Songs like Point of No Return by Jim Ford
Based on a tempo of (+/- 10%) and a similar genre
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Jim Ford
Point of No Return
91 bpm • G Maj • 03:02 • -7.28db
17% Popularity • 38% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
17% Popularity • 38% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Cass Elliot
California Earthquake
91 bpm • D Maj • 02:41 • -8.73db
31% Popularity • 53% Danceability • 64% Energy • 52% Liveness
0% Instrumentalness • 53% Positiveness
31% Popularity • 53% Danceability • 64% Energy • 52% Liveness
0% Instrumentalness • 53% Positiveness
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Smith
I'll Hold Out My Hand
91 bpm • A# Maj • 03:06 • -12.09db
11% Popularity • 57% Danceability • 45% Energy • 15% Liveness
18% Instrumentalness • 76% Positiveness
11% Popularity • 57% Danceability • 45% Energy • 15% Liveness
18% Instrumentalness • 76% Positiveness
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Geoff & Maria Muldaur
Blue Railroad Train
90 bpm • G Maj • 03:01 • -11.79db
10% Popularity • 55% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
10% Popularity • 55% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Bobby Charles
Tennessee Blues
92 bpm • F Maj • 05:29 • -13.06db
21% Popularity • 49% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
21% Popularity • 49% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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The International Submarine Band
Strong Boy
90 bpm • E Maj • 02:04 • -8.49db
30% Popularity • 54% Danceability • 65% Energy • 16% Liveness
1% Instrumentalness • 93% Positiveness
30% Popularity • 54% Danceability • 65% Energy • 16% Liveness
1% Instrumentalness • 93% Positiveness
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Jim Ford
Dr. Handy's Dandy Candy
91 bpm • D Maj • 02:34 • -5.91db
15% Popularity • 68% Danceability • 95% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
15% Popularity • 68% Danceability • 95% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
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Mickey Newbury
The Future's Not What It Used to Be
92 bpm • F# Maj • 04:30 • -14db
18% Popularity • 42% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
18% Popularity • 42% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Willis Alan Ramsey
Goodbye Old Missoula
92 bpm • B Maj • 05:03 • -14.93db
22% Popularity • 56% Danceability • 27% Energy • 11% Liveness
2% Instrumentalness • 30% Positiveness
22% Popularity • 56% Danceability • 27% Energy • 11% Liveness
2% Instrumentalness • 30% Positiveness
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Coleman Family
People Has It Hard
92 bpm • D Maj • 03:02 • -7.58db
12% Popularity • 57% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
12% Popularity • 57% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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The Flying Burrito Brothers
Four Days Of Rain
92 bpm • D Maj • 03:39 • -12.37db
31% Popularity • 45% Danceability • 55% Energy • 33% Liveness
4% Instrumentalness • 76% Positiveness
31% Popularity • 45% Danceability • 55% Energy • 33% Liveness
4% Instrumentalness • 76% Positiveness
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Dan Penn
If Love Was Money
92 bpm • F Maj • 03:28 • -12.92db
12% Popularity • 51% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 85% Positiveness
12% Popularity • 51% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 85% Positiveness
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Jim Ford
She Turns My Radio On
92 bpm • B min • 03:20 • -6.88db
39% Popularity • 76% Danceability • 74% Energy • 10% Liveness
1% Instrumentalness • 81% Positiveness
39% Popularity • 76% Danceability • 74% Energy • 10% Liveness
1% Instrumentalness • 81% Positiveness
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Bobby Charles
Let Yourself Go
90 bpm • C Maj • 04:13 • -13.19db
17% Popularity • 54% Danceability • 35% Energy • 14% Liveness
1% Instrumentalness • 44% Positiveness
17% Popularity • 54% Danceability • 35% Energy • 14% Liveness
1% Instrumentalness • 44% Positiveness
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J.J. Cale
Wish I Had Not Said That
90 bpm • C Maj • 03:22 • -16.69db
41% Popularity • 82% Danceability • 22% Energy • 10% Liveness
19% Instrumentalness • 71% Positiveness
41% Popularity • 82% Danceability • 22% Energy • 10% Liveness
19% Instrumentalness • 71% Positiveness
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Larry Jon Wilson
Ohoopee River Bottom Land
93 bpm • D Maj • 03:41 • -12.94db
23% Popularity • 65% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
23% Popularity • 65% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Allan Wachs
Mountain Roads
89 bpm • D Maj • 04:19 • -9.74db
21% Popularity • 32% Danceability • 78% Energy • 13% Liveness
22% Instrumentalness • 68% Positiveness
21% Popularity • 32% Danceability • 78% Energy • 13% Liveness
22% Instrumentalness • 68% Positiveness
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Dan Penn
Lodi
93 bpm • A Maj • 03:14 • -13.58db
12% Popularity • 68% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
12% Popularity • 68% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Jim Ford
Just When I Thought She Was Gone
93 bpm • F# min • 03:39 • -10.35db
4% Popularity • 68% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
4% Popularity • 68% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
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Ohio Players
Here Today And Gone Tomorrow
93 bpm • C Maj • 03:32 • -11.11db
25% Popularity • 38% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
25% Popularity • 38% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Willis Alan Ramsey
Muskrat Love (Muskrat Candlelight)
89 bpm • F# min • 03:23 • -18.91db
32% Popularity • 49% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
32% Popularity • 49% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Jesse Ed Davis
You Belladonna You
89 bpm • G Maj • 06:29 • -12.96db
10% Popularity • 51% Danceability • 64% Energy • 11% Liveness
40% Instrumentalness • 47% Positiveness
10% Popularity • 51% Danceability • 64% Energy • 11% Liveness
40% Instrumentalness • 47% Positiveness
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Bobby Charles
Grow Too Old
94 bpm • A Maj • 04:02 • -7.63db
18% Popularity • 64% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
18% Popularity • 64% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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The Flying Burrito Brothers
Tried So Hard
94 bpm • D Maj • 03:08 • -12db
36% Popularity • 50% Danceability • 67% Energy • 48% Liveness
3% Instrumentalness • 72% Positiveness
36% Popularity • 50% Danceability • 67% Energy • 48% Liveness
3% Instrumentalness • 72% Positiveness
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Jim Ford
He Turns My Radio On - Sacred Version
93 bpm • A Maj • 03:10 • -5.73db
8% Popularity • 70% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
8% Popularity • 70% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Dillard & Clark
Don't Come Rollin
94 bpm • E Maj • 02:50 • -14.35db
20% Popularity • 58% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
20% Popularity • 58% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Sir Douglas Quintet
Lawd, I'm Just A Country Boy In This Gre...
89 bpm • D Maj • 02:51 • -10.77db
10% Popularity • 65% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
10% Popularity • 65% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Bobbie Gentry
Sweet Peony
88 bpm • F Maj • 02:39 • -12.67db
16% Popularity • 73% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
16% Popularity • 73% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Dan Penn
Raining In Memphis
94 bpm • D Maj • 03:39 • -11.8db
12% Popularity • 61% Danceability • 39% Energy • 11% Liveness
2% Instrumentalness • 46% Positiveness
12% Popularity • 61% Danceability • 39% Energy • 11% Liveness
2% Instrumentalness • 46% Positiveness
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The Creation
If I Stay Too Long
88 bpm • A Maj • 03:27 • -6.77db
32% Popularity • 51% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
32% Popularity • 51% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Jim Ford
Sweet Baby Mine (You Just A)
88 bpm • E min • 03:15 • -8.17db
6% Popularity • 60% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
6% Popularity • 60% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Tommy James & The Shondells
I'm Alive
94 bpm • B Maj • 03:15 • -11db
34% Popularity • 43% Danceability • 66% Energy • 71% Liveness
4% Instrumentalness • 41% Positiveness
34% Popularity • 43% Danceability • 66% Energy • 71% Liveness
4% Instrumentalness • 41% Positiveness
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Mike Wilhelm
Goin' to canada
94 bpm • D Maj • 02:35 • -12db
19% Popularity • 56% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
19% Popularity • 56% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Blood, Sweat & Tears
Lisa, Listen to Me
88 bpm • D Maj • 02:58 • -11.01db
28% Popularity • 54% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
28% Popularity • 54% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
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Elyse Weinberg
My My My
88 bpm • D Maj • 05:01 • -8.23db
13% Popularity • 54% Danceability • 45% Energy • 4% Liveness
0% Instrumentalness • 50% Positiveness
13% Popularity • 54% Danceability • 45% Energy • 4% Liveness
0% Instrumentalness • 50% Positiveness
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Flamin' Groovies
City Lights
88 bpm • C Maj • 04:24 • -10.06db
16% Popularity • 61% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
16% Popularity • 61% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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The Flying Burrito Brothers
Do Right Woman
95 bpm • D Maj • 03:57 • -13.55db
31% Popularity • 43% Danceability • 29% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
31% Popularity • 43% Danceability • 29% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
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Joy Of Cooking
Don't The Moon Look Fat And Lonesome
95 bpm • D Maj • 04:10 • -8.62db
10% Popularity • 62% Danceability • 85% Energy • 10% Liveness
10% Instrumentalness • 75% Positiveness
10% Popularity • 62% Danceability • 85% Energy • 10% Liveness
10% Instrumentalness • 75% Positiveness
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Bobby Charles
Homemade Songs
87 bpm • A# min • 03:41 • -12.32db
16% Popularity • 40% Danceability • 42% Energy • 22% Liveness
67% Instrumentalness • 38% Positiveness
16% Popularity • 40% Danceability • 42% Energy • 22% Liveness
67% Instrumentalness • 38% Positiveness
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Townes Van Zandt
Where I Lead Me - 2018 Remaster
87 bpm • D# Maj • 02:47 • -12db
19% Popularity • 64% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
19% Popularity • 64% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Jim Ford
Love Attack
95 bpm • E min • 03:36 • -10.61db
1% Popularity • 73% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
1% Popularity • 73% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Andwella
She Taught Me To Love
87 bpm • G Maj • 03:20 • -9.72db
16% Popularity • 55% Danceability • 67% Energy • 7% Liveness
3% Instrumentalness • 29% Positiveness
16% Popularity • 55% Danceability • 67% Energy • 7% Liveness
3% Instrumentalness • 29% Positiveness
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The Flying Burrito Brothers
Just Can't Be
95 bpm • D Maj • 04:58 • -12db
42% Popularity • 54% Danceability • 36% Energy • 7% Liveness
38% Instrumentalness • 49% Positiveness
42% Popularity • 54% Danceability • 36% Energy • 7% Liveness
38% Instrumentalness • 49% Positiveness
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Kathy Heideman
Fine Street Woman
87 bpm • B min • 04:29 • -10.67db
30% Popularity • 51% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
30% Popularity • 51% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Smith
Baby It's You
95 bpm • C# min • 03:27 • -10.63db
44% Popularity • 60% Danceability • 47% Energy • 17% Liveness
13% Instrumentalness • 71% Positiveness
44% Popularity • 60% Danceability • 47% Energy • 17% Liveness
13% Instrumentalness • 71% Positiveness
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Johnny Adams
Georgia Morning Dew
87 bpm • D Maj • 03:17 • -11.17db
33% Popularity • 53% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
33% Popularity • 53% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
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Bobbie Gentry
Something In The Way He Moves
96 bpm • C Maj • 02:39 • -24.15db
22% Popularity • 68% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
22% Popularity • 68% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Jim Ford
To Make My Life Beautiful
96 bpm • D Maj • 02:56 • -6.29db
9% Popularity • 47% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 47% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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The Flying Burrito Brothers
Juanita
96 bpm • A Maj • 02:30 • -11.98db
34% Popularity • 56% Danceability • 37% Energy • 7% Liveness
90% Instrumentalness • 66% Positiveness
34% Popularity • 56% Danceability • 37% Energy • 7% Liveness
90% Instrumentalness • 66% Positiveness
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Kenny Knight
Does He Hide
86 bpm • F# Maj • 03:22 • -10.93db
15% Popularity • 42% Danceability • 38% Energy • 9% Liveness
81% Instrumentalness • 62% Positiveness
15% Popularity • 42% Danceability • 38% Energy • 9% Liveness
81% Instrumentalness • 62% Positiveness
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Them
Mighty Like a Rose
96 bpm • F Maj • 03:59 • -10.83db
11% Popularity • 68% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 68% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Gene Clark
No Other
97 bpm • D Maj • 05:08 • -14db
43% Popularity • 47% Danceability • 62% Energy • 14% Liveness
72% Instrumentalness • 55% Positiveness
43% Popularity • 47% Danceability • 62% Energy • 14% Liveness
72% Instrumentalness • 55% Positiveness
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Wells Fargo
The Crowd
97 bpm • C Maj • 03:25 • -8.13db
13% Popularity • 57% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
13% Popularity • 57% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Jim Ford
Stoppin' to Start
97 bpm • F Maj • 02:24 • -5.4db
7% Popularity • 73% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
7% Popularity • 73% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Jeff Cowell
Momma
85 bpm • G Maj • 02:37 • -7.67db
36% Popularity • 53% Danceability • 60% Energy • 23% Liveness
34% Instrumentalness • 66% Positiveness
36% Popularity • 53% Danceability • 60% Energy • 23% Liveness
34% Instrumentalness • 66% Positiveness
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The Flying Burrito Brothers
Hot Burrito #2
96 bpm • C Maj • 03:17 • -11.26db
32% Popularity • 33% Danceability • 68% Energy • 13% Liveness
2% Instrumentalness • 56% Positiveness
32% Popularity • 33% Danceability • 68% Energy • 13% Liveness
2% Instrumentalness • 56% Positiveness
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The Mynah Birds
Go On And Cry - Single Version
97 bpm • C# Maj • 03:04 • -5.74db
14% Popularity • 56% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
14% Popularity • 56% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Bobbie Gentry
Touch 'Em With Love
97 bpm • A Maj • 02:05 • -11.55db
28% Popularity • 60% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
28% Popularity • 60% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Natural Child
That's How I Got to Memphis
97 bpm • E Maj • 03:29 • -4.94db
28% Popularity • 60% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 76% Positiveness
28% Popularity • 60% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 76% Positiveness
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Jim Ford
Working My Way To LA
97 bpm • F# min • 02:44 • -6.47db
19% Popularity • 66% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
19% Popularity • 66% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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NRBQ
Magnet
85 bpm • F Maj • 03:30 • -9.76db
38% Popularity • 73% Danceability • 82% Energy • 12% Liveness
13% Instrumentalness • 97% Positiveness
38% Popularity • 73% Danceability • 82% Energy • 12% Liveness
13% Instrumentalness • 97% Positiveness
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Allan Wachs
Mountain Roads
85 bpm • D Maj • 04:21 • -15.75db
17% Popularity • 30% Danceability • 59% Energy • 16% Liveness
17% Instrumentalness • 72% Positiveness
17% Popularity • 30% Danceability • 59% Energy • 16% Liveness
17% Instrumentalness • 72% Positiveness
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Peter Ivers
Ain't That A Kick
85 bpm • C# min • 02:25 • -12.91db
25% Popularity • 75% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 75% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
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Bobbie Gentry
Rainmaker
85 bpm • F Maj • 02:44 • -17.54db
19% Popularity • 64% Danceability • 40% Energy • 3% Liveness
0% Instrumentalness • 85% Positiveness
19% Popularity • 64% Danceability • 40% Energy • 3% Liveness
0% Instrumentalness • 85% Positiveness
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Little Richard
I Don't Know What You Got
85 bpm • D# Maj • 04:46 • -5.84db
30% Popularity • 53% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 53% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Jim Ford
I'm Gonna Make Her Love Me
97 bpm • A# min • 03:06 • -5.63db
33% Popularity • 70% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
33% Popularity • 70% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Duffy Power
Where Am I
98 bpm • G# Maj • 02:50 • -8db
30% Popularity • 47% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
30% Popularity • 47% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Michael Hurley
So You Say
98 bpm • A# Maj • 03:25 • -13.99db
26% Popularity • 85% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
26% Popularity • 85% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Female Species
Till The Moon Don’t Shine
84 bpm • C# Maj • 02:53 • -12.75db
34% Popularity • 57% Danceability • 27% Energy • 4% Liveness
0% Instrumentalness • 48% Positiveness
34% Popularity • 57% Danceability • 27% Energy • 4% Liveness
0% Instrumentalness • 48% Positiveness
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Cowboy
Pick Your Nose
84 bpm • C Maj • 01:53 • -10.02db
30% Popularity • 58% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
30% Popularity • 58% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Cass Elliot
Jesus Was A Cross Maker - Digitally Rema...
98 bpm • C Maj • 03:04 • -10db
23% Popularity • 54% Danceability • 51% Energy • 41% Liveness
0% Instrumentalness • 68% Positiveness
23% Popularity • 54% Danceability • 51% Energy • 41% Liveness
0% Instrumentalness • 68% Positiveness
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Jim Ford
Harry Hippie
97 bpm • F# min • 03:22 • -8.34db
12% Popularity • 62% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
12% Popularity • 62% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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The Flying Burrito Brothers
Christine’s Tune
98 bpm • D# Maj • 03:02 • -13db
40% Popularity • 46% Danceability • 60% Energy • 30% Liveness
39% Instrumentalness • 83% Positiveness
40% Popularity • 46% Danceability • 60% Energy • 30% Liveness
39% Instrumentalness • 83% Positiveness
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Insight Out
It Makes You Feel So Bad
84 bpm • B min • 02:38 • -11.03db
17% Popularity • 59% Danceability • 50% Energy • 30% Liveness
2% Instrumentalness • 67% Positiveness
17% Popularity • 59% Danceability • 50% Energy • 30% Liveness
2% Instrumentalness • 67% Positiveness
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Lenny Roybal
Little Daisy
99 bpm • E Maj • 02:42 • -12.65db
12% Popularity • 55% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
12% Popularity • 55% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Fred Neil
That's The Bag I'm In
99 bpm • C Maj • 03:35 • -12.46db
33% Popularity • 58% Danceability • 38% Energy • 17% Liveness
9% Instrumentalness • 48% Positiveness
33% Popularity • 58% Danceability • 38% Energy • 17% Liveness
9% Instrumentalness • 48% Positiveness
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Curtis Liggins Indications
Just My Imagination
99 bpm • C Maj • 03:34 • -8.22db
13% Popularity • 51% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
13% Popularity • 51% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Jim Ford
She Turns My Radio On
98 bpm • G Maj • 02:02 • -17.97db
6% Popularity • 77% Danceability • 39% Energy • 16% Liveness
72% Instrumentalness • 77% Positiveness
6% Popularity • 77% Danceability • 39% Energy • 16% Liveness
72% Instrumentalness • 77% Positiveness
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The Everly Brothers
Lord of the Manor
99 bpm • G Maj • 04:48 • -15.15db
14% Popularity • 63% Danceability • 28% Energy • 15% Liveness
11% Instrumentalness • 46% Positiveness
14% Popularity • 63% Danceability • 28% Energy • 15% Liveness
11% Instrumentalness • 46% Positiveness
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Dillard & Clark
With Care From Someone
99 bpm • G min • 03:39 • -9.72db
18% Popularity • 43% Danceability • 70% Energy • 61% Liveness
0% Instrumentalness • 52% Positiveness
18% Popularity • 43% Danceability • 70% Energy • 61% Liveness
0% Instrumentalness • 52% Positiveness
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John Cale
Barracuda
83 bpm • E Maj • 03:47 • -12.33db
40% Popularity • 67% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
40% Popularity • 67% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Gene Ski
Six Foot Down
99 bpm • D Maj • 02:19 • -15.7db
30% Popularity • 58% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
30% Popularity • 58% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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The Action
Brain
83 bpm • G Maj • 03:00 • -7.9db
31% Popularity • 32% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
31% Popularity • 32% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Jim Ford
It's My Life
85 bpm • A# min • 02:51 • -5.49db
37% Popularity • 57% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
37% Popularity • 57% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
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Lou Ragland
What Happened To The Feeling
100 bpm • B Maj • 05:37 • -9.86db
9% Popularity • 67% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
9% Popularity • 67% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Jeff Cowell
Jake Lake
100 bpm • G Maj • 02:22 • -6.75db
18% Popularity • 54% Danceability • 59% Energy • 20% Liveness
22% Instrumentalness • 64% Positiveness
18% Popularity • 54% Danceability • 59% Energy • 20% Liveness
22% Instrumentalness • 64% Positiveness
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The 4th Coming
We Got Love
83 bpm • E Maj • 02:42 • -7.69db
20% Popularity • 53% Danceability • 87% Energy • 65% Liveness
0% Instrumentalness • 92% Positiveness
20% Popularity • 53% Danceability • 87% Energy • 65% Liveness
0% Instrumentalness • 92% Positiveness
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Dougie Poole
These Drugs Aren't Working
100 bpm • G Maj • 05:11 • -6.31db
19% Popularity • 55% Danceability • 73% Energy • 30% Liveness
53% Instrumentalness • 39% Positiveness
19% Popularity • 55% Danceability • 73% Energy • 30% Liveness
53% Instrumentalness • 39% Positiveness
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Clarence Carter
Soul Deep
100 bpm • C Maj • 02:41 • -15.66db
18% Popularity • 62% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
18% Popularity • 62% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
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Jim Ford
Harry Hippy
98 bpm • F# min • 03:23 • -9.1db
6% Popularity • 61% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
6% Popularity • 61% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Dick Stusso
This Is What I'm Doing
101 bpm • E Maj • 02:27 • -11.21db
39% Popularity • 84% Danceability • 26% Energy • 10% Liveness
12% Instrumentalness • 63% Positiveness
39% Popularity • 84% Danceability • 26% Energy • 10% Liveness
12% Instrumentalness • 63% Positiveness
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Jeff Cowell
Go Sweetly
83 bpm • E min • 03:57 • -7.12db
13% Popularity • 38% Danceability • 80% Energy • 69% Liveness
75% Instrumentalness • 66% Positiveness
13% Popularity • 38% Danceability • 80% Energy • 69% Liveness
75% Instrumentalness • 66% Positiveness
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Bobbie Gentry
Greyhound Goin' Somewhere
82 bpm • G Maj • 02:27 • -18.21db
19% Popularity • 58% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
19% Popularity • 58% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Ann Peebles
If We Can't Trust Each Other
101 bpm • G min • 02:55 • -13.36db
25% Popularity • 80% Danceability • 30% Energy • 7% Liveness
31% Instrumentalness • 91% Positiveness
25% Popularity • 80% Danceability • 30% Energy • 7% Liveness
31% Instrumentalness • 91% Positiveness
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Clarence Carter
Do What You Gotta Do
100 bpm • F Maj • 02:34 • -14.52db
29% Popularity • 58% Danceability • 42% Energy • 46% Liveness
0% Instrumentalness • 79% Positiveness
29% Popularity • 58% Danceability • 42% Energy • 46% Liveness
0% Instrumentalness • 79% Positiveness
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Townes Van Zandt
Be Here to Love Me
101 bpm • B Maj • 02:38 • -12.2db
39% Popularity • 62% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
39% Popularity • 62% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Jim Ford
If I Go Country
99 bpm • B min • 03:13 • -3.98db
8% Popularity • 73% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
8% Popularity • 73% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Loudon Wainwright III
Nocturnal Stumblebutt
82 bpm • C Maj • 03:46 • -13.1db
17% Popularity • 62% Danceability • 59% Energy • 5% Liveness
6% Instrumentalness • 97% Positiveness
17% Popularity • 62% Danceability • 59% Energy • 5% Liveness
6% Instrumentalness • 97% Positiveness
