Songs like Poêm of the Atoms II by Armand Amar
Based on a tempo of (+/- 10%) and a similar genre
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Armand Amar
Ishtar
81 bpm • B Maj • 01:40 • -25db
32% Popularity • 26% Danceability • 8% Energy • 10% Liveness
98% Instrumentalness • 5% Positiveness
32% Popularity • 26% Danceability • 8% Energy • 10% Liveness
98% Instrumentalness • 5% Positiveness
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Thomas Otten
Underdown Aperture
81 bpm • C min • 04:02 • -19.3db
22% Popularity • 18% Danceability • 11% Energy • 12% Liveness
88% Instrumentalness • 7% Positiveness
22% Popularity • 18% Danceability • 11% Energy • 12% Liveness
88% Instrumentalness • 7% Positiveness
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Kevin Smuts
Basically Flying
82 bpm • A min • 02:29 • -20.53db
39% Popularity • 36% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
39% Popularity • 36% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Rael Jones
Precious to Me
80 bpm • E min • 01:49 • -27.77db
38% Popularity • 19% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
38% Popularity • 19% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Ana Alcaide
Mystir
80 bpm • E min • 05:34 • -17.68db
14% Popularity • 8% Danceability • 8% Energy • 14% Liveness
93% Instrumentalness • 7% Positiveness
14% Popularity • 8% Danceability • 8% Energy • 14% Liveness
93% Instrumentalness • 7% Positiveness
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Max Richter
Vocal
80 bpm • F Maj • 08:37 • -17.24db
29% Popularity • 17% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 13% Positiveness
29% Popularity • 17% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 13% Positiveness
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Amine Bouhafa
He Is Gone
80 bpm • B min • 04:56 • -23db
11% Popularity • 7% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
11% Popularity • 7% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Thomas Otten
Divigi Tu
81 bpm • A min • 03:50 • -12.17db
20% Popularity • 14% Danceability • 20% Energy • 14% Liveness
2% Instrumentalness • 4% Positiveness
20% Popularity • 14% Danceability • 20% Energy • 14% Liveness
2% Instrumentalness • 4% Positiveness
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Arto Tunçboyacıyan
Hoonk
80 bpm • G min • 02:32 • -19.45db
39% Popularity • 13% Danceability • 10% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
39% Popularity • 13% Danceability • 10% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Djivan Gasparyan
Sayat Nova
82 bpm • D# Maj • 04:38 • -23db
28% Popularity • 14% Danceability • 5% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
28% Popularity • 14% Danceability • 5% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Karim Baggili
Silent Stories - Instrumentale
82 bpm • G min • 04:34 • -16.67db
31% Popularity • 58% Danceability • 12% Energy • 9% Liveness
86% Instrumentalness • 14% Positiveness
31% Popularity • 58% Danceability • 12% Energy • 9% Liveness
86% Instrumentalness • 14% Positiveness
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Paweł Nowak
La Noyée z filmu "Amélia"
82 bpm • G Maj • 02:18 • -12.51db
36% Popularity • 21% Danceability • 30% Energy • 6% Liveness
92% Instrumentalness • 40% Positiveness
36% Popularity • 21% Danceability • 30% Energy • 6% Liveness
92% Instrumentalness • 40% Positiveness
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Amine Bouhafa
The Lake
80 bpm • B min • 02:03 • -18db
32% Popularity • 15% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
32% Popularity • 15% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Guy Farley
Wait For Me
82 bpm • C Maj • 01:20 • -32db
33% Popularity • 23% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
33% Popularity • 23% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
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Cosmic voices from Bulgaria
Retour à la vie
80 bpm • A# min • 04:01 • -12.23db
20% Popularity • 44% Danceability • 50% Energy • 9% Liveness
89% Instrumentalness • 13% Positiveness
20% Popularity • 44% Danceability • 50% Energy • 9% Liveness
89% Instrumentalness • 13% Positiveness
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Anne Sophie Versnaeyen
History Stories Variation 2
80 bpm • C min • 01:28 • -16.71db
27% Popularity • 21% Danceability • 14% Energy • 12% Liveness
86% Instrumentalness • 6% Positiveness
27% Popularity • 21% Danceability • 14% Energy • 12% Liveness
86% Instrumentalness • 6% Positiveness
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Laurent Aknin
Le choix du cœur
80 bpm • C min • 03:03 • -16db
32% Popularity • 18% Danceability • 22% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
32% Popularity • 18% Danceability • 22% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Ólafur Arnalds
Written In Stone
82 bpm • E min • 03:27 • -16db
31% Popularity • 20% Danceability • 23% Energy • 34% Liveness
82% Instrumentalness • 3% Positiveness
31% Popularity • 20% Danceability • 23% Energy • 34% Liveness
82% Instrumentalness • 3% Positiveness
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Hildur Guðnadóttir
The Mustard Seed
80 bpm • G# min • 02:11 • -20db
34% Popularity • 9% Danceability • 12% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
34% Popularity • 9% Danceability • 12% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Levon Minassian
Lousniag kicher
82 bpm • E Maj • 04:58 • -20.59db
17% Popularity • 10% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
17% Popularity • 10% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
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Lévon Minassian
Im ayrogh veuchtitz
82 bpm • F# min • 07:09 • -18db
33% Popularity • 8% Danceability • 15% Energy • 6% Liveness
95% Instrumentalness • 4% Positiveness
33% Popularity • 8% Danceability • 15% Energy • 6% Liveness
95% Instrumentalness • 4% Positiveness
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Max Richter
Embers - Alt Version 2014
80 bpm • B min • 03:38 • -13.48db
26% Popularity • 14% Danceability • 23% Energy • 10% Liveness
26% Instrumentalness • 6% Positiveness
26% Popularity • 14% Danceability • 23% Energy • 10% Liveness
26% Instrumentalness • 6% Positiveness
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Sylvain Millepied
EVOLVING (Flute Version)
82 bpm • E min • 02:26 • -16.25db
32% Popularity • 19% Danceability • 14% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
32% Popularity • 19% Danceability • 14% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Harry Gregson-Williams
Beirut, A War Zone - Original Motion Pic...
80 bpm • D# Maj • 03:20 • -28db
27% Popularity • 13% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
27% Popularity • 13% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Vangelis
Prelude
83 bpm • F# min • 04:25 • -24.27db
38% Popularity • 16% Danceability • 5% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
38% Popularity • 16% Danceability • 5% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
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Roque Baños
La Enfermedad
83 bpm • B min • 02:09 • -15.55db
17% Popularity • 8% Danceability • 24% Energy • 12% Liveness
82% Instrumentalness • 3% Positiveness
17% Popularity • 8% Danceability • 24% Energy • 12% Liveness
82% Instrumentalness • 3% Positiveness
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Lévon Minassian
Hol Ara Yéze (Call of the Earth)
83 bpm • E min • 06:20 • -24.55db
32% Popularity • 18% Danceability • 9% Energy • 18% Liveness
92% Instrumentalness • 4% Positiveness
32% Popularity • 18% Danceability • 9% Energy • 18% Liveness
92% Instrumentalness • 4% Positiveness
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Cyril Morin
For Noble Truths
79 bpm • C min • 03:12 • -15.27db
16% Popularity • 11% Danceability • 12% Energy • 11% Liveness
56% Instrumentalness • 4% Positiveness
16% Popularity • 11% Danceability • 12% Energy • 11% Liveness
56% Instrumentalness • 4% Positiveness
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Orange Blossom
Souffrance
79 bpm • A# min • 04:59 • -11.89db
38% Popularity • 47% Danceability • 33% Energy • 38% Liveness
76% Instrumentalness • 10% Positiveness
38% Popularity • 47% Danceability • 33% Energy • 38% Liveness
76% Instrumentalness • 10% Positiveness
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Guillaume Poncelet
Moria
79 bpm • B min • 03:11 • -17.45db
34% Popularity • 17% Danceability • 10% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
34% Popularity • 17% Danceability • 10% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
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Anne Dudley
Rachel's Theme
79 bpm • E min • 01:28 • -16db
51% Popularity • 13% Danceability • 17% Energy • 8% Liveness
59% Instrumentalness • 8% Positiveness
51% Popularity • 13% Danceability • 17% Energy • 8% Liveness
59% Instrumentalness • 8% Positiveness
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Yansımalar
Areş
83 bpm • D min • 04:45 • -17.92db
28% Popularity • 36% Danceability • 11% Energy • 10% Liveness
85% Instrumentalness • 8% Positiveness
28% Popularity • 36% Danceability • 11% Energy • 10% Liveness
85% Instrumentalness • 8% Positiveness
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Gabriel Yared
Des orages pour la nuit
79 bpm • G min • 03:17 • -25db
29% Popularity • 28% Danceability • 4% Energy • 11% Liveness
31% Instrumentalness • 52% Positiveness
29% Popularity • 28% Danceability • 4% Energy • 11% Liveness
31% Instrumentalness • 52% Positiveness
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Hüseyin Özkılıç
İstanbul'da Sabah
79 bpm • D min • 07:05 • -17.77db
22% Popularity • 14% Danceability • 28% Energy • 88% Liveness
94% Instrumentalness • 4% Positiveness
22% Popularity • 14% Danceability • 28% Energy • 88% Liveness
94% Instrumentalness • 4% Positiveness
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Thomas Otten
Tamuke
83 bpm • D min • 07:40 • -20.79db
11% Popularity • 8% Danceability • 8% Energy • 10% Liveness
49% Instrumentalness • 4% Positiveness
11% Popularity • 8% Danceability • 8% Energy • 10% Liveness
49% Instrumentalness • 4% Positiveness
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Guy Farley
Jeanne's Death
79 bpm • G min • 01:34 • -15.52db
35% Popularity • 19% Danceability • 18% Energy • 19% Liveness
20% Instrumentalness • 8% Positiveness
35% Popularity • 19% Danceability • 18% Energy • 19% Liveness
20% Instrumentalness • 8% Positiveness
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Adrián Berenguer
Stream
79 bpm • A min • 02:28 • -16.58db
32% Popularity • 28% Danceability • 18% Energy • 8% Liveness
1% Instrumentalness • 10% Positiveness
32% Popularity • 28% Danceability • 18% Energy • 8% Liveness
1% Instrumentalness • 10% Positiveness
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Alberto Iglesias
Casa con ventanas y libros
79 bpm • B min • 01:55 • -13.19db
24% Popularity • 49% Danceability • 25% Energy • 10% Liveness
54% Instrumentalness • 24% Positiveness
24% Popularity • 49% Danceability • 25% Energy • 10% Liveness
54% Instrumentalness • 24% Positiveness
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Renaud Garcia-Fons
La demoiselle de Ceret
84 bpm • D min • 01:38 • -13db
43% Popularity • 32% Danceability • 25% Energy • 10% Liveness
76% Instrumentalness • 39% Positiveness
43% Popularity • 32% Danceability • 25% Energy • 10% Liveness
76% Instrumentalness • 39% Positiveness
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Linnea Olsson
The Ocean
84 bpm • E min • 04:14 • -15db
39% Popularity • 18% Danceability • 25% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
39% Popularity • 18% Danceability • 25% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
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Thomas Otten
Sanza
78 bpm • C Maj • 04:45 • -11.39db
26% Popularity • 51% Danceability • 54% Energy • 9% Liveness
20% Instrumentalness • 58% Positiveness
26% Popularity • 51% Danceability • 54% Energy • 9% Liveness
20% Instrumentalness • 58% Positiveness
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Philip Glass
The Poet Acts
84 bpm • G min • 03:43 • -29.62db
46% Popularity • 25% Danceability • 3% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
46% Popularity • 25% Danceability • 3% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Arto Tunçboyacıyan
Sun up Sun Down
78 bpm • F Maj • 05:26 • -12.58db
13% Popularity • 49% Danceability • 37% Energy • 10% Liveness
65% Instrumentalness • 32% Positiveness
13% Popularity • 49% Danceability • 37% Energy • 10% Liveness
65% Instrumentalness • 32% Positiveness
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Jóhann Jóhannsson
A Deal with Chaos
84 bpm • C min • 02:05 • -27.96db
36% Popularity • 11% Danceability • 9% Energy • 8% Liveness
56% Instrumentalness • 4% Positiveness
36% Popularity • 11% Danceability • 9% Energy • 8% Liveness
56% Instrumentalness • 4% Positiveness
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Lévon Minassian
Amen hayr sourp
84 bpm • B min • 07:38 • -19.76db
29% Popularity • 9% Danceability • 11% Energy • 29% Liveness
85% Instrumentalness • 4% Positiveness
29% Popularity • 9% Danceability • 11% Energy • 29% Liveness
85% Instrumentalness • 4% Positiveness
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Amine Bouhafa
Le temps d'aimer
84 bpm • G min • 03:21 • -15.67db
32% Popularity • 26% Danceability • 24% Energy • 11% Liveness
80% Instrumentalness • 5% Positiveness
32% Popularity • 26% Danceability • 24% Energy • 11% Liveness
80% Instrumentalness • 5% Positiveness
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Guy Farley
The Hat First
78 bpm • D min • 02:30 • -25.57db
29% Popularity • 35% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
29% Popularity • 35% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Alberto Iglesias
The Beach
78 bpm • A min • 02:06 • -31.62db
28% Popularity • 20% Danceability • 1% Energy • 19% Liveness
91% Instrumentalness • 12% Positiveness
28% Popularity • 20% Danceability • 1% Energy • 19% Liveness
91% Instrumentalness • 12% Positiveness
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Armand Amar
La Genèse
78 bpm • D# min • 05:28 • -19.34db
34% Popularity • 12% Danceability • 12% Energy • 8% Liveness
72% Instrumentalness • 4% Positiveness
34% Popularity • 12% Danceability • 12% Energy • 8% Liveness
72% Instrumentalness • 4% Positiveness
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Levon Minassian
Echremet
78 bpm • C Maj • 05:40 • -24.51db
32% Popularity • 13% Danceability • 5% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
32% Popularity • 13% Danceability • 5% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
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Max Richter
Three Worlds: Music from Woolf Works / M...
78 bpm • D# min • 06:07 • -22.87db
33% Popularity • 8% Danceability • 9% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
33% Popularity • 8% Danceability • 9% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Lévon Minassian
Der Vorghormia (Merciful Lord)
85 bpm • D min • 06:58 • -18.68db
32% Popularity • 10% Danceability • 14% Energy • 15% Liveness
96% Instrumentalness • 5% Positiveness
32% Popularity • 10% Danceability • 14% Energy • 15% Liveness
96% Instrumentalness • 5% Positiveness
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Traditional
Kali yerg - Harvest song
85 bpm • F Maj • 05:44 • -24.22db
18% Popularity • 12% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
18% Popularity • 12% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Henning Fuchs
Miracle of Life
77 bpm • D Maj • 04:53 • -13.07db
9% Popularity • 13% Danceability • 26% Energy • 12% Liveness
64% Instrumentalness • 4% Positiveness
9% Popularity • 13% Danceability • 26% Energy • 12% Liveness
64% Instrumentalness • 4% Positiveness
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Djivan Gasparyan
Dle Yaman
85 bpm • A# Maj • 04:02 • -23.19db
36% Popularity • 16% Danceability • 6% Energy • 12% Liveness
94% Instrumentalness • 6% Positiveness
36% Popularity • 16% Danceability • 6% Energy • 12% Liveness
94% Instrumentalness • 6% Positiveness
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Peter Gregson
Sequence (Four) for Solo Violin and Stri...
85 bpm • D min • 06:09 • -11.51db
29% Popularity • 18% Danceability • 40% Energy • 73% Liveness
82% Instrumentalness • 7% Positiveness
29% Popularity • 18% Danceability • 40% Energy • 73% Liveness
82% Instrumentalness • 7% Positiveness
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Armand Amar
Le premier cri
77 bpm • A# min • 01:36 • -13.97db
29% Popularity • 8% Danceability • 13% Energy • 15% Liveness
53% Instrumentalness • 4% Positiveness
29% Popularity • 8% Danceability • 13% Energy • 15% Liveness
53% Instrumentalness • 4% Positiveness
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Kinan Azmeh
A Sad Morning, Every Morning
77 bpm • C min • 03:54 • -27.76db
8% Popularity • 18% Danceability • 0% Energy • 8% Liveness
79% Instrumentalness • 6% Positiveness
8% Popularity • 18% Danceability • 0% Energy • 8% Liveness
79% Instrumentalness • 6% Positiveness
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Arto Tunçboyacıyan
Dancing Hands
85 bpm • D Maj • 04:37 • -18.2db
26% Popularity • 32% Danceability • 17% Energy • 11% Liveness
86% Instrumentalness • 13% Positiveness
26% Popularity • 32% Danceability • 17% Energy • 11% Liveness
86% Instrumentalness • 13% Positiveness
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Anouar Brahem
Halfaouine
77 bpm • G min • 02:06 • -23.24db
47% Popularity • 49% Danceability • 8% Energy • 12% Liveness
93% Instrumentalness • 20% Positiveness
47% Popularity • 49% Danceability • 8% Energy • 12% Liveness
93% Instrumentalness • 20% Positiveness
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Dustin O'Halloran
Train
77 bpm • A min • 01:38 • -14.52db
23% Popularity • 12% Danceability • 41% Energy • 6% Liveness
82% Instrumentalness • 3% Positiveness
23% Popularity • 12% Danceability • 41% Energy • 6% Liveness
82% Instrumentalness • 3% Positiveness
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Sebastian Plano
Fortanach
77 bpm • D min • 02:05 • -13.35db
46% Popularity • 26% Danceability • 32% Energy • 11% Liveness
67% Instrumentalness • 4% Positiveness
46% Popularity • 26% Danceability • 32% Energy • 11% Liveness
67% Instrumentalness • 4% Positiveness
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Mari Samuelsen
Una Mattina (Arr. Badzura)
85 bpm • A min • 03:22 • -12.45db
35% Popularity • 9% Danceability • 35% Energy • 14% Liveness
76% Instrumentalness • 4% Positiveness
35% Popularity • 9% Danceability • 35% Energy • 14% Liveness
76% Instrumentalness • 4% Positiveness
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Academy of St. Martin in the Fields
Én Czak Azt Csodálom (Lullabye For Kat...
86 bpm • F# min • 01:10 • -31db
25% Popularity • 25% Danceability • 1% Energy • 10% Liveness
1% Instrumentalness • 14% Positiveness
25% Popularity • 25% Danceability • 1% Energy • 10% Liveness
1% Instrumentalness • 14% Positiveness
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Ana Alcaide
Mikdash (Prayer)
86 bpm • B min • 03:49 • -10.19db
21% Popularity • 18% Danceability • 35% Energy • 10% Liveness
45% Instrumentalness • 17% Positiveness
21% Popularity • 18% Danceability • 35% Energy • 10% Liveness
45% Instrumentalness • 17% Positiveness
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Khaled Mouzanar
Kanun el Parking
86 bpm • G min • 01:05 • -15.82db
41% Popularity • 39% Danceability • 13% Energy • 10% Liveness
72% Instrumentalness • 35% Positiveness
41% Popularity • 39% Danceability • 13% Energy • 10% Liveness
72% Instrumentalness • 35% Positiveness
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Lévon Minassian
Araksi artassouken
86 bpm • G Maj • 05:22 • -24db
36% Popularity • 20% Danceability • 8% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
36% Popularity • 20% Danceability • 8% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
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Max Richter
The Quality of Mercy
76 bpm • G# Maj • 04:12 • -19.85db
41% Popularity • 11% Danceability • 11% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
41% Popularity • 11% Danceability • 11% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Djivan Gasparyan
A Cool Wind Is Blowing
86 bpm • G Maj • 04:04 • -16db
41% Popularity • 13% Danceability • 18% Energy • 12% Liveness
96% Instrumentalness • 5% Positiveness
41% Popularity • 13% Danceability • 18% Energy • 12% Liveness
96% Instrumentalness • 5% Positiveness
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Armand Amar
Poêm of the Atoms II
86 bpm • B min • 02:19 • -16.51db
40% Popularity • 16% Danceability • 8% Energy • 10% Liveness
2% Instrumentalness • 10% Positiveness
40% Popularity • 16% Danceability • 8% Energy • 10% Liveness
2% Instrumentalness • 10% Positiveness
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Levon Minassian
Kele Kele
86 bpm • D Maj • 03:49 • -19db
15% Popularity • 19% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 33% Positiveness
15% Popularity • 19% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 33% Positiveness
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Ólafur Arnalds
Árbakkinn - Island Songs I
76 bpm • A min • 04:56 • -15.96db
34% Popularity • 19% Danceability • 8% Energy • 10% Liveness
5% Instrumentalness • 7% Positiveness
34% Popularity • 19% Danceability • 8% Energy • 10% Liveness
5% Instrumentalness • 7% Positiveness
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Lévon Minassian
Hovern' engan
86 bpm • E min • 05:08 • -18db
42% Popularity • 13% Danceability • 14% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
42% Popularity • 13% Danceability • 14% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
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Dhafer Youssef
Birds Canticum "Birds Requiem" Suite
76 bpm • B min • 03:16 • -13.65db
41% Popularity • 21% Danceability • 9% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
41% Popularity • 21% Danceability • 9% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
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A.R. Rahman
Mumbai Theme
76 bpm • D Maj • 05:09 • -14.2db
34% Popularity • 13% Danceability • 19% Energy • 11% Liveness
30% Instrumentalness • 4% Positiveness
34% Popularity • 13% Danceability • 19% Energy • 11% Liveness
30% Instrumentalness • 4% Positiveness
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Panu Aaltio
Forgiveness
86 bpm • D min • 02:55 • -15db
36% Popularity • 22% Danceability • 16% Energy • 10% Liveness
50% Instrumentalness • 5% Positiveness
36% Popularity • 22% Danceability • 16% Energy • 10% Liveness
50% Instrumentalness • 5% Positiveness
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Armand Amar
Toll of Toil
87 bpm • G min • 03:15 • -18.12db
19% Popularity • 11% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
19% Popularity • 11% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
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Gustavo Santaolalla
The Motorcycle Diaries: De Usuahia a la ...
76 bpm • G min • 02:50 • -23db
29% Popularity • 51% Danceability • 15% Energy • 11% Liveness
88% Instrumentalness • 29% Positiveness
29% Popularity • 51% Danceability • 15% Energy • 11% Liveness
88% Instrumentalness • 29% Positiveness
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Michael Hoppé
Long Ago
87 bpm • D Maj • 04:09 • -17db
41% Popularity • 19% Danceability • 15% Energy • 12% Liveness
79% Instrumentalness • 4% Positiveness
41% Popularity • 19% Danceability • 15% Energy • 12% Liveness
79% Instrumentalness • 4% Positiveness
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Yeghshe Manukyan
Where Is She
87 bpm • B Maj • 06:14 • -17db
16% Popularity • 22% Danceability • 8% Energy • 11% Liveness
95% Instrumentalness • 6% Positiveness
16% Popularity • 22% Danceability • 8% Energy • 11% Liveness
95% Instrumentalness • 6% Positiveness
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Djivan Gasparyan
I Will Not Be Sad In This World
87 bpm • D# Maj • 06:18 • -18db
33% Popularity • 20% Danceability • 16% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
33% Popularity • 20% Danceability • 16% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
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Lévon Minassian
Siretzi Yares Daran (They Have Taken the...
87 bpm • E min • 06:59 • -28db
35% Popularity • 14% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
35% Popularity • 14% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Armand Amar
Amar: Paddy Fields
87 bpm • C# min • 03:41 • -19.07db
19% Popularity • 9% Danceability • 14% Energy • 17% Liveness
88% Instrumentalness • 11% Positiveness
19% Popularity • 9% Danceability • 14% Energy • 17% Liveness
88% Instrumentalness • 11% Positiveness
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Amine Bouhafa
Football Without A Ball
75 bpm • A min • 02:01 • -16db
28% Popularity • 22% Danceability • 22% Energy • 22% Liveness
89% Instrumentalness • 11% Positiveness
28% Popularity • 22% Danceability • 22% Energy • 22% Liveness
89% Instrumentalness • 11% Positiveness
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Khaled Mouzanar
Zaghloul el Hamam
75 bpm • G min • 02:13 • -16.36db
36% Popularity • 42% Danceability • 11% Energy • 10% Liveness
60% Instrumentalness • 7% Positiveness
36% Popularity • 42% Danceability • 11% Energy • 10% Liveness
60% Instrumentalness • 7% Positiveness
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Patrick Cassidy
Fiona Awakens
75 bpm • G# min • 01:04 • -24.64db
32% Popularity • 23% Danceability • 6% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
32% Popularity • 23% Danceability • 6% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Vas
Inamorata
88 bpm • G# Maj • 04:50 • -18db
19% Popularity • 10% Danceability • 12% Energy • 11% Liveness
6% Instrumentalness • 3% Positiveness
19% Popularity • 10% Danceability • 12% Energy • 11% Liveness
6% Instrumentalness • 3% Positiveness
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Dustin O'Halloran
Home is with Me
88 bpm • G min • 03:15 • -19db
32% Popularity • 12% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
32% Popularity • 12% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Armand Amar
You Created the Night I Made the Light
76 bpm • F Maj • 07:50 • -16.41db
25% Popularity • 14% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
25% Popularity • 14% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Rolf Løvland
Lotus
88 bpm • E min • 04:33 • -13.48db
39% Popularity • 21% Danceability • 24% Energy • 26% Liveness
90% Instrumentalness • 4% Positiveness
39% Popularity • 21% Danceability • 24% Energy • 26% Liveness
90% Instrumentalness • 4% Positiveness
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Lévon Minassian
Yeraz (Rêverie)
88 bpm • A# min • 02:57 • -25db
34% Popularity • 16% Danceability • 5% Energy • 8% Liveness
93% Instrumentalness • 7% Positiveness
34% Popularity • 16% Danceability • 5% Energy • 8% Liveness
93% Instrumentalness • 7% Positiveness
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Michael Hoppé
The Waiting
88 bpm • G min • 04:15 • -18db
38% Popularity • 9% Danceability • 18% Energy • 41% Liveness
91% Instrumentalness • 8% Positiveness
38% Popularity • 9% Danceability • 18% Energy • 41% Liveness
91% Instrumentalness • 8% Positiveness
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Lok-Batan Folklore Group
My Home
88 bpm • F# Maj • 05:55 • -26db
22% Popularity • 15% Danceability • 9% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
22% Popularity • 15% Danceability • 9% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Levon Minassian
Oror
88 bpm • F# min • 04:52 • -25db
34% Popularity • 21% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
34% Popularity • 21% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
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Armand Amar
Amar: Faces
76 bpm • E min • 04:12 • -14.1db
30% Popularity • 12% Danceability • 19% Energy • 11% Liveness
11% Instrumentalness • 7% Positiveness
30% Popularity • 12% Danceability • 19% Energy • 11% Liveness
11% Instrumentalness • 7% Positiveness
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Amine Bouhafa
Killing GPS
75 bpm • B min • 02:54 • -18.65db
14% Popularity • 16% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Estas Tonne
Mother’s Blessing
88 bpm • A min • 04:04 • -23.69db
36% Popularity • 30% Danceability • 7% Energy • 9% Liveness
68% Instrumentalness • 9% Positiveness
36% Popularity • 30% Danceability • 7% Energy • 9% Liveness
68% Instrumentalness • 9% Positiveness
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Khaled Mouzanar
Deuil de Nassim
88 bpm • F min • 02:25 • -22db
38% Popularity • 35% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
38% Popularity • 35% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness