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Pocahontas: Overture
Songs like
Pocahontas: Overture
by
Elliott Carter
Based on a tempo of (+/- 10%) and a similar genre
► Preview
Pierre Boulez
Répons: Section 1
82 bpm • G# min • 02:58 • -20.75db
14% Popularity • 29% Danceability • 29% Energy • 33% Liveness
79% Instrumentalness • 4% Positiveness
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Winfred Jeremiah
The Stormy Weather
82 bpm • C Maj • 02:07 • -20.58db
23% Popularity • 21% Danceability • 9% Energy • 21% Liveness
77% Instrumentalness • 15% Positiveness
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Erwin Schulhoff
5 Pieces: No. 1. Alla Valse Viennese
82 bpm • C Maj • 02:05 • -19db
11% Popularity • 57% Danceability • 21% Energy • 12% Liveness
15% Instrumentalness • 21% Positiveness
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Marvin Miller
Elternabend
82 bpm • C Maj • 01:13 • -21.2db
11% Popularity • 22% Danceability • 32% Energy • 12% Liveness
86% Instrumentalness • 60% Positiveness
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György Ligeti
Violin Concerto: III. Intermezzo
82 bpm • A# Maj • 02:31 • -24db
15% Popularity • 22% Danceability • 10% Energy • 43% Liveness
74% Instrumentalness • 12% Positiveness
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Robert Muczynski
Duos for Flute and Clarinet, Op. 24: No....
82 bpm • G min • 01:02 • -22.08db
12% Popularity • 18% Danceability • 2% Energy • 15% Liveness
58% Instrumentalness • 5% Positiveness
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Igor Stravinsky
The Firebird Suite, K010, (1945 Version)...
82 bpm • A Maj • 04:51 • -37.53db
9% Popularity • 8% Danceability • 1% Energy • 12% Liveness
52% Instrumentalness • 3% Positiveness
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Dmitri Shostakovich
String Quartet No. 9 in E-Flat Major, Op...
82 bpm • A# Maj • 04:22 • -28.94db
22% Popularity • 31% Danceability • 2% Energy • 8% Liveness
85% Instrumentalness • 13% Positiveness
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Per Egland
Sånger å de Osjungnas Vägnar: II. 100...
82 bpm • C Maj • 01:26 • -24.68db
8% Popularity • 28% Danceability • 1% Energy • 22% Liveness
52% Instrumentalness • 7% Positiveness
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Maurice Ravel
Daphnis et Chloé, Suite No. 2, M. 57b: ...
82 bpm • B Maj • 04:42 • -16.48db
7% Popularity • 31% Danceability • 32% Energy • 7% Liveness
82% Instrumentalness • 7% Positiveness
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Béla Bartók
Divertimento for Strings, BB 118 (Sz.113...
81 bpm • F# Maj • 09:36 • -28.4db
8% Popularity • 8% Danceability • 1% Energy • 8% Liveness
47% Instrumentalness • 3% Positiveness
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Alberto Ginastera
Danzas Argentinas, Op. 2: No. 3, Danza d...
81 bpm • C Maj • 03:03 • -17.51db
13% Popularity • 34% Danceability • 34% Energy • 16% Liveness
90% Instrumentalness • 40% Positiveness
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Igor Stravinsky
The Firebird Suite, K010, (1945 Version)...
81 bpm • B min • 02:31 • -35.25db
8% Popularity • 43% Danceability • 5% Energy • 36% Liveness
17% Instrumentalness • 23% Positiveness
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Elliott Carter
Poems of Louis Zukofsky: No. 1, Tall and...
83 bpm • D Maj • 03:13 • -22.93db
0% Popularity • 26% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 5% Positiveness
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Witold Lutosławski
Concerto for Orchestra: II. Capriccio no...
81 bpm • C# Maj • 05:46 • -25.68db
8% Popularity • 18% Danceability • 6% Energy • 36% Liveness
56% Instrumentalness • 10% Positiveness
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Christian Lindberg
Meditation
83 bpm • C min • 02:54 • -41.88db
10% Popularity • 8% Danceability • 0% Energy • 17% Liveness
6% Instrumentalness • 6% Positiveness
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Stephen Rush
Short Stacks, Sextet No. 2: Chocolate Ch...
81 bpm • D min • 02:19 • -21.25db
9% Popularity • 51% Danceability • 7% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
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György Ligeti
Concerto pour violon et orchestre: III. ...
81 bpm • C min • 02:16 • -19.62db
18% Popularity • 16% Danceability • 15% Energy • 74% Liveness
33% Instrumentalness • 11% Positiveness
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Unsuk Chin
Violin Concerto No. 1: IV.
83 bpm • E min • 05:52 • -18.78db
23% Popularity • 22% Danceability • 26% Energy • 27% Liveness
59% Instrumentalness • 7% Positiveness
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Elliott Carter
Clarinet Concerto: Deciso
81 bpm • C Maj • 02:01 • -14.52db
1% Popularity • 36% Danceability • 26% Energy • 63% Liveness
4% Instrumentalness • 29% Positiveness
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Peter Kiesewetter
Reineke Fuchs (Arr. H. Ruhmann for Narra...
81 bpm • C# Maj • 01:00 • -13.29db
9% Popularity • 56% Danceability • 42% Energy • 11% Liveness
87% Instrumentalness • 59% Positiveness
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Gisle Kverndokk
The Silk Road, Suite in 10 movements: No...
81 bpm • C Maj • 01:50 • -22.56db
8% Popularity • 16% Danceability • 19% Energy • 11% Liveness
92% Instrumentalness • 33% Positiveness
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Igor Stravinsky
Violin Concerto in D Major, K. 053: II. ...
83 bpm • D min • 04:21 • -23.35db
11% Popularity • 27% Danceability • 10% Energy • 6% Liveness
32% Instrumentalness • 14% Positiveness
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György Ligeti
String Quartet No. 1 "Métamorphoses noc...
83 bpm • D min • 02:21 • -28.91db
9% Popularity • 10% Danceability • 1% Energy • 10% Liveness
2% Instrumentalness • 3% Positiveness
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Olivier Messiaen
Turangalîla Symphonie: 7. Turangalîla ...
84 bpm • D min • 04:10 • -27db
9% Popularity • 31% Danceability • 11% Energy • 14% Liveness
3% Instrumentalness • 15% Positiveness
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Elliott Carter
Epigrams: XI. —
81 bpm • F Maj • 01:17 • -28.84db
1% Popularity • 20% Danceability • 4% Energy • 18% Liveness
3% Instrumentalness • 4% Positiveness
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Rebecca Clarke
Viola Sonata: II. Vivace
80 bpm • D Maj • 04:05 • -25.43db
9% Popularity • 33% Danceability • 8% Energy • 13% Liveness
20% Instrumentalness • 11% Positiveness
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Béla Bartók
Bartók: String Quartet No. 6 in D Major...
80 bpm • G Maj • 07:39 • -23db
7% Popularity • 19% Danceability • 6% Energy • 6% Liveness
42% Instrumentalness • 4% Positiveness
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Igor Stravinsky
Stravinsky: The Rite of Spring, Pt. 1 "A...
80 bpm • G Maj • 01:16 • -18db
10% Popularity • 26% Danceability • 33% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
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Arnold Schoenberg
String Quartet No. 2, Op. 10: III. Litan...
84 bpm • F# Maj • 05:30 • -18.8db
7% Popularity • 17% Danceability • 13% Energy • 12% Liveness
4% Instrumentalness • 3% Positiveness
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John Cage
Four Walls Act 1 Scene VI
84 bpm • D min • 03:14 • -18.15db
8% Popularity • 64% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 23% Positiveness
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Elliott Carter
Poems of Louis Zukofsky: No. 8, Daisy
83 bpm • D Maj • 00:59 • -23.04db
0% Popularity • 41% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Witold Lutosławski
3 Fragmente: II. Ulysse en Itaque
80 bpm • G min • 01:33 • -27db
19% Popularity • 19% Danceability • 5% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
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Luigi Nono
Como una ola de fuerza y luz (1971-2): I...
84 bpm • A Maj • 01:46 • -32.86db
7% Popularity • 15% Danceability • 1% Energy • 8% Liveness
12% Instrumentalness • 3% Positiveness
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Heitor Villa-Lobos
Cirandas, W220: No. 16, Có-Có-Có
80 bpm • A# Maj • 02:12 • -22.95db
9% Popularity • 35% Danceability • 22% Energy • 9% Liveness
82% Instrumentalness • 11% Positiveness
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Florence Beatrice Price
String Quartet No. 2 in A Minor: II. And...
80 bpm • A Maj • 06:39 • -24.42db
7% Popularity • 8% Danceability • 5% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
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Arnold Schoenberg
Verklärte Nacht, Op. 4: Molto rallentan...
84 bpm • F# min • 04:53 • -19.93db
9% Popularity • 21% Danceability • 10% Energy • 36% Liveness
83% Instrumentalness • 4% Positiveness
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Elliott Carter
HBHH
80 bpm • G# Maj • 03:01 • -29.4db
0% Popularity • 15% Danceability • 2% Energy • 6% Liveness
85% Instrumentalness • 7% Positiveness
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Massimiliano Damerini & Michele Carulli
Sonate Für Klarinette Und Klavier In B ...
85 bpm • C# Maj • 02:51 • -25.07db
14% Popularity • 55% Danceability • 3% Energy • 9% Liveness
70% Instrumentalness • 17% Positiveness
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Alexander Scriabin
Symphony No. 2 in C minor, Op. 29: I. An...
80 bpm • G# Maj • 06:05 • -18.49db
26% Popularity • 16% Danceability • 6% Energy • 9% Liveness
82% Instrumentalness • 3% Positiveness
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Thomas Hyde
Symphony, Op. 20: VII. Temps suspendu
79 bpm • G# min • 00:57 • -45.42db
11% Popularity • 17% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Philip Glass
String Quartet No. 6: Movement I.
85 bpm • A min • 09:06 • -21.95db
13% Popularity • 14% Danceability • 12% Energy • 11% Liveness
62% Instrumentalness • 10% Positiveness
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Dmitri Shostakovich
String Quartet No. 7 in F-Sharp Minor, O...
85 bpm • F# min • 05:04 • -17.1db
8% Popularity • 38% Danceability • 16% Energy • 9% Liveness
4% Instrumentalness • 36% Positiveness
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Elliott Carter
Retrouvailles
80 bpm • G Maj • 01:44 • -21.7db
0% Popularity • 39% Danceability • 8% Energy • 9% Liveness
90% Instrumentalness • 27% Positiveness
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Alfred Schnittke
Schnittke: String Quartet No. 3: I. Anda...
85 bpm • G Maj • 05:56 • -21.27db
9% Popularity • 16% Danceability • 6% Energy • 10% Liveness
57% Instrumentalness • 3% Positiveness
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Igor Stravinsky
Orpheus: Scene I: Lento sostenuto
85 bpm • C Maj • 02:20 • -43.64db
12% Popularity • 15% Danceability • 0% Energy • 9% Liveness
69% Instrumentalness • 9% Positiveness
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Selena Ivanova
Synthesis
79 bpm • C min • 02:04 • -39.42db
14% Popularity • 14% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 16% Positiveness
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Olivier Messiaen
Turangalîla-Symphony: X. Final. Modér�...
85 bpm • C# Maj • 07:35 • -15.98db
8% Popularity • 23% Danceability • 50% Energy • 5% Liveness
91% Instrumentalness • 16% Positiveness
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Douglas Anderson
Chamber Symphony No. 4: I. Introduction
85 bpm • G Maj • 04:49 • -22.17db
14% Popularity • 24% Danceability • 10% Energy • 10% Liveness
28% Instrumentalness • 4% Positiveness
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Elliott Carter
String Trio
85 bpm • F Maj • 04:43 • -21.39db
0% Popularity • 29% Danceability • 7% Energy • 12% Liveness
73% Instrumentalness • 8% Positiveness
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RTÉ National Symphony Orchestra
Dr. Merryheart: VI. Variation 5: Merryhe...
85 bpm • F min • 00:59 • -39.52db
20% Popularity • 19% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 34% Positiveness
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Gabriel Fauré
Élégie in C Minor, Op. 24 (Arr. for Vi...
86 bpm • G# Maj • 06:24 • -26.81db
8% Popularity • 9% Danceability • 2% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
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Arnold Schoenberg
Verklärte Nacht, Op. 4 - Version For St...
79 bpm • E Maj • 05:27 • -20.14db
8% Popularity • 17% Danceability • 13% Energy • 27% Liveness
72% Instrumentalness • 4% Positiveness
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Thomas Adès
Alchymia: II. The Woods So Wild
78 bpm • C Maj • 03:10 • -28.77db
11% Popularity • 28% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 49% Positiveness
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Enjott Schneider
Dunkelwelt Untersberg, 7. Sinfonie: I. M...
78 bpm • C Maj • 07:34 • -29.31db
8% Popularity • 7% Danceability • 7% Energy • 29% Liveness
93% Instrumentalness • 6% Positiveness
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Elliott Carter
2 Diversions: II. —
79 bpm • D# Maj • 03:24 • -26.98db
0% Popularity • 32% Danceability • 8% Energy • 14% Liveness
86% Instrumentalness • 25% Positiveness
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Kaija Saariaho
Sept papillons: Papillons I
86 bpm • D Maj • 01:24 • -30.36db
11% Popularity • 26% Danceability • 13% Energy • 18% Liveness
82% Instrumentalness • 4% Positiveness
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Maurice Ravel
Daphnis et Chloé, M. 57, Troisième Par...
86 bpm • C# Maj • 03:28 • -18.08db
7% Popularity • 33% Danceability • 35% Energy • 8% Liveness
57% Instrumentalness • 4% Positiveness
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Andre Caplet
Children's Corner (arr. A. Caplet for or...
78 bpm • D Maj • 02:59 • -34db
21% Popularity • 22% Danceability • 2% Energy • 13% Liveness
57% Instrumentalness • 4% Positiveness
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Jean Sibelius
String Quartet, Op. 56 "Voces intimae": ...
78 bpm • F Maj • 10:44 • -22.33db
9% Popularity • 10% Danceability • 4% Energy • 9% Liveness
80% Instrumentalness • 3% Positiveness
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Imants Zemzaris
Moonlight
86 bpm • C Maj • 04:42 • -26.52db
14% Popularity • 19% Danceability • 4% Energy • 7% Liveness
35% Instrumentalness • 5% Positiveness
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Elliott Carter
Tempo e tempi: No. 3. Oboe sommerso
86 bpm • F min • 01:55 • -25.65db
0% Popularity • 34% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Pierre Boulez
Boulez : Notations : 1 - Modéré - Fant...
78 bpm • C# Maj • 02:34 • -32db
7% Popularity • 20% Danceability • 5% Energy • 13% Liveness
87% Instrumentalness • 4% Positiveness
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Béla Bartók
String Quartet No. 1, Sz. 40: I. Lento
86 bpm • C# Maj • 09:06 • -27db
9% Popularity • 14% Danceability • 6% Energy • 26% Liveness
36% Instrumentalness • 3% Positiveness
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Anton Webern
Symphony, Op. 21: I. Ruhig, schreitend
78 bpm • G Maj • 07:34 • -36db
14% Popularity • 18% Danceability • 0% Energy • 17% Liveness
0% Instrumentalness • 3% Positiveness
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Carl Nielsen
Pan og Syrinx, Op. 49, FS 87
87 bpm • C Maj • 08:32 • -22.96db
22% Popularity • 10% Danceability • 3% Energy • 12% Liveness
12% Instrumentalness • 4% Positiveness
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Alberto Ginastera
Danzas Argentinas, Op. 2: No. 1, Danza d...
78 bpm • C Maj • 01:20 • -21.39db
13% Popularity • 44% Danceability • 17% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
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Elliott Carter
Matribute
78 bpm • A Maj • 02:10 • -25.79db
0% Popularity • 54% Danceability • 5% Energy • 9% Liveness
51% Instrumentalness • 19% Positiveness
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Morton Feldman
Jackson Pollock (1950-51) for two Cellos...
77 bpm • D Maj • 01:04 • -33db
12% Popularity • 49% Danceability • 0% Energy • 8% Liveness
1% Instrumentalness • 9% Positiveness
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Sofia Gubaidulina
String Quartet No. 2
77 bpm • D Maj • 08:11 • -23db
10% Popularity • 14% Danceability • 4% Energy • 12% Liveness
44% Instrumentalness • 3% Positiveness
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Claude Debussy
Petite pièce, CD 127 (Version for Oboe ...
87 bpm • G Maj • 01:35 • -30.11db
8% Popularity • 14% Danceability • 2% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Alexander Scriabin
4 Pieces, Op. 51 (arr. Rogal-Levitsky): ...
77 bpm • D# Maj • 03:56 • -37db
15% Popularity • 7% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
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Béla Bartók
The Wooden Prince, Sz. 60 (Final Version...
87 bpm • F# Maj • 01:53 • -23.19db
7% Popularity • 28% Danceability • 12% Energy • 55% Liveness
8% Instrumentalness • 9% Positiveness
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Elliott Carter
8 Etudes & a Fantasy for Woodwind Quarte...
78 bpm • F# min • 01:18 • -18.95db
0% Popularity • 22% Danceability • 4% Energy • 14% Liveness
66% Instrumentalness • 3% Positiveness
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Arnold Schoenberg
Chamber Symphony No. 1, Op. 9 - Arr. Ant...
77 bpm • A Maj • 05:54 • -23.45db
7% Popularity • 19% Danceability • 10% Energy • 41% Liveness
76% Instrumentalness • 6% Positiveness
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Allan Pettersson
Romanza for Violin & Piano
87 bpm • A# min • 03:12 • -16.94db
19% Popularity • 19% Danceability • 16% Energy • 8% Liveness
2% Instrumentalness • 9% Positiveness
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György Ligeti
String Quartet No. 1 "Métamorphoses noc...
87 bpm • G Maj • 01:32 • -30.59db
11% Popularity • 21% Danceability • 4% Energy • 73% Liveness
3% Instrumentalness • 9% Positiveness
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Heinz Holliger
Lieder ohne Worte II, No. 5: (Flammen......
77 bpm • A min • 02:45 • -23.2db
7% Popularity • 21% Danceability • 3% Energy • 10% Liveness
59% Instrumentalness • 4% Positiveness
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Béla Bartók
The Wooden Prince, Sz. 60 (Final Version...
87 bpm • G Maj • 02:26 • -22.66db
10% Popularity • 22% Danceability • 8% Energy • 52% Liveness
79% Instrumentalness • 9% Positiveness
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Elliott Carter
8 Etudes & a Fantasy for Woodwind Quarte...
77 bpm • C# min • 01:49 • -21.53db
0% Popularity • 48% Danceability • 5% Energy • 13% Liveness
85% Instrumentalness • 27% Positiveness
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Maya Badian
Violin Concerto: III. Sonata
88 bpm • G# Maj • 05:30 • -24db
9% Popularity • 26% Danceability • 16% Energy • 68% Liveness
50% Instrumentalness • 15% Positiveness
► Preview
Dmitri Shostakovich
String Quartet No. 8 in C Minor, Op. 110...
88 bpm • G Maj • 04:26 • -32.75db
10% Popularity • 9% Danceability • 1% Energy • 11% Liveness
37% Instrumentalness • 3% Positiveness
► Preview
György Ligeti
Concerto pour violon et orchestre: V. Ap...
77 bpm • G Maj • 07:35 • -21.08db
7% Popularity • 30% Danceability • 15% Energy • 7% Liveness
11% Instrumentalness • 9% Positiveness
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Magne Amdahl
Astrognosia: Interludium I
77 bpm • G# Maj • 01:04 • -36.79db
11% Popularity • 10% Danceability • 1% Energy • 12% Liveness
69% Instrumentalness • 7% Positiveness
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Béla Bartók
The Wooden Prince, Sz. 60 (Final Version...
88 bpm • D Maj • 02:04 • -22.5db
11% Popularity • 22% Danceability • 12% Energy • 12% Liveness
50% Instrumentalness • 15% Positiveness
► Preview
Shiuan Chang
Nursery rhyme: Hold on, I'm coming for y...
77 bpm • C min • 01:04 • -31.53db
7% Popularity • 68% Danceability • 33% Energy • 7% Liveness
69% Instrumentalness • 52% Positiveness
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Elliott Carter
String Quartet No. 1 (1951): II. Allegro...
78 bpm • G Maj • 01:18 • -23.52db
3% Popularity • 35% Danceability • 9% Energy • 57% Liveness
80% Instrumentalness • 11% Positiveness
► Preview
Heitor Villa-Lobos
Cello Concerto No. 2, W516: I. Allegro n...
76 bpm • D min • 10:05 • -23.38db
10% Popularity • 16% Danceability • 9% Energy • 12% Liveness
91% Instrumentalness • 20% Positiveness
► Preview
Luciano Berio
Sequenza III for Female Voice
88 bpm • F min • 08:16 • -24db
7% Popularity • 40% Danceability • 3% Energy • 23% Liveness
1% Instrumentalness • 4% Positiveness
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Thomas Adès
Alchymia: IV. Divisions on a Lute-Song
88 bpm • G Maj • 08:40 • -22.91db
7% Popularity • 14% Danceability • 3% Energy • 7% Liveness
39% Instrumentalness • 4% Positiveness
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Krzysztof Penderecki
Sinfonietta No. 2: I. Notturno: Adagio
76 bpm • A# min • 03:15 • -31db
10% Popularity • 7% Danceability • 0% Energy • 10% Liveness
7% Instrumentalness • 4% Positiveness
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Jörg Widmann
25 Duos for Violin and Cello: XXI. Valse...
88 bpm • G min • 01:55 • -23db
17% Popularity • 57% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 18% Positiveness
► Preview
Elliott Carter
Double Concerto for Harpsichord & Piano:...
87 bpm • A# Maj • 14:06 • -22.7db
1% Popularity • 24% Danceability • 25% Energy • 14% Liveness
9% Instrumentalness • 10% Positiveness
► Preview
Rolf Wallin
Whirld: III. Citrinitas
76 bpm • G Maj • 05:34 • -30.18db
7% Popularity • 16% Danceability • 3% Energy • 63% Liveness
4% Instrumentalness • 4% Positiveness
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Maurice Ravel
String Quartet in F Major, M. 35: I. All...
88 bpm • A# Maj • 08:00 • -18db
9% Popularity • 21% Danceability • 20% Energy • 63% Liveness
38% Instrumentalness • 11% Positiveness
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Gérard Grisey
Mégalithes, Version 3: II. 5-2 - III. 9...
88 bpm • E Maj • 01:49 • -21.25db
13% Popularity • 31% Danceability • 28% Energy • 19% Liveness
28% Instrumentalness • 9% Positiveness
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Krzysztof Penderecki
Sinfonietta No. 2: III. Serenade: Tempo ...
88 bpm • C Maj • 01:51 • -26.66db
9% Popularity • 50% Danceability • 2% Energy • 12% Liveness
26% Instrumentalness • 23% Positiveness
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Arnold Schoenberg
Pierrot Lunaire, Op. 21 (1912) / Part 1:...
76 bpm • A Maj • 01:11 • -24db
12% Popularity • 42% Danceability • 4% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
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Elliott Carter
A Sunbeam's Architecture: III. My Sweet ...
77 bpm • A Maj • 01:36 • -19.5db
0% Popularity • 39% Danceability • 14% Energy • 69% Liveness
0% Instrumentalness • 22% Positiveness
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Igor Stravinsky
Petrushka, K012 (1947 Version), Pt. 2, "...
76 bpm • E min • 04:45 • -24.53db
7% Popularity • 23% Danceability • 3% Energy • 34% Liveness
30% Instrumentalness • 8% Positiveness
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Pocahontas: Overture