Songs like Playin' Hideaway by Walter Trout
Based on a tempo of (+/- 10%) and a similar genre
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Eric Gales
Too Close To The Fire
132 bpm • C min • 07:07 • -7db
27% Popularity • 54% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
27% Popularity • 54% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Jonny Lang
Darker Side
132 bpm • C min • 05:07 • -9db
37% Popularity • 59% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
37% Popularity • 59% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Walter Trout
All I Want Is You
132 bpm • A min • 05:21 • -11.08db
19% Popularity • 66% Danceability • 41% Energy • 10% Liveness
15% Instrumentalness • 40% Positiveness
19% Popularity • 66% Danceability • 41% Energy • 10% Liveness
15% Instrumentalness • 40% Positiveness
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Albert Castiglia
Don't Let Them Fool Ya
132 bpm • B min • 04:25 • -5.11db
12% Popularity • 52% Danceability • 81% Energy • 11% Liveness
1% Instrumentalness • 91% Positiveness
12% Popularity • 52% Danceability • 81% Energy • 11% Liveness
1% Instrumentalness • 91% Positiveness
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Jimmy Thackery
The Barber's Guitar
132 bpm • A min • 06:06 • -8db
31% Popularity • 52% Danceability • 49% Energy • 10% Liveness
84% Instrumentalness • 60% Positiveness
31% Popularity • 52% Danceability • 49% Energy • 10% Liveness
84% Instrumentalness • 60% Positiveness
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Danny Bryant's Redeyeband
Old Love
132 bpm • A min • 05:11 • -9db
10% Popularity • 54% Danceability • 52% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
10% Popularity • 54% Danceability • 52% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
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Eric Gales
You Don't Know the Blues
132 bpm • G# Maj • 04:34 • -6db
29% Popularity • 66% Danceability • 72% Energy • 47% Liveness
0% Instrumentalness • 83% Positiveness
29% Popularity • 66% Danceability • 72% Energy • 47% Liveness
0% Instrumentalness • 83% Positiveness
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Dave Hole
Keep Your Motor Runnin'
132 bpm • E Maj • 03:47 • -11.08db
27% Popularity • 56% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
27% Popularity • 56% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
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Walter Trout
Crash And Burn
132 bpm • F min • 04:35 • -3.18db
15% Popularity • 42% Danceability • 94% Energy • 8% Liveness
57% Instrumentalness • 53% Positiveness
15% Popularity • 42% Danceability • 94% Energy • 8% Liveness
57% Instrumentalness • 53% Positiveness
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Mike Onesko
Hurting Me
132 bpm • A min • 07:42 • -14.22db
8% Popularity • 49% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 49% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Dom Martin
12 Gauge
133 bpm • E Maj • 02:20 • -6.47db
22% Popularity • 47% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
22% Popularity • 47% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Eric Steckel
Same Old Blues
131 bpm • C# Maj • 06:27 • -8db
18% Popularity • 44% Danceability • 44% Energy • 11% Liveness
6% Instrumentalness • 23% Positiveness
18% Popularity • 44% Danceability • 44% Energy • 11% Liveness
6% Instrumentalness • 23% Positiveness
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Craig Erickson
No Reply
131 bpm • F# min • 08:04 • -8db
18% Popularity • 55% Danceability • 45% Energy • 9% Liveness
2% Instrumentalness • 40% Positiveness
18% Popularity • 55% Danceability • 45% Energy • 9% Liveness
2% Instrumentalness • 40% Positiveness
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Alastair Greene
Back at the Poorhouse
133 bpm • G Maj • 03:16 • -8db
22% Popularity • 44% Danceability • 81% Energy • 7% Liveness
84% Instrumentalness • 57% Positiveness
22% Popularity • 44% Danceability • 81% Energy • 7% Liveness
84% Instrumentalness • 57% Positiveness
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Danny Bryant's Redeyeband
Danny's Blues
131 bpm • D min • 09:08 • -5db
19% Popularity • 35% Danceability • 64% Energy • 14% Liveness
3% Instrumentalness • 35% Positiveness
19% Popularity • 35% Danceability • 64% Energy • 14% Liveness
3% Instrumentalness • 35% Positiveness
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Billy Walton Band
Hell N Highwater
133 bpm • B min • 04:04 • -7.76db
10% Popularity • 56% Danceability • 88% Energy • 9% Liveness
3% Instrumentalness • 52% Positiveness
10% Popularity • 56% Danceability • 88% Energy • 9% Liveness
3% Instrumentalness • 52% Positiveness
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Lonnie Mack
Satisfy Suzie
133 bpm • A# Maj • 04:57 • -8db
32% Popularity • 53% Danceability • 92% Energy • 97% Liveness
26% Instrumentalness • 90% Positiveness
32% Popularity • 53% Danceability • 92% Energy • 97% Liveness
26% Instrumentalness • 90% Positiveness
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Eric Steckel
Since I Been Loving You
131 bpm • F Maj • 06:25 • -4.86db
19% Popularity • 33% Danceability • 64% Energy • 7% Liveness
20% Instrumentalness • 43% Positiveness
19% Popularity • 33% Danceability • 64% Energy • 7% Liveness
20% Instrumentalness • 43% Positiveness
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Smokin' Joe Kubek & Bnois King
What A Sight To See
133 bpm • A Maj • 04:13 • -3.93db
23% Popularity • 53% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
23% Popularity • 53% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
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Walter Trout
Better Days Ahead
130 bpm • A Maj • 05:35 • -5.69db
13% Popularity • 30% Danceability • 88% Energy • 11% Liveness
43% Instrumentalness • 55% Positiveness
13% Popularity • 30% Danceability • 88% Energy • 11% Liveness
43% Instrumentalness • 55% Positiveness
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Corey Stevens
Crosscut Saw
133 bpm • G# Maj • 03:38 • -8db
18% Popularity • 72% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
18% Popularity • 72% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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David Gogo
Things Are About To Change
130 bpm • F Maj • 03:09 • -3.39db
16% Popularity • 58% Danceability • 96% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
16% Popularity • 58% Danceability • 96% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
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Altered Five Blues Band
Let Me Be Gone
130 bpm • A# Maj • 03:59 • -5db
15% Popularity • 53% Danceability • 80% Energy • 44% Liveness
5% Instrumentalness • 70% Positiveness
15% Popularity • 53% Danceability • 80% Energy • 44% Liveness
5% Instrumentalness • 70% Positiveness
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Lance Lopez
Come Back Home
130 bpm • A Maj • 03:28 • -9.08db
30% Popularity • 46% Danceability • 83% Energy • 42% Liveness
22% Instrumentalness • 88% Positiveness
30% Popularity • 46% Danceability • 83% Energy • 42% Liveness
22% Instrumentalness • 88% Positiveness
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Bryce Janey
Medicine Man
135 bpm • F Maj • 03:43 • -6db
16% Popularity • 33% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
16% Popularity • 33% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Walter Trout
Got Nothin' Left
134 bpm • A Maj • 04:19 • -3.45db
16% Popularity • 31% Danceability • 84% Energy • 32% Liveness
39% Instrumentalness • 35% Positiveness
16% Popularity • 31% Danceability • 84% Energy • 32% Liveness
39% Instrumentalness • 35% Positiveness
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Jonny Lang
Nice & Warm
135 bpm • E Maj • 07:43 • -10.13db
33% Popularity • 57% Danceability • 35% Energy • 15% Liveness
1% Instrumentalness • 20% Positiveness
33% Popularity • 57% Danceability • 35% Energy • 15% Liveness
1% Instrumentalness • 20% Positiveness
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Danny Bryant's Redeyeband
Shadows Passed
135 bpm • D min • 04:13 • -6.34db
15% Popularity • 41% Danceability • 68% Energy • 40% Liveness
0% Instrumentalness • 24% Positiveness
15% Popularity • 41% Danceability • 68% Energy • 40% Liveness
0% Instrumentalness • 24% Positiveness
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Royal Southern Brotherhood
I'm Comin' Home
129 bpm • B min • 04:25 • -6db
28% Popularity • 55% Danceability • 68% Energy • 81% Liveness
0% Instrumentalness • 80% Positiveness
28% Popularity • 55% Danceability • 68% Energy • 81% Liveness
0% Instrumentalness • 80% Positiveness
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Blindside Blues Band
79 Cent Blues
129 bpm • F min • 07:52 • -7db
8% Popularity • 28% Danceability • 59% Energy • 22% Liveness
0% Instrumentalness • 27% Positiveness
8% Popularity • 28% Danceability • 59% Energy • 22% Liveness
0% Instrumentalness • 27% Positiveness
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Corey Stevens
Louisiana Queen
129 bpm • F# min • 04:21 • -8db
13% Popularity • 67% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 29% Positiveness
13% Popularity • 67% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 29% Positiveness
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Walter Trout
I Worry Too Much
130 bpm • D Maj • 03:33 • -5.03db
18% Popularity • 53% Danceability • 92% Energy • 26% Liveness
26% Instrumentalness • 73% Positiveness
18% Popularity • 53% Danceability • 92% Energy • 26% Liveness
26% Instrumentalness • 73% Positiveness
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Jonny Lang
Matchbox
129 bpm • G Maj • 03:29 • -8.76db
43% Popularity • 68% Danceability • 64% Energy • 12% Liveness
9% Instrumentalness • 77% Positiveness
43% Popularity • 68% Danceability • 64% Energy • 12% Liveness
9% Instrumentalness • 77% Positiveness
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Stevie Nimmo
Running on Back to You
129 bpm • A Maj • 07:06 • -8.35db
22% Popularity • 62% Danceability • 53% Energy • 9% Liveness
17% Instrumentalness • 56% Positiveness
22% Popularity • 62% Danceability • 53% Energy • 9% Liveness
17% Instrumentalness • 56% Positiveness
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Too Slim and the Taildraggers
Trouble
128 bpm • G# min • 05:18 • -6.69db
17% Popularity • 56% Danceability • 78% Energy • 25% Liveness
26% Instrumentalness • 74% Positiveness
17% Popularity • 56% Danceability • 78% Energy • 25% Liveness
26% Instrumentalness • 74% Positiveness
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Blindside Blues Band
Rock Me Baby
128 bpm • C Maj • 04:15 • -7.13db
19% Popularity • 43% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 60% Positiveness
19% Popularity • 43% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 60% Positiveness
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Quinn Sullivan
Buffalo Nickel
136 bpm • G Maj • 08:18 • -6.25db
23% Popularity • 52% Danceability • 66% Energy • 22% Liveness
88% Instrumentalness • 28% Positiveness
23% Popularity • 52% Danceability • 66% Energy • 22% Liveness
88% Instrumentalness • 28% Positiveness
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Walter Trout
It Takes Time
129 bpm • G Maj • 04:17 • -4.48db
15% Popularity • 36% Danceability • 88% Energy • 38% Liveness
64% Instrumentalness • 85% Positiveness
15% Popularity • 36% Danceability • 88% Energy • 38% Liveness
64% Instrumentalness • 85% Positiveness
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Rob Tognoni
Makin' Me Live
128 bpm • G# min • 02:40 • -4.37db
40% Popularity • 66% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
40% Popularity • 66% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Altered Five Blues Band
Full Moon, Half Crazy
128 bpm • D Maj • 03:21 • -5.05db
25% Popularity • 52% Danceability • 91% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
25% Popularity • 52% Danceability • 91% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
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Jimmie Vaughan
Don't Cha Know
128 bpm • C min • 04:20 • -9.46db
43% Popularity • 64% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
43% Popularity • 64% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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Blindside Blues Band
Truth Never Lies
137 bpm • C min • 07:01 • -11db
22% Popularity • 47% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
22% Popularity • 47% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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The Rides
Game On
127 bpm • F Maj • 04:04 • -4.13db
14% Popularity • 60% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 75% Positiveness
14% Popularity • 60% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 75% Positiveness
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Walter Trout
High Is Low
135 bpm • D Maj • 04:19 • -5db
22% Popularity • 37% Danceability • 91% Energy • 28% Liveness
83% Instrumentalness • 48% Positiveness
22% Popularity • 37% Danceability • 91% Energy • 28% Liveness
83% Instrumentalness • 48% Positiveness
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Albert Castiglia
Hoodoo on Me
127 bpm • A min • 03:34 • -8.63db
33% Popularity • 47% Danceability • 73% Energy • 12% Liveness
56% Instrumentalness • 76% Positiveness
33% Popularity • 47% Danceability • 73% Energy • 12% Liveness
56% Instrumentalness • 76% Positiveness
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Jimmy Thackery And The Drivers
Detroit Iron
127 bpm • G Maj • 05:05 • -4.33db
9% Popularity • 42% Danceability • 82% Energy • 60% Liveness
12% Instrumentalness • 29% Positiveness
9% Popularity • 42% Danceability • 82% Energy • 60% Liveness
12% Instrumentalness • 29% Positiveness
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Danny Bryant's Redeyeband
Always With Me
138 bpm • F# min • 06:44 • -4db
19% Popularity • 26% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
19% Popularity • 26% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
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Blindside Blues Band
Calling My Name
127 bpm • G Maj • 05:34 • -6.42db
13% Popularity • 39% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 63% Positiveness
13% Popularity • 39% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 63% Positiveness
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Kim Simmonds
Nuthin' Like the Blues
127 bpm • D Maj • 04:56 • -6.78db
27% Popularity • 59% Danceability • 78% Energy • 10% Liveness
5% Instrumentalness • 88% Positiveness
27% Popularity • 59% Danceability • 78% Energy • 10% Liveness
5% Instrumentalness • 88% Positiveness
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Walter Trout
Open Book
128 bpm • A min • 04:42 • -7.91db
18% Popularity • 51% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
18% Popularity • 51% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Chris Cain
Out Of My Head
138 bpm • A min • 03:20 • -2.48db
30% Popularity • 33% Danceability • 83% Energy • 69% Liveness
0% Instrumentalness • 46% Positiveness
30% Popularity • 33% Danceability • 83% Energy • 69% Liveness
0% Instrumentalness • 46% Positiveness
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Kenny Neal
Mount up on the Wings of the King
127 bpm • C Maj • 03:19 • -4.32db
27% Popularity • 55% Danceability • 85% Energy • 28% Liveness
5% Instrumentalness • 55% Positiveness
27% Popularity • 55% Danceability • 85% Energy • 28% Liveness
5% Instrumentalness • 55% Positiveness
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The Rides
There Was A Place
138 bpm • F# min • 04:40 • -7db
16% Popularity • 50% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
16% Popularity • 50% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
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Back Door Slam
Hear Me Lord
138 bpm • E min • 06:03 • -6db
12% Popularity • 32% Danceability • 65% Energy • 18% Liveness
1% Instrumentalness • 63% Positiveness
12% Popularity • 32% Danceability • 65% Energy • 18% Liveness
1% Instrumentalness • 63% Positiveness
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Buddy Whittington
Greenwood
126 bpm • E min • 04:09 • -5.99db
35% Popularity • 68% Danceability • 49% Energy • 10% Liveness
53% Instrumentalness • 20% Positiveness
35% Popularity • 68% Danceability • 49% Energy • 10% Liveness
53% Instrumentalness • 20% Positiveness
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Tommy Castro
Definition of Insanity
138 bpm • G Maj • 03:40 • -4db
34% Popularity • 69% Danceability • 77% Energy • 63% Liveness
0% Instrumentalness • 86% Positiveness
34% Popularity • 69% Danceability • 77% Energy • 63% Liveness
0% Instrumentalness • 86% Positiveness
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Ana Popovic
Did Somebody Make a Fool out of You
138 bpm • E min • 04:36 • -6.91db
34% Popularity • 65% Danceability • 52% Energy • 23% Liveness
2% Instrumentalness • 59% Positiveness
34% Popularity • 65% Danceability • 52% Energy • 23% Liveness
2% Instrumentalness • 59% Positiveness
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Devon Allman
Say Your Prayers
126 bpm • A Maj • 03:15 • -5.87db
24% Popularity • 53% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
24% Popularity • 53% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Debbie Davies
Can't Find The Blues
126 bpm • A Maj • 03:04 • -5.96db
28% Popularity • 69% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
28% Popularity • 69% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Alastair Greene
The Sweetest Honey (Live)
139 bpm • C Maj • 03:47 • -6db
30% Popularity • 22% Danceability • 95% Energy • 95% Liveness
2% Instrumentalness • 48% Positiveness
30% Popularity • 22% Danceability • 95% Energy • 95% Liveness
2% Instrumentalness • 48% Positiveness
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Smokin' Joe Kubek & Bnois King
Shadows In The Dark
139 bpm • B min • 04:23 • -2.71db
27% Popularity • 47% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
27% Popularity • 47% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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The Rides
Mr. Policeman
139 bpm • G Maj • 04:04 • -3.58db
13% Popularity • 58% Danceability • 91% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
13% Popularity • 58% Danceability • 91% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
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Ana Popovic
Evening Shadows
126 bpm • A min • 04:06 • -6.06db
29% Popularity • 65% Danceability • 69% Energy • 30% Liveness
1% Instrumentalness • 54% Positiveness
29% Popularity • 65% Danceability • 69% Energy • 30% Liveness
1% Instrumentalness • 54% Positiveness
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Jonny Lang
Back For A Taste Of Your Love
126 bpm • G Maj • 03:32 • -8.23db
41% Popularity • 70% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 91% Positiveness
41% Popularity • 70% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 91% Positiveness
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Jimmy Thackery And The Drivers
Cool Guitars
125 bpm • A Maj • 03:43 • -9.08db
30% Popularity • 61% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
30% Popularity • 61% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Corey Stevens
More Blues on the Way
139 bpm • A# min • 03:19 • -9db
16% Popularity • 70% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 86% Positiveness
16% Popularity • 70% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 86% Positiveness
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Lonnie Mack
Natural Disaster
139 bpm • A# Maj • 04:20 • -10db
33% Popularity • 50% Danceability • 85% Energy • 94% Liveness
18% Instrumentalness • 71% Positiveness
33% Popularity • 50% Danceability • 85% Energy • 94% Liveness
18% Instrumentalness • 71% Positiveness
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Rob Tognoni
New Set of Rays
125 bpm • C# Maj • 02:46 • -4.4db
39% Popularity • 76% Danceability • 85% Energy • 5% Liveness
1% Instrumentalness • 71% Positiveness
39% Popularity • 76% Danceability • 85% Energy • 5% Liveness
1% Instrumentalness • 71% Positiveness
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Smokin' Joe Kubek & Bnois King
My Space Or Yours?
125 bpm • F Maj • 03:19 • -3.27db
26% Popularity • 58% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
26% Popularity • 58% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
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Chris Cain
Drinking Straight Tequila
125 bpm • B min • 02:52 • -4.72db
29% Popularity • 55% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 86% Positiveness
29% Popularity • 55% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 86% Positiveness
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The Bluesbones
Devil's Bride
125 bpm • G# min • 06:57 • -13.16db
12% Popularity • 41% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
12% Popularity • 41% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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John Mayall & The Bluesbreakers
The Dirty Dozen
125 bpm • F Maj • 04:51 • -8.61db
3% Popularity • 58% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
3% Popularity • 58% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
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Tommy Castro
Fear Is The Enemy
125 bpm • F min • 03:34 • -5db
32% Popularity • 56% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
32% Popularity • 56% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
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Blindside Blues Band
Hoochie Coochie Man
140 bpm • D Maj • 10:28 • -10.11db
8% Popularity • 31% Danceability • 51% Energy • 12% Liveness
1% Instrumentalness • 40% Positiveness
8% Popularity • 31% Danceability • 51% Energy • 12% Liveness
1% Instrumentalness • 40% Positiveness
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Eric Steckel
Good Days, Bad Days
140 bpm • E min • 05:09 • -5.52db
16% Popularity • 32% Danceability • 53% Energy • 12% Liveness
4% Instrumentalness • 50% Positiveness
16% Popularity • 32% Danceability • 53% Energy • 12% Liveness
4% Instrumentalness • 50% Positiveness
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Mark Selby
You're Gonna Miss My Love
125 bpm • B min • 04:47 • -5db
28% Popularity • 71% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 75% Positiveness
28% Popularity • 71% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 75% Positiveness
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Dave Fields
You Don't Know
140 bpm • E min • 06:42 • -9db
12% Popularity • 53% Danceability • 46% Energy • 13% Liveness
1% Instrumentalness • 32% Positiveness
12% Popularity • 53% Danceability • 46% Energy • 13% Liveness
1% Instrumentalness • 32% Positiveness
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Walter Trout
Blues For The Modern Daze
140 bpm • A Maj • 06:18 • -6.75db
9% Popularity • 38% Danceability • 87% Energy • 9% Liveness
5% Instrumentalness • 33% Positiveness
9% Popularity • 38% Danceability • 87% Energy • 9% Liveness
5% Instrumentalness • 33% Positiveness
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Albert Castiglia
Let the Big Dog Eat
124 bpm • A min • 03:28 • -4.36db
29% Popularity • 50% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
29% Popularity • 50% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Walter Trout and The Free Radicals
I Can Tell
140 bpm • D Maj • 07:31 • -6.79db
10% Popularity • 22% Danceability • 95% Energy • 48% Liveness
36% Instrumentalness • 29% Positiveness
10% Popularity • 22% Danceability • 95% Energy • 48% Liveness
36% Instrumentalness • 29% Positiveness
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Bill Perry
Can't Afford To Die
140 bpm • G min • 04:57 • -5.89db
9% Popularity • 35% Danceability • 60% Energy • 21% Liveness
3% Instrumentalness • 39% Positiveness
9% Popularity • 35% Danceability • 60% Energy • 21% Liveness
3% Instrumentalness • 39% Positiveness
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Mark Selby
Kink In The Chain
124 bpm • A Maj • 03:34 • -5db
28% Popularity • 66% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
28% Popularity • 66% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Lonnie Mack
Camp Washington Chile/If You Have To Kno...
124 bpm • A# Maj • 07:34 • -11.27db
35% Popularity • 36% Danceability • 73% Energy • 97% Liveness
56% Instrumentalness • 79% Positiveness
35% Popularity • 36% Danceability • 73% Energy • 97% Liveness
56% Instrumentalness • 79% Positiveness
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Walter Trout
Help Me - Live
124 bpm • G Maj • 07:19 • -5.35db
16% Popularity • 33% Danceability • 94% Energy • 78% Liveness
52% Instrumentalness • 59% Positiveness
16% Popularity • 33% Danceability • 94% Energy • 78% Liveness
52% Instrumentalness • 59% Positiveness
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David Gogo
Tomcat Prowl
124 bpm • F min • 04:24 • -5.01db
13% Popularity • 47% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
13% Popularity • 47% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Sari Schorr
Ready for Love
124 bpm • A min • 05:18 • -7.97db
21% Popularity • 56% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
21% Popularity • 56% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Eric Steckel
Make It Rain
141 bpm • A min • 08:40 • -5.59db
20% Popularity • 35% Danceability • 62% Energy • 17% Liveness
29% Instrumentalness • 41% Positiveness
20% Popularity • 35% Danceability • 62% Energy • 17% Liveness
29% Instrumentalness • 41% Positiveness
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Shemekia Copeland
Pink Turns To Red
124 bpm • G# min • 03:28 • -5.03db
34% Popularity • 63% Danceability • 87% Energy • 23% Liveness
0% Instrumentalness • 89% Positiveness
34% Popularity • 63% Danceability • 87% Energy • 23% Liveness
0% Instrumentalness • 89% Positiveness
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Danny Bryant's Redeyeband
Heart Working Overtime
124 bpm • A min • 03:19 • -4.65db
15% Popularity • 67% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
15% Popularity • 67% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Walter Trout
Willie
124 bpm • A Maj • 05:01 • -5.19db
8% Popularity • 44% Danceability • 91% Energy • 11% Liveness
28% Instrumentalness • 66% Positiveness
8% Popularity • 44% Danceability • 91% Energy • 11% Liveness
28% Instrumentalness • 66% Positiveness
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Jonny Lang
Too Tired
141 bpm • A Maj • 03:15 • -8.01db
38% Popularity • 43% Danceability • 69% Energy • 27% Liveness
2% Instrumentalness • 76% Positiveness
38% Popularity • 43% Danceability • 69% Energy • 27% Liveness
2% Instrumentalness • 76% Positiveness
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Altered Five Blues Band
Too Mad to Make Up
141 bpm • F min • 03:20 • -6db
22% Popularity • 56% Danceability • 86% Energy • 55% Liveness
0% Instrumentalness • 75% Positiveness
22% Popularity • 56% Danceability • 86% Energy • 55% Liveness
0% Instrumentalness • 75% Positiveness
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Dave Meniketti
Can't Do Nothin' Right
141 bpm • C Maj • 04:25 • -5db
16% Popularity • 42% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
16% Popularity • 42% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
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Thorbjørn Risager
RHYTHMS OF THE NIGHT
123 bpm • A Maj • 03:46 • -7db
34% Popularity • 74% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
34% Popularity • 74% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Smokin' Joe Kubek & Bnois King
Wishful Thinking
123 bpm • E min • 04:06 • -3.1db
25% Popularity • 46% Danceability • 77% Energy • 23% Liveness
0% Instrumentalness • 36% Positiveness
25% Popularity • 46% Danceability • 77% Energy • 23% Liveness
0% Instrumentalness • 36% Positiveness
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Matt Schofield
Anything But Time
123 bpm • F min • 03:38 • -6db
26% Popularity • 57% Danceability • 72% Energy • 9% Liveness
1% Instrumentalness • 72% Positiveness
26% Popularity • 57% Danceability • 72% Energy • 9% Liveness
1% Instrumentalness • 72% Positiveness
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Danny Bryant's Redeyeband
Good Time Woman
123 bpm • E min • 02:50 • -2.56db
13% Popularity • 54% Danceability • 90% Energy • 21% Liveness
1% Instrumentalness • 87% Positiveness
13% Popularity • 54% Danceability • 90% Energy • 21% Liveness
1% Instrumentalness • 87% Positiveness
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Doyle Bramhall
The Hunter
122 bpm • E min • 04:49 • -8.6db
31% Popularity • 61% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
31% Popularity • 61% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
