Songs like Poison Ivy by Wilbert Harrison
Based on a tempo of (+/- 10%) and a similar genre
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Wilbert Harrison
Poison Ivy
119 bpm • C# Maj • 02:46 • -6.3db
18% Popularity • 79% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
18% Popularity • 79% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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Buddy Johnson
Rock On!
119 bpm • C Maj • 02:35 • -10.02db
11% Popularity • 69% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 70% Positiveness
11% Popularity • 69% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 70% Positiveness
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Johnny & The Hurricanes
Crossfire
119 bpm • C Maj • 02:08 • -13.58db
17% Popularity • 64% Danceability • 45% Energy • 12% Liveness
64% Instrumentalness • 58% Positiveness
17% Popularity • 64% Danceability • 45% Energy • 12% Liveness
64% Instrumentalness • 58% Positiveness
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Huey "Piano" Smith
I Think You're Jiving Me
119 bpm • C Maj • 02:27 • -9.14db
17% Popularity • 79% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 95% Positiveness
17% Popularity • 79% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 95% Positiveness
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Varetta Dillard
Easy, Easy Baby
119 bpm • A# Maj • 02:38 • -8.02db
31% Popularity • 78% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
31% Popularity • 78% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Eddie Fontaine
Nothin' Shakin'
119 bpm • A# Maj • 02:55 • -7db
21% Popularity • 68% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 68% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Wilbert Harrison
Kansas City
119 bpm • C# Maj • 02:43 • -5.53db
6% Popularity • 54% Danceability • 87% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
6% Popularity • 54% Danceability • 87% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
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Ronnie Self
Big Town
120 bpm • A Maj • 02:14 • -9db
20% Popularity • 83% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
20% Popularity • 83% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Buddy Knox
Rock Your Little Baby to Sleep
118 bpm • A Maj • 02:24 • -9.23db
17% Popularity • 74% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
17% Popularity • 74% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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The Clovers
All About You
120 bpm • G# Maj • 02:30 • -11.18db
17% Popularity • 82% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
17% Popularity • 82% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Buster Brown
Fannie Mae
120 bpm • F Maj • 02:58 • -10db
28% Popularity • 66% Danceability • 43% Energy • 22% Liveness
1% Instrumentalness • 86% Positiveness
28% Popularity • 66% Danceability • 43% Energy • 22% Liveness
1% Instrumentalness • 86% Positiveness
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Richard Berry
Rock, Rock, Rock (This Dance Is Crazy)
118 bpm • A# Maj • 01:44 • -7.96db
8% Popularity • 65% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
8% Popularity • 65% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
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Wilbert Harrison
I'm Broke (1962) - Remastered
119 bpm • C# Maj • 02:28 • -8.34db
0% Popularity • 60% Danceability • 45% Energy • 42% Liveness
0% Instrumentalness • 93% Positiveness
0% Popularity • 60% Danceability • 45% Energy • 42% Liveness
0% Instrumentalness • 93% Positiveness
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Hayden Thompson
Love My Baby - Remastered 2022
118 bpm • A Maj • 02:09 • -7.99db
13% Popularity • 69% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 75% Positiveness
13% Popularity • 69% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 75% Positiveness
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Warren Smith
Got Love If You Want It
118 bpm • A Maj • 02:10 • -9db
15% Popularity • 72% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
15% Popularity • 72% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
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Johnny Otis
Cupid's Boogie
120 bpm • G Maj • 02:37 • -13db
25% Popularity • 72% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
25% Popularity • 72% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Amos Milburn
Let'S Have A Party (06-30-53)
120 bpm • G Maj • 02:33 • -11.97db
12% Popularity • 69% Danceability • 39% Energy • 13% Liveness
1% Instrumentalness • 74% Positiveness
12% Popularity • 69% Danceability • 39% Energy • 13% Liveness
1% Instrumentalness • 74% Positiveness
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The Clovers
Nip Sip
120 bpm • B min • 02:59 • -15db
17% Popularity • 85% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
17% Popularity • 85% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Wilbert Harrison
Don't Drop it
120 bpm • G Maj • 02:33 • -10.57db
0% Popularity • 70% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 91% Positiveness
0% Popularity • 70% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 91% Positiveness
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Dee Clark
Nobody but You - Bonus Track
118 bpm • C min • 02:23 • -11.62db
18% Popularity • 70% Danceability • 35% Energy • 56% Liveness
0% Instrumentalness • 75% Positiveness
18% Popularity • 70% Danceability • 35% Energy • 56% Liveness
0% Instrumentalness • 75% Positiveness
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The Olympics
Western Movies
120 bpm • G Maj • 02:24 • -10db
20% Popularity • 62% Danceability • 50% Energy • 80% Liveness
12% Instrumentalness • 61% Positiveness
20% Popularity • 62% Danceability • 50% Energy • 80% Liveness
12% Instrumentalness • 61% Positiveness
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Huey "Piano" Smith
Just a Lonely Clown
120 bpm • C Maj • 02:10 • -7.59db
17% Popularity • 71% Danceability • 86% Energy • 35% Liveness
63% Instrumentalness • 97% Positiveness
17% Popularity • 71% Danceability • 86% Energy • 35% Liveness
63% Instrumentalness • 97% Positiveness
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Freddy Cannon
Buzz Buzz A-Diddle-It
118 bpm • F min • 02:27 • -6.46db
12% Popularity • 37% Danceability • 96% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
12% Popularity • 37% Danceability • 96% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
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Carl Mcvoy
Born To Lose
118 bpm • D Maj • 02:23 • -9.17db
19% Popularity • 47% Danceability • 50% Energy • 31% Liveness
0% Instrumentalness • 85% Positiveness
19% Popularity • 47% Danceability • 50% Energy • 31% Liveness
0% Instrumentalness • 85% Positiveness
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Larry Williams
Rockin Pneumonia And The Boogie Woogie F...
120 bpm • C Maj • 02:14 • -11.39db
29% Popularity • 79% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
29% Popularity • 79% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Young Jessie
Mary Lou
121 bpm • C Maj • 02:33 • -6.28db
27% Popularity • 70% Danceability • 87% Energy • 30% Liveness
0% Instrumentalness • 97% Positiveness
27% Popularity • 70% Danceability • 87% Energy • 30% Liveness
0% Instrumentalness • 97% Positiveness
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Chuck Willis
My Crying Eyes
117 bpm • D# Maj • 02:33 • -8.51db
15% Popularity • 68% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
15% Popularity • 68% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Huey "Piano" Smith
Would You Believe It (I Have a Cold)
120 bpm • F min • 02:21 • -8.44db
24% Popularity • 67% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 67% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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The Clovers
Crawlin'
121 bpm • D# Maj • 02:35 • -11.98db
9% Popularity • 71% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
9% Popularity • 71% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Lloyd Price
Have You Ever Had The Blues?
121 bpm • A# Maj • 02:09 • -12db
30% Popularity • 76% Danceability • 49% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 76% Danceability • 49% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
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The Olympics
Hully Gully
117 bpm • G Maj • 02:04 • -14.22db
19% Popularity • 71% Danceability • 48% Energy • 49% Liveness
0% Instrumentalness • 88% Positiveness
19% Popularity • 71% Danceability • 48% Energy • 49% Liveness
0% Instrumentalness • 88% Positiveness
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Freddy Cannon
Buzz Buzz A-Diddle-It
117 bpm • C# Maj • 02:27 • -5db
15% Popularity • 62% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
15% Popularity • 62% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Johnny Carroll
Crazy, Crazy Lovin'
122 bpm • A Maj • 02:17 • -7db
22% Popularity • 80% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
22% Popularity • 80% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Huey "Piano" Smith
Just a Lonely Clown
120 bpm • C Maj • 02:13 • -4.51db
24% Popularity • 72% Danceability • 91% Energy • 12% Liveness
24% Instrumentalness • 94% Positiveness
24% Popularity • 72% Danceability • 91% Energy • 12% Liveness
24% Instrumentalness • 94% Positiveness
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Wilbert Harrison
Let's Stick Together
116 bpm • A Maj • 02:46 • -6db
31% Popularity • 80% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 97% Positiveness
31% Popularity • 80% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 97% Positiveness
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Dave Bartholomew
Single Life
122 bpm • F Maj • 02:15 • -10.01db
26% Popularity • 72% Danceability • 40% Energy • 19% Liveness
4% Instrumentalness • 56% Positiveness
26% Popularity • 72% Danceability • 40% Energy • 19% Liveness
4% Instrumentalness • 56% Positiveness
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Smiley Lewis
One Night
122 bpm • C# Maj • 02:26 • -9.39db
24% Popularity • 58% Danceability • 39% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
24% Popularity • 58% Danceability • 39% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
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Jimmy McCracklin
The Wobble
116 bpm • D min • 02:18 • -8.9db
7% Popularity • 73% Danceability • 94% Energy • 10% Liveness
1% Instrumentalness • 96% Positiveness
7% Popularity • 73% Danceability • 94% Energy • 10% Liveness
1% Instrumentalness • 96% Positiveness
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Carl Mann
I'm Walking the Dog
116 bpm • F Maj • 02:35 • -10.25db
15% Popularity • 62% Danceability • 52% Energy • 12% Liveness
1% Instrumentalness • 83% Positiveness
15% Popularity • 62% Danceability • 52% Energy • 12% Liveness
1% Instrumentalness • 83% Positiveness
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Huey "Piano" Smith
Rockin Pneumonia and the Boogie Woogie F...
117 bpm • C Maj • 02:14 • -7db
28% Popularity • 80% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 98% Positiveness
28% Popularity • 80% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 98% Positiveness
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Wilbert Harrison
Sentimental Journey
116 bpm • A Maj • 02:24 • -11.16db
0% Popularity • 68% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 82% Positiveness
0% Popularity • 68% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 82% Positiveness
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Dale Hawkins
Every Little Girl
123 bpm • G min • 02:27 • -4.99db
20% Popularity • 62% Danceability • 92% Energy • 26% Liveness
0% Instrumentalness • 92% Positiveness
20% Popularity • 62% Danceability • 92% Energy • 26% Liveness
0% Instrumentalness • 92% Positiveness
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The "5" Royales
Crazy Crazy Crazy
115 bpm • A# min • 02:40 • -9.7db
12% Popularity • 58% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
12% Popularity • 58% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Ivory Joe Hunter
It's a Doggone Crying Shame
115 bpm • A# Maj • 02:39 • -9.54db
9% Popularity • 66% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
9% Popularity • 66% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Johnny Otis
Ma (He's Makin' Eyes at Me)
115 bpm • F# Maj • 02:25 • -11.15db
13% Popularity • 49% Danceability • 57% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
13% Popularity • 49% Danceability • 57% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
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Huey "Piano" Smith
Rocking Pneumonia and the Boogie Woogie ...
117 bpm • C Maj • 02:23 • -7.14db
19% Popularity • 85% Danceability • 82% Energy • 27% Liveness
50% Instrumentalness • 98% Positiveness
19% Popularity • 85% Danceability • 82% Energy • 27% Liveness
50% Instrumentalness • 98% Positiveness
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Wilbert Harrison
Baby Move On
123 bpm • A# Maj • 02:49 • -5.88db
2% Popularity • 70% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
2% Popularity • 70% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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The Robins
All Night Baby
123 bpm • C min • 03:06 • -6.98db
7% Popularity • 46% Danceability • 88% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
7% Popularity • 46% Danceability • 88% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
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Clarence "Frogman" Henry
A Little Too Much
115 bpm • C Maj • 01:55 • -0.52db
22% Popularity • 68% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 95% Positiveness
22% Popularity • 68% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 95% Positiveness
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G.L. Crockett
Look Out Mabel
115 bpm • D Maj • 02:39 • -9.01db
9% Popularity • 52% Danceability • 70% Energy • 8% Liveness
6% Instrumentalness • 64% Positiveness
9% Popularity • 52% Danceability • 70% Energy • 8% Liveness
6% Instrumentalness • 64% Positiveness
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Bill Doggett
Ram-Bunk-Shush
124 bpm • G Maj • 02:33 • -8.07db
26% Popularity • 51% Danceability • 61% Energy • 14% Liveness
12% Instrumentalness • 84% Positiveness
26% Popularity • 51% Danceability • 61% Energy • 14% Liveness
12% Instrumentalness • 84% Positiveness
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Huey "Piano" Smith
High Blood Pressure
123 bpm • D# Maj • 02:43 • -6.59db
23% Popularity • 67% Danceability • 81% Energy • 3% Liveness
35% Instrumentalness • 98% Positiveness
23% Popularity • 67% Danceability • 81% Energy • 3% Liveness
35% Instrumentalness • 98% Positiveness
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Wilbert Harrison
Da-De-Ya-Da (Anything for You)
114 bpm • C# Maj • 02:24 • -5.32db
2% Popularity • 66% Danceability • 61% Energy • 13% Liveness
1% Instrumentalness • 92% Positiveness
2% Popularity • 66% Danceability • 61% Energy • 13% Liveness
1% Instrumentalness • 92% Positiveness
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The "5" Royales
Not Going to Cry
125 bpm • C# Maj • 02:34 • -7.15db
8% Popularity • 61% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
8% Popularity • 61% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
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Nappy Brown
Well, Well, Well Baby LA
113 bpm • C min • 02:38 • -11db
26% Popularity • 70% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
26% Popularity • 70% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Clarence "Frogman" Henry
Just My Baby and Me
113 bpm • A# Maj • 02:39 • 1.59db
13% Popularity • 68% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 68% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 79% Positiveness
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Eddie Snow
Bring Your Love Back Home
113 bpm • C Maj • 03:14 • -8.87db
11% Popularity • 59% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
11% Popularity • 59% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Ivory Joe Hunter
I'm Cuttin' Out
125 bpm • G# min • 02:09 • -4db
12% Popularity • 47% Danceability • 86% Energy • 35% Liveness
56% Instrumentalness • 77% Positiveness
12% Popularity • 47% Danceability • 86% Energy • 35% Liveness
56% Instrumentalness • 77% Positiveness
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Wilbert Harrison
I Will Never Trust Another Woman
115 bpm • G Maj • 04:45 • -11.62db
4% Popularity • 53% Danceability • 38% Energy • 18% Liveness
20% Instrumentalness • 78% Positiveness
4% Popularity • 53% Danceability • 38% Energy • 18% Liveness
20% Instrumentalness • 78% Positiveness
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Jack Scott
Baby She's Gone
125 bpm • A Maj • 02:49 • -10.13db
15% Popularity • 67% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
15% Popularity • 67% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Huey "Piano" Smith
Little Chickie Wah Wah
126 bpm • C Maj • 02:10 • -5db
31% Popularity • 89% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
31% Popularity • 89% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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The "5" Royales
Think
126 bpm • F min • 02:36 • -12db
22% Popularity • 80% Danceability • 35% Energy • 9% Liveness
1% Instrumentalness • 77% Positiveness
22% Popularity • 80% Danceability • 35% Energy • 9% Liveness
1% Instrumentalness • 77% Positiveness
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Ray Sharpe
Red Sails in the Sunset
126 bpm • G Maj • 02:11 • -6.4db
10% Popularity • 75% Danceability • 66% Energy • 61% Liveness
0% Instrumentalness • 94% Positiveness
10% Popularity • 75% Danceability • 66% Energy • 61% Liveness
0% Instrumentalness • 94% Positiveness
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Tommy Sands
Goin' Steady
126 bpm • A# Maj • 02:36 • -9db
22% Popularity • 72% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
22% Popularity • 72% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Wilbert Harrison
Kansas City
115 bpm • C# Maj • 02:30 • -6.45db
45% Popularity • 73% Danceability • 66% Energy • 35% Liveness
23% Instrumentalness • 91% Positiveness
45% Popularity • 73% Danceability • 66% Energy • 35% Liveness
23% Instrumentalness • 91% Positiveness
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Clarence "Frogman" Henry
You Always Hurt the One You Love
112 bpm • A# Maj • 02:30 • -1.33db
16% Popularity • 72% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
16% Popularity • 72% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Huey "Piano" Smith
Little Chicken Wah Wah
126 bpm • G Maj • 02:05 • -7db
17% Popularity • 82% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 98% Positiveness
17% Popularity • 82% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 98% Positiveness
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Ronnie Self
Ain't I'm a Dog
126 bpm • E Maj • 02:17 • -9.02db
26% Popularity • 63% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
26% Popularity • 63% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
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Larry Williams
Just Because
112 bpm • D# Maj • 02:48 • -13.04db
13% Popularity • 63% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
13% Popularity • 63% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Tommy Sands
The Worryin' Kind
126 bpm • B min • 02:32 • -9db
23% Popularity • 65% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
23% Popularity • 65% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Billy Lee Riley
Got the Water Boiling
127 bpm • D# Maj • 02:09 • -3.16db
19% Popularity • 74% Danceability • 93% Energy • 26% Liveness
1% Instrumentalness • 96% Positiveness
19% Popularity • 74% Danceability • 93% Energy • 26% Liveness
1% Instrumentalness • 96% Positiveness
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Wilbert Harrison
Let's Stick Together
114 bpm • D Maj • 02:45 • -7.01db
0% Popularity • 73% Danceability • 69% Energy • 3% Liveness
31% Instrumentalness • 78% Positiveness
0% Popularity • 73% Danceability • 69% Energy • 3% Liveness
31% Instrumentalness • 78% Positiveness
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Clarence "Frogman" Henry
Long Lost And Worried
112 bpm • G# Maj • 02:08 • -6.32db
12% Popularity • 49% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 90% Positiveness
12% Popularity • 49% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 90% Positiveness
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The Clovers
Easy Lovin'
111 bpm • G Maj • 02:01 • -5.19db
11% Popularity • 47% Danceability • 53% Energy • 78% Liveness
0% Instrumentalness • 79% Positiveness
11% Popularity • 47% Danceability • 53% Energy • 78% Liveness
0% Instrumentalness • 79% Positiveness
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LaVern Baker
Whipper Snapper
127 bpm • A Maj • 02:12 • -9.28db
24% Popularity • 76% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
24% Popularity • 76% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Little Willie John
All Around The World
127 bpm • G Maj • 03:03 • -9db
22% Popularity • 54% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 54% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Rosco Gordon
Booted
111 bpm • E min • 03:03 • -8.33db
11% Popularity • 71% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 71% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
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Wilbert Harrison
Near to You
114 bpm • D Maj • 02:41 • -7.96db
8% Popularity • 75% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 97% Positiveness
8% Popularity • 75% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 97% Positiveness
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The "5" Royales
Dedicated To The One I Love
110 bpm • F min • 02:45 • -10.76db
22% Popularity • 46% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
22% Popularity • 46% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
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Ivory Joe Hunter
Shooty Booty - Bonus Track
128 bpm • G Maj • 02:03 • -6db
28% Popularity • 72% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 98% Positiveness
28% Popularity • 72% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 98% Positiveness
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Ray Sharpe
That's the Way I Feel
110 bpm • D min • 01:54 • -7db
16% Popularity • 76% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 97% Positiveness
16% Popularity • 76% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 97% Positiveness
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Little Willie John
There's A Difference
128 bpm • G min • 02:25 • -12db
20% Popularity • 61% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
20% Popularity • 61% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
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Rosco Gordon
Booted
111 bpm • E min • 03:04 • -11db
28% Popularity • 73% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
28% Popularity • 73% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
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Wilbert Harrison
(Just Got to Have Some) Money Honey
111 bpm • G Maj • 02:58 • -8.72db
2% Popularity • 64% Danceability • 62% Energy • 9% Liveness
5% Instrumentalness • 78% Positiveness
2% Popularity • 64% Danceability • 62% Energy • 9% Liveness
5% Instrumentalness • 78% Positiveness
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Ernie K-Doe
I Cried My Last Tear
110 bpm • A# Maj • 02:14 • -4db
16% Popularity • 62% Danceability • 71% Energy • 33% Liveness
0% Instrumentalness • 63% Positiveness
16% Popularity • 62% Danceability • 71% Energy • 33% Liveness
0% Instrumentalness • 63% Positiveness
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Jack Scott
The Way I Walk
129 bpm • E Maj • 02:43 • -13db
25% Popularity • 67% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
25% Popularity • 67% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Clarence "Frogman" Henry
Lonely Street
129 bpm • C Maj • 02:08 • -7db
29% Popularity • 76% Danceability • 46% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
29% Popularity • 76% Danceability • 46% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
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The Clovers
Lovey Dovey
109 bpm • C Maj • 02:44 • -13db
20% Popularity • 76% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
20% Popularity • 76% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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Charlie Gracie
Butterfly
129 bpm • E Maj • 02:25 • -6.28db
11% Popularity • 62% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
11% Popularity • 62% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
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Wilbert Harrison
I Got to Know
114 bpm • F min • 02:27 • -7.86db
3% Popularity • 70% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
3% Popularity • 70% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Chris Kenner
Something You Got
109 bpm • C# Maj • 02:55 • -9.6db
13% Popularity • 73% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 73% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Johnny Otis
Crazy Country Hop
109 bpm • F Maj • 02:42 • -12.14db
4% Popularity • 79% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 59% Positiveness
4% Popularity • 79% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 59% Positiveness
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The Champs
The Face
109 bpm • C Maj • 02:26 • -4db
10% Popularity • 70% Danceability • 88% Energy • 26% Liveness
2% Instrumentalness • 89% Positiveness
10% Popularity • 70% Danceability • 88% Energy • 26% Liveness
2% Instrumentalness • 89% Positiveness
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The Crickets
Baby My Heart
130 bpm • G Maj • 02:21 • -9.8db
8% Popularity • 57% Danceability • 61% Energy • 37% Liveness
0% Instrumentalness • 81% Positiveness
8% Popularity • 57% Danceability • 61% Energy • 37% Liveness
0% Instrumentalness • 81% Positiveness
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Ernie K-Doe
A Certain Girl
130 bpm • C# Maj • 02:44 • -10.36db
27% Popularity • 80% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
27% Popularity • 80% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
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Wilbert Harrison
You're Still My Baby
124 bpm • G Maj • 02:43 • -6.11db
2% Popularity • 52% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
2% Popularity • 52% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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The Regents
Run Around
130 bpm • C Maj • 02:24 • -12.51db
15% Popularity • 58% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 58% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Lloyd Price
Lawdy Miss Clawdy
130 bpm • D# Maj • 01:51 • -8db
38% Popularity • 50% Danceability • 68% Energy • 18% Liveness
74% Instrumentalness • 78% Positiveness
38% Popularity • 50% Danceability • 68% Energy • 18% Liveness
74% Instrumentalness • 78% Positiveness
