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Politically Correct
Songs like
Politically Correct
by
SR-71
Based on a tempo of (+/- 10%) and a similar genre
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The All-American Rejects
My Paper Heart
172 bpm • C Maj • 03:48 • -4.98db
51% Popularity • 50% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 83% Positiveness
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Reggie And The Full Effect
Congratulations Smack + Katy
172 bpm • B min • 02:28 • -3.84db
36% Popularity • 25% Danceability • 97% Energy • 81% Liveness
0% Instrumentalness • 24% Positiveness
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The Offspring
Takes Me Nowhere
172 bpm • F# min • 02:59 • -3.56db
49% Popularity • 42% Danceability • 91% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
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Donots
Saccharine Smile
172 bpm • F# Maj • 03:18 • -3.68db
35% Popularity • 34% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
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Cauterize
Something Beautiful
172 bpm • C# Maj • 03:21 • -4.66db
23% Popularity • 47% Danceability • 96% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
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Autopilot Off
Blind Truth
171 bpm • C# min • 02:38 • -4.03db
22% Popularity • 49% Danceability • 96% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
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SR-71
Politically Correct
172 bpm • F# Maj • 03:19 • -5db
38% Popularity • 46% Danceability • 87% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
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Jimmy Eat World
Just Tonight
173 bpm • G# min • 03:26 • -3db
48% Popularity • 39% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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The Ataris
Radio #2
173 bpm • B Maj • 03:27 • -3db
31% Popularity • 40% Danceability • 99% Energy • 38% Liveness
0% Instrumentalness • 57% Positiveness
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Useless ID
Tum Up The Stereo
174 bpm • B min • 03:27 • -4.49db
13% Popularity • 39% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 60% Positiveness
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Billy Talent
Where Is the Line?
170 bpm • D Maj • 03:49 • -3.01db
42% Popularity • 52% Danceability • 98% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
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Farewell
We All Fall Down
170 bpm • D# Maj • 03:15 • -4db
16% Popularity • 40% Danceability • 97% Energy • 29% Liveness
0% Instrumentalness • 80% Positiveness
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Millencolin
Mooseman's Jukebox
174 bpm • E Maj • 02:12 • -3db
30% Popularity • 37% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Jimmy Eat World
Always Be
170 bpm • F Maj • 03:04 • -4db
48% Popularity • 39% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Riverboat Gamblers
Don't Bury Me...I'm Still Not Dead Yet
175 bpm • E Maj • 02:46 • -6db
34% Popularity • 28% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Useless ID
Blood Pressure
170 bpm • B min • 02:46 • -4.57db
3% Popularity • 46% Danceability • 96% Energy • 69% Liveness
0% Instrumentalness • 67% Positiveness
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No Use For A Name
Friends of the Enemy
175 bpm • C Maj • 03:26 • -4db
35% Popularity • 42% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Social Distortion
Far Behind
175 bpm • G# Maj • 04:03 • -2.4db
48% Popularity • 23% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
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The Ataris
Summer '79
169 bpm • E min • 03:58 • -3db
29% Popularity • 29% Danceability • 98% Energy • 45% Liveness
0% Instrumentalness • 42% Positiveness
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Jimmy Eat World
Electable (Give It Up)
173 bpm • A Maj • 02:56 • -3.32db
38% Popularity • 42% Danceability • 99% Energy • 32% Liveness
0% Instrumentalness • 18% Positiveness
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illScarlett
Life of a Soldier
175 bpm • C# min • 03:55 • -5.35db
21% Popularity • 43% Danceability • 90% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
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Army of Freshmen
At the End of the Day
175 bpm • G Maj • 03:37 • -2.98db
8% Popularity • 39% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
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Something Corporate
Hurricane
169 bpm • C Maj • 03:50 • -5db
42% Popularity • 38% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Stroke 9
100 Girls
169 bpm • D Maj • 03:13 • -5.49db
16% Popularity • 48% Danceability • 75% Energy • 38% Liveness
0% Instrumentalness • 71% Positiveness
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The Ataris
In This Diary
175 bpm • G# Maj • 03:50 • -4.64db
48% Popularity • 57% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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Teenage Bottlerocket
They Call Me Steve
169 bpm • D Maj • 02:20 • -3.14db
41% Popularity • 42% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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The Almost
Free Fallin'
175 bpm • A Maj • 04:31 • -5.77db
37% Popularity • 48% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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The All-American Rejects
One More Sad Song
169 bpm • A Maj • 03:03 • -5db
42% Popularity • 42% Danceability • 85% Energy • 3% Liveness
0% Instrumentalness • 65% Positiveness
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Alkaline Trio
I Found Away
169 bpm • C# min • 04:00 • -4.98db
25% Popularity • 43% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Fall Out Boy
Fame < Infamy
169 bpm • F min • 03:06 • -2.91db
52% Popularity • 41% Danceability • 97% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
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The Offspring
Nothingtown
169 bpm • E Maj • 03:29 • -3.21db
40% Popularity • 43% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Nerf Herder
Welcome to My World
176 bpm • B Maj • 02:07 • -2.59db
23% Popularity • 37% Danceability • 92% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
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Quietdrive
Rise From the Ashes - New Album Version
176 bpm • C# min • 02:59 • -5db
30% Popularity • 40% Danceability • 98% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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The Bouncing Souls
Gasoline
176 bpm • C Maj • 04:03 • -3.62db
38% Popularity • 28% Danceability • 94% Energy • 37% Liveness
0% Instrumentalness • 26% Positiveness
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I Hate Kate
Bed of Black Roses
168 bpm • G# Maj • 03:44 • -3.17db
11% Popularity • 39% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 46% Positiveness
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Maxeen
Please
176 bpm • G min • 03:45 • -3.41db
34% Popularity • 47% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 68% Positiveness
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Jimmy Eat World
Futures
168 bpm • D# Maj • 03:58 • -4db
47% Popularity • 40% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Autopilot Off
What I Want
168 bpm • E Maj • 02:45 • -4.03db
34% Popularity • 48% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Tom DeLonge
Golden Showers in the Golden State
168 bpm • B Maj • 02:35 • -5.81db
34% Popularity • 36% Danceability • 98% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
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Useless ID
Night Stalker
168 bpm • F# min • 03:28 • -4.2db
2% Popularity • 44% Danceability • 97% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
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SR-71
Gone
176 bpm • G# Maj • 03:00 • -3db
25% Popularity • 46% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Cauterize
I'll Cry Tomorrow
176 bpm • C# Maj • 03:01 • -4.75db
15% Popularity • 46% Danceability • 88% Energy • 9% Liveness
2% Instrumentalness • 59% Positiveness
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Jimmy Eat World
Pain
168 bpm • C min • 03:01 • -3db
61% Popularity • 40% Danceability • 96% Energy • 58% Liveness
0% Instrumentalness • 28% Positiveness
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Home Grown
Give It Up
176 bpm • G# Maj • 02:56 • -4.36db
28% Popularity • 35% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
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Rufio
What You Wanna Hear
168 bpm • B Maj • 03:10 • -4.37db
19% Popularity • 40% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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Useless ID
Kiss Me. Kill Me
168 bpm • B min • 02:35 • -4.05db
12% Popularity • 41% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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The F-Ups
Crack Ho
168 bpm • G# Maj • 02:36 • -3.55db
8% Popularity • 42% Danceability • 98% Energy • 13% Liveness
2% Instrumentalness • 83% Positiveness
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Nerf Herder
High Five Anxiety
177 bpm • G Maj • 03:06 • -2.72db
16% Popularity • 29% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Alkaline Trio
We've Had Enough
177 bpm • A Maj • 02:51 • -2.88db
51% Popularity • 34% Danceability • 95% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
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SR-71
In Your Eyes - Live (Bonus Track)
177 bpm • A# min • 04:51 • -3.97db
8% Popularity • 35% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
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Billy Talent
Ever Fallen in Love (With Someone You Sh...
177 bpm • E Maj • 02:45 • -2.17db
23% Popularity • 45% Danceability • 98% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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The Composure
Flagpole Sitta
167 bpm • F# Maj • 03:01 • -4.15db
28% Popularity • 42% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Sugarcult
Memory
167 bpm • C# Maj • 03:46 • -3.89db
65% Popularity • 45% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Millencolin
Fox
167 bpm • D Maj • 02:02 • -2.39db
49% Popularity • 34% Danceability • 97% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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The Red Jumpsuit Apparatus
Waiting
167 bpm • D min • 02:57 • -3db
49% Popularity • 37% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
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SR-71
In Your Eyes
177 bpm • A# min • 04:42 • -4.47db
23% Popularity • 39% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Fenix TX
Spooky Action at a Distance
167 bpm • G# Maj • 04:04 • -4.15db
17% Popularity • 39% Danceability • 98% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
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The F-Ups
All The Young Dudes - Edited
167 bpm • C# Maj • 03:06 • -2.26db
11% Popularity • 33% Danceability • 99% Energy • 32% Liveness
0% Instrumentalness • 17% Positiveness
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Autopilot Off
The Cicada's Song
178 bpm • G# min • 03:04 • -4.51db
26% Popularity • 32% Danceability • 97% Energy • 8% Liveness
3% Instrumentalness • 17% Positiveness
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No Use For A Name
Life Size Mirror
166 bpm • F Maj • 03:09 • -6.28db
30% Popularity • 37% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Cauterize
Killing Me
178 bpm • G# Maj • 03:30 • -4.58db
28% Popularity • 49% Danceability • 94% Energy • 38% Liveness
2% Instrumentalness • 29% Positiveness
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Flying Blind
Smokescreen - Radio Edit
166 bpm • D# Maj • 03:34 • -3.95db
29% Popularity • 34% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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The Used
All That I've Got
178 bpm • G Maj • 03:58 • -4.76db
48% Popularity • 34% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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SR-71
Blue Light Special Life
178 bpm • F min • 03:15 • -4.51db
17% Popularity • 37% Danceability • 98% Energy • 25% Liveness
0% Instrumentalness • 26% Positiveness
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Further Seems Forever
Bye, Bye, Bye
166 bpm • G# min • 03:24 • -5db
33% Popularity • 43% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Bayside
The Walking Wounded
166 bpm • G# Maj • 03:45 • -5.75db
38% Popularity • 32% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
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Andrew W.K.
She Is Beautiful
166 bpm • D Maj • 03:33 • -4.02db
47% Popularity • 44% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Rufio
White Lights
166 bpm • B Maj • 02:42 • -3.3db
32% Popularity • 44% Danceability • 96% Energy • 3% Liveness
0% Instrumentalness • 56% Positiveness
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Cute Is What We Aim For
There's a Class for This
166 bpm • C# Maj • 03:36 • -4.62db
42% Popularity • 48% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 47% Positiveness
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Cartel
Wonderwall
166 bpm • E min • 04:53 • -6.03db
35% Popularity • 38% Danceability • 85% Energy • 17% Liveness
1% Instrumentalness • 27% Positiveness
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Alkaline Trio
Private Eye
166 bpm • G Maj • 03:30 • -4.83db
51% Popularity • 41% Danceability • 95% Energy • 30% Liveness
1% Instrumentalness • 75% Positiveness
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Spitalfield
I Loved The Way She Said L.A.
179 bpm • C Maj • 03:19 • -3.86db
36% Popularity • 50% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Saves The Day
Sonic Reducer
179 bpm • C# min • 03:02 • -2.91db
30% Popularity • 43% Danceability • 95% Energy • 11% Liveness
9% Instrumentalness • 53% Positiveness
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The Offspring
One Fine Day
179 bpm • F# Maj • 02:45 • -5.5db
53% Popularity • 39% Danceability • 96% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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The Red Jumpsuit Apparatus
Pen And Paper
165 bpm • C Maj • 03:24 • -3.29db
39% Popularity • 46% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Never Heard of It
Hard Headed
165 bpm • C# Maj • 03:35 • -2.52db
20% Popularity • 39% Danceability • 99% Energy • 34% Liveness
0% Instrumentalness • 77% Positiveness
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The F-Ups
Glad That I Lost You - Edited
165 bpm • C# Maj • 02:28 • -3.77db
12% Popularity • 45% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Cauterize
Closer
180 bpm • F# Maj • 03:14 • -4.28db
18% Popularity • 32% Danceability • 98% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
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Lucky 7
Califonia Girl
180 bpm • D Maj • 03:28 • -4.04db
10% Popularity • 36% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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The All-American Rejects
The Last Song
180 bpm • C# Maj • 05:00 • -3db
48% Popularity • 32% Danceability • 88% Energy • 27% Liveness
8% Instrumentalness • 23% Positiveness
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The Ataris
Takeoffs and Landings
180 bpm • C# min • 03:53 • -4db
37% Popularity • 41% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Alkaline Trio
She Lied To The FBI
180 bpm • E Maj • 02:48 • -5db
44% Popularity • 40% Danceability • 97% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
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Sugarcult
Stuck In America
180 bpm • A# Maj • 02:56 • -4db
47% Popularity • 35% Danceability • 94% Energy • 44% Liveness
0% Instrumentalness • 43% Positiveness
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Cauterize
Taste Of Tears
180 bpm • G# Maj • 03:22 • -4.23db
15% Popularity • 39% Danceability • 96% Energy • 44% Liveness
0% Instrumentalness • 49% Positiveness
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A
Something's Going On
164 bpm • B min • 02:58 • -2.6db
28% Popularity • 41% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 44% Positiveness
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Army of Freshmen
10,000 Years
181 bpm • E Maj • 03:09 • -2.55db
7% Popularity • 42% Danceability • 95% Energy • 35% Liveness
0% Instrumentalness • 60% Positiveness
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All Time Low
Weightless
181 bpm • D Maj • 03:18 • -4.51db
64% Popularity • 50% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Billy Talent
This Suffering
163 bpm • D min • 03:56 • -3db
54% Popularity • 47% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Over It
Where The Sky Begins
163 bpm • C# Maj • 03:22 • -3db
7% Popularity • 47% Danceability • 93% Energy • 35% Liveness
0% Instrumentalness • 47% Positiveness
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Amber Pacific
Three Words
182 bpm • C# Maj • 03:15 • -3db
23% Popularity • 45% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Pennywise
Yesterdays
182 bpm • G Maj • 03:34 • -4.57db
30% Popularity • 27% Danceability • 94% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
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The Ataris
So Long, Astoria
182 bpm • D Maj • 03:22 • -3db
43% Popularity • 38% Danceability • 98% Energy • 42% Liveness
0% Instrumentalness • 48% Positiveness
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Motion City Soundtrack
@!#?@!
182 bpm • C# Maj • 02:59 • -2.85db
31% Popularity • 46% Danceability • 90% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
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The Reunion Show
Television
162 bpm • F# min • 02:55 • -3.34db
30% Popularity • 41% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
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Cauterize
My Everything
182 bpm • C# min • 03:53 • -4.25db
16% Popularity • 46% Danceability • 89% Energy • 11% Liveness
6% Instrumentalness • 28% Positiveness
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Amber Pacific
Poetically Pathetic
182 bpm • C# Maj • 03:21 • -3.09db
34% Popularity • 49% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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The Black Pacific
The System
162 bpm • C# min • 02:43 • -5.41db
33% Popularity • 37% Danceability • 90% Energy • 63% Liveness
0% Instrumentalness • 80% Positiveness
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Allister
Flypaper
162 bpm • G Maj • 02:12 • -4.54db
29% Popularity • 50% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
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Never Heard of It
I'll Change for Now
162 bpm • D# Maj • 02:07 • -2.55db
20% Popularity • 49% Danceability • 98% Energy • 33% Liveness
0% Instrumentalness • 57% Positiveness
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Dynamite Hack
Anyway
162 bpm • B Maj • 02:33 • -5.05db
30% Popularity • 41% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Politically Correct