13.11db
46% Popularity • 39% Danceability • 21% Energy • 10% Liveness
2% Instrumentalness • 13% Positiveness
46% Popularity • 39% Danceability • 21% Energy • 10% Liveness
2% Instrumentalness • 13% Positiveness
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Devendra Banhart
Theme for a Taiwanese Woman in Lime Gree...
121 bpm • A min • 04:23 • -12.11db
27% Popularity • 73% Danceability • 32% Energy • 10% Liveness
46% Instrumentalness • 36% Positiveness
27% Popularity • 73% Danceability • 32% Energy • 10% Liveness
46% Instrumentalness • 36% Positiveness
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The Shacks
Left It With The Moon
119 bpm • C Maj • 02:57 • -9.1db
22% Popularity • 57% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
22% Popularity • 57% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Kadhja Bonet
Another Time Lover
121 bpm • E Maj • 03:38 • -8.49db
22% Popularity • 73% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
22% Popularity • 73% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Otis Junior
Hemispheres
119 bpm • F min • 03:14 • -9.11db
19% Popularity • 52% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
19% Popularity • 52% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Bahamas
No Wrong
119 bpm • G Maj • 03:49 • -9db
37% Popularity • 82% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
37% Popularity • 82% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Idesia
Nu
121 bpm • C# Maj • 03:27 • -11db
10% Popularity • 64% Danceability • 50% Energy • 13% Liveness
6% Instrumentalness • 68% Positiveness
10% Popularity • 64% Danceability • 50% Energy • 13% Liveness
6% Instrumentalness • 68% Positiveness
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Moses Sumney
Indulge Me
121 bpm • C Maj • 03:16 • -14.15db
29% Popularity • 35% Danceability • 20% Energy • 14% Liveness
2% Instrumentalness • 15% Positiveness
29% Popularity • 35% Danceability • 20% Energy • 14% Liveness
2% Instrumentalness • 15% Positiveness
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Yellow Days
Your Hand Holding Mine
118 bpm • G Maj • 04:10 • -10.64db
46% Popularity • 51% Danceability • 34% Energy • 13% Liveness
1% Instrumentalness • 13% Positiveness
46% Popularity • 51% Danceability • 34% Energy • 13% Liveness
1% Instrumentalness • 13% Positiveness
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Kadhja Bonet
Fairweather Friend
121 bpm • F# min • 04:01 • -10.61db
29% Popularity • 47% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
29% Popularity • 47% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Unknown Mortal Orchestra
The Internet of Love (That Way)
122 bpm • F# Maj • 04:56 • -6.26db
30% Popularity • 85% Danceability • 44% Energy • 23% Liveness
6% Instrumentalness • 56% Positiveness
30% Popularity • 85% Danceability • 44% Energy • 23% Liveness
6% Instrumentalness • 56% Positiveness
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Nai Palm
Blackstar / Pyramid Song / Breathing Und...
122 bpm • B min • 09:10 • -8.34db
25% Popularity • 43% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 43% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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John Legend
Darkness and Light
122 bpm • C min • 03:50 • -3.72db
38% Popularity • 59% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
38% Popularity • 59% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Timber Timbre
Hot Dreams
122 bpm • A Maj • 04:53 • -8.77db
38% Popularity • 55% Danceability • 37% Energy • 9% Liveness
6% Instrumentalness • 33% Positiveness
38% Popularity • 55% Danceability • 37% Energy • 9% Liveness
6% Instrumentalness • 33% Positiveness
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Brad stank
O.T.D.
122 bpm • F min • 03:48 • -14db
47% Popularity • 76% Danceability • 12% Energy • 13% Liveness
75% Instrumentalness • 16% Positiveness
47% Popularity • 76% Danceability • 12% Energy • 13% Liveness
75% Instrumentalness • 16% Positiveness
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The O'My's
Sweet Love
122 bpm • F# min • 03:56 • -13.15db
15% Popularity • 56% Danceability • 36% Energy • 40% Liveness
1% Instrumentalness • 22% Positiveness
15% Popularity • 56% Danceability • 36% Energy • 40% Liveness
1% Instrumentalness • 22% Positiveness
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SRNO
Hotline Bling
122 bpm • C# Maj • 02:55 • -14.3db
34% Popularity • 77% Danceability • 21% Energy • 11% Liveness
14% Instrumentalness • 12% Positiveness
34% Popularity • 77% Danceability • 21% Energy • 11% Liveness
14% Instrumentalness • 12% Positiveness
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Nai Palm
Have You Ever Been (To Electric Ladyland...
118 bpm • A# min • 04:19 • -9db
37% Popularity • 47% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
37% Popularity • 47% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Collard
Everglade
122 bpm • E min • 02:57 • -13.64db
23% Popularity • 62% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
23% Popularity • 62% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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James Tillman
Self Portrait of A New Yorker
122 bpm • B Maj • 03:11 • -13.42db
27% Popularity • 42% Danceability • 26% Energy • 21% Liveness
88% Instrumentalness • 35% Positiveness
27% Popularity • 42% Danceability • 26% Energy • 21% Liveness
88% Instrumentalness • 35% Positiveness
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Nadia Nair
Something Something Something
122 bpm • C# min • 03:33 • -10.89db
10% Popularity • 37% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
10% Popularity • 37% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Garden City Movement
Move On
117 bpm • A Maj • 04:11 • -7.57db
35% Popularity • 50% Danceability • 55% Energy • 64% Liveness
43% Instrumentalness • 7% Positiveness
35% Popularity • 50% Danceability • 55% Energy • 64% Liveness
43% Instrumentalness • 7% Positiveness
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NxWorries
Suede
117 bpm • G min • 02:54 • -7.26db
57% Popularity • 69% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
57% Popularity • 69% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Armando Young
Loved Ones (Saudades)
117 bpm • C# Maj • 05:07 • -14.97db
42% Popularity • 75% Danceability • 56% Energy • 35% Liveness
78% Instrumentalness • 52% Positiveness
42% Popularity • 75% Danceability • 56% Energy • 35% Liveness
78% Instrumentalness • 52% Positiveness
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Moses Sumney
Don't Bother Calling
123 bpm • C Maj • 03:59 • -10.17db
41% Popularity • 40% Danceability • 21% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
41% Popularity • 40% Danceability • 21% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
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James Tillman
Ms. Malaise
117 bpm • A# min • 03:43 • -12.45db
29% Popularity • 65% Danceability • 54% Energy • 10% Liveness
25% Instrumentalness • 19% Positiveness
29% Popularity • 65% Danceability • 54% Energy • 10% Liveness
25% Instrumentalness • 19% Positiveness
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Mizan K
Looking For
117 bpm • F# Maj • 03:25 • -8db
31% Popularity • 76% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
31% Popularity • 76% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Joey Dosik
Game Winner
117 bpm • A# Maj • 04:40 • -10.15db
31% Popularity • 73% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
31% Popularity • 73% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Solange
Beltway
116 bpm • F# min • 01:41 • -17.56db
49% Popularity • 31% Danceability • 19% Energy • 11% Liveness
69% Instrumentalness • 4% Positiveness
49% Popularity • 31% Danceability • 19% Energy • 11% Liveness
69% Instrumentalness • 4% Positiveness
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Oscar Jerome
2 Sides
116 bpm • E min • 05:34 • -10.54db
22% Popularity • 53% Danceability • 30% Energy • 21% Liveness
6% Instrumentalness • 26% Positiveness
22% Popularity • 53% Danceability • 30% Energy • 21% Liveness
6% Instrumentalness • 26% Positiveness
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Moses Sumney
Make Out in My Car - Extended Version
124 bpm • G min • 04:33 • -10.52db
17% Popularity • 35% Danceability • 37% Energy • 37% Liveness
3% Instrumentalness • 17% Positiveness
17% Popularity • 35% Danceability • 37% Energy • 37% Liveness
3% Instrumentalness • 17% Positiveness
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Dirty Projectors
Up In Hudson
124 bpm • A# Maj • 07:30 • -6.99db
25% Popularity • 68% Danceability • 73% Energy • 14% Liveness
3% Instrumentalness • 69% Positiveness
25% Popularity • 68% Danceability • 73% Energy • 14% Liveness
3% Instrumentalness • 69% Positiveness
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Raveena
You Give Me That
124 bpm • C# Maj • 05:19 • -9.62db
30% Popularity • 74% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 38% Positiveness
30% Popularity • 74% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 38% Positiveness
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Kllo
Sense
116 bpm • A# Maj • 03:54 • -9db
18% Popularity • 77% Danceability • 48% Energy • 10% Liveness
75% Instrumentalness • 37% Positiveness
18% Popularity • 77% Danceability • 48% Energy • 10% Liveness
75% Instrumentalness • 37% Positiveness
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Sean Nicholas Savage
Suburban Nights
116 bpm • G min • 04:33 • -10.47db
14% Popularity • 83% Danceability • 36% Energy • 23% Liveness
0% Instrumentalness • 54% Positiveness
14% Popularity • 83% Danceability • 36% Energy • 23% Liveness
0% Instrumentalness • 54% Positiveness
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Daniel Caesar
SUPERPOSITION
116 bpm • E Maj • 04:23 • -11.21db
61% Popularity • 59% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
61% Popularity • 59% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Moses Sumney
Make Out in My Car
124 bpm • C Maj • 02:35 • -12.48db
30% Popularity • 45% Danceability • 35% Energy • 12% Liveness
2% Instrumentalness • 23% Positiveness
30% Popularity • 45% Danceability • 35% Energy • 12% Liveness
2% Instrumentalness • 23% Positiveness
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Unknown Mortal Orchestra
If You’re Going to Break Yourself
116 bpm • C# Maj • 04:37 • -7.76db
33% Popularity • 68% Danceability • 38% Energy • 11% Liveness
8% Instrumentalness • 59% Positiveness
33% Popularity • 68% Danceability • 38% Energy • 11% Liveness
8% Instrumentalness • 59% Positiveness
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Cool Company
Slice of Paradise
125 bpm • G min • 03:59 • -9.65db
22% Popularity • 53% Danceability • 45% Energy • 38% Liveness
0% Instrumentalness • 53% Positiveness
22% Popularity • 53% Danceability • 45% Energy • 38% Liveness
0% Instrumentalness • 53% Positiveness
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Alabama Shakes
Sound & Color
115 bpm • D Maj • 03:02 • -7.4db
51% Popularity • 55% Danceability • 43% Energy • 8% Liveness
61% Instrumentalness • 18% Positiveness
51% Popularity • 55% Danceability • 43% Energy • 8% Liveness
61% Instrumentalness • 18% Positiveness
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Berhana
Grey Luh
126 bpm • C Maj • 04:21 • -9.17db
50% Popularity • 54% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
50% Popularity • 54% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Cleo Sol
Try and You Try
126 bpm • E min • 04:58 • -7.11db
43% Popularity • 60% Danceability • 55% Energy • 9% Liveness
1% Instrumentalness • 59% Positiveness
43% Popularity • 60% Danceability • 55% Energy • 9% Liveness
1% Instrumentalness • 59% Positiveness
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Moses Sumney
Get It B4
125 bpm • C# min • 04:22 • -9.3db
43% Popularity • 57% Danceability • 41% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
43% Popularity • 57% Danceability • 41% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
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Redline Graffiti
Mayfair
115 bpm • E Maj • 03:34 • -8.8db
9% Popularity • 50% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
9% Popularity • 50% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Collard
Sofa
126 bpm • B min • 03:35 • -14.45db
33% Popularity • 63% Danceability • 27% Energy • 11% Liveness
44% Instrumentalness • 7% Positiveness
33% Popularity • 63% Danceability • 27% Energy • 11% Liveness
44% Instrumentalness • 7% Positiveness
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Kensho
Breathe & Receive
126 bpm • G min • 02:20 • -9.74db
23% Popularity • 86% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
23% Popularity • 86% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Mocky
Tomorrow Maker
114 bpm • F min • 03:05 • -10.66db
15% Popularity • 61% Danceability • 51% Energy • 18% Liveness
2% Instrumentalness • 40% Positiveness
15% Popularity • 61% Danceability • 51% Energy • 18% Liveness
2% Instrumentalness • 40% Positiveness
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Nosaj Thing
Cold Stares
114 bpm • A min • 02:52 • -12.5db
30% Popularity • 54% Danceability • 30% Energy • 16% Liveness
4% Instrumentalness • 19% Positiveness
30% Popularity • 54% Danceability • 30% Energy • 16% Liveness
4% Instrumentalness • 19% Positiveness
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Moses Sumney
Lonely World
125 bpm • G min • 04:48 • -7.95db
32% Popularity • 38% Danceability • 59% Energy • 14% Liveness
1% Instrumentalness • 18% Positiveness
32% Popularity • 38% Danceability • 59% Energy • 14% Liveness
1% Instrumentalness • 18% Positiveness
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Daniel Caesar
Death & Taxes
114 bpm • G Maj • 05:05 • -11.13db
57% Popularity • 45% Danceability • 33% Energy • 35% Liveness
0% Instrumentalness • 21% Positiveness
57% Popularity • 45% Danceability • 33% Energy • 35% Liveness
0% Instrumentalness • 21% Positiveness
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Sabrina Claudio
Confidently Lost
114 bpm • F Maj • 03:29 • -8.58db
54% Popularity • 67% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
54% Popularity • 67% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Flo Morrissey
Thinking Bout You
127 bpm • B min • 03:44 • -10.19db
30% Popularity • 76% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
30% Popularity • 76% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Bermuda Triangle
Suzanne
113 bpm • A Maj • 02:57 • -9.84db
42% Popularity • 80% Danceability • 48% Energy • 13% Liveness
2% Instrumentalness • 64% Positiveness
42% Popularity • 80% Danceability • 48% Energy • 13% Liveness
2% Instrumentalness • 64% Positiveness
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The Suffers
Giver
113 bpm • C min • 07:15 • -7.99db
22% Popularity • 61% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
22% Popularity • 61% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Moses Sumney
Lonely World - Lamentations Version
125 bpm • G min • 04:47 • -7db
17% Popularity • 27% Danceability • 63% Energy • 19% Liveness
7% Instrumentalness • 14% Positiveness
17% Popularity • 27% Danceability • 63% Energy • 19% Liveness
7% Instrumentalness • 14% Positiveness
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Choker
Brown Steel
127 bpm • C Maj • 03:09 • -6.25db
30% Popularity • 57% Danceability • 46% Energy • 56% Liveness
0% Instrumentalness • 33% Positiveness
30% Popularity • 57% Danceability • 46% Energy • 56% Liveness
0% Instrumentalness • 33% Positiveness
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The Harpoons
Can We Work This Out
113 bpm • A min • 03:42 • -10db
10% Popularity • 82% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
10% Popularity • 82% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Solange
Dreams
113 bpm • F min • 02:28 • -7db
52% Popularity • 66% Danceability • 37% Energy • 11% Liveness
25% Instrumentalness • 21% Positiveness
52% Popularity • 66% Danceability • 37% Energy • 11% Liveness
25% Instrumentalness • 21% Positiveness
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Whitney
On My Own
113 bpm • C# Maj • 02:14 • -7.65db
46% Popularity • 67% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
46% Popularity • 67% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Nai Palm
Haiku
113 bpm • C# min • 02:15 • -10.58db
32% Popularity • 44% Danceability • 24% Energy • 18% Liveness
1% Instrumentalness • 26% Positiveness
32% Popularity • 44% Danceability • 24% Energy • 18% Liveness
1% Instrumentalness • 26% Positiveness
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Moses Sumney
Virile
126 bpm • G Maj • 04:16 • -5db
29% Popularity • 27% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
29% Popularity • 27% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Dirty Projectors
Keep Your Name
112 bpm • C min • 04:30 • -7.44db
27% Popularity • 54% Danceability • 48% Energy • 40% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 54% Danceability • 48% Energy • 40% Liveness
0% Instrumentalness • 34% Positiveness
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Iris Temple
Philosopher
128 bpm • F Maj • 01:20 • -13.19db
20% Popularity • 59% Danceability • 22% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
20% Popularity • 59% Danceability • 22% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
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Silk Rhodes
Stuck In My Head
129 bpm • B min • 03:02 • -13.5db
15% Popularity • 49% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
15% Popularity • 49% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Whitney
No Woman
112 bpm • D Maj • 03:57 • -8.74db
59% Popularity • 59% Danceability • 40% Energy • 16% Liveness
58% Instrumentalness • 43% Positiveness
59% Popularity • 59% Danceability • 40% Energy • 16% Liveness
58% Instrumentalness • 43% Positiveness
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Raveena
Honey
129 bpm • C# Maj • 04:32 • -14.97db
50% Popularity • 80% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
50% Popularity • 80% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Moses Sumney
Self-Help Tape
128 bpm • E Maj • 03:01 • -12.01db
30% Popularity • 34% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
30% Popularity • 34% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
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Dirty Projectors
Little Bubble - edit
112 bpm • G# Maj • 03:28 • -10.28db
9% Popularity • 33% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 29% Positiveness
9% Popularity • 33% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 29% Positiveness
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Nai Palm
Borderline with My Atoms
111 bpm • C min • 06:26 • -9.89db
23% Popularity • 45% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
23% Popularity • 45% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Hundred Waters
Show Me Love - Skrillex Remix
129 bpm • B Maj • 04:01 • -4.97db
48% Popularity • 42% Danceability • 79% Energy • 33% Liveness
0% Instrumentalness • 18% Positiveness
48% Popularity • 42% Danceability • 79% Energy • 33% Liveness
0% Instrumentalness • 18% Positiveness
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Xavier Omär
Blind Man
111 bpm • F# Maj • 04:02 • -8.53db
51% Popularity • 89% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
51% Popularity • 89% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Ari Lennox
Night Drive
130 bpm • F# Maj • 02:30 • -6.37db
57% Popularity • 82% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
57% Popularity • 82% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Moses Sumney
Seeds
112 bpm • A# Maj • 03:54 • -12.34db
21% Popularity • 30% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
21% Popularity • 30% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Hiatus Kaiyote
Malika
111 bpm • B Maj • 04:55 • -7.68db
35% Popularity • 61% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
35% Popularity • 61% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Raury
Mama
130 bpm • F Maj • 03:58 • -8.25db
20% Popularity • 60% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
20% Popularity • 60% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Babeheaven
Friday Sky
130 bpm • B Maj • 03:36 • -11.39db
35% Popularity • 45% Danceability • 31% Energy • 15% Liveness
83% Instrumentalness • 12% Positiveness
35% Popularity • 45% Danceability • 31% Energy • 15% Liveness
83% Instrumentalness • 12% Positiveness
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June Marieezy
Nowhere
130 bpm • A# min • 03:33 • -13.13db
33% Popularity • 55% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
33% Popularity • 55% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Daniel Caesar
Violet
130 bpm • E min • 02:24 • -8.13db
65% Popularity • 69% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
65% Popularity • 69% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
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Moses Sumney
Me in 20 Years
111 bpm • A Maj • 03:40 • -7db
47% Popularity • 37% Danceability • 38% Energy • 12% Liveness
2% Instrumentalness • 7% Positiveness
47% Popularity • 37% Danceability • 38% Energy • 12% Liveness
2% Instrumentalness • 7% Positiveness
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Gabriel Garzón-Montano
Bombo Fabrika
130 bpm • F# Maj • 05:00 • -12.88db
19% Popularity • 78% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 78% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Jorja Smith
Beautiful Little Fools
130 bpm • F min • 03:36 • -10.57db
39% Popularity • 52% Danceability • 40% Energy • 32% Liveness
14% Instrumentalness • 14% Positiveness
39% Popularity • 52% Danceability • 40% Energy • 32% Liveness
14% Instrumentalness • 14% Positiveness
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HASANI
Navy Blue
130 bpm • B Maj • 02:43 • -14.84db
41% Popularity • 56% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
41% Popularity • 56% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Nick Hakim
I Don't Know
110 bpm • D Maj • 04:59 • -10db
46% Popularity • 50% Danceability • 31% Energy • 11% Liveness
2% Instrumentalness • 11% Positiveness
46% Popularity • 50% Danceability • 31% Energy • 11% Liveness
2% Instrumentalness • 11% Positiveness
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MorMor
Whatever Comes to Mind
131 bpm • A# Maj • 04:09 • -7.8db
42% Popularity • 54% Danceability • 47% Energy • 11% Liveness
11% Instrumentalness • 25% Positiveness
42% Popularity • 54% Danceability • 47% Energy • 11% Liveness
11% Instrumentalness • 25% Positiveness
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Moses Sumney
Power?
111 bpm • C# Maj • 01:49 • -13.12db
7% Popularity • 38% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 18% Positiveness
7% Popularity • 38% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 18% Positiveness
