Songs like Podaj dalej by przyłu
Based on a tempo of (+/- 10%) and a similar genre
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bambi
LATAWCE
130 bpm • A min • 02:42 • -6.26db
52% Popularity • 81% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
52% Popularity • 81% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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ReTo
Rewolwer
130 bpm • G# min • 02:54 • -5.84db
40% Popularity • 79% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
40% Popularity • 79% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Guzior
Karnawał
130 bpm • A Maj • 03:00 • -5db
57% Popularity • 76% Danceability • 66% Energy • 64% Liveness
0% Instrumentalness • 63% Positiveness
57% Popularity • 76% Danceability • 66% Energy • 64% Liveness
0% Instrumentalness • 63% Positiveness
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przyłu
Kilimanjaro
130 bpm • C min • 02:58 • -5db
27% Popularity • 80% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
27% Popularity • 80% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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VAE VISTIC
Zachód Wschód
130 bpm • E min • 03:19 • -7.44db
32% Popularity • 62% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
32% Popularity • 62% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Sobota
6 Rano
130 bpm • C Maj • 04:22 • -8db
40% Popularity • 80% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
40% Popularity • 80% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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VBS
Miałem nie wracać
130 bpm • F# min • 03:18 • -7.43db
23% Popularity • 59% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
23% Popularity • 59% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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ReTo
Balon
130 bpm • D Maj • 03:03 • -7.06db
48% Popularity • 80% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
48% Popularity • 80% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
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QueQuality
Que Pasa
130 bpm • A# min • 02:26 • -7db
44% Popularity • 84% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
44% Popularity • 84% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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przyłu
Zabajone
130 bpm • C# min • 03:17 • -8.48db
23% Popularity • 72% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
23% Popularity • 72% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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chillwagon
squo
130 bpm • A Maj • 02:14 • -5.94db
43% Popularity • 86% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
43% Popularity • 86% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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RIP SCOTTY
Cukier
130 bpm • C# min • 02:45 • -9.48db
30% Popularity • 87% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
30% Popularity • 87% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Chivas
Zabij Dla Mnie
130 bpm • D Maj • 02:24 • -9db
47% Popularity • 59% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
47% Popularity • 59% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
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ReTo
Dym
130 bpm • G# min • 03:00 • -6.77db
33% Popularity • 84% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
33% Popularity • 84% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Fukaj
Balon
130 bpm • D Maj • 03:44 • -14db
36% Popularity • 69% Danceability • 46% Energy • 35% Liveness
0% Instrumentalness • 16% Positiveness
36% Popularity • 69% Danceability • 46% Energy • 35% Liveness
0% Instrumentalness • 16% Positiveness
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przyłu
Podaj dalej
130 bpm • B min • 03:54 • -7.16db
12% Popularity • 70% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
12% Popularity • 70% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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esceh
Sztuczny Uśmiech
130 bpm • B min • 03:48 • -6.61db
29% Popularity • 78% Danceability • 62% Energy • 65% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 78% Danceability • 62% Energy • 65% Liveness
0% Instrumentalness • 56% Positiveness
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M0LLY
Barwy
130 bpm • A# min • 03:00 • -9db
43% Popularity • 62% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 25% Positiveness
43% Popularity • 62% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 25% Positiveness
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KęKę
Miłość
130 bpm • C# min • 04:01 • -7db
44% Popularity • 79% Danceability • 75% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
44% Popularity • 79% Danceability • 75% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
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ReTo
Tabletka na pół
130 bpm • G Maj • 02:16 • -8.76db
44% Popularity • 84% Danceability • 69% Energy • 22% Liveness
10% Instrumentalness • 29% Positiveness
44% Popularity • 84% Danceability • 69% Energy • 22% Liveness
10% Instrumentalness • 29% Positiveness
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QueQuality
Pokolenie ale to QMPLE
130 bpm • D Maj • 03:30 • -6.42db
44% Popularity • 64% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
44% Popularity • 64% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
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przyłu
HOMELESS BOY
130 bpm • A# min • 04:03 • -8.08db
26% Popularity • 71% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
26% Popularity • 71% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Otsochodzi
Dla mnie
130 bpm • E min • 02:59 • -5.57db
46% Popularity • 68% Danceability • 89% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
46% Popularity • 68% Danceability • 89% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
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esceh
dzieciak, bylo po mnie
130 bpm • A Maj • 03:47 • -7db
38% Popularity • 82% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
38% Popularity • 82% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Mata
Kurtz
130 bpm • F min • 04:15 • -8.27db
50% Popularity • 60% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
50% Popularity • 60% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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ReTo
Forsa
130 bpm • F min • 03:00 • -6.9db
38% Popularity • 92% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
38% Popularity • 92% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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KęKę
Smutek
132 bpm • C# Maj • 03:56 • -8.19db
48% Popularity • 69% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
48% Popularity • 69% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Lipa
Znowu polecę
129 bpm • F# min • 03:28 • -11db
41% Popularity • 76% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
41% Popularity • 76% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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QueQuality
Duchy
132 bpm • E min • 03:28 • -9db
40% Popularity • 69% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
40% Popularity • 69% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
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Zarzycki
Confetti
132 bpm • D min • 02:34 • -5.29db
34% Popularity • 68% Danceability • 71% Energy • 40% Liveness
0% Instrumentalness • 46% Positiveness
34% Popularity • 68% Danceability • 71% Energy • 40% Liveness
0% Instrumentalness • 46% Positiveness
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Baba Hassan
Moment
128 bpm • C min • 02:25 • -7db
52% Popularity • 95% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
52% Popularity • 95% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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NIKOŚ
Freddie
128 bpm • F Maj • 02:24 • -5.55db
59% Popularity • 86% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
59% Popularity • 86% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Kiełas
Na Pan
128 bpm • C min • 02:28 • -9.89db
30% Popularity • 71% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
30% Popularity • 71% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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chillwagon
@
128 bpm • D# min • 05:03 • -8.7db
44% Popularity • 78% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
44% Popularity • 78% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Waima
RING RING
128 bpm • A min • 02:36 • -4.65db
67% Popularity • 86% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
67% Popularity • 86% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
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M0LLY
Story Tell
132 bpm • F min • 02:15 • -6.87db
43% Popularity • 71% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
43% Popularity • 71% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
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Moli
Miłość jest blondynką
133 bpm • G Maj • 03:09 • -8.65db
31% Popularity • 61% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
31% Popularity • 61% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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PRO8L3M
National Geographic
127 bpm • B Maj • 04:05 • -11db
50% Popularity • 57% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
50% Popularity • 57% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Pezet
Magenta (prod. Auer)
133 bpm • D Maj • 03:20 • -6.42db
57% Popularity • 74% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
57% Popularity • 74% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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chillwagon
puff puff
128 bpm • A# min • 02:39 • -6.78db
46% Popularity • 71% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
46% Popularity • 71% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Deys
Moizdrajcy com
127 bpm • D min • 04:22 • -8.16db
49% Popularity • 65% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
49% Popularity • 65% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Lipa
ACAB
133 bpm • D Maj • 03:43 • -8db
26% Popularity • 62% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
26% Popularity • 62% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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QueQuality
Yattamam
133 bpm • C# Maj • 02:34 • -8db
47% Popularity • 63% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
47% Popularity • 63% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Guzior
WTC
126 bpm • F# min • 02:04 • -7db
62% Popularity • 67% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
62% Popularity • 67% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Olszakumpel
Krzyż
126 bpm • G# Maj • 02:10 • -7.31db
49% Popularity • 82% Danceability • 65% Energy • 27% Liveness
0% Instrumentalness • 22% Positiveness
49% Popularity • 82% Danceability • 65% Energy • 27% Liveness
0% Instrumentalness • 22% Positiveness
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Hodak
mercedes benz (why i love you)
134 bpm • C# min • 02:55 • -10.55db
27% Popularity • 91% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
27% Popularity • 91% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Deys
moizdrajcy.com
127 bpm • D min • 04:19 • -8.16db
25% Popularity • 65% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
25% Popularity • 65% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Kronkel Dom
CHCIAŁBYM PRZEPROSIĆ
134 bpm • A# min • 03:04 • -9db
45% Popularity • 79% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
45% Popularity • 79% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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OsaKa
Dla ziomów, dla Ciebie, dla Fanów
134 bpm • C Maj • 02:43 • -11.88db
24% Popularity • 64% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
24% Popularity • 64% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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przyłu
Huty, zaplecza, amfibie
134 bpm • B min • 03:13 • -5.25db
42% Popularity • 76% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
42% Popularity • 76% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Feno
Strefa Konwergencji
134 bpm • C# min • 03:12 • -6.85db
28% Popularity • 76% Danceability • 64% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
28% Popularity • 76% Danceability • 64% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
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Kabe
Trapstar
134 bpm • C# Maj • 02:57 • -9.91db
42% Popularity • 81% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
42% Popularity • 81% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Olszakumpel
kodeks marki
134 bpm • B Maj • 02:41 • -7.64db
46% Popularity • 82% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
46% Popularity • 82% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Seni
po prostu pamiętać
126 bpm • D min • 02:50 • -3.32db
34% Popularity • 75% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
34% Popularity • 75% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
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VAE VISTIC
Moje kurtki mają ślady od bójki
126 bpm • E min • 02:24 • -6.82db
37% Popularity • 64% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
37% Popularity • 64% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
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M0LLY
Everest - D3W Remix
125 bpm • C# Maj • 02:55 • -10.83db
41% Popularity • 71% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
41% Popularity • 71% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Arne
Ile bym dał
135 bpm • A min • 02:40 • -8db
34% Popularity • 57% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
34% Popularity • 57% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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Avi
Epitafium
135 bpm • A# Maj • 02:55 • -7.77db
49% Popularity • 76% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
49% Popularity • 76% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
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Kapitalny
Uroiłaś sobie, że ci ze mną lepiej
135 bpm • C# min • 03:36 • -14db
31% Popularity • 75% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
31% Popularity • 75% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Kuban
Chore jazdy
135 bpm • A Maj • 05:16 • -9db
42% Popularity • 83% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
42% Popularity • 83% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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RIP SCOTTY
Tato
135 bpm • F# min • 02:29 • -7.23db
24% Popularity • 77% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
24% Popularity • 77% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
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M0LLY
Everest
125 bpm • F min • 03:11 • -8.72db
53% Popularity • 73% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
53% Popularity • 73% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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PRO8L3M
Tekken
125 bpm • F# min • 02:37 • -4.39db
58% Popularity • 85% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
58% Popularity • 85% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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QueQuality
Za wcześnie
135 bpm • B min • 04:24 • -8.63db
41% Popularity • 61% Danceability • 57% Energy • 34% Liveness
0% Instrumentalness • 29% Positiveness
41% Popularity • 61% Danceability • 57% Energy • 34% Liveness
0% Instrumentalness • 29% Positiveness
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Kaz Bałagane
Chanson De Geste
135 bpm • G Maj • 02:45 • -6.93db
48% Popularity • 74% Danceability • 74% Energy • 51% Liveness
0% Instrumentalness • 41% Positiveness
48% Popularity • 74% Danceability • 74% Energy • 51% Liveness
0% Instrumentalness • 41% Positiveness
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esceh
muszę szybko zarobić
125 bpm • B Maj • 03:06 • -4.04db
31% Popularity • 64% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 64% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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KęKę
Nic już nie muszę
125 bpm • B min • 03:41 • -8.18db
49% Popularity • 73% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
49% Popularity • 73% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Kosa
Detergent
125 bpm • A Maj • 03:12 • -12db
43% Popularity • 89% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
43% Popularity • 89% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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ReTo
Piotruś Pan
125 bpm • F min • 03:52 • -11.04db
48% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
48% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Filipek
Leci Pezet
136 bpm • B min • 02:30 • -7.57db
25% Popularity • 78% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
25% Popularity • 78% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Kiełas
Niech mówią
136 bpm • C# Maj • 04:14 • -13.39db
21% Popularity • 71% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
21% Popularity • 71% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
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PRO8L3M
S-class
136 bpm • A# Maj • 03:19 • -3.86db
56% Popularity • 82% Danceability • 86% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
56% Popularity • 82% Danceability • 86% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
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Beteo
Chodź na podwórko
136 bpm • A# min • 03:22 • -9.27db
36% Popularity • 77% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
36% Popularity • 77% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Moli
CHICAGO LOVE
124 bpm • B min • 03:01 • -6.82db
30% Popularity • 89% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
30% Popularity • 89% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Opał
O₂
124 bpm • A min • 03:13 • -9.7db
48% Popularity • 79% Danceability • 45% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
48% Popularity • 79% Danceability • 45% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
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BeCeKa
Golden Boy
124 bpm • G Maj • 02:59 • -8.15db
25% Popularity • 92% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
25% Popularity • 92% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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M0LLY
Ten Sam
137 bpm • C# Maj • 02:27 • -8db
46% Popularity • 71% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
46% Popularity • 71% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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PRO8L3M
Otchłań
136 bpm • G# Maj • 03:19 • -8.16db
51% Popularity • 70% Danceability • 47% Energy • 20% Liveness
4% Instrumentalness • 15% Positiveness
51% Popularity • 70% Danceability • 47% Energy • 20% Liveness
4% Instrumentalness • 15% Positiveness
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Kabe
Dziś nie
124 bpm • C min • 04:25 • -7.31db
54% Popularity • 51% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
54% Popularity • 51% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Guzior
Tajfun92
137 bpm • E min • 03:09 • -4db
59% Popularity • 64% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
59% Popularity • 64% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Pezet
Zszedłem Ze Sceny
137 bpm • F# min • 02:51 • -7db
49% Popularity • 76% Danceability • 78% Energy • 12% Liveness
1% Instrumentalness • 50% Positiveness
49% Popularity • 76% Danceability • 78% Energy • 12% Liveness
1% Instrumentalness • 50% Positiveness
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Lazy The Loser
Taxi
137 bpm • F# min • 02:52 • -9.73db
20% Popularity • 66% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
20% Popularity • 66% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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M0LLY
Nie Mów
137 bpm • A# Maj • 02:56 • -8db
45% Popularity • 72% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
45% Popularity • 72% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Hinol Polska Wersja
Gdybyś stracił wszystko
123 bpm • A min • 02:10 • -7db
42% Popularity • 66% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 35% Positiveness
42% Popularity • 66% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 35% Positiveness
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PRO8L3M
Magnolie
124 bpm • D Maj • 03:05 • -5db
49% Popularity • 48% Danceability • 65% Energy • 10% Liveness
1% Instrumentalness • 32% Positiveness
49% Popularity • 48% Danceability • 65% Energy • 10% Liveness
1% Instrumentalness • 32% Positiveness
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Chivas
zabiłem motyla
123 bpm • C# min • 02:43 • -7.69db
58% Popularity • 63% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 39% Positiveness
58% Popularity • 63% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 39% Positiveness
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przyłu
Shire
123 bpm • F# Maj • 02:32 • -6.63db
21% Popularity • 73% Danceability • 72% Energy • 59% Liveness
0% Instrumentalness • 44% Positiveness
21% Popularity • 73% Danceability • 72% Energy • 59% Liveness
0% Instrumentalness • 44% Positiveness
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QueQuality
Ghost Jacket - Bonus Track
138 bpm • E min • 03:58 • -7.6db
32% Popularity • 68% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
32% Popularity • 68% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Kabe
Euro
138 bpm • D Maj • 02:38 • -8.57db
50% Popularity • 64% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
50% Popularity • 64% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Kaz Bałagane
Za Linią
122 bpm • F min • 02:47 • -6.89db
47% Popularity • 86% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
47% Popularity • 86% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Lanek
POWIEMY CI TO W TWARZ
139 bpm • A min • 02:54 • -10.27db
34% Popularity • 40% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
34% Popularity • 40% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
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Chivas
Jakbym Miał W Ręku Klamkę
123 bpm • F min • 02:47 • -7.41db
56% Popularity • 72% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
56% Popularity • 72% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Fukaj
WCZORAJ
122 bpm • G# Maj • 04:13 • -10.08db
37% Popularity • 64% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
37% Popularity • 64% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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PRO8L3M
Opowieść o Tobie
139 bpm • F# Maj • 04:37 • -8.84db
40% Popularity • 53% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
40% Popularity • 53% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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KęKę
Nigdy ponad stan
139 bpm • C Maj • 03:02 • -6.5db
55% Popularity • 88% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
55% Popularity • 88% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Asster
KRUK (LEGENDARY SHIT)
139 bpm • G Maj • 03:56 • -9.63db
45% Popularity • 74% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
45% Popularity • 74% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Veason
Tańcz Tańcz Tańcz
121 bpm • G# min • 02:09 • -18.56db
40% Popularity • 85% Danceability • 25% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
40% Popularity • 85% Danceability • 25% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
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Chivas
Odkąd Nauczyłem Się Przeklinać
122 bpm • F min • 02:29 • -8db
50% Popularity • 55% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
50% Popularity • 55% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
