Songs like Politiska Dikten Återvänder by Kim Hiorthøy
Based on a tempo of (+/- 10%) and a similar genre
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Kim Hiorthøy
Hands
160 bpm • E min • 04:27 • -19.64db
8% Popularity • 49% Danceability • 24% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
8% Popularity • 49% Danceability • 24% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
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Schneider TM
Reality Check
160 bpm • C Maj • 04:23 • -7.9db
13% Popularity • 70% Danceability • 80% Energy • 8% Liveness
26% Instrumentalness • 62% Positiveness
13% Popularity • 70% Danceability • 80% Energy • 8% Liveness
26% Instrumentalness • 62% Positiveness
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Swod
Deer
160 bpm • A# min • 03:45 • -11.3db
9% Popularity • 40% Danceability • 46% Energy • 28% Liveness
42% Instrumentalness • 31% Positiveness
9% Popularity • 40% Danceability • 46% Energy • 28% Liveness
42% Instrumentalness • 31% Positiveness
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Forest Swords
Glory Gongs - Remastered
160 bpm • A min • 06:24 • -6.81db
11% Popularity • 40% Danceability • 61% Energy • 42% Liveness
72% Instrumentalness • 49% Positiveness
11% Popularity • 40% Danceability • 61% Energy • 42% Liveness
72% Instrumentalness • 49% Positiveness
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Kidkanevil
The Last Train
158 bpm • C# min • 02:54 • -9.86db
12% Popularity • 62% Danceability • 89% Energy • 82% Liveness
65% Instrumentalness • 66% Positiveness
12% Popularity • 62% Danceability • 89% Energy • 82% Liveness
65% Instrumentalness • 66% Positiveness
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Jan Jelinek
Straight Life
161 bpm • D Maj • 07:14 • -18.78db
7% Popularity • 28% Danceability • 32% Energy • 14% Liveness
92% Instrumentalness • 28% Positiveness
7% Popularity • 28% Danceability • 32% Energy • 14% Liveness
92% Instrumentalness • 28% Positiveness
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Kim Hiorthøy
Politiska Dikten Återvänder
160 bpm • F min • 04:29 • -9.29db
5% Popularity • 70% Danceability • 90% Energy • 38% Liveness
80% Instrumentalness • 90% Positiveness
5% Popularity • 70% Danceability • 90% Energy • 38% Liveness
80% Instrumentalness • 90% Positiveness
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Ochre
Hang Garden
158 bpm • F Maj • 03:20 • -16.34db
11% Popularity • 28% Danceability • 27% Energy • 8% Liveness
92% Instrumentalness • 23% Positiveness
11% Popularity • 28% Danceability • 27% Energy • 8% Liveness
92% Instrumentalness • 23% Positiveness
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Bibio
Quantock
157 bpm • C Maj • 04:07 • -9.2db
7% Popularity • 28% Danceability • 64% Energy • 39% Liveness
8% Instrumentalness • 25% Positiveness
7% Popularity • 28% Danceability • 64% Energy • 39% Liveness
8% Instrumentalness • 25% Positiveness
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Nonkeen
Animal Farm
158 bpm • G Maj • 06:01 • -12.69db
12% Popularity • 78% Danceability • 65% Energy • 8% Liveness
92% Instrumentalness • 76% Positiveness
12% Popularity • 78% Danceability • 65% Energy • 8% Liveness
92% Instrumentalness • 76% Positiveness
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Haiku Salut
Things Were Happening And They Were Stra...
157 bpm • A# Maj • 03:07 • -8.57db
13% Popularity • 28% Danceability • 64% Energy • 12% Liveness
94% Instrumentalness • 43% Positiveness
13% Popularity • 28% Danceability • 64% Energy • 12% Liveness
94% Instrumentalness • 43% Positiveness
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Ekko
Rehearsal
156 bpm • E Maj • 03:57 • -18.53db
25% Popularity • 24% Danceability • 33% Energy • 34% Liveness
98% Instrumentalness • 4% Positiveness
25% Popularity • 24% Danceability • 33% Energy • 34% Liveness
98% Instrumentalness • 4% Positiveness
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Kim Hiorthøy
Nu Kommer Cathrine Inn, Hun Lutar Sig Mo...
160 bpm • A# Maj • 07:55 • -11.64db
1% Popularity • 72% Danceability • 73% Energy • 30% Liveness
44% Instrumentalness • 72% Positiveness
1% Popularity • 72% Danceability • 73% Energy • 30% Liveness
44% Instrumentalness • 72% Positiveness
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Hauschka
Blue Bicycle
165 bpm • A# Maj • 05:37 • -12.84db
14% Popularity • 28% Danceability • 43% Energy • 10% Liveness
92% Instrumentalness • 30% Positiveness
14% Popularity • 28% Danceability • 43% Energy • 10% Liveness
92% Instrumentalness • 30% Positiveness
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Efterklang
Step Aside
165 bpm • F# Maj • 04:38 • -13.12db
14% Popularity • 46% Danceability • 58% Energy • 9% Liveness
64% Instrumentalness • 11% Positiveness
14% Popularity • 46% Danceability • 58% Energy • 9% Liveness
64% Instrumentalness • 11% Positiveness
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Nonkeen
Saddest Continent on Earth
157 bpm • D min • 04:34 • -14.14db
8% Popularity • 18% Danceability • 35% Energy • 38% Liveness
86% Instrumentalness • 15% Positiveness
8% Popularity • 18% Danceability • 35% Energy • 38% Liveness
86% Instrumentalness • 15% Positiveness
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Four Tet
Unspoken
165 bpm • E min • 09:31 • -6.92db
27% Popularity • 52% Danceability • 57% Energy • 27% Liveness
67% Instrumentalness • 40% Positiveness
27% Popularity • 52% Danceability • 57% Energy • 27% Liveness
67% Instrumentalness • 40% Positiveness
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Clark
Absence
155 bpm • F# Maj • 03:29 • -6.99db
14% Popularity • 37% Danceability • 54% Energy • 8% Liveness
74% Instrumentalness • 12% Positiveness
14% Popularity • 37% Danceability • 54% Energy • 8% Liveness
74% Instrumentalness • 12% Positiveness
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Xela
Afraid Of Monsters
166 bpm • F Maj • 05:03 • -13db
14% Popularity • 63% Danceability • 36% Energy • 19% Liveness
93% Instrumentalness • 41% Positiveness
14% Popularity • 63% Danceability • 36% Energy • 19% Liveness
93% Instrumentalness • 41% Positiveness
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B. Fleischmann
Phones And Machines
154 bpm • A Maj • 05:04 • -10.26db
12% Popularity • 60% Danceability • 75% Energy • 11% Liveness
86% Instrumentalness • 19% Positiveness
12% Popularity • 60% Danceability • 75% Energy • 11% Liveness
86% Instrumentalness • 19% Positiveness
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Apparat
Fractales Pt. 2
166 bpm • A# Maj • 02:06 • -12.55db
19% Popularity • 9% Danceability • 33% Energy • 16% Liveness
27% Instrumentalness • 3% Positiveness
19% Popularity • 9% Danceability • 33% Energy • 16% Liveness
27% Instrumentalness • 3% Positiveness
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Isan
Cinnabar
154 bpm • B Maj • 03:24 • -14.22db
18% Popularity • 51% Danceability • 39% Energy • 10% Liveness
94% Instrumentalness • 16% Positiveness
18% Popularity • 51% Danceability • 39% Energy • 10% Liveness
94% Instrumentalness • 16% Positiveness
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Four Tet
Unspoken
165 bpm • E min • 09:10 • -8.3db
11% Popularity • 53% Danceability • 54% Energy • 19% Liveness
73% Instrumentalness • 40% Positiveness
11% Popularity • 53% Danceability • 54% Energy • 19% Liveness
73% Instrumentalness • 40% Positiveness
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Building Instrument
Historia
153 bpm • B min • 05:30 • -12.01db
9% Popularity • 22% Danceability • 24% Energy • 8% Liveness
32% Instrumentalness • 8% Positiveness
9% Popularity • 22% Danceability • 24% Energy • 8% Liveness
32% Instrumentalness • 8% Positiveness
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Gold Panda
Quitter’s Raga
153 bpm • A Maj • 01:57 • -7.25db
32% Popularity • 26% Danceability • 71% Energy • 31% Liveness
3% Instrumentalness • 48% Positiveness
32% Popularity • 26% Danceability • 71% Energy • 31% Liveness
3% Instrumentalness • 48% Positiveness
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Caribou
Sunsesame
168 bpm • C Maj • 04:11 • -13.73db
20% Popularity • 49% Danceability • 33% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
20% Popularity • 49% Danceability • 33% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
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Kettel & Secede
Pentimento
168 bpm • E min • 02:15 • -14.91db
13% Popularity • 47% Danceability • 20% Energy • 29% Liveness
71% Instrumentalness • 65% Positiveness
13% Popularity • 47% Danceability • 20% Energy • 29% Liveness
71% Instrumentalness • 65% Positiveness
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Plat
Flokt (Shiver)
152 bpm • G# Maj • 04:56 • -12.11db
7% Popularity • 63% Danceability • 40% Energy • 11% Liveness
92% Instrumentalness • 19% Positiveness
7% Popularity • 63% Danceability • 40% Energy • 11% Liveness
92% Instrumentalness • 19% Positiveness
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Jon Hopkins
The Low Places
152 bpm • A Maj • 06:34 • -13.84db
28% Popularity • 72% Danceability • 39% Energy • 18% Liveness
92% Instrumentalness • 24% Positiveness
28% Popularity • 72% Danceability • 39% Energy • 18% Liveness
92% Instrumentalness • 24% Positiveness
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Dub Tractor
Begin And End
169 bpm • D Maj • 03:24 • -12.89db
8% Popularity • 56% Danceability • 39% Energy • 10% Liveness
91% Instrumentalness • 39% Positiveness
8% Popularity • 56% Danceability • 39% Energy • 10% Liveness
91% Instrumentalness • 39% Positiveness
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Chequerboard
Skating Couple
151 bpm • F# Maj • 02:59 • -14.7db
22% Popularity • 60% Danceability • 43% Energy • 27% Liveness
93% Instrumentalness • 21% Positiveness
22% Popularity • 60% Danceability • 43% Energy • 27% Liveness
93% Instrumentalness • 21% Positiveness
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Kim Hiorthøy
Fun
170 bpm • A min • 02:59 • -20.94db
2% Popularity • 52% Danceability • 10% Energy • 11% Liveness
95% Instrumentalness • 12% Positiveness
2% Popularity • 52% Danceability • 10% Energy • 11% Liveness
95% Instrumentalness • 12% Positiveness
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Fridge
Yttrium
170 bpm • D# min • 03:47 • -9.48db
8% Popularity • 57% Danceability • 46% Energy • 10% Liveness
73% Instrumentalness • 50% Positiveness
8% Popularity • 57% Danceability • 46% Energy • 10% Liveness
73% Instrumentalness • 50% Positiveness
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Do Make Say Think
Chinatown
171 bpm • G Maj • 05:34 • -25db
30% Popularity • 25% Danceability • 20% Energy • 13% Liveness
87% Instrumentalness • 31% Positiveness
30% Popularity • 25% Danceability • 20% Energy • 13% Liveness
87% Instrumentalness • 31% Positiveness
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Global Goon
G.O.L.D.
150 bpm • G min • 03:52 • -14.58db
10% Popularity • 73% Danceability • 22% Energy • 9% Liveness
81% Instrumentalness • 14% Positiveness
10% Popularity • 73% Danceability • 22% Energy • 9% Liveness
81% Instrumentalness • 14% Positiveness
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Arovane
The Storm - 2022 Remaster
151 bpm • F# Maj • 07:23 • -11.57db
10% Popularity • 24% Danceability • 63% Energy • 11% Liveness
73% Instrumentalness • 4% Positiveness
10% Popularity • 24% Danceability • 63% Energy • 11% Liveness
73% Instrumentalness • 4% Positiveness
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Milosh
Your Taste
150 bpm • D Maj • 03:23 • -11.56db
15% Popularity • 78% Danceability • 41% Energy • 3% Liveness
71% Instrumentalness • 68% Positiveness
15% Popularity • 78% Danceability • 41% Energy • 3% Liveness
71% Instrumentalness • 68% Positiveness
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Kim Hiorthøy
Sane
151 bpm • F# min • 03:39 • -10.85db
2% Popularity • 63% Danceability • 49% Energy • 13% Liveness
89% Instrumentalness • 30% Positiveness
2% Popularity • 63% Danceability • 49% Energy • 13% Liveness
89% Instrumentalness • 30% Positiveness
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Amon Tobin
Calculate
150 bpm • F# Maj • 01:33 • -10db
15% Popularity • 27% Danceability • 39% Energy • 28% Liveness
70% Instrumentalness • 14% Positiveness
15% Popularity • 27% Danceability • 39% Energy • 28% Liveness
70% Instrumentalness • 14% Positiveness
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Clark
The Pining pt2
150 bpm • B Maj • 03:11 • -4.05db
12% Popularity • 64% Danceability • 66% Energy • 22% Liveness
94% Instrumentalness • 28% Positiveness
12% Popularity • 64% Danceability • 66% Energy • 22% Liveness
94% Instrumentalness • 28% Positiveness
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Lucky Dragons
Honeycomb House (Part 3)
171 bpm • A# Maj • 01:02 • -11.96db
16% Popularity • 35% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
16% Popularity • 35% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Mountains
Identical Ship
172 bpm • D# Maj • 03:04 • -15.43db
10% Popularity • 9% Danceability • 30% Energy • 36% Liveness
97% Instrumentalness • 4% Positiveness
10% Popularity • 9% Danceability • 30% Energy • 36% Liveness
97% Instrumentalness • 4% Positiveness
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These New Puritans
Organ Eternal
149 bpm • C min • 05:31 • -15.06db
19% Popularity • 20% Danceability • 37% Energy • 9% Liveness
90% Instrumentalness • 9% Positiveness
19% Popularity • 20% Danceability • 37% Energy • 9% Liveness
90% Instrumentalness • 9% Positiveness
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Kim Hiorthøy
Spor 05
150 bpm • F Maj • 03:24 • -7.64db
0% Popularity • 65% Danceability • 65% Energy • 4% Liveness
16% Instrumentalness • 86% Positiveness
0% Popularity • 65% Danceability • 65% Energy • 4% Liveness
16% Instrumentalness • 86% Positiveness
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Isan
Device
149 bpm • F min • 01:41 • -22.03db
19% Popularity • 41% Danceability • 16% Energy • 10% Liveness
83% Instrumentalness • 33% Positiveness
19% Popularity • 41% Danceability • 16% Energy • 10% Liveness
83% Instrumentalness • 33% Positiveness
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Four Tet
You Were There With Me
148 bpm • D Maj • 05:52 • -21.82db
4% Popularity • 27% Danceability • 23% Energy • 25% Liveness
52% Instrumentalness • 3% Positiveness
4% Popularity • 27% Danceability • 23% Energy • 25% Liveness
52% Instrumentalness • 3% Positiveness
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Portico Quartet
Steepless
173 bpm • G# min • 03:57 • -13.22db
23% Popularity • 35% Danceability • 39% Energy • 9% Liveness
41% Instrumentalness • 7% Positiveness
23% Popularity • 35% Danceability • 39% Energy • 9% Liveness
41% Instrumentalness • 7% Positiveness
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Apparat
Granular Bastard
148 bpm • A Maj • 04:45 • -10.85db
8% Popularity • 61% Danceability • 69% Energy • 7% Liveness
88% Instrumentalness • 15% Positiveness
8% Popularity • 61% Danceability • 69% Energy • 7% Liveness
88% Instrumentalness • 15% Positiveness
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Colleen
Holding Horses
148 bpm • A min • 05:10 • -17db
23% Popularity • 75% Danceability • 29% Energy • 11% Liveness
93% Instrumentalness • 30% Positiveness
23% Popularity • 75% Danceability • 29% Energy • 11% Liveness
93% Instrumentalness • 30% Positiveness
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Tape
Altamira
148 bpm • F Maj • 03:26 • -12.96db
8% Popularity • 27% Danceability • 27% Energy • 12% Liveness
71% Instrumentalness • 11% Positiveness
8% Popularity • 27% Danceability • 27% Energy • 12% Liveness
71% Instrumentalness • 11% Positiveness
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Nikita Quasim
L'amour l'après-Midi
175 bpm • C min • 03:22 • -16.99db
12% Popularity • 13% Danceability • 36% Energy • 61% Liveness
97% Instrumentalness • 6% Positiveness
12% Popularity • 13% Danceability • 36% Energy • 61% Liveness
97% Instrumentalness • 6% Positiveness
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Efterklang
Tortuous Tracks
146 bpm • D# Maj • 03:39 • -15.93db
9% Popularity • 56% Danceability • 37% Energy • 13% Liveness
73% Instrumentalness • 4% Positiveness
9% Popularity • 56% Danceability • 37% Energy • 13% Liveness
73% Instrumentalness • 4% Positiveness
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Odd Nosdam
Kill Tone
146 bpm • G# min • 05:10 • -6.68db
12% Popularity • 37% Danceability • 87% Energy • 82% Liveness
85% Instrumentalness • 7% Positiveness
12% Popularity • 37% Danceability • 87% Energy • 82% Liveness
85% Instrumentalness • 7% Positiveness
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PVT
Fool In Rain
176 bpm • C Maj • 03:08 • -9db
17% Popularity • 22% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
17% Popularity • 22% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Colleen
Salina Stars
175 bpm • G# Maj • 03:39 • -16.14db
20% Popularity • 28% Danceability • 18% Energy • 13% Liveness
92% Instrumentalness • 40% Positiveness
20% Popularity • 28% Danceability • 18% Energy • 13% Liveness
92% Instrumentalness • 40% Positiveness
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Xploding Plastix
Doubletalk Gets Through to You
146 bpm • F# min • 05:23 • -12.03db
12% Popularity • 61% Danceability • 54% Energy • 97% Liveness
67% Instrumentalness • 55% Positiveness
12% Popularity • 61% Danceability • 54% Energy • 97% Liveness
67% Instrumentalness • 55% Positiveness
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Nikita Quasim
Ghost
146 bpm • C min • 03:17 • -17.88db
11% Popularity • 68% Danceability • 12% Energy • 9% Liveness
78% Instrumentalness • 4% Positiveness
11% Popularity • 68% Danceability • 12% Energy • 9% Liveness
78% Instrumentalness • 4% Positiveness
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B. Fleischmann
Pass By
176 bpm • E Maj • 06:07 • -10.47db
9% Popularity • 59% Danceability • 68% Energy • 8% Liveness
84% Instrumentalness • 14% Positiveness
9% Popularity • 59% Danceability • 68% Energy • 8% Liveness
84% Instrumentalness • 14% Positiveness
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Plaid
OH
145 bpm • C# min • 04:30 • -11.3db
14% Popularity • 56% Danceability • 59% Energy • 31% Liveness
92% Instrumentalness • 7% Positiveness
14% Popularity • 56% Danceability • 59% Energy • 31% Liveness
92% Instrumentalness • 7% Positiveness
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The Third Eye Foundation
I've Lost That Loving Feline
176 bpm • F# min • 04:31 • -16.03db
9% Popularity • 33% Danceability • 46% Energy • 11% Liveness
87% Instrumentalness • 11% Positiveness
9% Popularity • 33% Danceability • 46% Energy • 11% Liveness
87% Instrumentalness • 11% Positiveness
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Kim Hiorthøy
Going Down
145 bpm • F Maj • 03:28 • -9.93db
1% Popularity • 54% Danceability • 88% Energy • 8% Liveness
26% Instrumentalness • 82% Positiveness
1% Popularity • 54% Danceability • 88% Energy • 8% Liveness
26% Instrumentalness • 82% Positiveness
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Caribou
Skunks
177 bpm • C Maj • 03:45 • -7.75db
17% Popularity • 43% Danceability • 93% Energy • 18% Liveness
64% Instrumentalness • 36% Positiveness
17% Popularity • 43% Danceability • 93% Energy • 18% Liveness
64% Instrumentalness • 36% Positiveness
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The Cinematic Orchestra
Dawn
144 bpm • G# Maj • 04:00 • -20.14db
32% Popularity • 13% Danceability • 12% Energy • 12% Liveness
80% Instrumentalness • 3% Positiveness
32% Popularity • 13% Danceability • 12% Energy • 12% Liveness
80% Instrumentalness • 3% Positiveness
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Isan
Table Of Deciduous Species
144 bpm • F# Maj • 03:46 • -20.75db
10% Popularity • 52% Danceability • 23% Energy • 10% Liveness
80% Instrumentalness • 5% Positiveness
10% Popularity • 52% Danceability • 23% Energy • 10% Liveness
80% Instrumentalness • 5% Positiveness
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Funki Porcini
The 3rd Man
178 bpm • D min • 05:54 • -18.65db
11% Popularity • 21% Danceability • 34% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
11% Popularity • 21% Danceability • 34% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
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Gold Panda
I Suppose I Should Say ‘Thanks’ Or S...
143 bpm • A Maj • 03:54 • -10.71db
9% Popularity • 80% Danceability • 81% Energy • 15% Liveness
88% Instrumentalness • 90% Positiveness
9% Popularity • 80% Danceability • 81% Energy • 15% Liveness
88% Instrumentalness • 90% Positiveness
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Nosaj Thing
Tell
143 bpm • D Maj • 02:49 • -11.65db
13% Popularity • 69% Danceability • 55% Energy • 10% Liveness
94% Instrumentalness • 33% Positiveness
13% Popularity • 69% Danceability • 55% Energy • 10% Liveness
94% Instrumentalness • 33% Positiveness
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Kaitlyn Aurelia Smith
First Flight
143 bpm • C min • 04:38 • -14db
22% Popularity • 32% Danceability • 54% Energy • 9% Liveness
84% Instrumentalness • 24% Positiveness
22% Popularity • 32% Danceability • 54% Energy • 9% Liveness
84% Instrumentalness • 24% Positiveness
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Xploding Plastix
Errata
180 bpm • C# min • 04:44 • -13.09db
10% Popularity • 49% Danceability • 60% Energy • 10% Liveness
84% Instrumentalness • 49% Positiveness
10% Popularity • 49% Danceability • 60% Energy • 10% Liveness
84% Instrumentalness • 49% Positiveness
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The Books
A True Story of a Story of True Love
180 bpm • F Maj • 04:25 • -9.87db
27% Popularity • 58% Danceability • 46% Energy • 9% Liveness
88% Instrumentalness • 33% Positiveness
27% Popularity • 58% Danceability • 46% Energy • 9% Liveness
88% Instrumentalness • 33% Positiveness
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múm
I Can't Feel My Hand Any More, Its Alrig...
180 bpm • C Maj • 05:40 • -13.38db
24% Popularity • 33% Danceability • 60% Energy • 37% Liveness
83% Instrumentalness • 7% Positiveness
24% Popularity • 33% Danceability • 60% Energy • 37% Liveness
83% Instrumentalness • 7% Positiveness
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Kim Hiorthøy
Spor 04
180 bpm • E min • 08:13 • -8.19db
1% Popularity • 31% Danceability • 86% Energy • 22% Liveness
28% Instrumentalness • 70% Positiveness
1% Popularity • 31% Danceability • 86% Energy • 22% Liveness
28% Instrumentalness • 70% Positiveness
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Kiln
Flycatcher
180 bpm • C Maj • 06:24 • -13.06db
13% Popularity • 69% Danceability • 57% Energy • 9% Liveness
88% Instrumentalness • 14% Positiveness
13% Popularity • 69% Danceability • 57% Energy • 9% Liveness
88% Instrumentalness • 14% Positiveness
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Princess Leili
Bye Hurts
180 bpm • G Maj • 01:57 • -10.71db
27% Popularity • 40% Danceability • 68% Energy • 41% Liveness
4% Instrumentalness • 11% Positiveness
27% Popularity • 40% Danceability • 68% Energy • 41% Liveness
4% Instrumentalness • 11% Positiveness
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Azralove
Girl Back Home
180 bpm • G Maj • 01:57 • -10.71db
23% Popularity • 40% Danceability • 68% Energy • 41% Liveness
4% Instrumentalness • 11% Positiveness
23% Popularity • 40% Danceability • 68% Energy • 41% Liveness
4% Instrumentalness • 11% Positiveness
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Console
Crabcraft
180 bpm • F Maj • 05:12 • -7.7db
7% Popularity • 78% Danceability • 46% Energy • 8% Liveness
74% Instrumentalness • 66% Positiveness
7% Popularity • 78% Danceability • 46% Energy • 8% Liveness
74% Instrumentalness • 66% Positiveness
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Isan
Amber Button
180 bpm • D min • 03:25 • -15.96db
14% Popularity • 62% Danceability • 33% Energy • 10% Liveness
86% Instrumentalness • 41% Positiveness
14% Popularity • 62% Danceability • 33% Energy • 10% Liveness
86% Instrumentalness • 41% Positiveness
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Melodium
Lacrymae
180 bpm • E min • 03:58 • -13.56db
11% Popularity • 46% Danceability • 44% Energy • 15% Liveness
94% Instrumentalness • 52% Positiveness
11% Popularity • 46% Danceability • 44% Energy • 15% Liveness
94% Instrumentalness • 52% Positiveness
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Forest Swords
The Weight Of Gold
180 bpm • G min • 05:04 • -11db
24% Popularity • 49% Danceability • 71% Energy • 11% Liveness
76% Instrumentalness • 15% Positiveness
24% Popularity • 49% Danceability • 71% Energy • 11% Liveness
76% Instrumentalness • 15% Positiveness
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múm
Green Green Grass Of Tunnel
180 bpm • C Maj • 04:51 • -13.34db
42% Popularity • 47% Danceability • 52% Energy • 8% Liveness
44% Instrumentalness • 22% Positiveness
42% Popularity • 47% Danceability • 52% Energy • 8% Liveness
44% Instrumentalness • 22% Positiveness
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James Holden
Rannoch Dawn
142 bpm • F# Maj • 04:25 • -9db
14% Popularity • 61% Danceability • 95% Energy • 7% Liveness
88% Instrumentalness • 19% Positiveness
14% Popularity • 61% Danceability • 95% Energy • 7% Liveness
88% Instrumentalness • 19% Positiveness
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Bjørn Torske
Kokning
180 bpm • F min • 03:17 • -18.36db
8% Popularity • 33% Danceability • 30% Energy • 13% Liveness
96% Instrumentalness • 7% Positiveness
8% Popularity • 33% Danceability • 30% Energy • 13% Liveness
96% Instrumentalness • 7% Positiveness
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Isan
Fueled
140 bpm • B Maj • 06:13 • -12.95db
15% Popularity • 36% Danceability • 42% Energy • 9% Liveness
79% Instrumentalness • 3% Positiveness
15% Popularity • 36% Danceability • 42% Energy • 9% Liveness
79% Instrumentalness • 3% Positiveness
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Kim Hiorthøy
SoloPiano for Sore Muscle
140 bpm • F min • 04:05 • -25.53db
2% Popularity • 61% Danceability • 21% Energy • 10% Liveness
94% Instrumentalness • 33% Positiveness
2% Popularity • 61% Danceability • 21% Energy • 10% Liveness
94% Instrumentalness • 33% Positiveness
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Kid Loco
Theme from the Graffiti Artist
140 bpm • F# Maj • 04:50 • -9db
15% Popularity • 66% Danceability • 40% Energy • 18% Liveness
92% Instrumentalness • 23% Positiveness
15% Popularity • 66% Danceability • 40% Energy • 18% Liveness
92% Instrumentalness • 23% Positiveness
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Dntel
Why I'm So Unhappy - Remastered
140 bpm • B Maj • 07:00 • -9.7db
15% Popularity • 47% Danceability • 35% Energy • 14% Liveness
72% Instrumentalness • 4% Positiveness
15% Popularity • 47% Danceability • 35% Energy • 14% Liveness
72% Instrumentalness • 4% Positiveness
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Boom Bip
Last Walk Around Mirror Lake - Boards of...
140 bpm • C# Maj • 04:30 • -8db
30% Popularity • 69% Danceability • 57% Energy • 10% Liveness
34% Instrumentalness • 7% Positiveness
30% Popularity • 69% Danceability • 57% Energy • 10% Liveness
34% Instrumentalness • 7% Positiveness
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Mount Kimbie
Taps
140 bpm • E min • 03:11 • -12.01db
29% Popularity • 70% Danceability • 49% Energy • 20% Liveness
92% Instrumentalness • 22% Positiveness
29% Popularity • 70% Danceability • 49% Energy • 20% Liveness
92% Instrumentalness • 22% Positiveness
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Isan
Roadrunner
140 bpm • C# Maj • 03:27 • -17.89db
9% Popularity • 52% Danceability • 52% Energy • 23% Liveness
88% Instrumentalness • 7% Positiveness
9% Popularity • 52% Danceability • 52% Energy • 23% Liveness
88% Instrumentalness • 7% Positiveness
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Kim Hiorthøy
Det Blev Fel
140 bpm • G# Maj • 06:52 • -16.1db
2% Popularity • 73% Danceability • 45% Energy • 27% Liveness
88% Instrumentalness • 15% Positiveness
2% Popularity • 73% Danceability • 45% Energy • 27% Liveness
88% Instrumentalness • 15% Positiveness
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Gravenhurst
Islands
140 bpm • C Maj • 08:05 • -12.68db
19% Popularity • 47% Danceability • 39% Energy • 13% Liveness
87% Instrumentalness • 4% Positiveness
19% Popularity • 47% Danceability • 39% Energy • 13% Liveness
87% Instrumentalness • 4% Positiveness
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Gold Panda
I'm With You But I'm Lonely
140 bpm • F# Maj • 05:14 • -6.55db
1% Popularity • 52% Danceability • 66% Energy • 10% Liveness
70% Instrumentalness • 19% Positiveness
1% Popularity • 52% Danceability • 66% Energy • 10% Liveness
70% Instrumentalness • 19% Positiveness
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![Amo Bishop Roden [Chosen by Warp co-founder Steve Beckett] cover art](https://i.scdn.co/image/ab67616d00001e02d3d11f5fd4ca73e13cf2a973)
Boards of Canada
Amo Bishop Roden [Chosen by Warp co-foun...
140 bpm • G# min • 06:13 • -11db
37% Popularity • 58% Danceability • 54% Energy • 12% Liveness
91% Instrumentalness • 29% Positiveness
37% Popularity • 58% Danceability • 54% Energy • 12% Liveness
91% Instrumentalness • 29% Positiveness
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Lali Puna
People I Know
140 bpm • F# min • 03:05 • -8.18db
16% Popularity • 60% Danceability • 68% Energy • 9% Liveness
95% Instrumentalness • 63% Positiveness
16% Popularity • 60% Danceability • 68% Energy • 9% Liveness
95% Instrumentalness • 63% Positiveness
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Tape
Reperto
183 bpm • F Maj • 03:19 • -11.7db
10% Popularity • 28% Danceability • 39% Energy • 12% Liveness
73% Instrumentalness • 12% Positiveness
10% Popularity • 28% Danceability • 39% Energy • 12% Liveness
73% Instrumentalness • 12% Positiveness
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Kim Hiorthøy
Ready 4 Love
140 bpm • C Maj • 07:18 • -8.37db
3% Popularity • 66% Danceability • 90% Energy • 20% Liveness
92% Instrumentalness • 59% Positiveness
3% Popularity • 66% Danceability • 90% Energy • 20% Liveness
92% Instrumentalness • 59% Positiveness
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Forest Swords
Hjurt - Remastered
140 bpm • C min • 04:10 • -6db
10% Popularity • 45% Danceability • 61% Energy • 14% Liveness
91% Instrumentalness • 10% Positiveness
10% Popularity • 45% Danceability • 61% Energy • 14% Liveness
91% Instrumentalness • 10% Positiveness
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Plaid
Nafovanny
184 bpm • G# Maj • 05:05 • -12.72db
14% Popularity • 49% Danceability • 33% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
14% Popularity • 49% Danceability • 33% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
