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please - live in new york
Songs like
please - live in new york
by
Chelsea Cutler
Based on a tempo of (+/- 10%) and a similar genre
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Chelsea Cutler
please - live in new york
98 bpm • F# min • 03:47 • -10.77db
29% Popularity • 58% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Olivia Lunny
Bedsheets
98 bpm • D# Maj • 02:54 • -12.85db
26% Popularity • 53% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Alexander 23
Caught in the Middle
98 bpm • G Maj • 02:42 • -8db
37% Popularity • 71% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Quinn XCII
Stacy (Acoustic)
98 bpm • G Maj • 03:02 • -9db
32% Popularity • 64% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Mills
Call It a Night
98 bpm • D Maj • 03:05 • -10.62db
17% Popularity • 43% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Imaginary Future
I'm Not Ready to Lose Somebody
98 bpm • C Maj • 03:42 • -13.19db
13% Popularity • 46% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Chelsea Cutler
Easy
98 bpm • C Maj • 02:50 • -11.1db
45% Popularity • 68% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
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Mel Sommers
Don't Touch Me
99 bpm • C Maj • 02:51 • -34.56db
15% Popularity • 39% Danceability • 0% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Anson Seabra
Broken
99 bpm • F# Maj • 05:05 • -14.2db
56% Popularity • 48% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Harry Hudson
Gone
97 bpm • G Maj • 03:46 • -8db
32% Popularity • 57% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Lewis Turner
Get Out of My Head
99 bpm • C Maj • 03:38 • -10db
17% Popularity • 84% Danceability • 43% Energy • 28% Liveness
3% Instrumentalness • 41% Positiveness
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Mason Murphy
Save Me - Acoustic
97 bpm • G Maj • 04:00 • -11.64db
24% Popularity • 76% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Chelsea Cutler
please
98 bpm • F# min • 03:39 • -15.82db
53% Popularity • 72% Danceability • 17% Energy • 13% Liveness
2% Instrumentalness • 24% Positiveness
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Alice Kristiansen
Marilyn
97 bpm • C Maj • 03:29 • -13db
27% Popularity • 56% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Emma Sameth
Spin With You - Boy Blue Remix
99 bpm • F min • 02:40 • -9db
16% Popularity • 48% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Harry Hudson
No Good
99 bpm • D Maj • 03:22 • -9db
42% Popularity • 75% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Jason Piquette
Hearts for Sale
100 bpm • C min • 03:44 • -10.37db
9% Popularity • 65% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
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Anson Seabra
Hindenburg Lover
100 bpm • G# Maj • 05:02 • -13db
47% Popularity • 52% Danceability • 24% Energy • 32% Liveness
0% Instrumentalness • 21% Positiveness
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Chelsea Cutler
Evil
98 bpm • A Maj • 03:24 • -6.37db
29% Popularity • 76% Danceability • 65% Energy • 25% Liveness
0% Instrumentalness • 43% Positiveness
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Faime
Lost
100 bpm • C min • 03:02 • -8db
32% Popularity • 69% Danceability • 53% Energy • 14% Liveness
2% Instrumentalness • 36% Positiveness
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ayokay
The Shine
100 bpm • G# Maj • 03:08 • -6.07db
43% Popularity • 68% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Nick Wilson
All I Ever Wanted Was You
100 bpm • G Maj • 03:40 • -14.1db
26% Popularity • 61% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Sam MacPherson
Solar Flare
96 bpm • E Maj • 03:22 • -12.57db
31% Popularity • 39% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Emma Sameth
Spin With You
96 bpm • F min • 03:32 • -7.47db
42% Popularity • 82% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Chelsea Cutler
Snow In October
100 bpm • A min • 03:19 • -10.24db
32% Popularity • 64% Danceability • 30% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
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Sara Phillips
Here’s to You
100 bpm • A# Maj • 04:16 • -10db
15% Popularity • 38% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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ayokay
Stay With Me
100 bpm • D Maj • 03:09 • -6.61db
50% Popularity • 69% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Adam Ragsdale
The Kiss
100 bpm • C Maj • 03:30 • -20.27db
12% Popularity • 23% Danceability • 13% Energy • 12% Liveness
25% Instrumentalness • 9% Positiveness
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Jeremy Zucker
keep my head afloat (stripped.)
96 bpm • B Maj • 03:40 • -9.71db
29% Popularity • 46% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 40% Positiveness
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heyJ
Take Me
101 bpm • D# Maj • 05:17 • -10.05db
16% Popularity • 72% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Chelsea Cutler
Strangers Again
96 bpm • D Maj • 03:12 • -7.43db
34% Popularity • 88% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Soran
Stop Myself
95 bpm • A Maj • 03:10 • -10db
27% Popularity • 59% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Hayley Gene Penner
Smaller
101 bpm • F# min • 03:36 • -8.17db
18% Popularity • 51% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Quinn XCII
Let Me Down
95 bpm • A Maj • 02:29 • -5.77db
53% Popularity • 84% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Jeremy Zucker
parent song
96 bpm • G Maj • 04:23 • -12.99db
47% Popularity • 60% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Late Night Thoughts
What Love Truly Means
95 bpm • E Maj • 03:25 • -13.33db
24% Popularity • 43% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Chelsea Cutler
You Are Losing Me
100 bpm • G Maj • 03:27 • -9db
41% Popularity • 63% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Jackson Penn
Streetlights on Mars (Stripped)
95 bpm • E Maj • 03:25 • -14.23db
30% Popularity • 75% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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AFTRHOURS
She Kind of Looks Like You
95 bpm • F# Maj • 03:24 • -13db
19% Popularity • 90% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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ROLE MODEL
say it first
94 bpm • A Maj • 02:39 • -5.84db
44% Popularity • 80% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Jeremy Zucker
somebody loves you
95 bpm • G Maj • 03:26 • -8db
45% Popularity • 74% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Avery Lynch
To Love Someone Else
93 bpm • C# Maj • 03:44 • -11db
45% Popularity • 48% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
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Chelsea Cutler
Lonely Alone
101 bpm • D Maj • 03:13 • -14.12db
42% Popularity • 86% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Lauv
Canada
93 bpm • A Maj • 03:04 • -12.78db
55% Popularity • 63% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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FINNEAS
Die Alone
103 bpm • C Maj • 04:21 • -11.83db
53% Popularity • 44% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Hadley Hanson
I'll Be There
93 bpm • D Maj • 04:06 • -16.97db
22% Popularity • 30% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Jeremy Zucker
orchid
102 bpm • C Maj • 04:28 • -14.51db
38% Popularity • 42% Danceability • 17% Energy • 32% Liveness
0% Instrumentalness • 39% Positiveness
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Will Post
The Kindest Thing
93 bpm • F# min • 03:52 • -6.94db
29% Popularity • 60% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Chelsea Cutler
Three Words Away
102 bpm • C Maj • 03:23 • -7.69db
29% Popularity • 62% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Justice Skolnik
Cameras
93 bpm • C min • 03:20 • -7db
19% Popularity • 69% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
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Quinn XCII
Flare Guns
93 bpm • C# min • 04:00 • -6.81db
56% Popularity • 81% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 46% Positiveness
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Joseph Tilley
Rather Love You
104 bpm • F# min • 03:13 • -12.22db
13% Popularity • 52% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Jeremy Zucker
you were good to me - live in new york
102 bpm • D Maj • 03:51 • -12.42db
31% Popularity • 49% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Chris James
Don't Forget About Me
104 bpm • C# min • 03:26 • -11.85db
38% Popularity • 47% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 10% Positiveness
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Chelsea Cutler
Love You More
102 bpm • G Maj • 03:35 • -5.79db
31% Popularity • 68% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Anson Seabra
Do Me a Favor
104 bpm • F# Maj • 03:54 • -14.27db
37% Popularity • 57% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Love You Later
Maybe It Wasn't Love
92 bpm • C# min • 04:51 • -16.44db
17% Popularity • 35% Danceability • 27% Energy • 5% Liveness
0% Instrumentalness • 12% Positiveness
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Benjamin Trillado
Glue
92 bpm • G Maj • 04:36 • -15.07db
17% Popularity • 47% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Jeremy Zucker
every day (stripped.)
94 bpm • E Maj • 03:57 • -6.7db
35% Popularity • 41% Danceability • 44% Energy • 43% Liveness
0% Instrumentalness • 37% Positiveness
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Suriel Hess
Parts of You
105 bpm • G Maj • 03:23 • -9.99db
30% Popularity • 68% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Chelsea Cutler
I Miss You
94 bpm • A Maj • 04:20 • -8.65db
31% Popularity • 67% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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LANY
I Don't Wanna Love You Anymore
105 bpm • C Maj • 03:21 • -8.36db
63% Popularity • 70% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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James Smith
Don't Think Twice, It's All Right
92 bpm • E Maj • 02:48 • -13.19db
27% Popularity • 50% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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The New Crowns
What'd You Do That For?
105 bpm • G# min • 04:40 • -9.29db
15% Popularity • 79% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Kygo
Not Ok
105 bpm • B min • 03:30 • -8.14db
54% Popularity • 62% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 41% Positiveness
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Adam Ragsdale
Wanna Love / Wanna Be Alone
105 bpm • A min • 04:52 • -10.66db
8% Popularity • 54% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Chelsea Cutler
Deserve This
94 bpm • D Maj • 03:44 • -8db
32% Popularity • 68% Danceability • 40% Energy • 30% Liveness
0% Instrumentalness • 51% Positiveness
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LAUNDRY DAY
Berkshire
105 bpm • C# min • 04:28 • -9db
29% Popularity • 45% Danceability • 51% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
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Bri Nichole
All the Bright Places
105 bpm • G# min • 04:19 • -12.4db
13% Popularity • 57% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 31% Positiveness
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Alec Wigdahl
A Little Bit Longer
105 bpm • G Maj • 03:02 • -7.3db
14% Popularity • 68% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Lauv
Dishes - Acoustic
91 bpm • E Maj • 02:21 • -12.47db
34% Popularity • 64% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Greyson Chance
Dancing Next To Me - Acoustic
105 bpm • E Maj • 03:35 • -11db
17% Popularity • 70% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Chelsea Cutler
Crazier Things
93 bpm • D Maj • 05:04 • -13.08db
49% Popularity • 61% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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James Smith
Say You'll Stay
91 bpm • D min • 03:30 • -8.14db
37% Popularity • 51% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Lily Williams
I've Been Thinking
91 bpm • F min • 03:00 • -11.85db
24% Popularity • 64% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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ROSIE
Crash and Burn
106 bpm • A Maj • 02:56 • -7.48db
20% Popularity • 45% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Lauv
Mean It - stripped
91 bpm • G Maj • 04:01 • -11db
48% Popularity • 54% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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LANY
sad - stripped
91 bpm • G Maj • 02:56 • -9.11db
43% Popularity • 34% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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Chelsea Cutler
Crazier Things
93 bpm • D Maj • 04:24 • -13.53db
65% Popularity • 64% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Rachel Bochner
Be Happier
106 bpm • F# Maj • 03:40 • -10.15db
19% Popularity • 47% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
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Anson Seabra
Somewhere in Ann Arbor
90 bpm • C# Maj • 03:32 • -14.13db
43% Popularity • 57% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Kayshawn
Save Your Love
90 bpm • E Maj • 03:22 • -10db
17% Popularity • 68% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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bluffs.
Cold Shoulder Coffee
107 bpm • G# Maj • 04:20 • -12.32db
13% Popularity • 38% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Alessia Cara
October
107 bpm • C Maj • 04:00 • -7.85db
51% Popularity • 74% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Chelsea Cutler
Lucky
92 bpm • D Maj • 02:28 • -9.61db
50% Popularity • 77% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 61% Positiveness
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Alexander 23
Loving You Gets Hard
107 bpm • C Maj • 04:03 • -7.14db
32% Popularity • 65% Danceability • 63% Energy • 31% Liveness
0% Instrumentalness • 43% Positiveness
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Anson Seabra
Can You Hear Me
90 bpm • C Maj • 04:06 • -16.77db
41% Popularity • 43% Danceability • 4% Energy • 38% Liveness
0% Instrumentalness • 33% Positiveness
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Gillian Heidi
What It Felt Like
108 bpm • C Maj • 03:34 • -10.04db
11% Popularity • 73% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Londin Thompson
Wish It Would Rain
108 bpm • E Maj • 03:46 • -10.13db
25% Popularity • 69% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Vincent Lima
Escape
108 bpm • B Maj • 04:09 • -11.91db
29% Popularity • 47% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Chelsea Cutler
Sad Tonight
105 bpm • C Maj • 02:58 • -7.58db
46% Popularity • 71% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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Jeremy Zucker
hello old friend - live in new york
108 bpm • A min • 03:12 • -9.25db
26% Popularity • 64% Danceability • 37% Energy • 24% Liveness
0% Instrumentalness • 25% Positiveness
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okay.
wrong.
108 bpm • G# min • 04:23 • -10.79db
21% Popularity • 62% Danceability • 30% Energy • 9% Liveness
9% Instrumentalness • 12% Positiveness
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Moira Bren
Wish
108 bpm • D# Maj • 02:44 • -11.24db
13% Popularity • 64% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Telehope
W/O U - Acoustic
108 bpm • C Maj • 03:14 • -10db
15% Popularity • 77% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 75% Positiveness
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ROLE MODEL
that's just how it goes
108 bpm • G min • 02:46 • -5db
49% Popularity • 78% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Chelsea Cutler
Too Much I Miss You
91 bpm • D Maj • 03:10 • -10.63db
31% Popularity • 40% Danceability • 36% Energy • 64% Liveness
0% Instrumentalness • 22% Positiveness
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Jeremy Zucker
hello old friend
108 bpm • C Maj • 03:18 • -12.58db
41% Popularity • 65% Danceability • 21% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
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Sam Fischer
For Now
108 bpm • C# Maj • 03:31 • -11.11db
40% Popularity • 73% Danceability • 23% Energy • 30% Liveness
0% Instrumentalness • 41% Positiveness
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Heather Janssen
Dancing When I Die
108 bpm • A# Maj • 02:42 • -12.41db
29% Popularity • 45% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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please - live in new york