Songs like Play the Curve by Blue Bull
Based on a tempo of (+/- 10%) and a similar genre
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Cleveland Crochet
Sugar Bee
140 bpm • D Maj • 02:36 • -7.7db
9% Popularity • 71% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
9% Popularity • 71% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Eli "Paperboy" Reed
Walkin' and Talkin' (For My Baby)
139 bpm • G min • 01:55 • -2.54db
9% Popularity • 50% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
9% Popularity • 50% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Mable John
Ain't Giving It Up
140 bpm • C Maj • 02:49 • -10.36db
11% Popularity • 74% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
11% Popularity • 74% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Frankie Lee Sims
She Likes To Boogie Real Low
141 bpm • C# Maj • 02:08 • -8db
21% Popularity • 65% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
21% Popularity • 65% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
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Lowell Fulson
Check Yourself
141 bpm • F min • 03:01 • -14.61db
14% Popularity • 61% Danceability • 26% Energy • 27% Liveness
0% Instrumentalness • 83% Positiveness
14% Popularity • 61% Danceability • 26% Energy • 27% Liveness
0% Instrumentalness • 83% Positiveness
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Clifton Chenier
Ti Na Na
141 bpm • D# Maj • 03:15 • -8.39db
11% Popularity • 44% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
11% Popularity • 44% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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John Brim
Gary Stomp
141 bpm • F Maj • 02:48 • -11.84db
14% Popularity • 72% Danceability • 47% Energy • 11% Liveness
92% Instrumentalness • 96% Positiveness
14% Popularity • 72% Danceability • 47% Energy • 11% Liveness
92% Instrumentalness • 96% Positiveness
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Faye Adams
Johnnie Lee
141 bpm • A Maj • 02:14 • -5.1db
9% Popularity • 74% Danceability • 80% Energy • 2% Liveness
6% Instrumentalness • 74% Positiveness
9% Popularity • 74% Danceability • 80% Energy • 2% Liveness
6% Instrumentalness • 74% Positiveness
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Professor Longhair
Oh Well
141 bpm • A# Maj • 02:26 • -9.48db
8% Popularity • 52% Danceability • 58% Energy • 13% Liveness
73% Instrumentalness • 73% Positiveness
8% Popularity • 52% Danceability • 58% Energy • 13% Liveness
73% Instrumentalness • 73% Positiveness
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J.B. Lenoir
Five Years
141 bpm • D Maj • 01:46 • -10.36db
12% Popularity • 70% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
12% Popularity • 70% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Willie Dixon
Crazy For My Baby
139 bpm • F Maj • 02:51 • -12.59db
22% Popularity • 72% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
22% Popularity • 72% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Sue Foley
One Hundred Dollar Bill
138 bpm • D Maj • 02:21 • -9.09db
8% Popularity • 51% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 74% Positiveness
8% Popularity • 51% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 74% Positiveness
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Screamin' Jay Hawkins
Move Me
142 bpm • C Maj • 03:01 • -9.17db
16% Popularity • 53% Danceability • 54% Energy • 12% Liveness
11% Instrumentalness • 77% Positiveness
16% Popularity • 53% Danceability • 54% Energy • 12% Liveness
11% Instrumentalness • 77% Positiveness
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Art Neville
When My Baby Went Away
142 bpm • F Maj • 01:50 • -16.11db
17% Popularity • 71% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
17% Popularity • 71% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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James Cotton
Cotton Crop Blues
138 bpm • A# Maj • 02:21 • -8.28db
7% Popularity • 47% Danceability • 62% Energy • 37% Liveness
0% Instrumentalness • 91% Positiveness
7% Popularity • 47% Danceability • 62% Energy • 37% Liveness
0% Instrumentalness • 91% Positiveness
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Eddie Bo
Every Dog Has Its Day
142 bpm • G# Maj • 02:11 • -6.87db
12% Popularity • 76% Danceability • 91% Energy • 4% Liveness
6% Instrumentalness • 96% Positiveness
12% Popularity • 76% Danceability • 91% Energy • 4% Liveness
6% Instrumentalness • 96% Positiveness
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Pat Hare
Bonus Pay
138 bpm • C Maj • 02:07 • -6db
7% Popularity • 73% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
7% Popularity • 73% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
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Slim Harpo
You'll Be Sorry One Day
138 bpm • A Maj • 02:18 • -7.06db
7% Popularity • 48% Danceability • 86% Energy • 44% Liveness
0% Instrumentalness • 67% Positiveness
7% Popularity • 48% Danceability • 86% Energy • 44% Liveness
0% Instrumentalness • 67% Positiveness
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Willie Cobbs
You Don't Love Me
138 bpm • D Maj • 02:36 • -5.84db
28% Popularity • 36% Danceability • 67% Energy • 10% Liveness
1% Instrumentalness • 65% Positiveness
28% Popularity • 36% Danceability • 67% Energy • 10% Liveness
1% Instrumentalness • 65% Positiveness
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Trini Lopez
This Little Girl Of Mine
142 bpm • C Maj • 02:22 • -9.15db
10% Popularity • 64% Danceability • 60% Energy • 15% Liveness
91% Instrumentalness • 86% Positiveness
10% Popularity • 64% Danceability • 60% Energy • 15% Liveness
91% Instrumentalness • 86% Positiveness
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Lowell Fulson
I'm a Night Owl, Pt. 1
142 bpm • F# Maj • 02:32 • -8.73db
8% Popularity • 57% Danceability • 36% Energy • 20% Liveness
2% Instrumentalness • 61% Positiveness
8% Popularity • 57% Danceability • 36% Energy • 20% Liveness
2% Instrumentalness • 61% Positiveness
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Little Willie John
(I've Got) Spring Fever
138 bpm • C Maj • 02:10 • -8.94db
13% Popularity • 72% Danceability • 40% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 72% Danceability • 40% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
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Freddie King
Driving Sideways
143 bpm • G Maj • 02:47 • -9.54db
8% Popularity • 52% Danceability • 73% Energy • 4% Liveness
3% Instrumentalness • 88% Positiveness
8% Popularity • 52% Danceability • 73% Energy • 4% Liveness
3% Instrumentalness • 88% Positiveness
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J. B. Hutto
Hip-Shakin'
137 bpm • A# Maj • 02:24 • -15.04db
16% Popularity • 70% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
16% Popularity • 70% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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Luther Johnson
Please Don't Take My Baby Nowhere
143 bpm • D Maj • 03:30 • -19.33db
7% Popularity • 66% Danceability • 20% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
7% Popularity • 66% Danceability • 20% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
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Big Maybelle
Ocean Of Tears
137 bpm • D# min • 02:29 • -10.3db
21% Popularity • 45% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
21% Popularity • 45% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Lightnin' Slim
Rooster Blues
137 bpm • A Maj • 02:32 • -10db
8% Popularity • 64% Danceability • 52% Energy • 60% Liveness
0% Instrumentalness • 70% Positiveness
8% Popularity • 64% Danceability • 52% Energy • 60% Liveness
0% Instrumentalness • 70% Positiveness
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Lazy Lester
I'm Gonna Leave You Baby
137 bpm • A# Maj • 02:12 • -7.49db
23% Popularity • 62% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 90% Positiveness
23% Popularity • 62% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 90% Positiveness
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Lightnin' Hopkins
Shake Yourself
137 bpm • G Maj • 04:04 • -9.19db
18% Popularity • 74% Danceability • 63% Energy • 12% Liveness
2% Instrumentalness • 66% Positiveness
18% Popularity • 74% Danceability • 63% Energy • 12% Liveness
2% Instrumentalness • 66% Positiveness
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Big Jay McNeely
... Back... Shack... Track
143 bpm • F# Maj • 02:39 • -9.84db
11% Popularity • 52% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
11% Popularity • 52% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Stitch
Terp
137 bpm • C Maj • 02:40 • -19.84db
13% Popularity • 64% Danceability • 38% Energy • 16% Liveness
55% Instrumentalness • 86% Positiveness
13% Popularity • 64% Danceability • 38% Energy • 16% Liveness
55% Instrumentalness • 86% Positiveness
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Snooks Eaglin
(Mama) Talk to Your Daughter
136 bpm • C Maj • 02:17 • -12.43db
16% Popularity • 61% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
16% Popularity • 61% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Lightnin' Slim
Rooster Blues
136 bpm • B min • 02:44 • -14db
11% Popularity • 64% Danceability • 48% Energy • 14% Liveness
91% Instrumentalness • 88% Positiveness
11% Popularity • 64% Danceability • 48% Energy • 14% Liveness
91% Instrumentalness • 88% Positiveness
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Screamin' Jay Hawkins
Just Don't Care
143 bpm • G Maj • 02:30 • -12.92db
10% Popularity • 60% Danceability • 70% Energy • 32% Liveness
9% Instrumentalness • 83% Positiveness
10% Popularity • 60% Danceability • 70% Energy • 32% Liveness
9% Instrumentalness • 83% Positiveness
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Lonnie Johnson
Another Night To Cry
136 bpm • G Maj • 03:11 • -5.68db
13% Popularity • 62% Danceability • 65% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness
13% Popularity • 62% Danceability • 65% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness
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Jimmy Dawkins
Triple Trebles
144 bpm • A min • 02:46 • -5.74db
13% Popularity • 62% Danceability • 68% Energy • 13% Liveness
71% Instrumentalness • 97% Positiveness
13% Popularity • 62% Danceability • 68% Energy • 13% Liveness
71% Instrumentalness • 97% Positiveness
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Slim Harpo
We're Two of a Kind
136 bpm • F Maj • 02:49 • -10.19db
19% Popularity • 70% Danceability • 39% Energy • 12% Liveness
12% Instrumentalness • 85% Positiveness
19% Popularity • 70% Danceability • 39% Energy • 12% Liveness
12% Instrumentalness • 85% Positiveness
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The Kingsmen
Over You
136 bpm • C Maj • 02:05 • -18.67db
8% Popularity • 63% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
8% Popularity • 63% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Harmonica Slim
Drop Anchor
136 bpm • D min • 02:07 • -10.05db
21% Popularity • 82% Danceability • 47% Energy • 30% Liveness
0% Instrumentalness • 81% Positiveness
21% Popularity • 82% Danceability • 47% Energy • 30% Liveness
0% Instrumentalness • 81% Positiveness
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Washboard Willie
I Feel So Fine
136 bpm • C Maj • 02:22 • -8.28db
12% Popularity • 55% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
12% Popularity • 55% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Jessie Hill
Scoop Scoobie Doobie
136 bpm • A Maj • 02:53 • -5.84db
7% Popularity • 49% Danceability • 80% Energy • 40% Liveness
0% Instrumentalness • 88% Positiveness
7% Popularity • 49% Danceability • 80% Energy • 40% Liveness
0% Instrumentalness • 88% Positiveness
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Otis Rush
Sit Down Baby
135 bpm • A Maj • 02:20 • -10.64db
15% Popularity • 80% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
15% Popularity • 80% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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The "5" Royales
Thirty Second Lover
135 bpm • C# Maj • 02:27 • -12db
12% Popularity • 64% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
12% Popularity • 64% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
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Dan Penn
Don't Lose Your Good Thing
145 bpm • E Maj • 02:48 • -7.94db
14% Popularity • 59% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
14% Popularity • 59% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Slim Harpo
Cigarettes
135 bpm • A Maj • 02:10 • -9.49db
8% Popularity • 64% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 94% Positiveness
8% Popularity • 64% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 94% Positiveness
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Kitchen on steriods
Rock Rock Ghali
145 bpm • A min • 01:10 • -10.58db
7% Popularity • 67% Danceability • 70% Energy • 10% Liveness
73% Instrumentalness • 99% Positiveness
7% Popularity • 67% Danceability • 70% Energy • 10% Liveness
73% Instrumentalness • 99% Positiveness
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Lightnin' Slim
It's Mighty Crazy
135 bpm • A Maj • 02:36 • -11db
8% Popularity • 60% Danceability • 71% Energy • 53% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 60% Danceability • 71% Energy • 53% Liveness
0% Instrumentalness • 57% Positiveness
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The Hi-Stakes
Sweetheart Of My Dreams
146 bpm • F# Maj • 03:14 • -11.25db
9% Popularity • 44% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
9% Popularity • 44% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Bobby Charles
Worrying over You
135 bpm • B min • 02:13 • -10.75db
9% Popularity • 74% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
9% Popularity • 74% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Cedell Davis
Mistreatin Me
135 bpm • D# Maj • 01:41 • -8.4db
8% Popularity • 72% Danceability • 39% Energy • 5% Liveness
31% Instrumentalness • 68% Positiveness
8% Popularity • 72% Danceability • 39% Energy • 5% Liveness
31% Instrumentalness • 68% Positiveness
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Adolph Walker
Love Me Once
134 bpm • G min • 04:24 • -10.45db
23% Popularity • 57% Danceability • 43% Energy • 14% Liveness
2% Instrumentalness • 63% Positiveness
23% Popularity • 57% Danceability • 43% Energy • 14% Liveness
2% Instrumentalness • 63% Positiveness
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Francesca Sparrow
Cut Out
134 bpm • C min • 03:02 • -10db
25% Popularity • 58% Danceability • 66% Energy • 15% Liveness
7% Instrumentalness • 86% Positiveness
25% Popularity • 58% Danceability • 66% Energy • 15% Liveness
7% Instrumentalness • 86% Positiveness
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The Edsels
Twenty Four Hours
134 bpm • G# Maj • 02:00 • -8.45db
11% Popularity • 68% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
11% Popularity • 68% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
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Lee Dorsey
Hoodlum Joe
146 bpm • G Maj • 01:44 • -8.34db
17% Popularity • 72% Danceability • 73% Energy • 7% Liveness
1% Instrumentalness • 98% Positiveness
17% Popularity • 72% Danceability • 73% Energy • 7% Liveness
1% Instrumentalness • 98% Positiveness
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Big Amos Patton
Going to Vietnam
146 bpm • D# Maj • 02:56 • -9.31db
7% Popularity • 74% Danceability • 49% Energy • 20% Liveness
1% Instrumentalness • 96% Positiveness
7% Popularity • 74% Danceability • 49% Energy • 20% Liveness
1% Instrumentalness • 96% Positiveness
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Eddie Bo
Dinky Doo
134 bpm • D# Maj • 02:16 • -10.65db
13% Popularity • 71% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 71% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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J.B. Lenoir
Five Years
146 bpm • D# Maj • 01:44 • -8db
15% Popularity • 68% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
15% Popularity • 68% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Huey "Piano" Smith
Havin a Good Time
134 bpm • G Maj • 02:32 • -7.93db
10% Popularity • 55% Danceability • 61% Energy • 34% Liveness
80% Instrumentalness • 75% Positiveness
10% Popularity • 55% Danceability • 61% Energy • 34% Liveness
80% Instrumentalness • 75% Positiveness
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Freddie King
Sittin` On The Boatdock
134 bpm • F Maj • 01:56 • -9.43db
14% Popularity • 64% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
14% Popularity • 64% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Clifton Chenier
Zodico Stomp
147 bpm • A# Maj • 02:12 • -10.89db
15% Popularity • 58% Danceability • 66% Energy • 17% Liveness
1% Instrumentalness • 84% Positiveness
15% Popularity • 58% Danceability • 66% Energy • 17% Liveness
1% Instrumentalness • 84% Positiveness
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Mickey Baker
No Good Lover
134 bpm • A Maj • 02:53 • -7db
13% Popularity • 54% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 97% Positiveness
13% Popularity • 54% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 97% Positiveness
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Homesick James
The Woman I'm Lovin'
147 bpm • G Maj • 02:06 • -13.15db
13% Popularity • 59% Danceability • 44% Energy • 20% Liveness
1% Instrumentalness • 77% Positiveness
13% Popularity • 59% Danceability • 44% Energy • 20% Liveness
1% Instrumentalness • 77% Positiveness
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The Viceroys
Heartbreak
147 bpm • C Maj • 02:04 • -4.29db
11% Popularity • 63% Danceability • 73% Energy • 12% Liveness
73% Instrumentalness • 75% Positiveness
11% Popularity • 63% Danceability • 73% Energy • 12% Liveness
73% Instrumentalness • 75% Positiveness
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Little Junior Parker
I'll Forget About You
133 bpm • F# min • 02:19 • -11.34db
14% Popularity • 48% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
14% Popularity • 48% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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J.B. Lenoir
Give Me One More Shot
148 bpm • D Maj • 02:17 • -10.39db
28% Popularity • 61% Danceability • 57% Energy • 37% Liveness
0% Instrumentalness • 69% Positiveness
28% Popularity • 61% Danceability • 57% Energy • 37% Liveness
0% Instrumentalness • 69% Positiveness
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B.B. King
Beautician Blues
133 bpm • G# Maj • 02:03 • -11.56db
9% Popularity • 65% Danceability • 44% Energy • 36% Liveness
0% Instrumentalness • 90% Positiveness
9% Popularity • 65% Danceability • 44% Energy • 36% Liveness
0% Instrumentalness • 90% Positiveness
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Lee Dorsey
Do Re Mi
148 bpm • F Maj • 02:14 • -11.47db
14% Popularity • 68% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 97% Positiveness
14% Popularity • 68% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 97% Positiveness
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Clarence "Frogman" Henry
It Went to Your Head
132 bpm • G Maj • 02:10 • -11.55db
11% Popularity • 64% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
11% Popularity • 64% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
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The Hi-Stakes
Please Don't Subjectify Me
148 bpm • C Maj • 02:04 • -6.14db
10% Popularity • 69% Danceability • 76% Energy • 18% Liveness
11% Instrumentalness • 97% Positiveness
10% Popularity • 69% Danceability • 76% Energy • 18% Liveness
11% Instrumentalness • 97% Positiveness
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Guitar Slim
Later For You Baby
132 bpm • F Maj • 02:20 • -12.19db
12% Popularity • 54% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
12% Popularity • 54% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Champion Jack Dupree
Blues For Everybody
132 bpm • F min • 02:36 • -12.34db
4% Popularity • 65% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
4% Popularity • 65% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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Art Neville
The Dummy
132 bpm • G# Maj • 01:53 • -9db
12% Popularity • 79% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 79% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
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Gene Vincent
Poor Man's Prison
132 bpm • F Maj • 02:30 • -9.5db
13% Popularity • 70% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
13% Popularity • 70% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Lonnie Mack
Bounce
149 bpm • C Maj • 02:07 • -9.4db
10% Popularity • 44% Danceability • 75% Energy • 19% Liveness
75% Instrumentalness • 71% Positiveness
10% Popularity • 44% Danceability • 75% Energy • 19% Liveness
75% Instrumentalness • 71% Positiveness
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Lazy Lester
If You Think You've Lost Me
149 bpm • G Maj • 02:16 • -11.49db
9% Popularity • 47% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
9% Popularity • 47% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Sylvester Cotton
Three Cent Stamp Blues
132 bpm • F# Maj • 02:39 • -11db
9% Popularity • 64% Danceability • 24% Energy • 10% Liveness
2% Instrumentalness • 46% Positiveness
9% Popularity • 64% Danceability • 24% Energy • 10% Liveness
2% Instrumentalness • 46% Positiveness
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Percy Mayfield
Baby, You're Rich
149 bpm • F min • 02:18 • -10.67db
11% Popularity • 64% Danceability • 37% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
11% Popularity • 64% Danceability • 37% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
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The "5" Royales
Right Around The Corner
132 bpm • D# Maj • 02:28 • -12db
18% Popularity • 73% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
18% Popularity • 73% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Jessie Hill
Ooh Poo Pah Doo, Pts. 1 & 2
131 bpm • A Maj • 04:25 • -13db
10% Popularity • 56% Danceability • 62% Energy • 49% Liveness
0% Instrumentalness • 89% Positiveness
10% Popularity • 56% Danceability • 62% Energy • 49% Liveness
0% Instrumentalness • 89% Positiveness
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Tic & Toc
Jibba Jab
132 bpm • G min • 02:20 • -8.55db
8% Popularity • 56% Danceability • 95% Energy • 22% Liveness
8% Instrumentalness • 77% Positiveness
8% Popularity • 56% Danceability • 95% Energy • 22% Liveness
8% Instrumentalness • 77% Positiveness
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Warren Storm
Prisoner's Song
150 bpm • F Maj • 02:18 • -14.03db
13% Popularity • 48% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
13% Popularity • 48% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
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Lazy Lester
Sugar Coated Love
131 bpm • A Maj • 02:46 • -7db
13% Popularity • 63% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
13% Popularity • 63% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
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Professor Longhair
Ball the Wall
150 bpm • F Maj • 03:18 • -8.11db
2% Popularity • 54% Danceability • 57% Energy • 15% Liveness
20% Instrumentalness • 61% Positiveness
2% Popularity • 54% Danceability • 57% Energy • 15% Liveness
20% Instrumentalness • 61% Positiveness
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Little Willie John
Look What You've Done To Me
131 bpm • A# min • 02:13 • -6.66db
10% Popularity • 63% Danceability • 63% Energy • 21% Liveness
7% Instrumentalness • 76% Positiveness
10% Popularity • 63% Danceability • 63% Energy • 21% Liveness
7% Instrumentalness • 76% Positiveness
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Willie Dixon
When I Make Love
131 bpm • F Maj • 03:06 • -12.66db
8% Popularity • 82% Danceability • 53% Energy • 5% Liveness
14% Instrumentalness • 97% Positiveness
8% Popularity • 82% Danceability • 53% Energy • 5% Liveness
14% Instrumentalness • 97% Positiveness
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Ike Turner
Cubano Jump
131 bpm • G# Maj • 02:17 • -5.82db
9% Popularity • 73% Danceability • 83% Energy • 8% Liveness
8% Instrumentalness • 84% Positiveness
9% Popularity • 73% Danceability • 83% Energy • 8% Liveness
8% Instrumentalness • 84% Positiveness
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Francesca Sparrow
Let You In My Mind
151 bpm • G# Maj • 04:09 • -13db
25% Popularity • 47% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
25% Popularity • 47% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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OÄŸuzhan Toker
I'm On The Road
130 bpm • F min • 04:55 • -7.91db
15% Popularity • 62% Danceability • 70% Energy • 10% Liveness
2% Instrumentalness • 74% Positiveness
15% Popularity • 62% Danceability • 70% Energy • 10% Liveness
2% Instrumentalness • 74% Positiveness
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J.B. Lenoir
Round And Round
130 bpm • C# Maj • 02:51 • -11.99db
8% Popularity • 89% Danceability • 34% Energy • 34% Liveness
3% Instrumentalness • 62% Positiveness
8% Popularity • 89% Danceability • 34% Energy • 34% Liveness
3% Instrumentalness • 62% Positiveness
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Lowell Fulson
I Believe I'll Give It Up
129 bpm • C Maj • 02:59 • -9.44db
8% Popularity • 66% Danceability • 46% Energy • 48% Liveness
0% Instrumentalness • 84% Positiveness
8% Popularity • 66% Danceability • 46% Energy • 48% Liveness
0% Instrumentalness • 84% Positiveness
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Freddie King
Texas Oil
151 bpm • A# Maj • 02:25 • -5.57db
18% Popularity • 63% Danceability • 84% Energy • 21% Liveness
83% Instrumentalness • 96% Positiveness
18% Popularity • 63% Danceability • 84% Energy • 21% Liveness
83% Instrumentalness • 96% Positiveness
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Jessie Mae Hemphill
Baby, Please Don't Go
152 bpm • G Maj • 03:05 • -12.8db
11% Popularity • 57% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
11% Popularity • 57% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Papa Lightfoot
Wine, Women, Whiskey
129 bpm • D Maj • 02:14 • -9.7db
8% Popularity • 74% Danceability • 62% Energy • 9% Liveness
77% Instrumentalness • 75% Positiveness
8% Popularity • 74% Danceability • 62% Energy • 9% Liveness
77% Instrumentalness • 75% Positiveness
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Cookie & The Cupcakes
I Cried
129 bpm • C Maj • 02:36 • -6.75db
7% Popularity • 52% Danceability • 73% Energy • 47% Liveness
78% Instrumentalness • 83% Positiveness
7% Popularity • 52% Danceability • 73% Energy • 47% Liveness
78% Instrumentalness • 83% Positiveness
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J.B. Lenoir
The Mojo Boogie
130 bpm • B min • 02:17 • -6.61db
30% Popularity • 85% Danceability • 68% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 85% Danceability • 68% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
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Elmore James
Baby Set a Date
152 bpm • D Maj • 02:54 • -13.2db
8% Popularity • 30% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
8% Popularity • 30% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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The "5" Royales
The Slummer the Slum
152 bpm • G# Maj • 02:14 • -9db
16% Popularity • 49% Danceability • 56% Energy • 17% Liveness
2% Instrumentalness • 96% Positiveness
16% Popularity • 49% Danceability • 56% Energy • 17% Liveness
2% Instrumentalness • 96% Positiveness
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Blue Bull
I'm A Loser
128 bpm • B min • 02:03 • -5.54db
2% Popularity • 79% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
2% Popularity • 79% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
