Songs like Play Some Rave For Me - Original Mix by stranger
Based on a tempo of (+/- 10%) and a similar genre
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Introversion
Onryo
133 bpm • G# Maj • 07:01 • -7db
13% Popularity • 74% Danceability • 98% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
13% Popularity • 74% Danceability • 98% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
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Klangkuenstler
Das Schattenreich
133 bpm • F# Maj • 06:53 • -6.85db
22% Popularity • 62% Danceability • 92% Energy • 4% Liveness
85% Instrumentalness • 27% Positiveness
22% Popularity • 62% Danceability • 92% Energy • 4% Liveness
85% Instrumentalness • 27% Positiveness
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Shlomi Aber
Zohar
133 bpm • D Maj • 05:51 • -9.86db
14% Popularity • 75% Danceability • 91% Energy • 11% Liveness
89% Instrumentalness • 5% Positiveness
14% Popularity • 75% Danceability • 91% Energy • 11% Liveness
89% Instrumentalness • 5% Positiveness
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Kobosil
Backmask N
133 bpm • C Maj • 05:54 • -7db
22% Popularity • 72% Danceability • 93% Energy • 12% Liveness
92% Instrumentalness • 37% Positiveness
22% Popularity • 72% Danceability • 93% Energy • 12% Liveness
92% Instrumentalness • 37% Positiveness
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stranger
Paranoid Dancer
133 bpm • E min • 05:48 • -8.46db
11% Popularity • 59% Danceability • 65% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
11% Popularity • 59% Danceability • 65% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Remco Beekwilder
LSD - Original Mix
133 bpm • A min • 05:21 • -7.38db
33% Popularity • 62% Danceability • 81% Energy • 11% Liveness
95% Instrumentalness • 12% Positiveness
33% Popularity • 62% Danceability • 81% Energy • 11% Liveness
95% Instrumentalness • 12% Positiveness
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Under Black Helmet
Staring Into Yellow Eyes
133 bpm • A# min • 05:50 • -10db
20% Popularity • 79% Danceability • 98% Energy • 20% Liveness
93% Instrumentalness • 45% Positiveness
20% Popularity • 79% Danceability • 98% Energy • 20% Liveness
93% Instrumentalness • 45% Positiveness
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Escape to Mars
Prophecy Of The Unknown Signs
133 bpm • D Maj • 07:51 • -8.38db
8% Popularity • 67% Danceability • 89% Energy • 11% Liveness
94% Instrumentalness • 38% Positiveness
8% Popularity • 67% Danceability • 89% Energy • 11% Liveness
94% Instrumentalness • 38% Positiveness
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Tim Tama
Rules Of The Industry
133 bpm • G# Maj • 07:09 • -6db
15% Popularity • 59% Danceability • 87% Energy • 36% Liveness
91% Instrumentalness • 8% Positiveness
15% Popularity • 59% Danceability • 87% Energy • 36% Liveness
91% Instrumentalness • 8% Positiveness
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MATRiXXMAN
Reckoning
133 bpm • C# Maj • 06:35 • -13.29db
16% Popularity • 79% Danceability • 79% Energy • 16% Liveness
93% Instrumentalness • 28% Positiveness
16% Popularity • 79% Danceability • 79% Energy • 16% Liveness
93% Instrumentalness • 28% Positiveness
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Keith Carnal
Any Given Name
133 bpm • A Maj • 06:03 • -14db
7% Popularity • 79% Danceability • 57% Energy • 11% Liveness
92% Instrumentalness • 46% Positiveness
7% Popularity • 79% Danceability • 57% Energy • 11% Liveness
92% Instrumentalness • 46% Positiveness
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Remco Beekwilder
Rave Mood - Original Mix
133 bpm • G Maj • 07:00 • -7db
16% Popularity • 55% Danceability • 94% Energy • 12% Liveness
79% Instrumentalness • 17% Positiveness
16% Popularity • 55% Danceability • 94% Energy • 12% Liveness
79% Instrumentalness • 17% Positiveness
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SHDW & Obscure Shape
Der Sturm
133 bpm • E min • 06:29 • -6.89db
7% Popularity • 52% Danceability • 96% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
7% Popularity • 52% Danceability • 96% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
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stranger
Threevided - Original Mix
133 bpm • B min • 04:50 • -11.89db
2% Popularity • 74% Danceability • 84% Energy • 16% Liveness
89% Instrumentalness • 7% Positiveness
2% Popularity • 74% Danceability • 84% Energy • 16% Liveness
89% Instrumentalness • 7% Positiveness
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Alien Rain
Believe or Not
133 bpm • G Maj • 06:10 • -11db
14% Popularity • 73% Danceability • 96% Energy • 11% Liveness
91% Instrumentalness • 14% Positiveness
14% Popularity • 73% Danceability • 96% Energy • 11% Liveness
91% Instrumentalness • 14% Positiveness
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MATRiXXMAN
Vortex
133 bpm • F# Maj • 06:39 • -11db
22% Popularity • 76% Danceability • 84% Energy • 10% Liveness
84% Instrumentalness • 39% Positiveness
22% Popularity • 76% Danceability • 84% Energy • 10% Liveness
84% Instrumentalness • 39% Positiveness
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D.Dan
Take It Easy
133 bpm • F min • 05:39 • -8.62db
15% Popularity • 66% Danceability • 94% Energy • 9% Liveness
94% Instrumentalness • 29% Positiveness
15% Popularity • 66% Danceability • 94% Energy • 9% Liveness
94% Instrumentalness • 29% Positiveness
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Remco Beekwilder
Human Mind - Original Mix
133 bpm • F# min • 07:17 • -9db
8% Popularity • 64% Danceability • 88% Energy • 11% Liveness
91% Instrumentalness • 27% Positiveness
8% Popularity • 64% Danceability • 88% Energy • 11% Liveness
91% Instrumentalness • 27% Positiveness
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SRVD
Talking 2 B Mad
133 bpm • D Maj • 09:09 • -9.97db
19% Popularity • 71% Danceability • 64% Energy • 7% Liveness
88% Instrumentalness • 3% Positiveness
19% Popularity • 71% Danceability • 64% Energy • 7% Liveness
88% Instrumentalness • 3% Positiveness
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Kobosil
Konvergent
133 bpm • C# Maj • 05:52 • -12db
13% Popularity • 80% Danceability • 79% Energy • 10% Liveness
43% Instrumentalness • 5% Positiveness
13% Popularity • 80% Danceability • 79% Energy • 10% Liveness
43% Instrumentalness • 5% Positiveness
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Paula Temple
Joshua And Goliath - Techno Version
133 bpm • B min • 04:00 • -9.46db
17% Popularity • 58% Danceability • 70% Energy • 12% Liveness
84% Instrumentalness • 6% Positiveness
17% Popularity • 58% Danceability • 70% Energy • 12% Liveness
84% Instrumentalness • 6% Positiveness
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Under Black Helmet
Have You Ever Had a Dream
133 bpm • B min • 06:04 • -7db
28% Popularity • 68% Danceability • 93% Energy • 9% Liveness
84% Instrumentalness • 5% Positiveness
28% Popularity • 68% Danceability • 93% Energy • 9% Liveness
84% Instrumentalness • 5% Positiveness
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FJAAK
The Tube
133 bpm • D# min • 06:32 • -10.27db
23% Popularity • 79% Danceability • 62% Energy • 11% Liveness
85% Instrumentalness • 7% Positiveness
23% Popularity • 79% Danceability • 62% Energy • 11% Liveness
85% Instrumentalness • 7% Positiveness
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Setaoc Mass
Floating - Original Mix
133 bpm • F# Maj • 06:20 • -11.06db
14% Popularity • 79% Danceability • 80% Energy • 12% Liveness
93% Instrumentalness • 30% Positiveness
14% Popularity • 79% Danceability • 80% Energy • 12% Liveness
93% Instrumentalness • 30% Positiveness
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SHDW & Obscure Shape
Himmel Und Erde
133 bpm • G Maj • 06:04 • -7.92db
27% Popularity • 72% Danceability • 82% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
27% Popularity • 72% Danceability • 82% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Kobosil
Avernian
133 bpm • G# Maj • 05:23 • -11db
36% Popularity • 87% Danceability • 48% Energy • 11% Liveness
91% Instrumentalness • 35% Positiveness
36% Popularity • 87% Danceability • 48% Energy • 11% Liveness
91% Instrumentalness • 35% Positiveness
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Rene Wise
190204
133 bpm • B Maj • 04:49 • -9.22db
27% Popularity • 79% Danceability • 92% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
27% Popularity • 79% Danceability • 92% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
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Shlømo
XV3
133 bpm • E min • 07:17 • -10.48db
12% Popularity • 71% Danceability • 94% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
12% Popularity • 71% Danceability • 94% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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stranger
Play Some Rave For Me - Original Mix
133 bpm • G Maj • 05:21 • -10db
13% Popularity • 64% Danceability • 75% Energy • 11% Liveness
87% Instrumentalness • 10% Positiveness
13% Popularity • 64% Danceability • 75% Energy • 11% Liveness
87% Instrumentalness • 10% Positiveness
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Setaoc Mass
Eurhythmic - Original
133 bpm • A# min • 05:53 • -10.97db
16% Popularity • 62% Danceability • 82% Energy • 10% Liveness
92% Instrumentalness • 31% Positiveness
16% Popularity • 62% Danceability • 82% Energy • 10% Liveness
92% Instrumentalness • 31% Positiveness
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Ellen Allien
Bowie in Harmony - FJAAK Remix
133 bpm • A# min • 05:12 • -8.14db
13% Popularity • 70% Danceability • 86% Energy • 9% Liveness
85% Instrumentalness • 7% Positiveness
13% Popularity • 70% Danceability • 86% Energy • 9% Liveness
85% Instrumentalness • 7% Positiveness
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Somewhen
Null Drift
133 bpm • F# Maj • 06:11 • -11.97db
8% Popularity • 67% Danceability • 71% Energy • 10% Liveness
80% Instrumentalness • 57% Positiveness
8% Popularity • 67% Danceability • 71% Energy • 10% Liveness
80% Instrumentalness • 57% Positiveness
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Karenn
Rek
133 bpm • G Maj • 06:14 • -11.98db
13% Popularity • 73% Danceability • 82% Energy • 13% Liveness
89% Instrumentalness • 12% Positiveness
13% Popularity • 73% Danceability • 82% Energy • 13% Liveness
89% Instrumentalness • 12% Positiveness
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Rene Wise
190205
133 bpm • F# min • 06:17 • -10.05db
28% Popularity • 58% Danceability • 89% Energy • 10% Liveness
92% Instrumentalness • 37% Positiveness
28% Popularity • 58% Danceability • 89% Energy • 10% Liveness
92% Instrumentalness • 37% Positiveness
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stranger
Silent Frustration
133 bpm • A Maj • 04:38 • -10.81db
1% Popularity • 77% Danceability • 97% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
1% Popularity • 77% Danceability • 97% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Moteka
Space Nation
133 bpm • E Maj • 06:04 • -12.63db
13% Popularity • 58% Danceability • 56% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
13% Popularity • 58% Danceability • 56% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
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Ansome
Stowaway
133 bpm • G Maj • 05:10 • -3.8db
9% Popularity • 65% Danceability • 100% Energy • 12% Liveness
57% Instrumentalness • 8% Positiveness
9% Popularity • 65% Danceability • 100% Energy • 12% Liveness
57% Instrumentalness • 8% Positiveness
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Robert Hood
The Cure
133 bpm • C# Maj • 06:51 • -9.16db
14% Popularity • 69% Danceability • 96% Energy • 10% Liveness
77% Instrumentalness • 9% Positiveness
14% Popularity • 69% Danceability • 96% Energy • 10% Liveness
77% Instrumentalness • 9% Positiveness
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Karenn
Pace Yourself
133 bpm • A# min • 06:37 • -8.28db
18% Popularity • 62% Danceability • 83% Energy • 10% Liveness
85% Instrumentalness • 16% Positiveness
18% Popularity • 62% Danceability • 83% Energy • 10% Liveness
85% Instrumentalness • 16% Positiveness
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Marcel Dettmann
No One Around
133 bpm • G Maj • 04:34 • -13.47db
26% Popularity • 65% Danceability • 47% Energy • 13% Liveness
74% Instrumentalness • 41% Positiveness
26% Popularity • 65% Danceability • 47% Energy • 13% Liveness
74% Instrumentalness • 41% Positiveness
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Ellen Allien
Free Society
133 bpm • G Maj • 05:48 • -6.91db
16% Popularity • 70% Danceability • 88% Energy • 9% Liveness
93% Instrumentalness • 17% Positiveness
16% Popularity • 70% Danceability • 88% Energy • 9% Liveness
93% Instrumentalness • 17% Positiveness
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FJAAK
MARTIN
134 bpm • G Maj • 04:42 • -10.29db
19% Popularity • 69% Danceability • 87% Energy • 11% Liveness
87% Instrumentalness • 34% Positiveness
19% Popularity • 69% Danceability • 87% Energy • 11% Liveness
87% Instrumentalness • 34% Positiveness
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The Advent
The Vault
134 bpm • D Maj • 05:21 • -9.85db
10% Popularity • 70% Danceability • 97% Energy • 17% Liveness
94% Instrumentalness • 63% Positiveness
10% Popularity • 70% Danceability • 97% Energy • 17% Liveness
94% Instrumentalness • 63% Positiveness
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stranger
DSTRY - Original Mix
132 bpm • B Maj • 05:12 • -9.33db
2% Popularity • 59% Danceability • 86% Energy • 37% Liveness
80% Instrumentalness • 44% Positiveness
2% Popularity • 59% Danceability • 86% Energy • 37% Liveness
80% Instrumentalness • 44% Positiveness
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Surgeon
Raw Trax 5
134 bpm • F# min • 04:58 • -5.58db
9% Popularity • 75% Danceability • 96% Energy • 13% Liveness
81% Instrumentalness • 46% Positiveness
9% Popularity • 75% Danceability • 96% Energy • 13% Liveness
81% Instrumentalness • 46% Positiveness
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Scalameriya
Crucible
134 bpm • A# min • 04:49 • -6.29db
9% Popularity • 71% Danceability • 97% Energy • 39% Liveness
95% Instrumentalness • 60% Positiveness
9% Popularity • 71% Danceability • 97% Energy • 39% Liveness
95% Instrumentalness • 60% Positiveness
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Ritzi Lee
Traction
134 bpm • E min • 04:47 • -9.44db
9% Popularity • 83% Danceability • 86% Energy • 13% Liveness
91% Instrumentalness • 7% Positiveness
9% Popularity • 83% Danceability • 86% Energy • 13% Liveness
91% Instrumentalness • 7% Positiveness
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Remco Beekwilder
Nightlife
134 bpm • F# min • 06:05 • -5.98db
13% Popularity • 68% Danceability • 96% Energy • 60% Liveness
89% Instrumentalness • 4% Positiveness
13% Popularity • 68% Danceability • 96% Energy • 60% Liveness
89% Instrumentalness • 4% Positiveness
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SHDW
Wächter der Nacht
134 bpm • G Maj • 05:29 • -6.98db
17% Popularity • 77% Danceability • 94% Energy • 11% Liveness
94% Instrumentalness • 22% Positiveness
17% Popularity • 77% Danceability • 94% Energy • 11% Liveness
94% Instrumentalness • 22% Positiveness
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David Löhlein
Altai - Rene Wise Remix
134 bpm • G Maj • 05:38 • -6.79db
19% Popularity • 68% Danceability • 97% Energy • 27% Liveness
86% Instrumentalness • 22% Positiveness
19% Popularity • 68% Danceability • 97% Energy • 27% Liveness
86% Instrumentalness • 22% Positiveness
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Chris Liebing
Acid Trezcore
134 bpm • C# min • 04:48 • -4.61db
14% Popularity • 60% Danceability • 99% Energy • 17% Liveness
88% Instrumentalness • 27% Positiveness
14% Popularity • 60% Danceability • 99% Energy • 17% Liveness
88% Instrumentalness • 27% Positiveness
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Charles Fenckler
Stellar Acid
132 bpm • B Maj • 07:11 • -11.16db
20% Popularity • 61% Danceability • 71% Energy • 7% Liveness
91% Instrumentalness • 16% Positiveness
20% Popularity • 61% Danceability • 71% Energy • 7% Liveness
91% Instrumentalness • 16% Positiveness
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Cadency
Digitally Controlled Emotionless Systems
134 bpm • G Maj • 04:57 • -6.8db
3% Popularity • 57% Danceability • 86% Energy • 11% Liveness
87% Instrumentalness • 59% Positiveness
3% Popularity • 57% Danceability • 86% Energy • 11% Liveness
87% Instrumentalness • 59% Positiveness
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Keith Carnal
Chasing Ghosts
134 bpm • B min • 06:07 • -11.73db
10% Popularity • 72% Danceability • 58% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
10% Popularity • 72% Danceability • 58% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
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Developer
Get Down Motive
132 bpm • B min • 06:48 • -16db
15% Popularity • 80% Danceability • 48% Energy • 11% Liveness
87% Instrumentalness • 9% Positiveness
15% Popularity • 80% Danceability • 48% Energy • 11% Liveness
87% Instrumentalness • 9% Positiveness
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Subjected
Tropfmeise
134 bpm • F# min • 06:41 • -10.44db
8% Popularity • 79% Danceability • 84% Energy • 10% Liveness
88% Instrumentalness • 38% Positiveness
8% Popularity • 79% Danceability • 84% Energy • 10% Liveness
88% Instrumentalness • 38% Positiveness
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LSD
Process 1
134 bpm • A# min • 05:08 • -10.59db
10% Popularity • 59% Danceability • 77% Energy • 11% Liveness
94% Instrumentalness • 26% Positiveness
10% Popularity • 59% Danceability • 77% Energy • 11% Liveness
94% Instrumentalness • 26% Positiveness
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Amotik
Solah
134 bpm • C# Maj • 07:13 • -7.47db
24% Popularity • 61% Danceability • 84% Energy • 11% Liveness
93% Instrumentalness • 14% Positiveness
24% Popularity • 61% Danceability • 84% Energy • 11% Liveness
93% Instrumentalness • 14% Positiveness
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SHDW & Obscure Shape
Tränen Der Sonne
134 bpm • F Maj • 05:37 • -6.93db
9% Popularity • 79% Danceability • 96% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
9% Popularity • 79% Danceability • 96% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
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Rod
Welcome Back Mama (FJAAK Remix)
132 bpm • G# min • 06:00 • -10.27db
13% Popularity • 63% Danceability • 78% Energy • 11% Liveness
94% Instrumentalness • 53% Positiveness
13% Popularity • 63% Danceability • 78% Energy • 11% Liveness
94% Instrumentalness • 53% Positiveness
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Slam
Revolve
132 bpm • G Maj • 06:40 • -8.13db
11% Popularity • 79% Danceability • 93% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
11% Popularity • 79% Danceability • 93% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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stranger
Motief
134 bpm • F# Maj • 05:47 • -13.16db
2% Popularity • 76% Danceability • 82% Energy • 11% Liveness
92% Instrumentalness • 18% Positiveness
2% Popularity • 76% Danceability • 82% Energy • 11% Liveness
92% Instrumentalness • 18% Positiveness
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Ansome
Dragons Dynamite - Perc Remix
134 bpm • C# Maj • 06:00 • -6.64db
12% Popularity • 63% Danceability • 91% Energy • 21% Liveness
92% Instrumentalness • 38% Positiveness
12% Popularity • 63% Danceability • 91% Energy • 21% Liveness
92% Instrumentalness • 38% Positiveness
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Endlec
Force of Future
134 bpm • A# min • 06:30 • -7.31db
12% Popularity • 72% Danceability • 94% Energy • 12% Liveness
89% Instrumentalness • 25% Positiveness
12% Popularity • 72% Danceability • 94% Energy • 12% Liveness
89% Instrumentalness • 25% Positiveness
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Under Black Helmet
Jagged
134 bpm • E Maj • 06:05 • -11.49db
24% Popularity • 70% Danceability • 89% Energy • 11% Liveness
88% Instrumentalness • 58% Positiveness
24% Popularity • 70% Danceability • 89% Energy • 11% Liveness
88% Instrumentalness • 58% Positiveness
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Bjarki
This 5321
132 bpm • A# min • 04:52 • -11.37db
27% Popularity • 70% Danceability • 94% Energy • 11% Liveness
94% Instrumentalness • 38% Positiveness
27% Popularity • 70% Danceability • 94% Energy • 11% Liveness
94% Instrumentalness • 38% Positiveness
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I Hate Models
Warehouse Memories - Emmanuel AKNF Remix
132 bpm • D min • 05:35 • -7.68db
20% Popularity • 52% Danceability • 93% Energy • 9% Liveness
64% Instrumentalness • 5% Positiveness
20% Popularity • 52% Danceability • 93% Energy • 9% Liveness
64% Instrumentalness • 5% Positiveness
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Introversion
When Anger Rises
132 bpm • B min • 07:18 • -8.38db
7% Popularity • 72% Danceability • 86% Energy • 11% Liveness
84% Instrumentalness • 17% Positiveness
7% Popularity • 72% Danceability • 86% Energy • 11% Liveness
84% Instrumentalness • 17% Positiveness
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FJAAK
Transmission
132 bpm • C Maj • 05:18 • -6.24db
14% Popularity • 67% Danceability • 90% Energy • 11% Liveness
84% Instrumentalness • 43% Positiveness
14% Popularity • 67% Danceability • 90% Energy • 11% Liveness
84% Instrumentalness • 43% Positiveness
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ABSL
K
132 bpm • A# min • 08:35 • -10.24db
14% Popularity • 61% Danceability • 93% Energy • 71% Liveness
86% Instrumentalness • 4% Positiveness
14% Popularity • 61% Danceability • 93% Energy • 71% Liveness
86% Instrumentalness • 4% Positiveness
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Remco Beekwilder
Another Life - Original Mix
134 bpm • E Maj • 06:16 • -5.89db
0% Popularity • 63% Danceability • 93% Energy • 22% Liveness
81% Instrumentalness • 18% Positiveness
0% Popularity • 63% Danceability • 93% Energy • 22% Liveness
81% Instrumentalness • 18% Positiveness
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Héctor Oaks
We Met Under The Strobe Light
134 bpm • F# min • 05:45 • -7.74db
27% Popularity • 68% Danceability • 100% Energy • 10% Liveness
85% Instrumentalness • 21% Positiveness
27% Popularity • 68% Danceability • 100% Energy • 10% Liveness
85% Instrumentalness • 21% Positiveness
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Amotik
Barah
134 bpm • C# Maj • 06:19 • -7.52db
23% Popularity • 64% Danceability • 84% Energy • 10% Liveness
87% Instrumentalness • 15% Positiveness
23% Popularity • 64% Danceability • 84% Energy • 10% Liveness
87% Instrumentalness • 15% Positiveness
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Kwartz
Show me that light - Cleric Remix
134 bpm • E min • 06:24 • -13.56db
20% Popularity • 74% Danceability • 67% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
20% Popularity • 74% Danceability • 67% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Parallx
Lost in Time - Original Mix
134 bpm • C Maj • 07:01 • -8db
13% Popularity • 90% Danceability • 73% Energy • 11% Liveness
89% Instrumentalness • 23% Positiveness
13% Popularity • 90% Danceability • 73% Energy • 11% Liveness
89% Instrumentalness • 23% Positiveness
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Setaoc Mass
Torque
132 bpm • G Maj • 05:52 • -10.55db
23% Popularity • 63% Danceability • 80% Energy • 11% Liveness
75% Instrumentalness • 9% Positiveness
23% Popularity • 63% Danceability • 80% Energy • 11% Liveness
75% Instrumentalness • 9% Positiveness
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Remco Beekwilder
No Limit
132 bpm • F# min • 05:52 • -7.58db
1% Popularity • 55% Danceability • 98% Energy • 69% Liveness
90% Instrumentalness • 4% Positiveness
1% Popularity • 55% Danceability • 98% Energy • 69% Liveness
90% Instrumentalness • 4% Positiveness
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Introversion
Global Killer
132 bpm • C# Maj • 06:44 • -11.2db
12% Popularity • 66% Danceability • 71% Energy • 10% Liveness
87% Instrumentalness • 7% Positiveness
12% Popularity • 66% Danceability • 71% Energy • 10% Liveness
87% Instrumentalness • 7% Positiveness
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Cadency
Unbroken
134 bpm • A# min • 06:16 • -10.02db
9% Popularity • 55% Danceability • 90% Energy • 11% Liveness
77% Instrumentalness • 48% Positiveness
9% Popularity • 55% Danceability • 90% Energy • 11% Liveness
77% Instrumentalness • 48% Positiveness
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Planetary Assault Systems
Give It Up
132 bpm • F# Maj • 05:19 • -11.14db
12% Popularity • 65% Danceability • 81% Energy • 8% Liveness
96% Instrumentalness • 19% Positiveness
12% Popularity • 65% Danceability • 81% Energy • 8% Liveness
96% Instrumentalness • 19% Positiveness
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AIROD
Acid Effect
132 bpm • A# min • 05:20 • -9.64db
16% Popularity • 65% Danceability • 93% Energy • 8% Liveness
80% Instrumentalness • 5% Positiveness
16% Popularity • 65% Danceability • 93% Energy • 8% Liveness
80% Instrumentalness • 5% Positiveness
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Tim Tama
Duality
132 bpm • B min • 07:30 • -9.32db
14% Popularity • 66% Danceability • 81% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
14% Popularity • 66% Danceability • 81% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
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Amelie Lens
Render
132 bpm • F# min • 06:53 • -12.52db
12% Popularity • 76% Danceability • 94% Energy • 11% Liveness
95% Instrumentalness • 55% Positiveness
12% Popularity • 76% Danceability • 94% Energy • 11% Liveness
95% Instrumentalness • 55% Positiveness
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Introversion
Call To Adventure - Original Mix
132 bpm • A# min • 06:56 • -8db
16% Popularity • 66% Danceability • 96% Energy • 11% Liveness
85% Instrumentalness • 29% Positiveness
16% Popularity • 66% Danceability • 96% Energy • 11% Liveness
85% Instrumentalness • 29% Positiveness
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Truncate
Level Up
132 bpm • F# min • 03:49 • -11db
31% Popularity • 78% Danceability • 71% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
31% Popularity • 78% Danceability • 71% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Djedjotronic
Take Me Down - Janzon Remix
134 bpm • D Maj • 06:16 • -5.95db
7% Popularity • 66% Danceability • 79% Energy • 11% Liveness
13% Instrumentalness • 37% Positiveness
7% Popularity • 66% Danceability • 79% Energy • 11% Liveness
13% Instrumentalness • 37% Positiveness
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Alien Rain
1995
134 bpm • F# min • 06:05 • -12.09db
8% Popularity • 70% Danceability • 89% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
8% Popularity • 70% Danceability • 89% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Jamie Haus
Broken Form - stranger Remix
132 bpm • C# Maj • 05:50 • -9.1db
0% Popularity • 78% Danceability • 93% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
0% Popularity • 78% Danceability • 93% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
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Thomas Hessler
Rise
132 bpm • E min • 06:03 • -9.33db
9% Popularity • 77% Danceability • 75% Energy • 10% Liveness
86% Instrumentalness • 68% Positiveness
9% Popularity • 77% Danceability • 75% Energy • 10% Liveness
86% Instrumentalness • 68% Positiveness
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dotwav
Vilnius - Introversion Remix
132 bpm • G Maj • 07:52 • -10.94db
9% Popularity • 67% Danceability • 85% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
9% Popularity • 67% Danceability • 85% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
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Introversion
Challenger
132 bpm • E min • 07:06 • -9db
15% Popularity • 61% Danceability • 81% Energy • 11% Liveness
85% Instrumentalness • 20% Positiveness
15% Popularity • 61% Danceability • 81% Energy • 11% Liveness
85% Instrumentalness • 20% Positiveness
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Setaoc Mass
Light falls - Original
132 bpm • G Maj • 05:27 • -11db
17% Popularity • 67% Danceability • 85% Energy • 9% Liveness
84% Instrumentalness • 19% Positiveness
17% Popularity • 67% Danceability • 85% Energy • 9% Liveness
84% Instrumentalness • 19% Positiveness
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Amotik
Unnees
132 bpm • C# Maj • 05:52 • -12db
14% Popularity • 77% Danceability • 62% Energy • 11% Liveness
94% Instrumentalness • 10% Positiveness
14% Popularity • 77% Danceability • 62% Energy • 11% Liveness
94% Instrumentalness • 10% Positiveness
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Andre Kronert
Terminus - Jonas Kopp Torture Mix
132 bpm • B min • 06:08 • -9.96db
17% Popularity • 78% Danceability • 71% Energy • 7% Liveness
51% Instrumentalness • 16% Positiveness
17% Popularity • 78% Danceability • 71% Energy • 7% Liveness
51% Instrumentalness • 16% Positiveness
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stranger
Blistering Cold
134 bpm • A# min • 06:43 • -11.92db
1% Popularity • 76% Danceability • 86% Energy • 9% Liveness
94% Instrumentalness • 8% Positiveness
1% Popularity • 76% Danceability • 86% Energy • 9% Liveness
94% Instrumentalness • 8% Positiveness
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Parallx
Red Clouds - Somewhen Falling Ashes Mix
134 bpm • B min • 05:57 • -9.53db
15% Popularity • 72% Danceability • 79% Energy • 7% Liveness
85% Instrumentalness • 10% Positiveness
15% Popularity • 72% Danceability • 79% Energy • 7% Liveness
85% Instrumentalness • 10% Positiveness
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3KZ
Bounder - Mark Broom Remix
132 bpm • C Maj • 05:50 • -9db
13% Popularity • 79% Danceability • 89% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
13% Popularity • 79% Danceability • 89% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
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Introversion
Duat
132 bpm • G# min • 06:10 • -7.84db
11% Popularity • 66% Danceability • 99% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
11% Popularity • 66% Danceability • 99% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
