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Please Don't Leave Just Yet
Songs like
Please Don't Leave Just Yet
by
Holly Humberstone
Based on a tempo of (+/- 10%) and a similar genre
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Gracie Abrams
Block me out
128 bpm • A# Maj • 04:09 • -7.47db
58% Popularity • 63% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Sophie Holohan
Cognitive Dissonance
128 bpm • C# min • 02:56 • -7.09db
57% Popularity • 65% Danceability • 59% Energy • 14% Liveness
1% Instrumentalness • 51% Positiveness
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Lennon Stella
Time After Time - Spotify Singles
128 bpm • C Maj • 03:39 • -9.45db
53% Popularity • 65% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Maude Latour
Cyclone
128 bpm • G# Maj • 03:36 • -5.46db
46% Popularity • 65% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Orla Gartland
More Like You
128 bpm • D Maj • 03:40 • -10.13db
46% Popularity • 88% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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The Beaches
If A Tree Falls
128 bpm • E Maj • 04:25 • -4.95db
47% Popularity • 53% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
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Holly Humberstone
Please Don't Leave Just Yet
128 bpm • C Maj • 03:49 • -9db
40% Popularity • 78% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Trousdale
Sometimes
128 bpm • G Maj • 02:53 • -8.25db
34% Popularity • 50% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Noah Kahan
She Calls Me Back
128 bpm • B Maj • 04:03 • -6.3db
77% Popularity • 74% Danceability • 67% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
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Charlotte Clark
Lilypad
129 bpm • D Maj • 02:38 • -6db
29% Popularity • 77% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Lizzy McAlpine
called you again
129 bpm • G Maj • 03:12 • -10.36db
55% Popularity • 48% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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VÉRITÉ
beverly hills
129 bpm • C Maj • 01:51 • -14.48db
34% Popularity • 32% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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Holly Humberstone
Deep End
128 bpm • C Maj • 02:51 • -8db
53% Popularity • 40% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Trousdale
Bad Blood
127 bpm • G# Maj • 02:45 • -6.24db
38% Popularity • 48% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
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Jasmine Jethwa
Pylons
129 bpm • B Maj • 02:48 • -10.53db
26% Popularity • 48% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Angie McMahon
Exploding
130 bpm • G Maj • 04:01 • -7.03db
43% Popularity • 48% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Chappell Roan
California
130 bpm • C# Maj • 03:18 • -10.07db
61% Popularity • 56% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Hazlett
Please Don't Be
130 bpm • A Maj • 02:55 • -11db
68% Popularity • 58% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Holly Humberstone
Can You Afford To Lose Me?
129 bpm • A Maj • 04:02 • -11db
45% Popularity • 39% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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FLETCHER
Eras Of Us
130 bpm • D Maj • 02:48 • -7.46db
61% Popularity • 58% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Gracie Abrams
Camden
126 bpm • A# Maj • 04:06 • -12.57db
60% Popularity • 65% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Sophie Holohan
I Get What I Want
130 bpm • D# Maj • 03:27 • -6.81db
25% Popularity • 55% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 21% Positiveness
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Ben Kessler
Bad Taste
130 bpm • D# Maj • 03:31 • -10.88db
32% Popularity • 44% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Empress Of
What's Love
130 bpm • E Maj • 03:09 • -7.09db
46% Popularity • 47% Danceability • 72% Energy • 68% Liveness
1% Instrumentalness • 7% Positiveness
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Holly Humberstone
Work In Progress
130 bpm • B Maj • 03:40 • -8.65db
51% Popularity • 54% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Jensen McRae
My Ego Dies At The End
130 bpm • D# Maj • 04:02 • -6.36db
51% Popularity • 70% Danceability • 45% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
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Sigrid
The Hype
130 bpm • G Maj • 03:34 • -4.68db
47% Popularity • 57% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Alix Page
Pulling Teeth
130 bpm • C# Maj • 03:25 • -9.76db
31% Popularity • 76% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Katie Gregson-MacLeod
Guestlist
130 bpm • F# Maj • 03:24 • -5.95db
26% Popularity • 57% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
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Emily James
Lost Cause
130 bpm • F Maj • 02:53 • -6.86db
34% Popularity • 72% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Holly Humberstone
I Would Die 4 U
126 bpm • D Maj • 02:20 • -12.61db
49% Popularity • 67% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Sadie Jean
16
130 bpm • E Maj • 02:45 • -8.96db
60% Popularity • 64% Danceability • 51% Energy • 22% Liveness
2% Instrumentalness • 25% Positiveness
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The Aces
Attention
130 bpm • G Maj • 02:49 • -5.59db
38% Popularity • 65% Danceability • 78% Energy • 9% Liveness
34% Instrumentalness • 64% Positiveness
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Gatlin
Grown
130 bpm • D# Maj • 03:30 • -6.31db
32% Popularity • 57% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Hazlett
Tell Me What You Dream About
126 bpm • G# Maj • 03:17 • -9.41db
49% Popularity • 76% Danceability • 64% Energy • 13% Liveness
5% Instrumentalness • 35% Positiveness
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Raffaella
Man of Your Dreams
126 bpm • C Maj • 02:32 • -4.16db
40% Popularity • 67% Danceability • 74% Energy • 59% Liveness
0% Instrumentalness • 78% Positiveness
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Trousdale
Happy Anymore
126 bpm • D Maj • 03:14 • -9db
41% Popularity • 60% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Griff
Earl Grey Tea
130 bpm • C# min • 02:47 • -6.53db
46% Popularity • 65% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
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Gracie Abrams
Rockland
126 bpm • F Maj • 03:37 • -11.34db
62% Popularity • 57% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Josie Oliver
Tomorrow
125 bpm • A Maj • 02:44 • -8.36db
24% Popularity • 67% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Etta Marcus
Little Wing
131 bpm • D Maj • 03:43 • -4.98db
31% Popularity • 47% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
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Katie Gregson-MacLeod
Girlfriend
131 bpm • F Maj • 03:50 • -4.41db
27% Popularity • 67% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Chappell Roan
Casual
131 bpm • C# Maj • 03:52 • -6.85db
73% Popularity • 51% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Gatlin
2000 Miles
125 bpm • C# min • 02:59 • -7db
42% Popularity • 71% Danceability • 76% Energy • 11% Liveness
1% Instrumentalness • 57% Positiveness
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Griff
19th Hour
125 bpm • A Maj • 03:29 • -5.75db
49% Popularity • 64% Danceability • 63% Energy • 25% Liveness
0% Instrumentalness • 59% Positiveness
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Nieve Ella
His Sofa
125 bpm • G# min • 03:24 • -5.78db
37% Popularity • 54% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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The Japanese House
Something Has to Change
125 bpm • A Maj • 03:11 • -8.86db
52% Popularity • 70% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Maude Latour
One More Weekend
131 bpm • D# Maj • 02:22 • -6.92db
54% Popularity • 63% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
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Trousdale
Wouldn't Come Back
125 bpm • B Maj • 03:39 • -9.42db
55% Popularity • 60% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Hazlett
Missionary Feelings
125 bpm • D Maj • 03:32 • -13.23db
61% Popularity • 58% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Ryan Beatty
Bruises Off The Peach
132 bpm • B Maj • 03:12 • -8.8db
54% Popularity • 53% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Rachel Chinouriri
Never Need Me - Acoustic
132 bpm • E Maj • 04:01 • -7.15db
37% Popularity • 76% Danceability • 29% Energy • 27% Liveness
0% Instrumentalness • 47% Positiveness
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Annika Bennett
Every Color Of The Rainbow
132 bpm • D Maj • 02:44 • -9.05db
24% Popularity • 61% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Chappell Roan
Red Wine Supernova
124 bpm • A Maj • 03:12 • -4.37db
75% Popularity • 66% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Nieve Ella
The Things We Say
132 bpm • B min • 03:18 • -5.02db
49% Popularity • 46% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Hazlett
Part Time Lovers
132 bpm • C Maj • 03:10 • -16.3db
54% Popularity • 54% Danceability • 39% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
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Medium Build
Crying Over U
132 bpm • F Maj • 03:54 • -8.68db
55% Popularity • 57% Danceability • 58% Energy • 9% Liveness
3% Instrumentalness • 45% Positiveness
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Chelsea Cutler
Growing Up Is Hard
124 bpm • B Maj • 03:05 • -7.04db
48% Popularity • 66% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
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MUNA
Motivation - Recorded at Electric Lady S...
124 bpm • D Maj • 03:26 • -8.79db
46% Popularity • 64% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
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Katelyn Tarver
Quitter
124 bpm • A Maj • 02:44 • -6.3db
31% Popularity • 73% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Gatlin
never been in love
124 bpm • F# min • 03:06 • -9db
49% Popularity • 64% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Flora Rose
You've Been On My Mind
124 bpm • E Maj • 02:29 • -14.19db
38% Popularity • 64% Danceability • 34% Energy • 8% Liveness
4% Instrumentalness • 38% Positiveness
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Gracie Abrams
For Real This Time
124 bpm • F# Maj • 03:13 • -8.73db
61% Popularity • 79% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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carobae
stupidly
124 bpm • F Maj • 02:36 • -7.52db
34% Popularity • 77% Danceability • 66% Energy • 12% Liveness
17% Instrumentalness • 89% Positiveness
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Medium Build
Gimme Back My Soul
124 bpm • C Maj • 03:16 • -6.33db
45% Popularity • 74% Danceability • 64% Energy • 39% Liveness
40% Instrumentalness • 65% Positiveness
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Chelsea Cutler
I Don't Feel Alive
124 bpm • F Maj • 03:23 • -5.7db
51% Popularity • 63% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Del Water Gap
Beach House
124 bpm • G min • 03:56 • -4.92db
44% Popularity • 23% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Maggie Rogers
Anywhere With You
123 bpm • A Maj • 04:57 • -5.33db
52% Popularity • 39% Danceability • 73% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
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Gracie Abrams
Mess It Up
133 bpm • C Maj • 02:51 • -4.53db
75% Popularity • 76% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Nieve Ella
Car Park
133 bpm • E Maj • 03:04 • -5.08db
40% Popularity • 53% Danceability • 88% Energy • 3% Liveness
0% Instrumentalness • 69% Positiveness
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HAIM
Gasoline
133 bpm • C# min • 03:13 • -4.26db
61% Popularity • 66% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Beeson
I Haven't Seen You Since The Summer
123 bpm • F Maj • 03:20 • -9.7db
41% Popularity • 67% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Genevieve Stokes
Surface Tension
123 bpm • A min • 03:26 • -9.17db
51% Popularity • 76% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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SISTRA
Lost My Way
123 bpm • C# min • 03:08 • -10.81db
28% Popularity • 76% Danceability • 52% Energy • 23% Liveness
0% Instrumentalness • 26% Positiveness
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Grace Enger
Bad Guy
123 bpm • C# Maj • 03:40 • -11.24db
34% Popularity • 63% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Elle Coves
Lost Cowboy
133 bpm • G# Maj • 02:36 • -3.97db
40% Popularity • 70% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 82% Positiveness
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Luz
i shouldn’t be here
123 bpm • G Maj • 03:06 • -11.76db
37% Popularity • 65% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
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Holly Humberstone
The Walls Are Way Too Thin
123 bpm • F# Maj • 03:41 • -7db
52% Popularity • 76% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Gracie Abrams
Cedar
134 bpm • G Maj • 04:12 • -8.65db
61% Popularity • 53% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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L Devine
Laundry Day
122 bpm • B Maj • 03:09 • -6.33db
23% Popularity • 75% Danceability • 58% Energy • 39% Liveness
0% Instrumentalness • 49% Positiveness
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Del Water Gap
Coping on Unemployment
134 bpm • B Maj • 03:48 • -7.17db
46% Popularity • 58% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Debbii Dawson
Even If It Kills Me
122 bpm • G Maj • 03:16 • -6.22db
42% Popularity • 65% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 43% Positiveness
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Matilda Mann
Doomsday
122 bpm • F# Maj • 03:09 • -11db
46% Popularity • 56% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Holly Humberstone
Falling Asleep At The Wheel
122 bpm • C Maj • 03:23 • -8db
52% Popularity • 67% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 31% Positiveness
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Gracie Abrams
Amelie
122 bpm • D Maj • 04:19 • -12.38db
59% Popularity • 48% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Lizzy McAlpine
doomsday
135 bpm • C# Maj • 04:28 • -10db
67% Popularity • 40% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Katie Gregson-MacLeod
September
135 bpm • F Maj • 03:24 • -3.86db
37% Popularity • 60% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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The Japanese House
Morning Pages
135 bpm • A Maj • 03:47 • -10.41db
51% Popularity • 61% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Lucy Dacus
Hot & Heavy
135 bpm • C Maj • 04:10 • -6.66db
60% Popularity • 55% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Holly Humberstone
Falling Asleep At The Wheel - Live from ...
122 bpm • C Maj • 03:35 • -7.11db
13% Popularity • 50% Danceability • 56% Energy • 71% Liveness
0% Instrumentalness • 26% Positiveness
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Trousdale
Any Day Now
135 bpm • D Maj • 03:21 • -6.51db
45% Popularity • 53% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 29% Positiveness
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Gracie Abrams
Best
122 bpm • A# Maj • 03:53 • -10.54db
64% Popularity • 60% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Nieve Ella
Your Room
135 bpm • F Maj • 03:21 • -7.17db
31% Popularity • 59% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Reneé Rapp
Too Well
121 bpm • A# Maj • 02:36 • -4.64db
74% Popularity • 67% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Gatlin
Talking to Myself
121 bpm • G# Maj • 03:51 • -6.29db
47% Popularity • 76% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Holly Humberstone
Girl
121 bpm • F min • 03:22 • -7.53db
40% Popularity • 52% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Wild Rivers
Don't
121 bpm • C# Maj • 03:02 • -6db
49% Popularity • 79% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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OSTON
Burton St.
136 bpm • A Maj • 03:16 • -4.16db
56% Popularity • 58% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
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boygenius
Emily I'm Sorry
136 bpm • B Maj • 03:34 • -12.16db
66% Popularity • 58% Danceability • 38% Energy • 10% Liveness
18% Instrumentalness • 49% Positiveness
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Reneé Rapp
Gemini Moon
136 bpm • B Maj • 02:40 • -8.34db
65% Popularity • 47% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Please Don't Leave Just Yet