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Plonk I
Songs like
Plonk I
by
Huerco S.
Based on a tempo of (+/- 10%) and a similar genre
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Sofie Birch
Heart Donor
84 bpm • C Maj • 02:53 • -21.46db
33% Popularity • 14% Danceability • 14% Energy • 68% Liveness
80% Instrumentalness • 5% Positiveness
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Biosphere
Chukhung
84 bpm • G Maj • 07:34 • -27db
36% Popularity • 38% Danceability • 16% Energy • 14% Liveness
91% Instrumentalness • 7% Positiveness
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Masayoshi Fujita
Botuto
84 bpm • F min • 05:12 • -20.43db
11% Popularity • 40% Danceability • 35% Energy • 11% Liveness
86% Instrumentalness • 16% Positiveness
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Alessandro Cortini
Iniziare
84 bpm • D# min • 05:42 • -17db
32% Popularity • 10% Danceability • 9% Energy • 54% Liveness
46% Instrumentalness • 11% Positiveness
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Huerco S.
Plonk VII
83 bpm • E min • 03:27 • -14.59db
9% Popularity • 37% Danceability • 41% Energy • 10% Liveness
7% Instrumentalness • 49% Positiveness
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GAS
Pop 3
85 bpm • D min • 11:01 • -20.05db
29% Popularity • 20% Danceability • 35% Energy • 11% Liveness
92% Instrumentalness • 18% Positiveness
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Eli Keszler
Flying Floor For U.S. Airways
85 bpm • C# Maj • 03:53 • -25db
13% Popularity • 49% Danceability • 23% Energy • 6% Liveness
88% Instrumentalness • 32% Positiveness
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Ulla Straus
House
83 bpm • C# Maj • 05:14 • -22db
22% Popularity • 24% Danceability • 11% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Lee Gamble
Untitled Reversion
83 bpm • B min • 02:58 • -21.04db
11% Popularity • 20% Danceability • 23% Energy • 10% Liveness
74% Instrumentalness • 7% Positiveness
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Slow Attack Ensemble
Pink Turns to Grey
85 bpm • D min • 07:15 • -15.6db
22% Popularity • 40% Danceability • 4% Energy • 10% Liveness
3% Instrumentalness • 10% Positiveness
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Keith Fullerton Whitman
Fib01a
82 bpm • A# Maj • 08:01 • -28.21db
24% Popularity • 14% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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GAS
Pop 1
83 bpm • F Maj • 05:11 • -18.58db
39% Popularity • 7% Danceability • 4% Energy • 9% Liveness
95% Instrumentalness • 43% Positiveness
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Actress
XRAY
83 bpm • A min • 03:31 • -17db
35% Popularity • 54% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
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Space Afrika
Sd/Tl
82 bpm • C# Maj • 05:26 • -25db
16% Popularity • 32% Danceability • 24% Energy • 33% Liveness
81% Instrumentalness • 7% Positiveness
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Laurel Halo
Public Art - Mixed
86 bpm • C min • 01:08 • -9.71db
31% Popularity • 36% Danceability • 91% Energy • 45% Liveness
87% Instrumentalness • 9% Positiveness
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Slow Attack Ensemble
Mizue
82 bpm • A min • 02:36 • -13.96db
39% Popularity • 57% Danceability • 15% Energy • 7% Liveness
99% Instrumentalness • 23% Positiveness
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1991
No More Dreams III
86 bpm • F min • 07:56 • -10.01db
9% Popularity • 11% Danceability • 63% Energy • 20% Liveness
91% Instrumentalness • 14% Positiveness
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Arovane
Theme - 2022 Remaster
82 bpm • A# min • 03:40 • -6.12db
27% Popularity • 52% Danceability • 81% Energy • 6% Liveness
78% Instrumentalness • 51% Positiveness
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Emeralds
Goes By
86 bpm • E Maj • 04:10 • -11.62db
27% Popularity • 9% Danceability • 58% Energy • 19% Liveness
94% Instrumentalness • 14% Positiveness
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Vladislav Delay
Untitled Track
86 bpm • F# min • 01:38 • -30.18db
32% Popularity • 28% Danceability • 5% Energy • 11% Liveness
83% Instrumentalness • 18% Positiveness
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Actress
Remembrance
82 bpm • E min • 02:41 • -20db
38% Popularity • 13% Danceability • 28% Energy • 11% Liveness
84% Instrumentalness • 12% Positiveness
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Eli Keszler
The Vaulting Sky
86 bpm • A# min • 03:49 • -17db
28% Popularity • 38% Danceability • 42% Energy • 8% Liveness
33% Instrumentalness • 20% Positiveness
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Dedekind Cut
Tahoe
86 bpm • E min • 04:59 • -27.59db
23% Popularity • 17% Danceability • 5% Energy • 6% Liveness
84% Instrumentalness • 3% Positiveness
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Slow Attack Ensemble
Landscape of Perpetual Oblivion
82 bpm • A# min • 04:03 • -15.29db
29% Popularity • 11% Danceability • 30% Energy • 14% Liveness
97% Instrumentalness • 6% Positiveness
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Steve Hauschildt
A False Seeming
87 bpm • C# min • 03:19 • -17db
21% Popularity • 9% Danceability • 23% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
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Lee Gamble
Pandemonium Institute
82 bpm • G min • 02:13 • -18.54db
17% Popularity • 21% Danceability • 31% Energy • 22% Liveness
92% Instrumentalness • 4% Positiveness
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Fennesz
The Point of It All
87 bpm • G min • 05:01 • -16db
26% Popularity • 20% Danceability • 33% Energy • 15% Liveness
96% Instrumentalness • 5% Positiveness
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Farben
Powerbaum
87 bpm • C# min • 01:44 • -12.07db
19% Popularity • 45% Danceability • 55% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
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Tim Hecker
Music for Tundra Pt. 1
81 bpm • G# min • 05:13 • -19db
35% Popularity • 24% Danceability • 26% Energy • 11% Liveness
96% Instrumentalness • 32% Positiveness
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Visible Cloaks
Screen
81 bpm • F# Maj • 03:21 • -18.81db
24% Popularity • 24% Danceability • 18% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
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Kara-Lis Coverdale
2c
81 bpm • F min • 07:52 • -13.58db
23% Popularity • 16% Danceability • 28% Energy • 11% Liveness
71% Instrumentalness • 4% Positiveness
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Huerco S.
Kraanvogel
81 bpm • A min • 05:38 • -17db
19% Popularity • 24% Danceability • 52% Energy • 8% Liveness
86% Instrumentalness • 51% Positiveness
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Vanessa Amara
Chamber Organ
81 bpm • D Maj • 01:26 • -16db
23% Popularity • 15% Danceability • 17% Energy • 7% Liveness
91% Instrumentalness • 10% Positiveness
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Steve Hauschildt
Poinsettia
80 bpm • C# min • 01:01 • -12.38db
37% Popularity • 23% Danceability • 70% Energy • 7% Liveness
90% Instrumentalness • 17% Positiveness
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Andrew Pekler
Los Jardines
80 bpm • G# Maj • 03:39 • -21db
12% Popularity • 30% Danceability • 34% Energy • 15% Liveness
68% Instrumentalness • 39% Positiveness
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Visible Cloaks
Wheel
81 bpm • F# Maj • 03:35 • -16.29db
24% Popularity • 19% Danceability • 24% Energy • 30% Liveness
62% Instrumentalness • 41% Positiveness
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Kara-Lis Coverdale
Grigori in Jakarta
88 bpm • F min • 03:47 • -18.73db
8% Popularity • 19% Danceability • 22% Energy • 20% Liveness
97% Instrumentalness • 12% Positiveness
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SW:SVN
11-10-17.1
80 bpm • F min • 03:12 • -17.99db
14% Popularity • 14% Danceability • 34% Energy • 86% Liveness
89% Instrumentalness • 26% Positiveness
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Huerco S.
Plonk I
88 bpm • E min • 05:57 • -13.82db
13% Popularity • 48% Danceability • 22% Energy • 11% Liveness
42% Instrumentalness • 35% Positiveness
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Slow Attack Ensemble
November, 1st in Detroit
80 bpm • D min • 03:56 • -15.23db
33% Popularity • 23% Danceability • 25% Energy • 6% Liveness
90% Instrumentalness • 6% Positiveness
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Vanessa Amara
Piano, Bells & Two Reversed Tape Loops
80 bpm • A# Maj • 05:32 • -26.06db
12% Popularity • 16% Danceability • 4% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
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Visible Cloaks
Terrazzo
88 bpm • D# min • 03:40 • -17.66db
29% Popularity • 15% Danceability • 23% Energy • 21% Liveness
90% Instrumentalness • 11% Positiveness
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Shuttle358
duh
89 bpm • G min • 03:43 • -20.65db
20% Popularity • 31% Danceability • 33% Energy • 8% Liveness
90% Instrumentalness • 38% Positiveness
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Anthony Naples
Alto
80 bpm • A min • 02:58 • -17.02db
34% Popularity • 13% Danceability • 29% Energy • 14% Liveness
92% Instrumentalness • 9% Positiveness
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Huerco S.
Plonk III
89 bpm • A min • 06:22 • -13.02db
15% Popularity • 42% Danceability • 69% Energy • 32% Liveness
88% Instrumentalness • 96% Positiveness
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Roméo Poirier
Neos Kosmos
80 bpm • C Maj • 02:48 • -16.55db
16% Popularity • 30% Danceability • 34% Energy • 12% Liveness
93% Instrumentalness • 31% Positiveness
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Laurel Halo
Supine
89 bpm • F Maj • 01:27 • -19.27db
28% Popularity • 18% Danceability • 12% Energy • 15% Liveness
90% Instrumentalness • 32% Positiveness
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Pye Corner Audio
The Long Now
79 bpm • F# Maj • 01:05 • -24db
35% Popularity • 25% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
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Dedekind Cut
The Crossing Guard
79 bpm • F# min • 10:05 • -36.63db
13% Popularity • 7% Danceability • 1% Energy • 35% Liveness
98% Instrumentalness • 3% Positiveness
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Kara-Lis Coverdale
Imgs /r
90 bpm • G Maj • 04:26 • -18.45db
17% Popularity • 21% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Tim Hecker
Music for Tundra Pt. 2
79 bpm • G# min • 01:57 • -23.57db
39% Popularity • 20% Danceability • 17% Energy • 12% Liveness
87% Instrumentalness • 5% Positiveness
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Roméo Poirier
Du rocher
89 bpm • E min • 04:24 • -18.16db
11% Popularity • 22% Danceability • 41% Energy • 10% Liveness
93% Instrumentalness • 32% Positiveness
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Sky H1
Huit
79 bpm • F# Maj • 03:50 • -21db
28% Popularity • 10% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Actress
Chaos Rain
79 bpm • A# Maj • 02:30 • -15.77db
21% Popularity • 13% Danceability • 38% Energy • 13% Liveness
59% Instrumentalness • 11% Positiveness
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Fennesz
City of Light
79 bpm • A min • 06:34 • -30.4db
25% Popularity • 7% Danceability • 3% Energy • 9% Liveness
99% Instrumentalness • 3% Positiveness
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Anthony Naples
Casia
90 bpm • E min • 01:03 • -17.76db
39% Popularity • 17% Danceability • 12% Energy • 36% Liveness
98% Instrumentalness • 5% Positiveness
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Carmen Villain
Agua Azul
90 bpm • C Maj • 05:16 • -17.37db
23% Popularity • 55% Danceability • 29% Energy • 8% Liveness
90% Instrumentalness • 18% Positiveness
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Kara-Lis Coverdale
X 4Ewi
90 bpm • F min • 05:20 • -17.74db
10% Popularity • 13% Danceability • 45% Energy • 16% Liveness
96% Instrumentalness • 12% Positiveness
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Andrew Pekler
Trebizond
78 bpm • A# min • 03:02 • -26db
17% Popularity • 15% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 34% Positiveness
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Jefre Cantu-Ledesma
Echoing Green
90 bpm • D Maj • 02:17 • -14.72db
25% Popularity • 38% Danceability • 34% Energy • 7% Liveness
85% Instrumentalness • 11% Positiveness
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Emeralds
The Cycle Of Abuse
90 bpm • F min • 04:57 • -15.24db
15% Popularity • 18% Danceability • 40% Energy • 14% Liveness
88% Instrumentalness • 14% Positiveness
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Slow Attack Ensemble
Early Dawning
78 bpm • B min • 02:39 • -22db
41% Popularity • 21% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 13% Positiveness
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Fennesz
The Future Will Be Different
91 bpm • A min • 01:14 • -11db
34% Popularity • 52% Danceability • 31% Energy • 13% Liveness
97% Instrumentalness • 16% Positiveness
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Shinichi Atobe
The Test of Machine 2
78 bpm • G Maj • 03:09 • -16.72db
27% Popularity • 49% Danceability • 25% Energy • 9% Liveness
86% Instrumentalness • 68% Positiveness
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Steve Hauschildt
Uncanny Valley
78 bpm • C# Maj • 03:39 • -11.17db
13% Popularity • 18% Danceability • 22% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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GAS
Narkopop 1
78 bpm • F# min • 04:52 • -22.97db
26% Popularity • 18% Danceability • 13% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
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Oval
Do While ⌘X
77 bpm • D min • 04:50 • -22db
35% Popularity • 31% Danceability • 25% Energy • 7% Liveness
92% Instrumentalness • 39% Positiveness
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Huerco S.
Hiromis Theme
91 bpm • A# min • 04:09 • -15.75db
8% Popularity • 47% Danceability • 50% Energy • 17% Liveness
87% Instrumentalness • 39% Positiveness
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Torus
Enter The Sun
77 bpm • A# Maj • 03:58 • -13.77db
12% Popularity • 25% Danceability • 23% Energy • 32% Liveness
51% Instrumentalness • 4% Positiveness
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Rafael Anton Irisarri
Hiatus
92 bpm • G min • 02:38 • -16.5db
24% Popularity • 22% Danceability • 32% Energy • 10% Liveness
65% Instrumentalness • 4% Positiveness
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Terekke
Wav1
77 bpm • C# min • 04:22 • -25.74db
34% Popularity • 12% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 16% Positiveness
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Imaginary Softwoods
Yellow Calcite II
77 bpm • A min • 02:30 • -16.99db
38% Popularity • 46% Danceability • 33% Energy • 13% Liveness
92% Instrumentalness • 32% Positiveness
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Seefeel
Signals
76 bpm • C# min • 05:47 • -28.57db
20% Popularity • 15% Danceability • 22% Energy • 11% Liveness
96% Instrumentalness • 32% Positiveness
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Huerco S.
Chunkee Player
77 bpm • B min • 01:39 • -20.67db
31% Popularity • 46% Danceability • 29% Energy • 18% Liveness
85% Instrumentalness • 59% Positiveness
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Kelly Moran
Radian
77 bpm • F min • 02:50 • -21db
25% Popularity • 20% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Felicia Atkinson
ME
76 bpm • C Maj • 04:21 • -27.35db
29% Popularity • 34% Danceability • 2% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
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Slow Attack Ensemble
Light Patterns
76 bpm • D# min • 05:50 • -17.9db
24% Popularity • 36% Danceability • 30% Energy • 22% Liveness
98% Instrumentalness • 5% Positiveness
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Leif
Hold Gem Cut
93 bpm • C# min • 02:41 • -17.43db
14% Popularity • 11% Danceability • 22% Energy • 12% Liveness
100% Instrumentalness • 3% Positiveness
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Steve Hauschildt
The Nature Remaining
76 bpm • G# min • 02:34 • -23.96db
33% Popularity • 17% Danceability • 11% Energy • 12% Liveness
88% Instrumentalness • 6% Positiveness
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Dylan Henner
I Watched Them Jump into the Creek
93 bpm • G# min • 05:48 • -22.69db
18% Popularity • 30% Danceability • 24% Energy • 16% Liveness
44% Instrumentalness • 5% Positiveness
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Vladislav Delay
Raamat - 2020 Remaster
93 bpm • A min • 07:18 • -16.69db
7% Popularity • 35% Danceability • 47% Energy • 11% Liveness
84% Instrumentalness • 36% Positiveness
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Yamaneko
Oslo House Sunrise 4K
93 bpm • A min • 02:46 • -18db
30% Popularity • 37% Danceability • 32% Energy • 8% Liveness
99% Instrumentalness • 6% Positiveness
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Klein
Listen and See as They Take
93 bpm • F Maj • 05:02 • -12.73db
12% Popularity • 25% Danceability • 23% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Sky H1
Arctis
93 bpm • G Maj • 02:49 • -19db
31% Popularity • 17% Danceability • 37% Energy • 36% Liveness
98% Instrumentalness • 23% Positiveness
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Roméo Poirier
Le bématiste
75 bpm • G# Maj • 03:27 • -15.3db
21% Popularity • 49% Danceability • 46% Energy • 20% Liveness
98% Instrumentalness • 18% Positiveness
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Pole
Modul
94 bpm • A min • 04:36 • -26.7db
19% Popularity • 48% Danceability • 29% Energy • 32% Liveness
86% Instrumentalness • 51% Positiveness
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Vladislav Delay
Musta Planeetta
93 bpm • C min • 05:10 • -24.83db
21% Popularity • 34% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
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Terekke
Padi
75 bpm • D Maj • 01:20 • -28.8db
29% Popularity • 18% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 38% Positiveness
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Steve Hauschildt
Thumbprints
75 bpm • C Maj • 05:30 • -14.74db
10% Popularity • 54% Danceability • 70% Energy • 11% Liveness
86% Instrumentalness • 10% Positiveness
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MCMXCI
Untitled 3 - Huerco S. New Age Reduction
94 bpm • C# Maj • 05:30 • -15.97db
0% Popularity • 58% Danceability • 57% Energy • 13% Liveness
88% Instrumentalness • 56% Positiveness
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Jan Jelinek
Lady Gaga, You Once Said In An Interview...
94 bpm • D min • 02:17 • -15.64db
20% Popularity • 25% Danceability • 45% Energy • 12% Liveness
91% Instrumentalness • 9% Positiveness
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Oli XL
Power Over Death
94 bpm • C# Maj • 03:50 • -10.83db
14% Popularity • 42% Danceability • 44% Energy • 8% Liveness
86% Instrumentalness • 49% Positiveness
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Kara-Lis Coverdale
Icon /c
75 bpm • C min • 03:52 • -12.63db
10% Popularity • 9% Danceability • 14% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Slow Attack Ensemble
Everything Turns Black to Blue
74 bpm • A Maj • 04:00 • -20db
35% Popularity • 22% Danceability • 10% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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Steve Hauschildt
Eyelids Gently Dreaming
94 bpm • G# min • 05:57 • -20.53db
27% Popularity • 11% Danceability • 17% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Bochum Welt
At Dawn
74 bpm • C Maj • 01:15 • -30.31db
37% Popularity • 20% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
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William Basinski
92982.3
74 bpm • D# min • 07:03 • -20.8db
35% Popularity • 17% Danceability • 17% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
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Pendant
AAE-KZT
96 bpm • D Maj • 07:25 • -23.56db
13% Popularity • 18% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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KMRU
Well
73 bpm • C Maj • 05:30 • -25db
26% Popularity • 13% Danceability • 17% Energy • 7% Liveness
94% Instrumentalness • 5% Positiveness
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Vanessa Amara
Leopards, Pt. 3
74 bpm • C# Maj • 02:29 • -20.38db
18% Popularity • 18% Danceability • 19% Energy • 9% Liveness
82% Instrumentalness • 5% Positiveness
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Plonk I