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Plays Albert Ayler 2
Songs like
Plays Albert Ayler 2
by
Ekkehard Ehlers
Based on a tempo of (+/- 10%) and a similar genre
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Yu Su
Of Yesterday - Instrumental
110 bpm • F min • 05:34 • -13.82db
14% Popularity • 44% Danceability • 54% Energy • 31% Liveness
90% Instrumentalness • 41% Positiveness
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Dylan Henner
The Peach Tree Next Door Grew over Our F...
110 bpm • C# Maj • 05:38 • -17db
34% Popularity • 52% Danceability • 33% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Ekkehard Ehlers
A Second Fire
110 bpm • G Maj • 03:42 • -16.36db
0% Popularity • 29% Danceability • 44% Energy • 18% Liveness
74% Instrumentalness • 12% Positiveness
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Carla dal Forno
Leaving For Japan
110 bpm • A min • 03:47 • -15db
13% Popularity • 26% Danceability • 17% Energy • 9% Liveness
60% Instrumentalness • 4% Positiveness
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CS + Kreme
Saint
110 bpm • C min • 06:30 • -20.61db
19% Popularity • 36% Danceability • 18% Energy • 8% Liveness
89% Instrumentalness • 9% Positiveness
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Laurence Guy
Intro
110 bpm • C min • 03:22 • -12.87db
29% Popularity • 26% Danceability • 25% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Maria Somerville
Undoing
110 bpm • E min • 04:42 • -28.05db
8% Popularity • 27% Danceability • 22% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
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Dylan Henner
Little Frogs Swam by Every Now and Then
110 bpm • A Maj • 04:49 • -19.03db
23% Popularity • 55% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
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Ekkehard Ehlers
Plays Albert Ayler 2
110 bpm • G Maj • 09:45 • -21.53db
3% Popularity • 33% Danceability • 20% Energy • 10% Liveness
13% Instrumentalness • 4% Positiveness
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Oval
Panorama
110 bpm • F# Maj • 03:51 • -11.74db
19% Popularity • 43% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 6% Positiveness
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Nuno Canavarro
[Untitled]
110 bpm • D# min • 02:43 • -26.75db
22% Popularity • 41% Danceability • 6% Energy • 22% Liveness
82% Instrumentalness • 9% Positiveness
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Carmen Villain
Two Halves Touching
109 bpm • C Maj • 03:50 • -15.79db
26% Popularity • 16% Danceability • 52% Energy • 9% Liveness
95% Instrumentalness • 9% Positiveness
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Jan Jelinek
Vibraphonspulen
111 bpm • G Maj • 05:39 • -18.95db
12% Popularity • 29% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Mica Levi
Mob Of Waters
111 bpm • D Maj • 02:20 • -19.17db
9% Popularity • 34% Danceability • 46% Energy • 5% Liveness
96% Instrumentalness • 4% Positiveness
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Tomaga
Idioma
111 bpm • G Maj • 04:13 • -11.04db
26% Popularity • 59% Danceability • 79% Energy • 11% Liveness
92% Instrumentalness • 18% Positiveness
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Visible Cloaks
Mask
111 bpm • D# min • 05:37 • -15.36db
14% Popularity • 46% Danceability • 20% Energy • 11% Liveness
38% Instrumentalness • 8% Positiveness
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ASUNA
How A Spiral Works
108 bpm • G# min • 06:25 • -17db
18% Popularity • 21% Danceability • 45% Energy • 10% Liveness
89% Instrumentalness • 27% Positiveness
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Joseph Shabason
Fred and Lil
111 bpm • F min • 06:52 • -14.93db
11% Popularity • 23% Danceability • 57% Energy • 94% Liveness
95% Instrumentalness • 15% Positiveness
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Khotin
Processing
112 bpm • G Maj • 03:08 • -15.69db
18% Popularity • 30% Danceability • 69% Energy • 10% Liveness
4% Instrumentalness • 7% Positiveness
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Jon Hassell
Dreaming
108 bpm • F min • 06:09 • -13.29db
25% Popularity • 28% Danceability • 48% Energy • 8% Liveness
94% Instrumentalness • 25% Positiveness
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E Ruscha V
The Hostess
112 bpm • F Maj • 02:04 • -14.28db
38% Popularity • 51% Danceability • 26% Energy • 53% Liveness
97% Instrumentalness • 8% Positiveness
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Ekkehard Ehlers
Mäander III
108 bpm • F# Maj • 05:28 • -15.16db
0% Popularity • 18% Danceability • 19% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Laurie Spiegel
Appalachian Grove III
108 bpm • C min • 03:14 • -17.84db
13% Popularity • 84% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
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Dylan Henner
I Was Reading the News but I Felt so Sad...
108 bpm • G# Maj • 05:28 • -19.54db
18% Popularity • 64% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
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Visible Cloaks
Imprint (Bonus Track)
108 bpm • C# Maj • 06:13 • -21db
13% Popularity • 15% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 6% Positiveness
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Steve Reich
Pulses
108 bpm • A Maj • 04:12 • -16db
30% Popularity • 65% Danceability • 69% Energy • 10% Liveness
63% Instrumentalness • 53% Positiveness
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Oval
Aero Deck
112 bpm • A# min • 04:33 • -22db
22% Popularity • 50% Danceability • 25% Energy • 8% Liveness
96% Instrumentalness • 10% Positiveness
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Susumu Yokota
Love Bird
113 bpm • C# Maj • 03:49 • -11.56db
15% Popularity • 68% Danceability • 40% Energy • 9% Liveness
93% Instrumentalness • 36% Positiveness
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Felicia Atkinson
Shirley to Shirley
113 bpm • A min • 04:14 • -19.17db
16% Popularity • 30% Danceability • 26% Energy • 9% Liveness
83% Instrumentalness • 12% Positiveness
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Kelly Moran
Helix
113 bpm • D# min • 08:48 • -13.68db
21% Popularity • 34% Danceability • 54% Energy • 13% Liveness
97% Instrumentalness • 7% Positiveness
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Fennesz
Tom
113 bpm • B Maj • 03:04 • -14.03db
34% Popularity • 17% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Giovanni Venosta
Woman in Late
107 bpm • D# Maj • 01:44 • -25.39db
36% Popularity • 34% Danceability • 15% Energy • 9% Liveness
88% Instrumentalness • 20% Positiveness
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Leila
Underwaters (One for Keni)
114 bpm • A# min • 03:22 • -15.21db
13% Popularity • 47% Danceability • 39% Energy • 7% Liveness
67% Instrumentalness • 8% Positiveness
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Pauline Anna Strom
Virgin Ice
114 bpm • E Maj • 04:38 • -16db
21% Popularity • 46% Danceability • 28% Energy • 19% Liveness
96% Instrumentalness • 15% Positiveness
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Michel Redolfi
Carousel Of Bubbles
115 bpm • C# Maj • 01:21 • -18.93db
15% Popularity • 53% Danceability • 36% Energy • 8% Liveness
60% Instrumentalness • 52% Positiveness
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Roberto Musci
The advent of rose + Croix
115 bpm • B Maj • 06:02 • -22.59db
14% Popularity • 32% Danceability • 19% Energy • 20% Liveness
93% Instrumentalness • 9% Positiveness
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Fennesz
Before I Leave
106 bpm • B Maj • 04:08 • -20.1db
30% Popularity • 23% Danceability • 63% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
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Roedelius
Wenn der Südwind weht
115 bpm • D Maj • 04:13 • -16db
29% Popularity • 45% Danceability • 18% Energy • 10% Liveness
86% Instrumentalness • 23% Positiveness
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Ben Bertrand
Those Behind Us That We Follow
115 bpm • G# Maj • 05:07 • -24.27db
15% Popularity • 27% Danceability • 14% Energy • 20% Liveness
91% Instrumentalness • 4% Positiveness
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Meitei
Sentō - Pt. 2
106 bpm • C min • 03:00 • -16db
33% Popularity • 42% Danceability • 30% Energy • 38% Liveness
93% Instrumentalness • 55% Positiveness
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Visible Cloaks
Anata
115 bpm • A min • 02:30 • -16.18db
13% Popularity • 21% Danceability • 14% Energy • 11% Liveness
24% Instrumentalness • 3% Positiveness
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Ekkehard Ehlers
Mäander I
115 bpm • C# Maj • 06:53 • -16.81db
0% Popularity • 17% Danceability • 20% Energy • 19% Liveness
83% Instrumentalness • 3% Positiveness
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Gigi Masin
Swallow's Tempest
105 bpm • C# min • 06:58 • -11db
26% Popularity • 50% Danceability • 18% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
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Perila
Fallin Into Space
115 bpm • C Maj • 04:58 • -17.57db
19% Popularity • 44% Danceability • 26% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
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Joseph Shabason
West of Heaven
105 bpm • F Maj • 05:12 • -14.71db
8% Popularity • 23% Danceability • 14% Energy • 26% Liveness
75% Instrumentalness • 6% Positiveness
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Gi Gi
Montjuïc
115 bpm • F min • 08:11 • -21.83db
18% Popularity • 17% Danceability • 17% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
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Fennesz
A Year In A Minute
115 bpm • D# min • 06:03 • -9.28db
18% Popularity • 22% Danceability • 64% Energy • 17% Liveness
83% Instrumentalness • 26% Positiveness
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Cluster
Schöne Hände
105 bpm • B Maj • 03:05 • -24db
39% Popularity • 62% Danceability • 23% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
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Ekkehard Ehlers
Blind I
105 bpm • F# min • 07:37 • -9.56db
0% Popularity • 23% Danceability • 60% Energy • 14% Liveness
86% Instrumentalness • 7% Positiveness
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K. Leimer
Ceylon
104 bpm • C Maj • 02:51 • -14.75db
35% Popularity • 34% Danceability • 10% Energy • 13% Liveness
91% Instrumentalness • 13% Positiveness
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Joseph Shabason
I Thought That I Could Get Away with It
115 bpm • F min • 04:45 • -16db
30% Popularity • 35% Danceability • 16% Energy • 10% Liveness
46% Instrumentalness • 14% Positiveness
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Erland Cooper
Cairn V.
116 bpm • C Maj • 04:23 • -26.41db
7% Popularity • 23% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 13% Positiveness
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Fennesz
Rivers of Sand
115 bpm • D Maj • 04:42 • -14.34db
28% Popularity • 19% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Leon Vynehall
Ice Cream (Chapter VIII)
104 bpm • F# Maj • 04:50 • -13db
24% Popularity • 15% Danceability • 36% Energy • 35% Liveness
84% Instrumentalness • 3% Positiveness
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Jon Hassell
Blues Nile
104 bpm • G min • 09:54 • -12.86db
27% Popularity • 16% Danceability • 34% Energy • 16% Liveness
89% Instrumentalness • 3% Positiveness
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Andrew Pekler
Approximate Bermeja
116 bpm • D Maj • 03:09 • -17db
16% Popularity • 48% Danceability • 42% Energy • 43% Liveness
96% Instrumentalness • 82% Positiveness
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Pan-American
The Cloud Room
104 bpm • A Maj • 07:36 • -15db
25% Popularity • 27% Danceability • 31% Energy • 19% Liveness
92% Instrumentalness • 18% Positiveness
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Huerco S.
On The Embankment
117 bpm • C# Maj • 05:56 • -22.35db
20% Popularity • 82% Danceability • 38% Energy • 11% Liveness
93% Instrumentalness • 70% Positiveness
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Cate Le Bon
Miami
104 bpm • G Maj • 04:47 • -13.95db
11% Popularity • 16% Danceability • 18% Energy • 10% Liveness
55% Instrumentalness • 4% Positiveness
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Susumu Yokota
I Imagine
117 bpm • C Maj • 02:34 • -20.59db
35% Popularity • 35% Danceability • 10% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
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Young Marco
Moving Ornaments
117 bpm • C# Maj • 04:28 • -19.12db
11% Popularity • 56% Danceability • 46% Energy • 12% Liveness
97% Instrumentalness • 68% Positiveness
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Cluster
Es war einmal
117 bpm • G Maj • 05:25 • -20.07db
21% Popularity • 64% Danceability • 16% Energy • 10% Liveness
98% Instrumentalness • 31% Positiveness
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Laraaji
The Dance No. 1
118 bpm • F# min • 09:15 • -10db
33% Popularity • 35% Danceability • 87% Energy • 9% Liveness
94% Instrumentalness • 27% Positiveness
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K. Leimer
Facing East
103 bpm • A Maj • 02:10 • -8.48db
28% Popularity • 19% Danceability • 51% Energy • 23% Liveness
85% Instrumentalness • 3% Positiveness
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Huerco S.
A Sea Of Love
102 bpm • A# min • 07:17 • -28.72db
38% Popularity • 14% Danceability • 12% Energy • 11% Liveness
87% Instrumentalness • 12% Positiveness
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Susumu Yokota
Kodomotachi
118 bpm • C# min • 04:06 • -9.65db
37% Popularity • 69% Danceability • 59% Energy • 11% Liveness
91% Instrumentalness • 39% Positiveness
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Slow Attack Ensemble
Form and F a d e
102 bpm • B min • 03:55 • -13db
35% Popularity • 34% Danceability • 33% Energy • 6% Liveness
91% Instrumentalness • 20% Positiveness
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Two Lone Swordsmen
Constant Reminder
102 bpm • F# Maj • 01:30 • -17.54db
36% Popularity • 38% Danceability • 37% Energy • 10% Liveness
94% Instrumentalness • 18% Positiveness
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Jonny Nash
Knife
118 bpm • G# min • 09:12 • -17.97db
11% Popularity • 68% Danceability • 30% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
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Jan Jelinek
Lithiummelodie 1
102 bpm • D# Maj • 06:57 • -14.77db
11% Popularity • 28% Danceability • 66% Energy • 10% Liveness
93% Instrumentalness • 26% Positiveness
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Kaitlyn Aurelia Smith
Unbraiding Boundless Energy Within Bound...
118 bpm • A# Maj • 01:07 • -21.68db
43% Popularity • 40% Danceability • 26% Energy • 55% Liveness
50% Instrumentalness • 46% Positiveness
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Susumu Yokota
Saku
118 bpm • D Maj • 05:45 • -18db
39% Popularity • 39% Danceability • 16% Energy • 12% Liveness
87% Instrumentalness • 12% Positiveness
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efdemin
Oh, Lovely Appearance of Death
119 bpm • D Maj • 05:13 • -22.15db
23% Popularity • 30% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Ian William Craig
Aphrodite
102 bpm • D Maj • 01:38 • -20.3db
18% Popularity • 24% Danceability • 32% Energy • 60% Liveness
97% Instrumentalness • 21% Positiveness
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Slow Attack Ensemble
Rivers Turn to Waterfalls
101 bpm • C# min • 05:52 • -16.13db
28% Popularity • 33% Danceability • 18% Energy • 9% Liveness
69% Instrumentalness • 11% Positiveness
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Tomaga
Il fiume di ferro
101 bpm • C Maj • 04:43 • -9.91db
12% Popularity • 63% Danceability • 55% Energy • 14% Liveness
12% Instrumentalness • 13% Positiveness
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GAS
Pop 4
119 bpm • G# Maj • 09:51 • -15db
35% Popularity • 48% Danceability • 74% Energy • 16% Liveness
84% Instrumentalness • 71% Positiveness
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Susumu Yokota
Tayutafu
119 bpm • C# Maj • 02:42 • -19.7db
26% Popularity • 34% Danceability • 11% Energy • 26% Liveness
88% Instrumentalness • 4% Positiveness
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Visible Cloaks
You
120 bpm • C Maj • 04:58 • -17.96db
11% Popularity • 53% Danceability • 8% Energy • 9% Liveness
85% Instrumentalness • 7% Positiveness
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Satoshi & Makoto
Closer
101 bpm • F# min • 04:20 • -27db
28% Popularity • 14% Danceability • 1% Energy • 14% Liveness
97% Instrumentalness • 4% Positiveness
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Roedelius
Sonnengeflecht
101 bpm • B Maj • 03:29 • -18db
19% Popularity • 36% Danceability • 48% Energy • 16% Liveness
96% Instrumentalness • 20% Positiveness
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Fennesz
Shisheido
120 bpm • A Maj • 02:57 • -12db
27% Popularity • 60% Danceability • 32% Energy • 9% Liveness
79% Instrumentalness • 21% Positiveness
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Kelly Moran
Helix III
120 bpm • G# min • 05:22 • -11.11db
18% Popularity • 38% Danceability • 69% Energy • 13% Liveness
92% Instrumentalness • 6% Positiveness
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Gigi Masin
Calypso
120 bpm • C Maj • 05:54 • -13.34db
20% Popularity • 52% Danceability • 58% Energy • 15% Liveness
98% Instrumentalness • 61% Positiveness
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Kara-Lis Coverdale
Ad_renaline
120 bpm • F min • 04:29 • -14.5db
12% Popularity • 51% Danceability • 36% Energy • 14% Liveness
97% Instrumentalness • 6% Positiveness
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To Rococo Rot
From Dream to Daylight
120 bpm • G min • 04:14 • -9.68db
16% Popularity • 71% Danceability • 39% Energy • 11% Liveness
86% Instrumentalness • 38% Positiveness
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Emily A. Sprague
Star Gazing
120 bpm • C Maj • 06:53 • -27.55db
19% Popularity • 46% Danceability • 7% Energy • 9% Liveness
89% Instrumentalness • 11% Positiveness
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Kaitlyn Aurelia Smith
Stratus
120 bpm • F# min • 03:04 • -22db
43% Popularity • 49% Danceability • 7% Energy • 6% Liveness
97% Instrumentalness • 4% Positiveness
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Sofie Birch
Calibrating Senses
120 bpm • C Maj • 04:02 • -17.86db
28% Popularity • 37% Danceability • 22% Energy • 30% Liveness
75% Instrumentalness • 11% Positiveness
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Maggi Payne
Gamelan
101 bpm • G Maj • 03:03 • -16.64db
9% Popularity • 80% Danceability • 40% Energy • 7% Liveness
95% Instrumentalness • 80% Positiveness
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Elori Saxl
The Blue of Distance
101 bpm • C Maj • 07:05 • -21.14db
21% Popularity • 14% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Stephan Mathieu
Supertramp
101 bpm • G Maj • 06:18 • -17.51db
4% Popularity • 35% Danceability • 43% Energy • 15% Liveness
90% Instrumentalness • 26% Positiveness
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Emily A. Sprague
Moon View
120 bpm • C# Maj • 05:47 • -17.11db
20% Popularity • 50% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Kuniyuki Takahashi
Asia
120 bpm • D# Maj • 05:03 • -10.85db
24% Popularity • 91% Danceability • 67% Energy • 10% Liveness
93% Instrumentalness • 96% Positiveness
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alva noto
Logic Moon
121 bpm • E min • 06:50 • -25.94db
19% Popularity • 38% Danceability • 25% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Jan Jelinek
Do Dekor
120 bpm • G Maj • 05:34 • -18.68db
28% Popularity • 41% Danceability • 54% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Oren Ambarchi
Hubris, Pt. 2
121 bpm • A# Maj • 01:55 • -20.9db
31% Popularity • 74% Danceability • 26% Energy • 11% Liveness
94% Instrumentalness • 63% Positiveness
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Jake Muir
High Tide
100 bpm • F# min • 04:34 • -13db
14% Popularity • 14% Danceability • 44% Energy • 13% Liveness
94% Instrumentalness • 5% Positiveness
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H.Takahashi
Escape
100 bpm • A Maj • 08:00 • -18db
18% Popularity • 62% Danceability • 28% Energy • 11% Liveness
97% Instrumentalness • 60% Positiveness
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K. Leimer
Lament To The Open Air
100 bpm • C min • 03:31 • -20.44db
25% Popularity • 54% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Plays Albert Ayler 2