Songs like Play a Cornbread Song for Me by Joe Haywood
Based on a tempo of (+/- 10%) and a similar genre
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Joe Haywood
Play a Cornbread Song for Me
122 bpm • C min • 02:44 • -9.92db
0% Popularity • 64% Danceability • 61% Energy • 47% Liveness
0% Instrumentalness • 90% Positiveness
0% Popularity • 64% Danceability • 61% Energy • 47% Liveness
0% Instrumentalness • 90% Positiveness
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Swamp Dogg
Honky Tonk Woman
122 bpm • F# min • 03:28 • -10.44db
8% Popularity • 79% Danceability • 71% Energy • 9% Liveness
8% Instrumentalness • 96% Positiveness
8% Popularity • 79% Danceability • 71% Energy • 9% Liveness
8% Instrumentalness • 96% Positiveness
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Brown Bombers
Wait For Me
122 bpm • C# Maj • 02:18 • -5.34db
10% Popularity • 55% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
10% Popularity • 55% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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Carlton Heston
When My Time Is Through
122 bpm • A# min • 01:31 • -5.99db
9% Popularity • 51% Danceability • 76% Energy • 19% Liveness
88% Instrumentalness • 81% Positiveness
9% Popularity • 51% Danceability • 76% Energy • 19% Liveness
88% Instrumentalness • 81% Positiveness
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East Of Eden
When All Is Said And Done - Remastered 1...
122 bpm • B Maj • 04:56 • -17.47db
31% Popularity • 68% Danceability • 33% Energy • 9% Liveness
81% Instrumentalness • 87% Positiveness
31% Popularity • 68% Danceability • 33% Energy • 9% Liveness
81% Instrumentalness • 87% Positiveness
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Helene Smith
What's In the Lovin'
122 bpm • A Maj • 02:49 • -5.19db
12% Popularity • 51% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
12% Popularity • 51% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
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Billy James
Don't You Think I Ought To Know
122 bpm • C min • 02:18 • -8.77db
12% Popularity • 67% Danceability • 62% Energy • 54% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 67% Danceability • 62% Energy • 54% Liveness
0% Instrumentalness • 96% Positiveness
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Evalene Braden
That's What Soul Is
122 bpm • A# Maj • 02:38 • -8.48db
11% Popularity • 69% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 69% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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The Impressions
Sister Love
122 bpm • F min • 02:21 • -11.58db
8% Popularity • 77% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
8% Popularity • 77% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Tina Britt
Who Was That
122 bpm • B Maj • 02:51 • -9db
11% Popularity • 81% Danceability • 58% Energy • 9% Liveness
4% Instrumentalness • 91% Positiveness
11% Popularity • 81% Danceability • 58% Energy • 9% Liveness
4% Instrumentalness • 91% Positiveness
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The Commands
Hey It's Love
122 bpm • F Maj • 02:23 • -7.73db
27% Popularity • 59% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
27% Popularity • 59% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
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Garnet Mimms
Prove It To Me
122 bpm • G Maj • 02:13 • -11.22db
24% Popularity • 62% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 62% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Bob Taylor
(Flyin' High) After Hours
121 bpm • A Maj • 02:03 • -6.95db
7% Popularity • 66% Danceability • 90% Energy • 72% Liveness
17% Instrumentalness • 74% Positiveness
7% Popularity • 66% Danceability • 90% Energy • 72% Liveness
17% Instrumentalness • 74% Positiveness
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Birdlegs & Pauline
Deep Thoughts
121 bpm • C Maj • 02:38 • -12.06db
11% Popularity • 69% Danceability • 41% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
11% Popularity • 69% Danceability • 41% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
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Gladys Knight
Stop Running Around
123 bpm • G# Maj • 02:10 • -7.99db
11% Popularity • 61% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
11% Popularity • 61% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Phyllis Dillon
Humpty Dumpty
123 bpm • F# Maj • 02:28 • -9.55db
8% Popularity • 61% Danceability • 58% Energy • 26% Liveness
0% Instrumentalness • 74% Positiveness
8% Popularity • 61% Danceability • 58% Energy • 26% Liveness
0% Instrumentalness • 74% Positiveness
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Sam & Dave
No More Pain
123 bpm • C Maj • 02:32 • -6.66db
12% Popularity • 53% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
12% Popularity • 53% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Jimmy Hughes
Too Much
123 bpm • G min • 02:07 • -6.98db
7% Popularity • 76% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
7% Popularity • 76% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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George Campbell
Get it On
123 bpm • B Maj • 03:19 • -11.04db
8% Popularity • 60% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
8% Popularity • 60% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Fontella Bass
My Good Loving
121 bpm • D# Maj • 02:25 • -9.22db
8% Popularity • 81% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
8% Popularity • 81% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Poor Boys Pride
Soulride
123 bpm • E Maj • 02:47 • -10db
10% Popularity • 52% Danceability • 65% Energy • 20% Liveness
70% Instrumentalness • 93% Positiveness
10% Popularity • 52% Danceability • 65% Energy • 20% Liveness
70% Instrumentalness • 93% Positiveness
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Don Covay
Everything Gonna Be Everything
123 bpm • A Maj • 02:33 • -12db
12% Popularity • 73% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
12% Popularity • 73% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Ruth Brown
Try Me and See
123 bpm • G Maj • 02:11 • -7.65db
7% Popularity • 61% Danceability • 75% Energy • 61% Liveness
0% Instrumentalness • 77% Positiveness
7% Popularity • 61% Danceability • 75% Energy • 61% Liveness
0% Instrumentalness • 77% Positiveness
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Arthur Alexander
I Hope They Get Their Eyes Full
123 bpm • F min • 02:36 • -9.39db
12% Popularity • 70% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 70% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Bob & Fred
I'll Be on My Way
121 bpm • F Maj • 01:54 • -4.39db
16% Popularity • 44% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
16% Popularity • 44% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Out of Sights
Tears Don't Care Who Cries
123 bpm • D Maj • 02:43 • -6.79db
11% Popularity • 42% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
11% Popularity • 42% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
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The Sensations
Demanding Man
123 bpm • G# Maj • 02:24 • -6.87db
12% Popularity • 59% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
12% Popularity • 59% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Don Covay
Sookie, Sookie
121 bpm • E Maj • 02:45 • -11.26db
26% Popularity • 79% Danceability • 38% Energy • 18% Liveness
62% Instrumentalness • 70% Positiveness
26% Popularity • 79% Danceability • 38% Energy • 18% Liveness
62% Instrumentalness • 70% Positiveness
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Headlines
He's Looking For a Love
121 bpm • C Maj • 01:56 • -7.46db
11% Popularity • 63% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
11% Popularity • 63% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
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The Originals
Red Sails In The Sunset
121 bpm • D Maj • 02:28 • -10.34db
7% Popularity • 66% Danceability • 60% Energy • 48% Liveness
0% Instrumentalness • 94% Positiveness
7% Popularity • 66% Danceability • 60% Energy • 48% Liveness
0% Instrumentalness • 94% Positiveness
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The Temprees
Wrap Me In Love
121 bpm • A Maj • 02:37 • -10.76db
9% Popularity • 82% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
9% Popularity • 82% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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Don Covay & The Goodtimers
I'll Be Satisfied
120 bpm • A Maj • 03:17 • -13.14db
10% Popularity • 78% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 78% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Big Maybelle
I Can't Wait Any Longer
124 bpm • D min • 02:47 • -5.12db
11% Popularity • 64% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 64% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Johnny Ross & The Soul Explosions
Love-I-Tis
124 bpm • D min • 02:36 • -8.18db
13% Popularity • 74% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 74% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Mable John
Catch That Man - Take 9
124 bpm • A# min • 02:29 • -9.55db
9% Popularity • 77% Danceability • 63% Energy • 7% Liveness
43% Instrumentalness • 76% Positiveness
9% Popularity • 77% Danceability • 63% Energy • 7% Liveness
43% Instrumentalness • 76% Positiveness
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Barbara George
Send for Me If You Need Some Lovin' - Bo...
120 bpm • G Maj • 02:16 • -6.81db
18% Popularity • 78% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
18% Popularity • 78% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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Classics IV
Ladies Man
124 bpm • C Maj • 02:18 • -12.01db
9% Popularity • 65% Danceability • 46% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
9% Popularity • 65% Danceability • 46% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
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Little Ann
What Should I Do - Alternative Vocal Ver...
124 bpm • F Maj • 01:58 • -10.55db
10% Popularity • 58% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
10% Popularity • 58% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
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The Packers
Soul Time
124 bpm • D Maj • 01:52 • -7.75db
9% Popularity • 76% Danceability • 52% Energy • 12% Liveness
24% Instrumentalness • 94% Positiveness
9% Popularity • 76% Danceability • 52% Energy • 12% Liveness
24% Instrumentalness • 94% Positiveness
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Spencer Wiggins
Old Friend (You Asked Me If I Miss Her)
124 bpm • E min • 02:47 • -7.81db
9% Popularity • 54% Danceability • 66% Energy • 56% Liveness
0% Instrumentalness • 63% Positiveness
9% Popularity • 54% Danceability • 66% Energy • 56% Liveness
0% Instrumentalness • 63% Positiveness
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Aaron Neville
Why Worry
124 bpm • F Maj • 02:31 • -13.95db
7% Popularity • 57% Danceability • 48% Energy • 39% Liveness
4% Instrumentalness • 79% Positiveness
7% Popularity • 57% Danceability • 48% Energy • 39% Liveness
4% Instrumentalness • 79% Positiveness
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Betty Wright
Mr. Lucky
120 bpm • A# Maj • 02:43 • -5.44db
15% Popularity • 50% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
15% Popularity • 50% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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Dobie Gray
What A Way To Go
120 bpm • F min • 02:10 • -8.26db
8% Popularity • 62% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
8% Popularity • 62% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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James Dockery
My Faith In You Is All Gone
124 bpm • A# Maj • 02:05 • -4.74db
10% Popularity • 48% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 90% Positiveness
10% Popularity • 48% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 90% Positiveness
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Garnet Mimms & The Enchanters
So Close
120 bpm • G Maj • 02:12 • -11.96db
8% Popularity • 75% Danceability • 50% Energy • 62% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 75% Danceability • 50% Energy • 62% Liveness
0% Instrumentalness • 96% Positiveness
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The Fabulous Dynamics
Get Hip To Yourself
120 bpm • D Maj • 01:43 • -11.03db
11% Popularity • 57% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
11% Popularity • 57% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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The 5th Dimension
Too Poor to Die - Single Version
124 bpm • A Maj • 02:42 • -8db
9% Popularity • 73% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
9% Popularity • 73% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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Barbara Lynn
Second Fiddle Girl
125 bpm • A Maj • 01:57 • -7.52db
21% Popularity • 83% Danceability • 68% Energy • 3% Liveness
1% Instrumentalness • 96% Positiveness
21% Popularity • 83% Danceability • 68% Energy • 3% Liveness
1% Instrumentalness • 96% Positiveness
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Johnny Williams
Breaking Point
125 bpm • F min • 03:00 • -9db
8% Popularity • 73% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 73% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Joe King
Speak on Up
119 bpm • C Maj • 03:01 • -7.85db
20% Popularity • 61% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 94% Positiveness
20% Popularity • 61% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 94% Positiveness
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Betty Harris
I Don't Want to Hear It - 2024 Remastere...
125 bpm • B min • 02:06 • -5.97db
12% Popularity • 52% Danceability • 61% Energy • 57% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 52% Danceability • 61% Energy • 57% Liveness
0% Instrumentalness • 38% Positiveness
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Joe Jama
Down, Down, Down
125 bpm • G Maj • 02:05 • -6.67db
7% Popularity • 87% Danceability • 87% Energy • 11% Liveness
13% Instrumentalness • 66% Positiveness
7% Popularity • 87% Danceability • 87% Energy • 11% Liveness
13% Instrumentalness • 66% Positiveness
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Bobby Charles
Preacher's Daughter
125 bpm • A# Maj • 02:18 • -9.64db
7% Popularity • 79% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
7% Popularity • 79% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Jr. Walker & The All Stars
Three Four Three
125 bpm • F Maj • 02:46 • -9.39db
11% Popularity • 65% Danceability • 63% Energy • 22% Liveness
5% Instrumentalness • 75% Positiveness
11% Popularity • 65% Danceability • 63% Energy • 22% Liveness
5% Instrumentalness • 75% Positiveness
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The Artistics
I'll Leave It Up to You
119 bpm • G# Maj • 02:17 • -7.64db
7% Popularity • 65% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 90% Positiveness
7% Popularity • 65% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 90% Positiveness
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Jackie Wilson
3 Days 1 Hour 30 Minutes
119 bpm • A Maj • 02:04 • -7.42db
9% Popularity • 73% Danceability • 92% Energy • 76% Liveness
0% Instrumentalness • 48% Positiveness
9% Popularity • 73% Danceability • 92% Energy • 76% Liveness
0% Instrumentalness • 48% Positiveness
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Joe Haywood
Let Me Whisper in Your Ear
125 bpm • C Maj • 01:51 • -5.64db
2% Popularity • 66% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
2% Popularity • 66% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Perk Badger
I Got A Thing For You Baby - Part 1
125 bpm • D Maj • 02:39 • -5.71db
12% Popularity • 73% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 89% Positiveness
12% Popularity • 73% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 89% Positiveness
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Amen Corner
Expressway To Your Heart
119 bpm • G Maj • 02:32 • -5.54db
23% Popularity • 38% Danceability • 69% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
23% Popularity • 38% Danceability • 69% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
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George Jackson
Come on and Make up My Mind
125 bpm • C Maj • 02:35 • -11db
8% Popularity • 86% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
8% Popularity • 86% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Tiny Watkins
Run, Run, Run (What Is My Life)
119 bpm • C Maj • 02:54 • -7.69db
8% Popularity • 66% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 80% Positiveness
8% Popularity • 66% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 80% Positiveness
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Mary Wells
Ain't It The Truth
126 bpm • C Maj • 02:46 • -16.74db
10% Popularity • 64% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
10% Popularity • 64% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Betty Harris
12 Red Roses - 2024 Remastered
126 bpm • A# min • 02:31 • -5.55db
8% Popularity • 63% Danceability • 59% Energy • 21% Liveness
0% Instrumentalness • 71% Positiveness
8% Popularity • 63% Danceability • 59% Energy • 21% Liveness
0% Instrumentalness • 71% Positiveness
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Barbara Lynn
Sure Is Worth It
126 bpm • C# Maj • 02:11 • -9.46db
8% Popularity • 77% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 77% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Allen Toussaint
Greatest Love - Remastered
118 bpm • C Maj • 02:22 • -8.05db
32% Popularity • 53% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
32% Popularity • 53% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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Sam and The Soul Walkers
Soul Walk
118 bpm • C# min • 02:18 • -8.74db
7% Popularity • 70% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
7% Popularity • 70% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Betty Everett
The Prince of Players
126 bpm • B min • 02:35 • -12.62db
8% Popularity • 60% Danceability • 29% Energy • 11% Liveness
2% Instrumentalness • 45% Positiveness
8% Popularity • 60% Danceability • 29% Energy • 11% Liveness
2% Instrumentalness • 45% Positiveness
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Little Jimmy Ray
You Need to Fall in Love
118 bpm • A Maj • 02:29 • -6.28db
12% Popularity • 63% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
12% Popularity • 63% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
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Rex Garvin & The Mighty Cravers
Believe It Or Not
118 bpm • C min • 02:48 • -7.41db
11% Popularity • 64% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 92% Positiveness
11% Popularity • 64% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 92% Positiveness
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Little Ann
What Should I Do
126 bpm • F Maj • 02:09 • -8db
20% Popularity • 55% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
20% Popularity • 55% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Lee Jones
Need of Love
126 bpm • B Maj • 03:19 • -8.52db
10% Popularity • 54% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
10% Popularity • 54% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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Mitty Collier
Pain
118 bpm • A# min • 02:31 • -7.47db
23% Popularity • 74% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
23% Popularity • 74% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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Teddy Hill & The Southern Soul
Don't Go with Him
118 bpm • D min • 02:27 • -12.58db
4% Popularity • 59% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
4% Popularity • 59% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Bobby Hebb
Betty Jo From Ohio
118 bpm • E Maj • 02:20 • -5.18db
11% Popularity • 68% Danceability • 76% Energy • 11% Liveness
74% Instrumentalness • 93% Positiveness
11% Popularity • 68% Danceability • 76% Energy • 11% Liveness
74% Instrumentalness • 93% Positiveness
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Ernie K-Doe
Tain't It The Truth
127 bpm • D# Maj • 02:33 • -11.87db
29% Popularity • 52% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 52% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Jimmy Soul
One Million Tears
127 bpm • F Maj • 02:29 • -7.79db
13% Popularity • 62% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
13% Popularity • 62% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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The Falcons
Since You've Been Gone
117 bpm • F Maj • 02:07 • -7.27db
10% Popularity • 63% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
10% Popularity • 63% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Marie "Queenie" Lyons
Daddy's House
117 bpm • C Maj • 03:12 • -10.95db
9% Popularity • 73% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
9% Popularity • 73% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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The Sensations
Lonely World
127 bpm • B min • 02:32 • -5.55db
11% Popularity • 40% Danceability • 84% Energy • 80% Liveness
0% Instrumentalness • 62% Positiveness
11% Popularity • 40% Danceability • 84% Energy • 80% Liveness
0% Instrumentalness • 62% Positiveness
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Geiger
Picture of a Fantasy
117 bpm • G# Maj • 03:14 • -11.4db
20% Popularity • 43% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
20% Popularity • 43% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Frank Wilson
A Toast To The Lady
127 bpm • A# min • 02:45 • -10db
10% Popularity • 60% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
10% Popularity • 60% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
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Joe Simon
I See Your Face
127 bpm • A Maj • 02:30 • -10.75db
11% Popularity • 55% Danceability • 41% Energy • 29% Liveness
0% Instrumentalness • 72% Positiveness
11% Popularity • 55% Danceability • 41% Energy • 29% Liveness
0% Instrumentalness • 72% Positiveness
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Sonics Band
Funky Wolf
127 bpm • C Maj • 03:40 • -9.81db
9% Popularity • 49% Danceability • 78% Energy • 29% Liveness
0% Instrumentalness • 84% Positiveness
9% Popularity • 49% Danceability • 78% Energy • 29% Liveness
0% Instrumentalness • 84% Positiveness
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Buster Benton
Catch Up With the World
117 bpm • A Maj • 02:13 • -7.36db
16% Popularity • 74% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
16% Popularity • 74% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Renaldo Domino
Give Up The Love
117 bpm • C# min • 03:52 • -5.8db
9% Popularity • 66% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 94% Positiveness
9% Popularity • 66% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 94% Positiveness
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Earnest Mosley
Stubborn Heart
127 bpm • D# min • 02:23 • -5.28db
10% Popularity • 63% Danceability • 76% Energy • 53% Liveness
0% Instrumentalness • 85% Positiveness
10% Popularity • 63% Danceability • 76% Energy • 53% Liveness
0% Instrumentalness • 85% Positiveness
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Charlie Rich
Finally Found Out - Remastered 2023
127 bpm • F Maj • 02:21 • -4.83db
13% Popularity • 73% Danceability • 83% Energy • 12% Liveness
1% Instrumentalness • 83% Positiveness
13% Popularity • 73% Danceability • 83% Energy • 12% Liveness
1% Instrumentalness • 83% Positiveness
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Harvey Scales
Glamour Girl
127 bpm • C Maj • 02:49 • -3.73db
15% Popularity • 52% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
15% Popularity • 52% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Bob & Gene
I Really Love You
127 bpm • G Maj • 02:37 • -7.11db
17% Popularity • 50% Danceability • 72% Energy • 8% Liveness
44% Instrumentalness • 70% Positiveness
17% Popularity • 50% Danceability • 72% Energy • 8% Liveness
44% Instrumentalness • 70% Positiveness
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Eddie Giles
Losin' Boy
117 bpm • D Maj • 03:07 • -6.42db
14% Popularity • 62% Danceability • 67% Energy • 15% Liveness
1% Instrumentalness • 76% Positiveness
14% Popularity • 62% Danceability • 67% Energy • 15% Liveness
1% Instrumentalness • 76% Positiveness
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Helene Smith
You Got to Do Your Share
127 bpm • A Maj • 02:26 • -5.3db
17% Popularity • 49% Danceability • 84% Energy • 5% Liveness
1% Instrumentalness • 78% Positiveness
17% Popularity • 49% Danceability • 84% Energy • 5% Liveness
1% Instrumentalness • 78% Positiveness
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The Brothers Of Soul
I'd Be Grateful
117 bpm • F Maj • 02:33 • -8.74db
12% Popularity • 71% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
12% Popularity • 71% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Joe Haywood
Sadie Mae
128 bpm • C Maj • 02:42 • -12.26db
0% Popularity • 70% Danceability • 34% Energy • 7% Liveness
21% Instrumentalness • 58% Positiveness
0% Popularity • 70% Danceability • 34% Energy • 7% Liveness
21% Instrumentalness • 58% Positiveness
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Billy Stewart
Fat Boy's Boogaloo
117 bpm • G Maj • 02:39 • -7db
13% Popularity • 70% Danceability • 64% Energy • 5% Liveness
2% Instrumentalness • 76% Positiveness
13% Popularity • 70% Danceability • 64% Energy • 5% Liveness
2% Instrumentalness • 76% Positiveness
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Johnny Thunder
Al-La-Wetta
116 bpm • G Maj • 02:16 • -11.28db
11% Popularity • 75% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 75% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Eddie Jefferson
Some Other Time
116 bpm • A Maj • 01:57 • -6.3db
8% Popularity • 74% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
8% Popularity • 74% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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L. Daniels
Nitecap
128 bpm • C Maj • 02:19 • -8.57db
16% Popularity • 39% Danceability • 81% Energy • 7% Liveness
89% Instrumentalness • 61% Positiveness
16% Popularity • 39% Danceability • 81% Energy • 7% Liveness
89% Instrumentalness • 61% Positiveness
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Junior Parker
Just to Hold My Hand
128 bpm • F min • 03:53 • -17.96db
11% Popularity • 76% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
11% Popularity • 76% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
