Songs like Please Keep Loving Me - Acoustic by James TW
Based on a tempo of (+/- 10%) and a similar genre
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Halloran & Kate
Your Song
176 bpm • A Maj • 03:20 • -16.19db
46% Popularity • 51% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
46% Popularity • 51% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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James TW
Please Keep Loving Me - Acoustic
175 bpm • F Maj • 03:17 • -11.19db
48% Popularity • 50% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
48% Popularity • 50% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Becca Adams
Pretty Girl - Acoustic Version
176 bpm • G# Maj • 03:00 • -12db
50% Popularity • 49% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
50% Popularity • 49% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Blended Colours
Hurt Somebody
174 bpm • F Maj • 03:27 • -14.98db
33% Popularity • 40% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
33% Popularity • 40% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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The Script
Arms Open - Acoustic Version
176 bpm • D# Maj • 03:50 • -8.41db
24% Popularity • 56% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
24% Popularity • 56% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Jillian Jacqueline
Reasons - Acoustic
176 bpm • E Maj • 03:04 • -6.17db
28% Popularity • 57% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
28% Popularity • 57% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Kelvin Jones
As You Wake Up - Acoustic
174 bpm • G# Maj • 03:20 • -6db
23% Popularity • 34% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
23% Popularity • 34% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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James TW
Please Keep Loving Me
176 bpm • F Maj • 03:15 • -8.49db
63% Popularity • 54% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
63% Popularity • 54% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Hearts & Colors
Rich Man
176 bpm • E min • 03:35 • -9.84db
12% Popularity • 64% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
12% Popularity • 64% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Clementine Duo
Most Girls - Acoustic
174 bpm • B Maj • 03:57 • -8.26db
38% Popularity • 60% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
38% Popularity • 60% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Missy & Blonde
Stay
174 bpm • B min • 02:58 • -7db
50% Popularity • 38% Danceability • 32% Energy • 31% Liveness
0% Instrumentalness • 47% Positiveness
50% Popularity • 38% Danceability • 32% Energy • 31% Liveness
0% Instrumentalness • 47% Positiveness
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John Mayer
XO
174 bpm • D Maj • 03:33 • -9.75db
69% Popularity • 43% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
69% Popularity • 43% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
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James Smith
Call Me When It's Over
173 bpm • F# Maj • 03:47 • -9.78db
41% Popularity • 48% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
41% Popularity • 48% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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James TW
Timeless
176 bpm • C# Maj • 03:03 • -7.61db
0% Popularity • 31% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
0% Popularity • 31% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Belle Mt.
Let Me - Acoustic
178 bpm • F# Maj • 03:12 • -7.97db
18% Popularity • 46% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
18% Popularity • 46% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Hobbie Stuart
Someone To Love You - Acoustic Version
177 bpm • B Maj • 03:23 • -12db
19% Popularity • 47% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
19% Popularity • 47% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Tom Walker
Just You and I - Acoustic
172 bpm • A Maj • 03:18 • -7.58db
58% Popularity • 48% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
58% Popularity • 48% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Billy Raffoul
Until The Hurting Is Gone
172 bpm • G# Maj • 03:17 • -8.81db
41% Popularity • 34% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
41% Popularity • 34% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Mateo Oxley
You Can't Hurry Love - Acoustic
172 bpm • C Maj • 02:20 • -8.27db
52% Popularity • 47% Danceability • 37% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
52% Popularity • 47% Danceability • 37% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
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Hanniou
heartbeats duet
171 bpm • A min • 02:31 • -11.41db
53% Popularity • 29% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
53% Popularity • 29% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Lola Rhodes
Chained To The Rhythm
179 bpm • C min • 03:23 • -8db
43% Popularity • 36% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
43% Popularity • 36% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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James TW
Sanctuary
180 bpm • F# min • 03:39 • -4.55db
31% Popularity • 62% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
31% Popularity • 62% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Q.Z.B
Give Me Everything
180 bpm • C Maj • 03:12 • -11db
43% Popularity • 40% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
43% Popularity • 40% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Sonya
Breakeven
170 bpm • A# Maj • 04:09 • -8.99db
38% Popularity • 45% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
38% Popularity • 45% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Rhys Lewis
Be Your Man
170 bpm • A min • 04:00 • -8.24db
36% Popularity • 52% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
36% Popularity • 52% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Allman Brown
Don't Let Me Go
170 bpm • C Maj • 03:27 • -9.22db
33% Popularity • 52% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
33% Popularity • 52% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Dan Owen
Hideaway - Acoustic
181 bpm • G Maj • 03:39 • -9.02db
28% Popularity • 37% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
28% Popularity • 37% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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James TW
Say Love - Acoustic
170 bpm • C# Maj • 03:41 • -7db
30% Popularity • 70% Danceability • 30% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 70% Danceability • 30% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
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Jon Bellion
Human - Acoustic
182 bpm • F# Maj • 04:07 • -16db
43% Popularity • 48% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
43% Popularity • 48% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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Thomas Daniel
Scars To Your Beautiful
168 bpm • D min • 03:57 • -9.44db
46% Popularity • 52% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
46% Popularity • 52% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Hearts & Colors
Lighthouse (Acoustic Version)
168 bpm • D Maj • 03:14 • -11.16db
23% Popularity • 57% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 57% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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James Smith
Blackbird
168 bpm • A Maj • 03:03 • -12.97db
49% Popularity • 35% Danceability • 18% Energy • 18% Liveness
1% Instrumentalness • 18% Positiveness
49% Popularity • 35% Danceability • 18% Energy • 18% Liveness
1% Instrumentalness • 18% Positiveness
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Sawyer Fredericks
This Fire
183 bpm • G Maj • 03:46 • -7.83db
35% Popularity • 36% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
35% Popularity • 36% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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James TW
Incredible
181 bpm • C Maj • 04:06 • -6.21db
57% Popularity • 56% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
57% Popularity • 56% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Rhys Lewis
No Right To Love You - Acoustic
166 bpm • C# Maj • 03:49 • -10.59db
58% Popularity • 47% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
58% Popularity • 47% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Taylor Berrett
Whole Heart
186 bpm • A# Maj • 03:42 • -10db
13% Popularity • 39% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 39% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
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Joshua Moss
House
164 bpm • G# Maj • 04:24 • -10db
20% Popularity • 42% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
20% Popularity • 42% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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James Smith
I Don't Wanna Know
165 bpm • G Maj • 03:28 • -8.6db
38% Popularity • 25% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
38% Popularity • 25% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Jamie Sloan
Regret
164 bpm • C# Maj • 04:51 • -16.17db
12% Popularity • 31% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
12% Popularity • 31% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Frances
No Matter - Acoustic
164 bpm • D# Maj • 02:53 • -7db
34% Popularity • 52% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
34% Popularity • 52% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Daniel Robinson
Take My Breath Away
187 bpm • A# Maj • 04:40 • -14.38db
31% Popularity • 37% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 37% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Michael Shynes
Chasing After the Moon
164 bpm • D# Maj • 03:58 • -6.28db
40% Popularity • 56% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
40% Popularity • 56% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Zedd
Happy Now - Acoustic
161 bpm • E Maj • 02:32 • -6.91db
40% Popularity • 62% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
40% Popularity • 62% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Olga Chung
No Promises
187 bpm • F# Maj • 03:33 • -6.82db
35% Popularity • 44% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
35% Popularity • 44% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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The Script
Never Seen Anything "Quite Like You"
160 bpm • F# Maj • 03:22 • -7.37db
53% Popularity • 32% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
53% Popularity • 32% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Connor Duermit
Your Lips Are Mine
160 bpm • C Maj • 03:52 • -8db
30% Popularity • 54% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
30% Popularity • 54% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Rhys Lewis
No Right To Love You
159 bpm • C# Maj • 03:58 • -8.15db
46% Popularity • 59% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 59% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Donovan Woods
The Worst Way
158 bpm • F# Maj • 03:19 • -16.84db
22% Popularity • 43% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
22% Popularity • 43% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Silver Trees
House Home
158 bpm • D Maj • 03:31 • -7.84db
20% Popularity • 46% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
20% Popularity • 46% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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A Great Big World
Where Does the Time Go
158 bpm • F# Maj • 03:48 • -12.07db
34% Popularity • 57% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
34% Popularity • 57% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Halloran & Kate
We Can't Stop
156 bpm • D Maj • 02:58 • -9db
57% Popularity • 56% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
57% Popularity • 56% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Nicklas Sahl
Cut Me Loose - Acoustic
155 bpm • E Maj • 03:15 • -8.25db
35% Popularity • 44% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
35% Popularity • 44% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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James TW
My Somebody
155 bpm • G min • 03:23 • -5db
37% Popularity • 58% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
37% Popularity • 58% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Chord Overstreet
Homeland
155 bpm • G# Maj • 03:42 • -10db
32% Popularity • 49% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
32% Popularity • 49% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Forest Blakk
If You Love Her - Acoustic
154 bpm • C# Maj • 03:41 • -11db
46% Popularity • 52% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
46% Popularity • 52% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Ollie Green
Everglow (Acoustic)
153 bpm • D Maj • 04:11 • -14.96db
38% Popularity • 44% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
38% Popularity • 44% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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The Vamps
All Night - Acoustic
152 bpm • F Maj • 03:03 • -5db
41% Popularity • 55% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
41% Popularity • 55% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
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Curtis Walsh
Full Recovery
153 bpm • A Maj • 02:56 • -10db
34% Popularity • 52% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 52% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Dean Lewis
Waves - Guitar Acoustic
152 bpm • B min • 04:08 • -9.92db
44% Popularity • 41% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
44% Popularity • 41% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Emma Taylor
New Found Sound
151 bpm • C Maj • 04:45 • -13.47db
11% Popularity • 49% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
11% Popularity • 49% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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NEIKED
Sexual - Acoustic
203 bpm • D Maj • 02:45 • -9.29db
33% Popularity • 45% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
33% Popularity • 45% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Tay Watts
In Case You Didn't Know - Acoustic
150 bpm • A# Maj • 03:27 • -9.21db
22% Popularity • 67% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
22% Popularity • 67% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Calum Scott
Won’t Let You Down
150 bpm • E min • 03:14 • -4.78db
40% Popularity • 50% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
40% Popularity • 50% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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David Benjamin
Can't Get My Head Around Loving You
150 bpm • C Maj • 03:21 • -10db
33% Popularity • 66% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
33% Popularity • 66% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Reuben Koops
Two Little Words - Acoustic
149 bpm • F# Maj • 03:21 • -8db
24% Popularity • 54% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
24% Popularity • 54% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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J-Que Beenz
Bad At Love
150 bpm • E Maj • 03:16 • -11.87db
31% Popularity • 58% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
31% Popularity • 58% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Jason Mraz
No Plans
149 bpm • A Maj • 02:28 • -9.38db
43% Popularity • 49% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
43% Popularity • 49% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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The Script
The Man Who Can't Be Moved - Acoustic
205 bpm • G# Maj • 03:48 • -7.9db
57% Popularity • 36% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
57% Popularity • 36% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
