Songs like Poema dos Passarinhos Antigos - por Pedro Lamares by António Gedeão
Based on a tempo of (+/- 10%) and a similar genre
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António Gedeão
Poema dos Passarinhos Antigos - por Pedr...
71 bpm • C# Maj • 01:26 • -22.64db
1% Popularity • 76% Danceability • 21% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
1% Popularity • 76% Danceability • 21% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Tuna Académica de Farmácia da Universidade de Lisboa
Farmácia Vem à Rua
71 bpm • G Maj • 03:25 • -13.21db
10% Popularity • 35% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
10% Popularity • 35% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Tuna Universitária do Minho
Capas Negras
72 bpm • C Maj • 05:52 • -9.25db
11% Popularity • 25% Danceability • 33% Energy • 12% Liveness
2% Instrumentalness • 28% Positiveness
11% Popularity • 25% Danceability • 33% Energy • 12% Liveness
2% Instrumentalness • 28% Positiveness
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Tuna da Universidade Católica Portuguesa - Porto
Desfolhada
72 bpm • E min • 02:55 • -7.02db
19% Popularity • 44% Danceability • 66% Energy • 91% Liveness
0% Instrumentalness • 78% Positiveness
19% Popularity • 44% Danceability • 66% Energy • 91% Liveness
0% Instrumentalness • 78% Positiveness
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Verdes Anos
Balada da Despedida do 6 Ano Medico de 1...
70 bpm • E min • 03:58 • -8.15db
15% Popularity • 43% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
15% Popularity • 43% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Luiz Goes
Fado Triste
73 bpm • C# min • 02:51 • -9.4db
10% Popularity • 43% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
10% Popularity • 43% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Filipa Pais
Menino do Bairro Negro
73 bpm • B Maj • 04:34 • -9.3db
8% Popularity • 32% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
8% Popularity • 32% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Aldina Duarte
Araucária
68 bpm • G Maj • 04:29 • -16.7db
14% Popularity • 45% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
14% Popularity • 45% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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António Gedeão
Pastoral - por Isabel Abreu
74 bpm • C# Maj • 01:02 • -24.06db
0% Popularity • 70% Danceability • 8% Energy • 28% Liveness
0% Instrumentalness • 18% Positiveness
0% Popularity • 70% Danceability • 8% Energy • 28% Liveness
0% Instrumentalness • 18% Positiveness
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Tuna Universitária do Minho
Boémia
74 bpm • D Maj • 02:35 • -6.26db
15% Popularity • 31% Danceability • 64% Energy • 36% Liveness
0% Instrumentalness • 75% Positiveness
15% Popularity • 31% Danceability • 64% Energy • 36% Liveness
0% Instrumentalness • 75% Positiveness
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Rancho De Cantadores De Aldeia Nova De São Bento
Ao Romper Da Madrugada
68 bpm • D Maj • 02:09 • -13.07db
12% Popularity • 45% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
12% Popularity • 45% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Luiz Goes
Balada da distância
68 bpm • D Maj • 02:29 • -10.85db
12% Popularity • 45% Danceability • 16% Energy • 12% Liveness
1% Instrumentalness • 17% Positiveness
12% Popularity • 45% Danceability • 16% Energy • 12% Liveness
1% Instrumentalness • 17% Positiveness
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Quinta Do Bill
Mãe (Que Saudade)
75 bpm • G Maj • 04:44 • -13.24db
9% Popularity • 52% Danceability • 46% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
9% Popularity • 52% Danceability • 46% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
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Jorge Palma
Gaivota dos alteirinhos
75 bpm • C Maj • 03:31 • -11.13db
10% Popularity • 60% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
10% Popularity • 60% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Estudantina Universitária de Coimbra
Coimbra Menina e Moça
67 bpm • F Maj • 02:29 • -7.49db
10% Popularity • 49% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
10% Popularity • 49% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Paulo de Carvalho
Sábado À Tarde
76 bpm • G min • 03:35 • -11db
16% Popularity • 53% Danceability • 40% Energy • 16% Liveness
3% Instrumentalness • 20% Positiveness
16% Popularity • 53% Danceability • 40% Energy • 16% Liveness
3% Instrumentalness • 20% Positiveness
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Argentina Santos
As Duas Santas
76 bpm • B min • 02:43 • -12db
25% Popularity • 60% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
25% Popularity • 60% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Rodrigo Costa Felix
As palavras que eu procuro (The Words I ...
76 bpm • D Maj • 02:08 • -10db
18% Popularity • 51% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
18% Popularity • 51% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Luiz Goes
Canção Açoreana
76 bpm • B min • 02:15 • -9db
8% Popularity • 49% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 49% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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António Gedeão
Um Sorriso para Cibele - por Rui Portule...
77 bpm • A# min • 00:55 • -23.5db
0% Popularity • 68% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
0% Popularity • 68% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Estudantina Universitária de Coimbra
Maria da Fonte
75 bpm • C# Maj • 01:17 • -5.56db
18% Popularity • 61% Danceability • 25% Energy • 50% Liveness
0% Instrumentalness • 58% Positiveness
18% Popularity • 61% Danceability • 25% Energy • 50% Liveness
0% Instrumentalness • 58% Positiveness
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Fernando Farinha
Casinha de um pobre
77 bpm • D# Maj • 02:52 • -11.05db
9% Popularity • 60% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
9% Popularity • 60% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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TAISCTE
Alma
77 bpm • A min • 03:29 • -6.81db
7% Popularity • 28% Danceability • 68% Energy • 69% Liveness
0% Instrumentalness • 63% Positiveness
7% Popularity • 28% Danceability • 68% Energy • 69% Liveness
0% Instrumentalness • 63% Positiveness
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Daniel Duncan
Vida Adulta
65 bpm • C Maj • 03:32 • -23.18db
17% Popularity • 63% Danceability • 10% Energy • 38% Liveness
0% Instrumentalness • 42% Positiveness
17% Popularity • 63% Danceability • 10% Energy • 38% Liveness
0% Instrumentalness • 42% Positiveness
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Luiz Goes
Fado Hilário
76 bpm • F Maj • 02:53 • -9db
13% Popularity • 29% Danceability • 26% Energy • 29% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 29% Danceability • 26% Energy • 29% Liveness
0% Instrumentalness • 32% Positiveness
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Jacques Gamblin
Songe un peu
77 bpm • C# Maj • 01:37 • -18.78db
8% Popularity • 63% Danceability • 21% Energy • 36% Liveness
0% Instrumentalness • 55% Positiveness
8% Popularity • 63% Danceability • 21% Energy • 36% Liveness
0% Instrumentalness • 55% Positiveness
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Maria Ana Bobone
Grão de Arroz
78 bpm • B Maj • 02:59 • -10db
13% Popularity • 42% Danceability • 38% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
13% Popularity • 42% Danceability • 38% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
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Ad Lucem Grupo de Fado da Academia de Lisboa
Menina dos Olhos Tristes
78 bpm • G Maj • 04:45 • -30.12db
9% Popularity • 31% Danceability • 2% Energy • 7% Liveness
2% Instrumentalness • 27% Positiveness
9% Popularity • 31% Danceability • 2% Energy • 7% Liveness
2% Instrumentalness • 27% Positiveness
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Rancho De Cantadores De Aldeia Nova De São Bento
Vai Colher A Silva
78 bpm • E Maj • 01:38 • -10.98db
10% Popularity • 49% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
10% Popularity • 49% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Tony De Matos
Quando
78 bpm • E min • 02:09 • -5db
11% Popularity • 31% Danceability • 49% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
11% Popularity • 31% Danceability • 49% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
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Gonçalo Salgueiro
Meu Amor D'Uma Só Hora
78 bpm • C# Maj • 03:17 • -10db
23% Popularity • 61% Danceability • 34% Energy • 18% Liveness
1% Instrumentalness • 42% Positiveness
23% Popularity • 61% Danceability • 34% Energy • 18% Liveness
1% Instrumentalness • 42% Positiveness
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Cantadores do Alentejo
A Viagem do Passarinho
78 bpm • D min • 04:22 • -8.24db
11% Popularity • 58% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
11% Popularity • 58% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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António Gedeão
Pastoral
78 bpm • C Maj • 01:17 • -21.17db
0% Popularity • 62% Danceability • 3% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
0% Popularity • 62% Danceability • 3% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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Verdes Anos
Cancao do Alentejo
78 bpm • C min • 02:36 • -5.4db
12% Popularity • 45% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
12% Popularity • 45% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Argentina Santos
Capricho do Fado
79 bpm • A min • 03:21 • -13db
13% Popularity • 54% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
13% Popularity • 54% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Tuna Universitária de Aveiro
Barco de Aveiro (250 Anos)
79 bpm • D min • 04:56 • -19.46db
9% Popularity • 35% Danceability • 21% Energy • 37% Liveness
1% Instrumentalness • 45% Positiveness
9% Popularity • 35% Danceability • 21% Energy • 37% Liveness
1% Instrumentalness • 45% Positiveness
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Fernando Rocha
O Sapo e a Sida
80 bpm • A Maj • 02:35 • -16.27db
13% Popularity • 55% Danceability • 43% Energy • 96% Liveness
0% Instrumentalness • 50% Positiveness
13% Popularity • 55% Danceability • 43% Energy • 96% Liveness
0% Instrumentalness • 50% Positiveness
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Aldina Duarte
Tentativa
78 bpm • D Maj • 03:17 • -13.94db
9% Popularity • 58% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
9% Popularity • 58% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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José Cid
Carmencita
80 bpm • G min • 02:54 • -19.25db
5% Popularity • 44% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
5% Popularity • 44% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Verdes Anos
Trova do Vento que Passa
80 bpm • G Maj • 03:04 • -5.14db
22% Popularity • 43% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
22% Popularity • 43% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Tozé Brito
Domingo em Bidonville
80 bpm • C Maj • 03:46 • -9.74db
13% Popularity • 54% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
13% Popularity • 54% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Frei Hermano Da Câmara
Jesus Cristo anda na rua
80 bpm • G Maj • 02:50 • -5.92db
11% Popularity • 35% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
11% Popularity • 35% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Fernando Rocha
Oxford
80 bpm • F min • 02:48 • -16.69db
10% Popularity • 66% Danceability • 31% Energy • 94% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 66% Danceability • 31% Energy • 94% Liveness
0% Instrumentalness • 56% Positiveness
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Mariana Ramos
Ninancia
80 bpm • C# Maj • 02:28 • -10.08db
16% Popularity • 74% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
16% Popularity • 74% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Tuna de Contabilidade Do Porto
Vinho Do Porto
80 bpm • E min • 03:37 • -4.36db
14% Popularity • 35% Danceability • 57% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 35% Danceability • 57% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
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Ирина Мурзаева
Три толстяка: В это же ...
81 bpm • F min • 06:41 • -22.74db
10% Popularity • 60% Danceability • 9% Energy • 57% Liveness
0% Instrumentalness • 20% Positiveness
10% Popularity • 60% Danceability • 9% Energy • 57% Liveness
0% Instrumentalness • 20% Positiveness
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Ricardo Ribeiro
Fado do Alentejo
81 bpm • F Maj • 03:24 • -7.24db
13% Popularity • 21% Danceability • 28% Energy • 12% Liveness
3% Instrumentalness • 14% Positiveness
13% Popularity • 21% Danceability • 28% Energy • 12% Liveness
3% Instrumentalness • 14% Positiveness
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Jean-Pierre Michaël
Noé et le déluge
62 bpm • C# Maj • 05:58 • -23.18db
9% Popularity • 60% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
9% Popularity • 60% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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António Gedeão
Poema dos Passarinhos Antigos
81 bpm • G Maj • 02:02 • -20.05db
0% Popularity • 70% Danceability • 16% Energy • 31% Liveness
0% Instrumentalness • 50% Positiveness
0% Popularity • 70% Danceability • 16% Energy • 31% Liveness
0% Instrumentalness • 50% Positiveness
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Adriano Correia De Oliveira
Balada da Esperança
81 bpm • G min • 01:39 • -16.03db
10% Popularity • 54% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
10% Popularity • 54% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Cuca Roseta
Há Noites (Em Direto)
82 bpm • A Maj • 03:26 • -8.44db
8% Popularity • 27% Danceability • 38% Energy • 89% Liveness
0% Instrumentalness • 29% Positiveness
8% Popularity • 27% Danceability • 38% Energy • 89% Liveness
0% Instrumentalness • 29% Positiveness
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Tuna Universitária do Minho
Adeus É Sempre Adeus
82 bpm • A Maj • 02:03 • -10.78db
22% Popularity • 31% Danceability • 54% Energy • 38% Liveness
0% Instrumentalness • 94% Positiveness
22% Popularity • 31% Danceability • 54% Energy • 38% Liveness
0% Instrumentalness • 94% Positiveness
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Cara de Espelho
Tratado de Paz
82 bpm • G Maj • 01:58 • -14.73db
20% Popularity • 57% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
20% Popularity • 57% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Carlos Paião
Canção dos cinco dedos
82 bpm • F# Maj • 04:07 • -20.15db
9% Popularity • 33% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
9% Popularity • 33% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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António Gedeão
Poema da Buganvília - por Ana Brandão
82 bpm • D Maj • 00:50 • -19.27db
0% Popularity • 76% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
0% Popularity • 76% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Rodrigo Costa Felix
Mulher (Woman)
83 bpm • A Maj • 02:39 • -8.09db
25% Popularity • 63% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
25% Popularity • 63% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Lucília Do Carmo
Lágrima Caída
82 bpm • F# min • 01:55 • -5.62db
11% Popularity • 52% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 54% Positiveness
11% Popularity • 52% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 54% Positiveness
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LUST livres audio
Chapter 12.2 & Chapter 13 - Voyeur - Une...
83 bpm • B min • 03:05 • -30.33db
8% Popularity • 70% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
8% Popularity • 70% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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João Ferreira Rosa
Embuçado
83 bpm • G Maj • 03:27 • -8.74db
21% Popularity • 51% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
21% Popularity • 51% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Giuseppe Donato
Nella massa pastorizia si suonavano i ci...
61 bpm • C# Maj • 01:37 • -22.29db
12% Popularity • 62% Danceability • 27% Energy • 38% Liveness
0% Instrumentalness • 25% Positiveness
12% Popularity • 62% Danceability • 27% Energy • 38% Liveness
0% Instrumentalness • 25% Positiveness
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António Gedeão
Canção do Oboé - por Ana Brandão
83 bpm • B min • 00:40 • -24.37db
0% Popularity • 72% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
0% Popularity • 72% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Pedro Moutinho
Algo que Esvoaça
83 bpm • C# min • 02:38 • -14.18db
8% Popularity • 45% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
8% Popularity • 45% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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D.A.M.A
Descanso - ao vivo no Coliseu dos Recrei...
83 bpm • E Maj • 01:18 • -23.56db
18% Popularity • 54% Danceability • 3% Energy • 70% Liveness
1% Instrumentalness • 48% Positiveness
18% Popularity • 54% Danceability • 3% Energy • 70% Liveness
1% Instrumentalness • 48% Positiveness
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Hermínia Silva
Às Ginjas Com Elas
84 bpm • D Maj • 02:52 • -6.52db
9% Popularity • 60% Danceability • 49% Energy • 33% Liveness
0% Instrumentalness • 75% Positiveness
9% Popularity • 60% Danceability • 49% Energy • 33% Liveness
0% Instrumentalness • 75% Positiveness
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Maria Teresa De Noronha
Gosto de Ti Quando Mentes
84 bpm • D# Maj • 01:25 • -11.12db
16% Popularity • 53% Danceability • 25% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
16% Popularity • 53% Danceability • 25% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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José Cid
Cantiga portuguesa
84 bpm • D min • 03:21 • -9.26db
8% Popularity • 55% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 68% Positiveness
8% Popularity • 55% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 68% Positiveness
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António Gedeão
Dez Réis de Esperança - por Pedro Lama...
84 bpm • A# min • 01:02 • -23.9db
1% Popularity • 69% Danceability • 18% Energy • 30% Liveness
0% Instrumentalness • 30% Positiveness
1% Popularity • 69% Danceability • 18% Energy • 30% Liveness
0% Instrumentalness • 30% Positiveness
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Grupo de Fados de Enfermagem Porto
O Amor Quando se Revela
84 bpm • G min • 04:34 • -9.61db
9% Popularity • 40% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
9% Popularity • 40% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Rita Rocha
Nunca chego ao fim
85 bpm • F min • 04:26 • -12.41db
11% Popularity • 30% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
11% Popularity • 30% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Grupo de Fados Coimbra _ Toada Coimbrã
Fado Do Adeus (Penedo)
85 bpm • C Maj • 03:05 • -10.26db
9% Popularity • 43% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
9% Popularity • 43% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
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Ena Pá 2000
Florbela Espanca-Me
86 bpm • A min • 03:36 • -11.62db
7% Popularity • 45% Danceability • 27% Energy • 8% Liveness
8% Instrumentalness • 22% Positiveness
7% Popularity • 45% Danceability • 27% Energy • 8% Liveness
8% Instrumentalness • 22% Positiveness
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Verdes Anos
Fado Hilario
86 bpm • G Maj • 02:40 • -5.58db
15% Popularity • 30% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
15% Popularity • 30% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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António Gedeão
Lágrimas Tudo - por Susana Menezes
85 bpm • A# Maj • 01:11 • -20.34db
0% Popularity • 75% Danceability • 16% Energy • 33% Liveness
0% Instrumentalness • 36% Positiveness
0% Popularity • 75% Danceability • 16% Energy • 33% Liveness
0% Instrumentalness • 36% Positiveness
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Paulo Bragança
Que Fazes Aí Lisboa
86 bpm • F# min • 03:08 • -14.33db
10% Popularity • 50% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 50% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Rancho De Cantadores De Aldeia Nova De São Bento
Aldeia Nova De S. Bento
87 bpm • F Maj • 01:47 • -11.31db
15% Popularity • 44% Danceability • 5% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
15% Popularity • 44% Danceability • 5% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
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Maria Ana Bobone
Namorico da Rita
87 bpm • E Maj • 02:10 • -8db
21% Popularity • 53% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
21% Popularity • 53% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Leitugas
O Trabalho É Orgulho
88 bpm • G Maj • 06:38 • -9.08db
7% Popularity • 59% Danceability • 35% Energy • 6% Liveness
4% Instrumentalness • 74% Positiveness
7% Popularity • 59% Danceability • 35% Energy • 6% Liveness
4% Instrumentalness • 74% Positiveness
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Fernando Rocha
Os Camarões e o Restaurante
87 bpm • F# min • 03:15 • -13.86db
11% Popularity • 67% Danceability • 41% Energy • 73% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 67% Danceability • 41% Energy • 73% Liveness
0% Instrumentalness • 52% Positiveness
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António Gedeão
Poema da Flor Proibida
85 bpm • D Maj • 01:20 • -20.75db
0% Popularity • 68% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
0% Popularity • 68% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
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Cuca Roseta
Finalmente
88 bpm • F Maj • 04:31 • -9db
7% Popularity • 32% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
7% Popularity • 32% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Rancho De Cantadores De Aldeia Nova De São Bento
Fui Ao Jardim Passear
88 bpm • E Maj • 02:46 • -13.02db
16% Popularity • 45% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 28% Positiveness
16% Popularity • 45% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 28% Positiveness
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Diamantina
Fado Toureiro
88 bpm • B Maj • 02:31 • -8.27db
9% Popularity • 60% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
9% Popularity • 60% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Ricardo Ribeiro
Estrada da Vida
88 bpm • C Maj • 03:03 • -11.31db
10% Popularity • 40% Danceability • 28% Energy • 20% Liveness
1% Instrumentalness • 32% Positiveness
10% Popularity • 40% Danceability • 28% Energy • 20% Liveness
1% Instrumentalness • 32% Positiveness
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Carlos Ramos
Canto o fado
89 bpm • G# Maj • 02:46 • -10.87db
16% Popularity • 67% Danceability • 32% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
16% Popularity • 67% Danceability • 32% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
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António Gedeão
Poema da Morte na Estrada - por Isabel A...
87 bpm • C# Maj • 01:06 • -23.96db
0% Popularity • 75% Danceability • 9% Energy • 35% Liveness
0% Instrumentalness • 38% Positiveness
0% Popularity • 75% Danceability • 9% Energy • 35% Liveness
0% Instrumentalness • 38% Positiveness
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Inês de Vasconcellos
Fado da Surpesa
89 bpm • A Maj • 03:48 • -10.16db
11% Popularity • 71% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
11% Popularity • 71% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Francisco Fialho
Ilusão na vida
89 bpm • D# min • 04:01 • -7.49db
18% Popularity • 43% Danceability • 37% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
18% Popularity • 43% Danceability • 37% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
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Rancho De Cantadores De Aldeia Nova De São Bento
Varejo
89 bpm • D Maj • 03:57 • -11.36db
10% Popularity • 28% Danceability • 15% Energy • 42% Liveness
0% Instrumentalness • 22% Positiveness
10% Popularity • 28% Danceability • 15% Energy • 42% Liveness
0% Instrumentalness • 22% Positiveness
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JP Simões
As contas de deus
89 bpm • E min • 03:40 • -13.08db
19% Popularity • 40% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
19% Popularity • 40% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Carlos Ramos
Mas Sou Fadista
89 bpm • G Maj • 02:53 • -17db
18% Popularity • 51% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
18% Popularity • 51% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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António Gedeão
Poema da Buganvília
89 bpm • G Maj • 01:07 • -20.17db
0% Popularity • 68% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
0% Popularity • 68% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Tony De Matos
Vou Dar de Beber Á Dor
90 bpm • G Maj • 02:25 • -6.95db
13% Popularity • 48% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 89% Positiveness
13% Popularity • 48% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 89% Positiveness
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Maria Emília
Casa de Fado
90 bpm • F Maj • 02:45 • -5.81db
9% Popularity • 67% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 67% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Tozé Brito
Lisboa ano 3000
90 bpm • A min • 02:37 • -7.61db
7% Popularity • 67% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 42% Positiveness
7% Popularity • 67% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 42% Positiveness
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Fernando Tordo
O Amigo que Eu Canto
90 bpm • A Maj • 04:14 • -9.43db
13% Popularity • 39% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 43% Positiveness
13% Popularity • 39% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 43% Positiveness
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Teresinha Landeiro
Eu Vou Dançar
90 bpm • G Maj • 02:17 • -6.17db
21% Popularity • 73% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
21% Popularity • 73% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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António Gedeão
Poema da Flor Proibida - por Susana Mene...
88 bpm • G min • 01:05 • -20.91db
0% Popularity • 73% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
0% Popularity • 73% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Conjunto de Guitarras de Jorge Fontes
Lisboa das guitarras
91 bpm • D Maj • 01:44 • -7.33db
8% Popularity • 38% Danceability • 62% Energy • 11% Liveness
91% Instrumentalness • 80% Positiveness
8% Popularity • 38% Danceability • 62% Energy • 11% Liveness
91% Instrumentalness • 80% Positiveness
