Songs like Pool House by The Backseat Lovers
Based on a tempo of (+/- 10%) and a similar genre
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The Backseat Lovers
Pool House
134 bpm • G Maj • 04:29 • -11.18db
70% Popularity • 59% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
70% Popularity • 59% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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Peach Pit
Tommy's Party
134 bpm • G Maj • 06:01 • -8.72db
62% Popularity • 56% Danceability • 44% Energy • 11% Liveness
5% Instrumentalness • 21% Positiveness
62% Popularity • 56% Danceability • 44% Energy • 11% Liveness
5% Instrumentalness • 21% Positiveness
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Wallice
23
134 bpm • F Maj • 02:44 • -4.97db
48% Popularity • 57% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
48% Popularity • 57% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Racoma
Get On
135 bpm • E Maj • 03:17 • -7.49db
55% Popularity • 53% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
55% Popularity • 53% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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Djo
Chateau (Feel Alright)
135 bpm • G Maj • 04:32 • -12db
73% Popularity • 64% Danceability • 36% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
73% Popularity • 64% Danceability • 36% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
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Dayglow
Listerine
135 bpm • B Maj • 03:35 • -11.55db
58% Popularity • 69% Danceability • 58% Energy • 33% Liveness
82% Instrumentalness • 90% Positiveness
58% Popularity • 69% Danceability • 58% Energy • 33% Liveness
82% Instrumentalness • 90% Positiveness
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JAWNY
fall in love
135 bpm • C Maj • 03:49 • -8.09db
40% Popularity • 48% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
40% Popularity • 48% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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hey, nothing
Too Drunk to Drive
135 bpm • E Maj • 03:32 • -7.2db
46% Popularity • 54% Danceability • 61% Energy • 35% Liveness
3% Instrumentalness • 71% Positiveness
46% Popularity • 54% Danceability • 61% Energy • 35% Liveness
3% Instrumentalness • 71% Positiveness
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Boyscott
Nova Scotia 500
135 bpm • F# min • 03:12 • -4.52db
60% Popularity • 60% Danceability • 77% Energy • 36% Liveness
72% Instrumentalness • 48% Positiveness
60% Popularity • 60% Danceability • 77% Energy • 36% Liveness
72% Instrumentalness • 48% Positiveness
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Joe P
Leaves
133 bpm • F# Maj • 04:03 • -7db
40% Popularity • 44% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
40% Popularity • 44% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Strawberry Guy
Mrs Magic
133 bpm • G# Maj • 03:28 • -7.41db
80% Popularity • 47% Danceability • 63% Energy • 37% Liveness
36% Instrumentalness • 37% Positiveness
80% Popularity • 47% Danceability • 63% Energy • 37% Liveness
36% Instrumentalness • 37% Positiveness
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Houndmouth
Sedona
135 bpm • D# Maj • 03:59 • -8.24db
60% Popularity • 39% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
60% Popularity • 39% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Lana Del Rey
Let The Light In
132 bpm • A Maj • 04:38 • -9.73db
82% Popularity • 33% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
82% Popularity • 33% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Current Joys
Become the Warm Jets
132 bpm • G Maj • 05:34 • -15.49db
68% Popularity • 44% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
68% Popularity • 44% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Arcy Drive
Wicked Styley
136 bpm • F# min • 02:32 • -4.61db
45% Popularity • 48% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
45% Popularity • 48% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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John Vincent III
Next to You
132 bpm • G Maj • 04:16 • -7.98db
72% Popularity • 44% Danceability • 42% Energy • 40% Liveness
0% Instrumentalness • 7% Positiveness
72% Popularity • 44% Danceability • 42% Energy • 40% Liveness
0% Instrumentalness • 7% Positiveness
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Wallows
Just Like a Movie
136 bpm • B Maj • 04:07 • -5.18db
59% Popularity • 45% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 22% Positiveness
59% Popularity • 45% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 22% Positiveness
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Rainbow Kitten Surprise
Lady Lie
132 bpm • A min • 03:35 • -10.46db
60% Popularity • 58% Danceability • 30% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
60% Popularity • 58% Danceability • 30% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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Cage The Elephant
Social Cues
132 bpm • A Maj • 03:39 • -3.1db
66% Popularity • 67% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
66% Popularity • 67% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Matt Maltese
Curl up & Die
132 bpm • B Maj • 03:22 • -8.47db
64% Popularity • 62% Danceability • 28% Energy • 11% Liveness
54% Instrumentalness • 23% Positiveness
64% Popularity • 62% Danceability • 28% Energy • 11% Liveness
54% Instrumentalness • 23% Positiveness
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Kevin Abstract
Peach
132 bpm • G Maj • 02:56 • -5.85db
64% Popularity • 65% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
64% Popularity • 65% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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The Head And The Heart
Rivers and Roads
136 bpm • C Maj • 04:44 • -10db
68% Popularity • 49% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
68% Popularity • 49% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Phoebe Bridgers
Kyoto
131 bpm • B Maj • 03:04 • -6.89db
68% Popularity • 60% Danceability • 75% Energy • 9% Liveness
30% Instrumentalness • 48% Positiveness
68% Popularity • 60% Danceability • 75% Energy • 9% Liveness
30% Instrumentalness • 48% Positiveness
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Racoma
Howl
131 bpm • D Maj • 02:44 • -8.37db
52% Popularity • 48% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
52% Popularity • 48% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Cage The Elephant
Cold Cold Cold
136 bpm • F Maj • 03:34 • -6.07db
70% Popularity • 55% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
70% Popularity • 55% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Chappell Roan
Casual
131 bpm • C# Maj • 03:52 • -6.85db
75% Popularity • 51% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
75% Popularity • 51% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Yot Club
no way !
130 bpm • G Maj • 02:46 • -8db
69% Popularity • 65% Danceability • 70% Energy • 39% Liveness
90% Instrumentalness • 62% Positiveness
69% Popularity • 65% Danceability • 70% Energy • 39% Liveness
90% Instrumentalness • 62% Positiveness
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WILLIS
27 Reasons
130 bpm • B min • 03:28 • -8.36db
39% Popularity • 52% Danceability • 62% Energy • 25% Liveness
1% Instrumentalness • 35% Positiveness
39% Popularity • 52% Danceability • 62% Energy • 25% Liveness
1% Instrumentalness • 35% Positiveness
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No Vacation
Yam Yam
138 bpm • G min • 03:36 • -9db
64% Popularity • 44% Danceability • 59% Energy • 11% Liveness
77% Instrumentalness • 8% Positiveness
64% Popularity • 44% Danceability • 59% Energy • 11% Liveness
77% Instrumentalness • 8% Positiveness
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Racoma
Tides High
131 bpm • C Maj • 02:23 • -4.07db
47% Popularity • 56% Danceability • 59% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
47% Popularity • 56% Danceability • 59% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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Good Morning
Warned You
138 bpm • F# Maj • 02:16 • -16.4db
60% Popularity • 54% Danceability • 21% Energy • 13% Liveness
14% Instrumentalness • 52% Positiveness
60% Popularity • 54% Danceability • 21% Energy • 13% Liveness
14% Instrumentalness • 52% Positiveness
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Wallows
Scrawny
138 bpm • F# min • 02:46 • -5.28db
67% Popularity • 64% Danceability • 82% Energy • 14% Liveness
6% Instrumentalness • 80% Positiveness
67% Popularity • 64% Danceability • 82% Energy • 14% Liveness
6% Instrumentalness • 80% Positiveness
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Quarters of Change
Kiwi
130 bpm • D Maj • 05:32 • -8db
51% Popularity • 60% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
51% Popularity • 60% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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carwash
striptease
130 bpm • G# Maj • 02:40 • -8.89db
64% Popularity • 69% Danceability • 57% Energy • 10% Liveness
95% Instrumentalness • 73% Positiveness
64% Popularity • 69% Danceability • 57% Energy • 10% Liveness
95% Instrumentalness • 73% Positiveness
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The Happy Fits
So Alright, Cool, Whatever
130 bpm • C Maj • 03:11 • -5.42db
57% Popularity • 68% Danceability • 64% Energy • 3% Liveness
0% Instrumentalness • 76% Positiveness
57% Popularity • 68% Danceability • 64% Energy • 3% Liveness
0% Instrumentalness • 76% Positiveness
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Joe P
All Day I Dream About
130 bpm • B Maj • 03:20 • -7.71db
44% Popularity • 58% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
44% Popularity • 58% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Dayglow
Can I Call You Tonight?
130 bpm • A Maj • 04:38 • -7.27db
77% Popularity • 64% Danceability • 84% Energy • 42% Liveness
91% Instrumentalness • 50% Positiveness
77% Popularity • 64% Danceability • 84% Energy • 42% Liveness
91% Instrumentalness • 50% Positiveness
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Ashes To Amber
Outskirts Of Infinity
130 bpm • E Maj • 03:07 • -7db
54% Popularity • 74% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
54% Popularity • 74% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Djo
Tentpole Shangrila
130 bpm • B min • 03:36 • -9db
54% Popularity • 61% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
54% Popularity • 61% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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The Rare Occasions
Origami
130 bpm • B Maj • 02:54 • -6.46db
61% Popularity • 48% Danceability • 80% Energy • 24% Liveness
1% Instrumentalness • 63% Positiveness
61% Popularity • 48% Danceability • 80% Energy • 24% Liveness
1% Instrumentalness • 63% Positiveness
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Richy Mitch & The Coal Miners
Lake Missoula
138 bpm • B min • 01:46 • -13.04db
74% Popularity • 45% Danceability • 25% Energy • 11% Liveness
23% Instrumentalness • 24% Positiveness
74% Popularity • 45% Danceability • 25% Energy • 11% Liveness
23% Instrumentalness • 24% Positiveness
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Rex Orange County
Sunflower
130 bpm • F# Maj • 04:12 • -4.46db
73% Popularity • 55% Danceability • 76% Energy • 52% Liveness
0% Instrumentalness • 57% Positiveness
73% Popularity • 55% Danceability • 76% Energy • 52% Liveness
0% Instrumentalness • 57% Positiveness
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The Happy Fits
Best Tears
130 bpm • D Maj • 02:38 • -4db
52% Popularity • 42% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
52% Popularity • 42% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Phoebe Bridgers
Waiting Room
130 bpm • D Maj • 06:33 • -10.07db
74% Popularity • 53% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
74% Popularity • 53% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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The Moss
Secretariat
139 bpm • A Maj • 02:41 • -9db
37% Popularity • 70% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
37% Popularity • 70% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Dr. Dog
Nellie
130 bpm • E Maj • 03:37 • -9.94db
62% Popularity • 51% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
62% Popularity • 51% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Mac DeMarco
Watching Him Fade Away
139 bpm • D# Maj • 02:23 • -17.98db
74% Popularity • 74% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
74% Popularity • 74% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
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Wallice
Punching Bag
139 bpm • C# min • 02:33 • -1.73db
45% Popularity • 62% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
45% Popularity • 62% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
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Young the Giant
Cough Syrup
129 bpm • B min • 04:09 • -7.31db
71% Popularity • 53% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
71% Popularity • 53% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Phoebe Bridgers
Savior Complex
129 bpm • E Maj • 04:01 • -11.88db
66% Popularity • 38% Danceability • 44% Energy • 10% Liveness
2% Instrumentalness • 22% Positiveness
66% Popularity • 38% Danceability • 44% Energy • 10% Liveness
2% Instrumentalness • 22% Positiveness
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Christian Leave
Darling
129 bpm • C Maj • 02:45 • -7.64db
47% Popularity • 66% Danceability • 55% Energy • 21% Liveness
0% Instrumentalness • 20% Positiveness
47% Popularity • 66% Danceability • 55% Energy • 21% Liveness
0% Instrumentalness • 20% Positiveness
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Dominic Fike
She Wants My Money
129 bpm • A Maj • 02:13 • -6.56db
65% Popularity • 70% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
65% Popularity • 70% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Racoma
Country
140 bpm • B Maj • 03:07 • -7.15db
61% Popularity • 52% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
61% Popularity • 52% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Slow Pulp
High
140 bpm • A# Maj • 02:32 • -8db
60% Popularity • 55% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
60% Popularity • 55% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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late night drive home
Stress Relief
140 bpm • G# Maj • 03:25 • -7.58db
68% Popularity • 52% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
68% Popularity • 52% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Wallows
Calling After Me
140 bpm • G# Maj • 03:07 • -4.64db
72% Popularity • 64% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
72% Popularity • 64% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Hotel Ugly
Stevie Doesn't Wonder
140 bpm • A# min • 02:44 • -13.23db
73% Popularity • 53% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
73% Popularity • 53% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Djo
Mortal Projections
140 bpm • D min • 03:08 • -9db
57% Popularity • 57% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
57% Popularity • 57% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Mac DeMarco
Moonlight on the River
140 bpm • A Maj • 07:02 • -8.63db
77% Popularity • 66% Danceability • 48% Energy • 22% Liveness
83% Instrumentalness • 43% Positiveness
77% Popularity • 66% Danceability • 48% Energy • 22% Liveness
83% Instrumentalness • 43% Positiveness
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Dayglow
Hot Rod
140 bpm • G Maj • 03:24 • -7.07db
70% Popularity • 71% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
70% Popularity • 71% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
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Dream, Ivory
welcome and goodbye
140 bpm • C min • 02:20 • -5.18db
77% Popularity • 58% Danceability • 72% Energy • 7% Liveness
76% Instrumentalness • 66% Positiveness
77% Popularity • 58% Danceability • 72% Energy • 7% Liveness
76% Instrumentalness • 66% Positiveness
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Ashes To Amber
IRIS
140 bpm • F# Maj • 02:31 • -9.09db
63% Popularity • 72% Danceability • 54% Energy • 11% Liveness
48% Instrumentalness • 42% Positiveness
63% Popularity • 72% Danceability • 54% Energy • 11% Liveness
48% Instrumentalness • 42% Positiveness
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Hotel Ugly
I Think I Left the Stove On
140 bpm • C# min • 03:22 • -6.62db
71% Popularity • 77% Danceability • 71% Energy • 14% Liveness
1% Instrumentalness • 80% Positiveness
71% Popularity • 77% Danceability • 71% Energy • 14% Liveness
1% Instrumentalness • 80% Positiveness
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Del Water Gap
High Tops
128 bpm • G Maj • 03:58 • -5.13db
54% Popularity • 56% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
54% Popularity • 56% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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The Moss
Willie's Song
128 bpm • E min • 04:31 • -7.1db
50% Popularity • 75% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
50% Popularity • 75% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
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Dayglow
Close To You
140 bpm • F# Maj • 03:14 • -6db
67% Popularity • 88% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
67% Popularity • 88% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Arlie
big fat mouth
128 bpm • D Maj • 03:38 • -5.15db
51% Popularity • 60% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
51% Popularity • 60% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
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The Backseat Lovers
Words I Used
141 bpm • D# Maj • 05:23 • -12db
50% Popularity • 43% Danceability • 16% Energy • 11% Liveness
3% Instrumentalness • 14% Positiveness
50% Popularity • 43% Danceability • 16% Energy • 11% Liveness
3% Instrumentalness • 14% Positiveness
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Indigo De Souza
Take Off Ur Pants
127 bpm • A Maj • 03:40 • -9.55db
53% Popularity • 41% Danceability • 66% Energy • 38% Liveness
18% Instrumentalness • 65% Positiveness
53% Popularity • 41% Danceability • 66% Energy • 38% Liveness
18% Instrumentalness • 65% Positiveness
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Del Water Gap
Laid Down My Arms
128 bpm • G# Maj • 04:29 • -5db
42% Popularity • 56% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
42% Popularity • 56% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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The Lumineers
Flowers in Your Hair
127 bpm • G Maj • 01:49 • -10.09db
74% Popularity • 67% Danceability • 61% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
74% Popularity • 67% Danceability • 61% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
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Djo
Gloom
141 bpm • A min • 02:00 • -7db
65% Popularity • 83% Danceability • 69% Energy • 10% Liveness
57% Instrumentalness • 62% Positiveness
65% Popularity • 83% Danceability • 69% Energy • 10% Liveness
57% Instrumentalness • 62% Positiveness
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Arlie
didya think
140 bpm • E Maj • 03:20 • -2.97db
58% Popularity • 47% Danceability • 89% Energy • 51% Liveness
0% Instrumentalness • 71% Positiveness
58% Popularity • 47% Danceability • 89% Energy • 51% Liveness
0% Instrumentalness • 71% Positiveness
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The Hails
Stay
127 bpm • A Maj • 02:39 • -4.09db
56% Popularity • 66% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
56% Popularity • 66% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Kid Bloom
Different State of Mind
141 bpm • B Maj • 03:45 • -9.93db
55% Popularity • 66% Danceability • 38% Energy • 18% Liveness
16% Instrumentalness • 74% Positiveness
55% Popularity • 66% Danceability • 38% Energy • 18% Liveness
16% Instrumentalness • 74% Positiveness
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Flamingos in the Tree
Take Me by the Hand
127 bpm • D Maj • 03:26 • -11.79db
52% Popularity • 58% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
52% Popularity • 58% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Peter McPoland
Slow Down
127 bpm • G Maj • 03:22 • -3.35db
43% Popularity • 35% Danceability • 63% Energy • 84% Liveness
0% Instrumentalness • 33% Positiveness
43% Popularity • 35% Danceability • 63% Energy • 84% Liveness
0% Instrumentalness • 33% Positiveness
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Tame Impala
Disciples
127 bpm • F Maj • 01:48 • -5.48db
72% Popularity • 66% Danceability • 87% Energy • 40% Liveness
92% Instrumentalness • 80% Positiveness
72% Popularity • 66% Danceability • 87% Energy • 40% Liveness
92% Instrumentalness • 80% Positiveness
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Her's
Harvey
142 bpm • A Maj • 03:31 • -6.15db
66% Popularity • 59% Danceability • 86% Energy • 13% Liveness
82% Instrumentalness • 72% Positiveness
66% Popularity • 59% Danceability • 86% Energy • 13% Liveness
82% Instrumentalness • 72% Positiveness
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Wallows
Uncomfortable
142 bpm • D Maj • 04:54 • -2.81db
56% Popularity • 40% Danceability • 77% Energy • 29% Liveness
2% Instrumentalness • 25% Positiveness
56% Popularity • 40% Danceability • 77% Energy • 29% Liveness
2% Instrumentalness • 25% Positiveness
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The Backseat Lovers
Pictures
126 bpm • F Maj • 03:16 • -12db
51% Popularity • 66% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 42% Positiveness
51% Popularity • 66% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 42% Positiveness
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Faye Webster
Kingston
142 bpm • A# min • 03:22 • -9.13db
77% Popularity • 73% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
77% Popularity • 73% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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The Honeysticks
Out Like a Light
126 bpm • B Maj • 04:16 • -7.79db
57% Popularity • 52% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
57% Popularity • 52% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Cottonwood Firing Squad
hospital beach
126 bpm • G Maj • 02:04 • -8.19db
66% Popularity • 64% Danceability • 75% Energy • 30% Liveness
66% Instrumentalness • 71% Positiveness
66% Popularity • 64% Danceability • 75% Energy • 30% Liveness
66% Instrumentalness • 71% Positiveness
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Hozier
From Eden
143 bpm • C Maj • 04:43 • -5.46db
66% Popularity • 40% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
66% Popularity • 40% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Mac DeMarco
Freaking Out The Neighborhood
143 bpm • G# min • 02:53 • -5.74db
55% Popularity • 57% Danceability • 82% Energy • 39% Liveness
3% Instrumentalness • 83% Positiveness
55% Popularity • 57% Danceability • 82% Energy • 39% Liveness
3% Instrumentalness • 83% Positiveness
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The Backseat Lovers
Address Your Letters
126 bpm • D Maj • 03:48 • -18.9db
46% Popularity • 60% Danceability • 12% Energy • 35% Liveness
0% Instrumentalness • 20% Positiveness
46% Popularity • 60% Danceability • 12% Energy • 35% Liveness
0% Instrumentalness • 20% Positiveness
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Pinegrove
Problems
125 bpm • D Maj • 01:20 • -5.44db
64% Popularity • 59% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
64% Popularity • 59% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Declan McKenna
Make Me Your Queen
125 bpm • D Maj • 03:41 • -6.42db
57% Popularity • 49% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
57% Popularity • 49% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Jelani Aryeh
From These Heights
125 bpm • E Maj • 03:26 • -4.11db
45% Popularity • 76% Danceability • 90% Energy • 64% Liveness
0% Instrumentalness • 77% Positiveness
45% Popularity • 76% Danceability • 90% Energy • 64% Liveness
0% Instrumentalness • 77% Positiveness
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Sarah and the Sundays
Moving On
125 bpm • A Maj • 02:39 • -5.81db
54% Popularity • 73% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 79% Positiveness
54% Popularity • 73% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 79% Positiveness
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Ralph Castelli
Morning Sex
125 bpm • F# Maj • 02:55 • -9.54db
72% Popularity • 81% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
72% Popularity • 81% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Dominic Fike
Ant Pile
125 bpm • C Maj • 02:06 • -4.4db
60% Popularity • 80% Danceability • 73% Energy • 44% Liveness
0% Instrumentalness • 92% Positiveness
60% Popularity • 80% Danceability • 73% Energy • 44% Liveness
0% Instrumentalness • 92% Positiveness
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The Backseat Lovers
Pictures (Live)
125 bpm • F Maj • 03:58 • -10.99db
28% Popularity • 50% Danceability • 61% Energy • 94% Liveness
3% Instrumentalness • 44% Positiveness
28% Popularity • 50% Danceability • 61% Energy • 94% Liveness
3% Instrumentalness • 44% Positiveness
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Briston Maroney
Freakin' Out On the Interstate
144 bpm • E Maj • 04:11 • -5.02db
70% Popularity • 45% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 36% Positiveness
70% Popularity • 45% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 36% Positiveness
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Jelani Aryeh
Stella Brown
125 bpm • D Maj • 03:06 • -7.55db
59% Popularity • 73% Danceability • 48% Energy • 29% Liveness
7% Instrumentalness • 55% Positiveness
59% Popularity • 73% Danceability • 48% Energy • 29% Liveness
7% Instrumentalness • 55% Positiveness
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Current Joys
A Different Age
144 bpm • D Maj • 06:52 • -10.62db
63% Popularity • 63% Danceability • 37% Energy • 8% Liveness
7% Instrumentalness • 36% Positiveness
63% Popularity • 63% Danceability • 37% Energy • 8% Liveness
7% Instrumentalness • 36% Positiveness
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Vansire
Nosebleed Seats
144 bpm • E Maj • 02:41 • -8.91db
57% Popularity • 55% Danceability • 71% Energy • 11% Liveness
8% Instrumentalness • 16% Positiveness
57% Popularity • 55% Danceability • 71% Energy • 11% Liveness
8% Instrumentalness • 16% Positiveness
