Songs like Poor Until Payday by The Reverend Peyton's Big Damn Band
Based on a tempo of (+/- 10%) and a similar genre
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The Wanton Bishops
My Kinda Lovin’
114 bpm • E min • 02:42 • -5.09db
34% Popularity • 66% Danceability • 94% Energy • 25% Liveness
5% Instrumentalness • 59% Positiveness
34% Popularity • 66% Danceability • 94% Energy • 25% Liveness
5% Instrumentalness • 59% Positiveness
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Graveyard Train
I'm Gone
114 bpm • C Maj • 03:21 • -7.42db
31% Popularity • 57% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
31% Popularity • 57% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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The Juke Joint Pimps
Sweetest Hymns
114 bpm • C Maj • 03:15 • -3.88db
16% Popularity • 65% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
16% Popularity • 65% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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The Piss Poor Players
Piss Poor
114 bpm • A min • 03:46 • -6.56db
17% Popularity • 53% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 74% Positiveness
17% Popularity • 53% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 74% Positiveness
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Woodbox Gang
All Trouble Head
114 bpm • F min • 03:25 • -8db
12% Popularity • 62% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
12% Popularity • 62% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Son Volt
Cherokee St
114 bpm • D Maj • 02:59 • -6.89db
21% Popularity • 54% Danceability • 71% Energy • 32% Liveness
5% Instrumentalness • 55% Positiveness
21% Popularity • 54% Danceability • 71% Energy • 32% Liveness
5% Instrumentalness • 55% Positiveness
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Agnostic Mountain Gospel Choir
Go Back Home
114 bpm • C min • 02:58 • -8db
20% Popularity • 81% Danceability • 94% Energy • 6% Liveness
7% Instrumentalness • 97% Positiveness
20% Popularity • 81% Danceability • 94% Energy • 6% Liveness
7% Instrumentalness • 97% Positiveness
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The Reverend Peyton's Big Damn Band
Poor Until Payday
114 bpm • C# Maj • 03:53 • -6db
26% Popularity • 57% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
26% Popularity • 57% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Ben Prestage
2:19
114 bpm • A min • 03:46 • -10db
8% Popularity • 82% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
8% Popularity • 82% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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Chris Rodrigues
Gospel Plow
114 bpm • F Maj • 02:08 • -4.76db
25% Popularity • 70% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
25% Popularity • 70% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
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Moreland & Arbuckle
Gonna Send Ya Back to Georgia
115 bpm • D Maj • 04:07 • -4db
27% Popularity • 44% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
27% Popularity • 44% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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The Stone Foxes
I'm A King Bee - Alt. Romp Version
113 bpm • A# Maj • 02:40 • -4.88db
29% Popularity • 39% Danceability • 89% Energy • 18% Liveness
7% Instrumentalness • 48% Positiveness
29% Popularity • 39% Danceability • 89% Energy • 18% Liveness
7% Instrumentalness • 48% Positiveness
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Scott H. Biram
Blood Sweat & Murder
115 bpm • A Maj • 02:54 • -7.71db
45% Popularity • 49% Danceability • 76% Energy • 38% Liveness
26% Instrumentalness • 81% Positiveness
45% Popularity • 49% Danceability • 76% Energy • 38% Liveness
26% Instrumentalness • 81% Positiveness
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The Reverend Peyton's Big Damn Band
Move Along Mister
114 bpm • F# min • 02:21 • -7.14db
20% Popularity • 43% Danceability • 55% Energy • 16% Liveness
21% Instrumentalness • 17% Positiveness
20% Popularity • 43% Danceability • 55% Energy • 16% Liveness
21% Instrumentalness • 17% Positiveness
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Dave Alvin
Johnny Ace Is Dead
115 bpm • A# min • 04:26 • -7db
28% Popularity • 68% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 88% Positiveness
28% Popularity • 68% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 88% Positiveness
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Chris Rodrigues
Goin Down the Road Feelin' bad
115 bpm • F Maj • 04:42 • -2.96db
16% Popularity • 58% Danceability • 96% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
16% Popularity • 58% Danceability • 96% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Moreland & Arbuckle
Bound And Determined
115 bpm • A min • 02:29 • -6db
29% Popularity • 55% Danceability • 83% Energy • 6% Liveness
3% Instrumentalness • 81% Positiveness
29% Popularity • 55% Danceability • 83% Energy • 6% Liveness
3% Instrumentalness • 81% Positiveness
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Parker Millsap
Palisade
115 bpm • D Maj • 03:23 • -11db
45% Popularity • 86% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
45% Popularity • 86% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Otis Taylor
Ran So Hard The Sun Went Down
115 bpm • G Maj • 03:54 • -10.11db
31% Popularity • 76% Danceability • 64% Energy • 16% Liveness
90% Instrumentalness • 31% Positiveness
31% Popularity • 76% Danceability • 64% Energy • 16% Liveness
90% Instrumentalness • 31% Positiveness
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The Reverend Peyton's Big Damn Band
So Good
115 bpm • C Maj • 03:13 • -7.99db
14% Popularity • 64% Danceability • 67% Energy • 15% Liveness
35% Instrumentalness • 74% Positiveness
14% Popularity • 64% Danceability • 67% Energy • 15% Liveness
35% Instrumentalness • 74% Positiveness
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Rose's Pawn Shop
Country Blues
115 bpm • A min • 03:23 • -6.74db
28% Popularity • 64% Danceability • 84% Energy • 15% Liveness
10% Instrumentalness • 71% Positiveness
28% Popularity • 64% Danceability • 84% Energy • 15% Liveness
10% Instrumentalness • 71% Positiveness
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Chris Rodrigues
Going Down the Road
113 bpm • G Maj • 04:39 • -3.82db
26% Popularity • 74% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
26% Popularity • 74% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
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Hillstomp
Don't Come Down
113 bpm • E min • 03:36 • -10.11db
8% Popularity • 74% Danceability • 57% Energy • 9% Liveness
14% Instrumentalness • 50% Positiveness
8% Popularity • 74% Danceability • 57% Energy • 9% Liveness
14% Instrumentalness • 50% Positiveness
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Joe Buck Yourself
Devil Is on His Way
115 bpm • G Maj • 04:11 • -8db
21% Popularity • 85% Danceability • 78% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
21% Popularity • 85% Danceability • 78% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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The Wanton Bishops
Bad Rhyme
113 bpm • G Maj • 02:39 • -6.92db
40% Popularity • 66% Danceability • 67% Energy • 81% Liveness
0% Instrumentalness • 88% Positiveness
40% Popularity • 66% Danceability • 67% Energy • 81% Liveness
0% Instrumentalness • 88% Positiveness
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The Reverend Peyton's Big Damn Band
Sad Songs
113 bpm • C# Maj • 03:21 • -5.55db
13% Popularity • 55% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
13% Popularity • 55% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Hackensaw Boys
By and By
115 bpm • G Maj • 03:03 • -6.83db
21% Popularity • 61% Danceability • 77% Energy • 37% Liveness
0% Instrumentalness • 89% Positiveness
21% Popularity • 61% Danceability • 77% Energy • 37% Liveness
0% Instrumentalness • 89% Positiveness
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Devil in a Woodpile
Bron-Y-Aur Stomp
115 bpm • G Maj • 04:38 • -7.4db
14% Popularity • 63% Danceability • 71% Energy • 15% Liveness
31% Instrumentalness • 69% Positiveness
14% Popularity • 63% Danceability • 71% Energy • 15% Liveness
31% Instrumentalness • 69% Positiveness
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Shinyribs
Song of Lime Juice & Despair
113 bpm • D min • 03:20 • -6.17db
29% Popularity • 62% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 95% Positiveness
29% Popularity • 62% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 95% Positiveness
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Ben Miller Band
Twinkle Toes
115 bpm • G Maj • 02:37 • -6.16db
28% Popularity • 69% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
28% Popularity • 69% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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The Pine Box Boys
Just a Crush
113 bpm • A min • 04:56 • -10db
24% Popularity • 80% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
24% Popularity • 80% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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The Reverend Peyton's Big Damn Band
Clap Your Hands
115 bpm • G min • 04:28 • -9db
31% Popularity • 49% Danceability • 79% Energy • 11% Liveness
16% Instrumentalness • 59% Positiveness
31% Popularity • 49% Danceability • 79% Energy • 11% Liveness
16% Instrumentalness • 59% Positiveness
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Lonesome Shack
Too Bad
113 bpm • E min • 03:10 • -8.5db
37% Popularity • 59% Danceability • 86% Energy • 11% Liveness
48% Instrumentalness • 51% Positiveness
37% Popularity • 59% Danceability • 86% Energy • 11% Liveness
48% Instrumentalness • 51% Positiveness
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Chris Rodrigues
Don't Let the Devil Ride
112 bpm • G Maj • 03:35 • -4.81db
16% Popularity • 75% Danceability • 83% Energy • 24% Liveness
0% Instrumentalness • 89% Positiveness
16% Popularity • 75% Danceability • 83% Energy • 24% Liveness
0% Instrumentalness • 89% Positiveness
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Ben Prestage
Hipshake
112 bpm • A min • 04:24 • -9.8db
14% Popularity • 81% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 81% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Honky Tonk Hustlas
Buried Alive
116 bpm • D Maj • 02:39 • -4db
24% Popularity • 69% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 91% Positiveness
24% Popularity • 69% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 91% Positiveness
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Left Lane Cruiser
Circus
116 bpm • D Maj • 02:48 • -7.69db
24% Popularity • 40% Danceability • 96% Energy • 7% Liveness
46% Instrumentalness • 19% Positiveness
24% Popularity • 40% Danceability • 96% Energy • 7% Liveness
46% Instrumentalness • 19% Positiveness
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The Reverend Peyton's Big Damn Band
Long Gone
115 bpm • C Maj • 02:31 • -7.47db
17% Popularity • 74% Danceability • 89% Energy • 10% Liveness
18% Instrumentalness • 95% Positiveness
17% Popularity • 74% Danceability • 89% Energy • 10% Liveness
18% Instrumentalness • 95% Positiveness
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The Hooten Hallers
I Know Everything
112 bpm • B min • 03:50 • -6.16db
7% Popularity • 58% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
7% Popularity • 58% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
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Chris Rodrigues
Angels in Heaven
116 bpm • F min • 04:25 • -5.9db
42% Popularity • 82% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
42% Popularity • 82% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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The Wanton Bishops
Howl
112 bpm • C Maj • 02:43 • -6db
42% Popularity • 76% Danceability • 91% Energy • 9% Liveness
81% Instrumentalness • 94% Positiveness
42% Popularity • 76% Danceability • 91% Energy • 9% Liveness
81% Instrumentalness • 94% Positiveness
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Hillstomp
Nope
112 bpm • G Maj • 02:09 • -9.37db
22% Popularity • 54% Danceability • 71% Energy • 14% Liveness
54% Instrumentalness • 93% Positiveness
22% Popularity • 54% Danceability • 71% Energy • 14% Liveness
54% Instrumentalness • 93% Positiveness
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The Goddamn Gallows
Waiting Around to Die
116 bpm • D Maj • 02:44 • -5.37db
28% Popularity • 54% Danceability • 76% Energy • 24% Liveness
31% Instrumentalness • 83% Positiveness
28% Popularity • 54% Danceability • 76% Energy • 24% Liveness
31% Instrumentalness • 83% Positiveness
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The Reverend Peyton's Big Damn Band
No Tellin' When
115 bpm • D Maj • 02:49 • -8.03db
18% Popularity • 62% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
18% Popularity • 62% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Brown Bird
Sickle and Hood
112 bpm • D Maj • 02:40 • -5.49db
32% Popularity • 77% Danceability • 48% Energy • 18% Liveness
37% Instrumentalness • 82% Positiveness
32% Popularity • 77% Danceability • 48% Energy • 18% Liveness
37% Instrumentalness • 82% Positiveness
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Chris Rodrigues
No Stranger
116 bpm • E Maj • 03:12 • -4.38db
25% Popularity • 74% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
25% Popularity • 74% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
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Agnostic Mountain Gospel Choir
Saint Hubert
111 bpm • E min • 02:38 • -7.03db
13% Popularity • 60% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
13% Popularity • 60% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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Samuel L. Jackson
Stackolee
111 bpm • G Maj • 03:30 • -9.73db
33% Popularity • 43% Danceability • 76% Energy • 98% Liveness
0% Instrumentalness • 60% Positiveness
33% Popularity • 43% Danceability • 76% Energy • 98% Liveness
0% Instrumentalness • 60% Positiveness
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Ben Miller Band
Swing Low, Sweet Chariot
111 bpm • A Maj • 02:51 • -2.96db
21% Popularity • 40% Danceability • 79% Energy • 14% Liveness
85% Instrumentalness • 64% Positiveness
21% Popularity • 40% Danceability • 79% Energy • 14% Liveness
85% Instrumentalness • 64% Positiveness
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The Reverend Peyton's Big Damn Band
Worn Out Shoe
112 bpm • C# Maj • 04:12 • -4.7db
15% Popularity • 59% Danceability • 87% Energy • 7% Liveness
1% Instrumentalness • 98% Positiveness
15% Popularity • 59% Danceability • 87% Energy • 7% Liveness
1% Instrumentalness • 98% Positiveness
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Jayke Orvis and the Broken Band
Crooked Smile
117 bpm • D min • 03:53 • -14.24db
10% Popularity • 66% Danceability • 58% Energy • 13% Liveness
73% Instrumentalness • 91% Positiveness
10% Popularity • 66% Danceability • 58% Energy • 13% Liveness
73% Instrumentalness • 91% Positiveness
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Radio Moscow
Black Boot
111 bpm • C Maj • 02:04 • -9.99db
41% Popularity • 70% Danceability • 72% Energy • 73% Liveness
94% Instrumentalness • 58% Positiveness
41% Popularity • 70% Danceability • 72% Energy • 73% Liveness
94% Instrumentalness • 58% Positiveness
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Moreland & Arbuckle
Don't Wake Me
111 bpm • D Maj • 03:45 • -3.87db
12% Popularity • 51% Danceability • 91% Energy • 25% Liveness
0% Instrumentalness • 75% Positiveness
12% Popularity • 51% Danceability • 91% Energy • 25% Liveness
0% Instrumentalness • 75% Positiveness
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Left Lane Cruiser
Set Me Down
117 bpm • B min • 03:01 • -6.67db
26% Popularity • 33% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
26% Popularity • 33% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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The Bones of J.R. Jones
Fury of the Light
117 bpm • D min • 03:34 • -6.89db
26% Popularity • 60% Danceability • 54% Energy • 7% Liveness
1% Instrumentalness • 44% Positiveness
26% Popularity • 60% Danceability • 54% Energy • 7% Liveness
1% Instrumentalness • 44% Positiveness
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The Reverend Peyton's Big Damn Band
Can't Pay the Bill
112 bpm • G Maj • 03:05 • -7.07db
16% Popularity • 80% Danceability • 68% Energy • 12% Liveness
4% Instrumentalness • 95% Positiveness
16% Popularity • 80% Danceability • 68% Energy • 12% Liveness
4% Instrumentalness • 95% Positiveness
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The Hooten Hallers
It's Hard to Trust Your Baby
118 bpm • B min • 02:56 • -6.01db
21% Popularity • 41% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 75% Positiveness
21% Popularity • 41% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 75% Positiveness
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Split Lip Rayfield
Never Make It Home
110 bpm • E min • 03:10 • -6.38db
32% Popularity • 76% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
32% Popularity • 76% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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The Fumes
The Postmans Inn
110 bpm • F# Maj • 04:12 • -6.13db
19% Popularity • 60% Danceability • 73% Energy • 9% Liveness
14% Instrumentalness • 32% Positiveness
19% Popularity • 60% Danceability • 73% Energy • 9% Liveness
14% Instrumentalness • 32% Positiveness
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Left Lane Cruiser
Crackalacka
117 bpm • E Maj • 03:57 • -5.02db
28% Popularity • 25% Danceability • 99% Energy • 33% Liveness
3% Instrumentalness • 39% Positiveness
28% Popularity • 25% Danceability • 99% Energy • 33% Liveness
3% Instrumentalness • 39% Positiveness
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Mike Ness
Gamblin' Man
118 bpm • F Maj • 02:27 • -5.78db
33% Popularity • 52% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
33% Popularity • 52% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
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The Reverend Peyton's Big Damn Band
Rock Island Line
111 bpm • B Maj • 01:58 • -10.47db
25% Popularity • 69% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
25% Popularity • 69% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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Uncle Sinner
Let the Devil In
110 bpm • G Maj • 03:37 • -11db
21% Popularity • 56% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
21% Popularity • 56% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
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Dave Alvin
World's in a Bad Condition
110 bpm • B min • 04:25 • -6db
18% Popularity • 56% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
18% Popularity • 56% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
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Roger Alan Wade
Stoned Traveler
118 bpm • A# Maj • 03:13 • -5.51db
26% Popularity • 45% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
26% Popularity • 45% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Grandpa's Cough Medicine
Substance Abuse Problem
110 bpm • G Maj • 03:35 • -9.14db
29% Popularity • 71% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
29% Popularity • 71% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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The Wanton Bishops
Bad Liver and a Broken Heart
110 bpm • E Maj • 02:40 • -5.03db
40% Popularity • 66% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
40% Popularity • 66% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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The Reverend Peyton's Big Damn Band
Something for Nothing
111 bpm • A# min • 03:39 • -5.72db
40% Popularity • 70% Danceability • 64% Energy • 10% Liveness
68% Instrumentalness • 34% Positiveness
40% Popularity • 70% Danceability • 64% Energy • 10% Liveness
68% Instrumentalness • 34% Positiveness
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Left Lane Cruiser
Ol' Fashioned
118 bpm • C Maj • 03:07 • -4.53db
29% Popularity • 38% Danceability • 97% Energy • 32% Liveness
72% Instrumentalness • 58% Positiveness
29% Popularity • 38% Danceability • 97% Energy • 32% Liveness
72% Instrumentalness • 58% Positiveness
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The Ragged Jubilee
Going Down to Texas
110 bpm • D Maj • 02:07 • -5.35db
22% Popularity • 52% Danceability • 91% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
22% Popularity • 52% Danceability • 91% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Jesse Roper
Come from Nothing
119 bpm • A# min • 03:03 • -8.07db
37% Popularity • 70% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
37% Popularity • 70% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Steve Earle
Baby Baby Baby (Baby)
110 bpm • E Maj • 03:37 • -8.34db
24% Popularity • 63% Danceability • 54% Energy • 28% Liveness
1% Instrumentalness • 53% Positiveness
24% Popularity • 63% Danceability • 54% Energy • 28% Liveness
1% Instrumentalness • 53% Positiveness
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Sean Rowe
Shine my Diamond Ring
119 bpm • F Maj • 04:18 • -6.7db
21% Popularity • 70% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
21% Popularity • 70% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
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The Reverend Peyton's Big Damn Band
We Deserve a Happy Ending
111 bpm • G Maj • 04:03 • -8.52db
25% Popularity • 58% Danceability • 40% Energy • 13% Liveness
1% Instrumentalness • 47% Positiveness
25% Popularity • 58% Danceability • 40% Energy • 13% Liveness
1% Instrumentalness • 47% Positiveness
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Sarah Shook & the Disarmers
No Name
109 bpm • D Maj • 03:06 • -4.83db
33% Popularity • 64% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
33% Popularity • 64% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
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Ray Wylie Hubbard
Coricidin Bottle
119 bpm • E min • 01:59 • -7.16db
34% Popularity • 66% Danceability • 84% Energy • 73% Liveness
0% Instrumentalness • 82% Positiveness
34% Popularity • 66% Danceability • 84% Energy • 73% Liveness
0% Instrumentalness • 82% Positiveness
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Hard Working Americans
Blackland Farmer
109 bpm • A min • 07:37 • -10db
14% Popularity • 42% Danceability • 51% Energy • 93% Liveness
7% Instrumentalness • 63% Positiveness
14% Popularity • 42% Danceability • 51% Energy • 93% Liveness
7% Instrumentalness • 63% Positiveness
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Ugly Valley Boys
Good Enough
119 bpm • B min • 02:05 • -11.24db
18% Popularity • 56% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 93% Positiveness
18% Popularity • 56% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 93% Positiveness
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The Blackwater Fever
The Blackwater Fever - Better Off Dead
119 bpm • G# Maj • 03:00 • -8.41db
28% Popularity • 57% Danceability • 61% Energy • 4% Liveness
2% Instrumentalness • 67% Positiveness
28% Popularity • 57% Danceability • 61% Energy • 4% Liveness
2% Instrumentalness • 67% Positiveness
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The Reverend Peyton's Big Damn Band
Dirty Hustlin'
117 bpm • D Maj • 03:25 • -6.71db
13% Popularity • 64% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 64% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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Moreland & Arbuckle
Mean And Evil
120 bpm • C Maj • 03:17 • -8.04db
40% Popularity • 40% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
40% Popularity • 40% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Half Deaf Clatch
Big Plans in a Small Town
108 bpm • D# Maj • 03:43 • -10.65db
17% Popularity • 73% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
17% Popularity • 73% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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HONKEYFINGER
Parchman Farm
120 bpm • D Maj • 02:20 • -6.09db
10% Popularity • 67% Danceability • 88% Energy • 4% Liveness
21% Instrumentalness • 36% Positiveness
10% Popularity • 67% Danceability • 88% Energy • 4% Liveness
21% Instrumentalness • 36% Positiveness
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Ugly Valley Boys
Pappy
120 bpm • E Maj • 02:19 • -8.25db
21% Popularity • 71% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 98% Positiveness
21% Popularity • 71% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 98% Positiveness
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Grandpa's Cough Medicine
Bullet for a Thief
120 bpm • E min • 03:25 • -9.7db
31% Popularity • 80% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
31% Popularity • 80% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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The Reverend Peyton's Big Damn Band
Mama's Fried Potatoes
117 bpm • G Maj • 02:27 • -5.51db
25% Popularity • 54% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 54% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Legendary Shack Shakers
Pinetree Boogie
108 bpm • B min • 02:58 • -3.12db
27% Popularity • 69% Danceability • 94% Energy • 20% Liveness
3% Instrumentalness • 87% Positiveness
27% Popularity • 69% Danceability • 94% Energy • 20% Liveness
3% Instrumentalness • 87% Positiveness
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The Goddamn Gallows
Dreadful Sinner
120 bpm • D Maj • 04:16 • -7.22db
19% Popularity • 87% Danceability • 85% Energy • 10% Liveness
66% Instrumentalness • 35% Positiveness
19% Popularity • 87% Danceability • 85% Energy • 10% Liveness
66% Instrumentalness • 35% Positiveness
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The Bones of J.R. Jones
Good Friend of Mine
120 bpm • F# Maj • 02:59 • -6.58db
45% Popularity • 64% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
45% Popularity • 64% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
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Left Lane Cruiser
Wash It
120 bpm • C Maj • 03:16 • -6.96db
16% Popularity • 37% Danceability • 84% Energy • 10% Liveness
49% Instrumentalness • 75% Positiveness
16% Popularity • 37% Danceability • 84% Energy • 10% Liveness
49% Instrumentalness • 75% Positiveness
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The Hooten Hallers
Further from Shore
108 bpm • A min • 02:40 • -6.81db
10% Popularity • 66% Danceability • 66% Energy • 10% Liveness
5% Instrumentalness • 60% Positiveness
10% Popularity • 66% Danceability • 66% Energy • 10% Liveness
5% Instrumentalness • 60% Positiveness
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The Reverend Peyton's Big Damn Band
Them Old Days Are Gone
110 bpm • A# Maj • 02:46 • -5.35db
13% Popularity • 69% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
13% Popularity • 69% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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The Juke Joint Pimps
4 Seasons Love
120 bpm • B min • 03:10 • -5.46db
12% Popularity • 52% Danceability • 74% Energy • 8% Liveness
6% Instrumentalness • 90% Positiveness
12% Popularity • 52% Danceability • 74% Energy • 8% Liveness
6% Instrumentalness • 90% Positiveness
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The Good Luck Thrift Store Outfit
The Burden of Sea Captains
108 bpm • D min • 04:10 • -5.83db
28% Popularity • 62% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
28% Popularity • 62% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Ben Miller Band
Sourwood Mountain
120 bpm • A# Maj • 03:53 • -4.9db
21% Popularity • 49% Danceability • 90% Energy • 77% Liveness
82% Instrumentalness • 82% Positiveness
21% Popularity • 49% Danceability • 90% Energy • 77% Liveness
82% Instrumentalness • 82% Positiveness
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Mike Snowden
Mr. Evil
108 bpm • D Maj • 04:40 • -8.02db
11% Popularity • 56% Danceability • 62% Energy • 8% Liveness
70% Instrumentalness • 72% Positiveness
11% Popularity • 56% Danceability • 62% Energy • 8% Liveness
70% Instrumentalness • 72% Positiveness
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Joe Buck Yourself
Demon in My Head
121 bpm • C Maj • 03:14 • -7.9db
29% Popularity • 68% Danceability • 89% Energy • 39% Liveness
0% Instrumentalness • 63% Positiveness
29% Popularity • 68% Danceability • 89% Energy • 39% Liveness
0% Instrumentalness • 63% Positiveness
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The Reverend Peyton's Big Damn Band
My Old Man Boogie
118 bpm • G Maj • 02:59 • -6.52db
17% Popularity • 74% Danceability • 89% Energy • 7% Liveness
26% Instrumentalness • 97% Positiveness
17% Popularity • 74% Danceability • 89% Energy • 7% Liveness
26% Instrumentalness • 97% Positiveness
