Songs like Porfa no te vayas by Beret
Based on a tempo of (+/- 10%) and a similar genre
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Manuel Carrasco
Déjame Ser
172 bpm • C# Maj • 03:52 • -5.94db
51% Popularity • 62% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
51% Popularity • 62% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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FMK
AYNEA REMIX
172 bpm • C Maj • 04:58 • -5.37db
61% Popularity • 62% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
61% Popularity • 62% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
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Beret
Porfa no te vayas
172 bpm • A# Maj • 03:29 • -5db
66% Popularity • 59% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
66% Popularity • 59% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Vanesa Martín
Inventas
172 bpm • G# Maj • 03:36 • -7db
53% Popularity • 59% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
53% Popularity • 59% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Ventino
Me Equivoqué
172 bpm • F Maj • 03:43 • -6.24db
53% Popularity • 55% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
53% Popularity • 55% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Dvicio
La Distancia
173 bpm • B min • 02:47 • -8.6db
41% Popularity • 38% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
41% Popularity • 38% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Hens
Me Encanta(s)
173 bpm • E Maj • 02:35 • -3.65db
53% Popularity • 50% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
53% Popularity • 50% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
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FMK
Aunque Ya No Estés Aquí
172 bpm • C Maj • 03:26 • -6.54db
61% Popularity • 67% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
61% Popularity • 67% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Beret
Pandora
171 bpm • C# min • 02:58 • -8.33db
44% Popularity • 66% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
44% Popularity • 66% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Carmen DeLeon
Bésame Bonito (Micro TDH Remix)
174 bpm • F Maj • 03:00 • -5db
63% Popularity • 54% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
63% Popularity • 54% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Susana Cala
Domingo - Acústico
174 bpm • F Maj • 02:43 • -6.46db
49% Popularity • 65% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
49% Popularity • 65% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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Edoby
Guerrero
174 bpm • B Maj • 03:02 • -4.08db
41% Popularity • 56% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
41% Popularity • 56% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Marcos Menchaca
Viernes 13
170 bpm • F min • 03:01 • -7db
66% Popularity • 50% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
66% Popularity • 50% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Nena Daconte
En Que Estrella Estara
170 bpm • F Maj • 02:20 • -7.44db
65% Popularity • 73% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
65% Popularity • 73% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Beret
Prisma
174 bpm • G# Maj • 02:46 • -4.37db
42% Popularity • 51% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
42% Popularity • 51% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Carmen DeLeon
Bésame Bonito
174 bpm • F Maj • 03:00 • -5.01db
60% Popularity • 56% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
60% Popularity • 56% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Vicco
tequiero
170 bpm • C# min • 03:05 • -4.93db
67% Popularity • 49% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
67% Popularity • 49% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Maldita Nerea
El Secreto de las Tortugas
170 bpm • C# Maj • 04:07 • -6.55db
61% Popularity • 58% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
61% Popularity • 58% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
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mafalda cardenal
si tiene que ser será.
170 bpm • D Maj • 03:21 • -10.21db
51% Popularity • 44% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
51% Popularity • 44% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Mike Bahía
Serenata
174 bpm • G Maj • 03:26 • -2.66db
62% Popularity • 76% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
62% Popularity • 76% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Beret
Si no fuera por ti
170 bpm • D Maj • 02:51 • -3.42db
58% Popularity • 56% Danceability • 68% Energy • 42% Liveness
0% Instrumentalness • 51% Positiveness
58% Popularity • 56% Danceability • 68% Energy • 42% Liveness
0% Instrumentalness • 51% Positiveness
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Ha*Ash
30 de Febrero
170 bpm • E min • 03:17 • -3.09db
61% Popularity • 57% Danceability • 88% Energy • 49% Liveness
0% Instrumentalness • 58% Positiveness
61% Popularity • 57% Danceability • 88% Energy • 49% Liveness
0% Instrumentalness • 58% Positiveness
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Vanesa Martín
Cuando no estabas
174 bpm • B Maj • 03:06 • -5db
50% Popularity • 56% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
50% Popularity • 56% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
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Danny Romero
No Creo en el Amor
170 bpm • C Maj • 03:28 • -6.96db
41% Popularity • 45% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
41% Popularity • 45% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Galvan Real
La Magia
170 bpm • E min • 03:21 • -3.19db
62% Popularity • 42% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
62% Popularity • 42% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Maldita Nerea
El Secreto de las Tortugas - Version 201...
170 bpm • C# Maj • 03:58 • -5.48db
53% Popularity • 55% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
53% Popularity • 55% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Fondo Flamenco
Rompecabezas
170 bpm • A# Maj • 03:39 • -5.22db
48% Popularity • 57% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
48% Popularity • 57% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Pablo López
La niña de la linterna
170 bpm • C# Maj • 04:56 • -8db
44% Popularity • 38% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
44% Popularity • 38% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
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Malú
Ahora Tu
170 bpm • G min • 03:44 • -3.3db
55% Popularity • 37% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
55% Popularity • 37% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Pol Granch
Te Quiodio
170 bpm • G Maj • 02:31 • -7.73db
43% Popularity • 49% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
43% Popularity • 49% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Antoñito Molina
Yo soy pa ti
175 bpm • F# Maj • 04:07 • -7db
58% Popularity • 62% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
58% Popularity • 62% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Bombai
Solo Si Es Contigo
175 bpm • G Maj • 03:41 • -4.93db
54% Popularity • 50% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
54% Popularity • 50% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
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Abraham Mateo
La Idea
175 bpm • F# Maj • 03:14 • -5.13db
46% Popularity • 54% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 64% Positiveness
46% Popularity • 54% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 64% Positiveness
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Beret
Mira mujer
168 bpm • G# Maj • 03:08 • -6.86db
45% Popularity • 65% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
45% Popularity • 65% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Malú
Blanco y Negro
168 bpm • D# Maj • 03:53 • -3.58db
59% Popularity • 47% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
59% Popularity • 47% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Juanlu Montoya
Arrebato De Amor
176 bpm • A Maj • 03:45 • -7.21db
52% Popularity • 70% Danceability • 66% Energy • 47% Liveness
0% Instrumentalness • 68% Positiveness
52% Popularity • 70% Danceability • 66% Energy • 47% Liveness
0% Instrumentalness • 68% Positiveness
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SFDK
Cara B
176 bpm • G# Maj • 04:22 • -4.48db
52% Popularity • 76% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
52% Popularity • 76% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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Bombai
Solo Si Es Contigo
175 bpm • G Maj • 03:36 • -6.21db
63% Popularity • 57% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
63% Popularity • 57% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Camilo
Machu Picchu
168 bpm • C Maj • 02:59 • -2.39db
64% Popularity • 79% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 87% Positiveness
64% Popularity • 79% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 87% Positiveness
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Beret
Me mata
176 bpm • G Maj • 02:57 • -3.69db
41% Popularity • 73% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
41% Popularity • 73% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Lola Indigo
La Niña de la Escuela
176 bpm • C# Maj • 03:24 • -1.89db
68% Popularity • 71% Danceability • 88% Energy • 93% Liveness
0% Instrumentalness • 85% Positiveness
68% Popularity • 71% Danceability • 88% Energy • 93% Liveness
0% Instrumentalness • 85% Positiveness
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Leon Leiden
Modo Melancólico
168 bpm • C# min • 02:46 • -8db
57% Popularity • 70% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
57% Popularity • 70% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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India Martinez
Convénceme
168 bpm • C min • 03:28 • -8.42db
57% Popularity • 59% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
57% Popularity • 59% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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David Rees
De Ellos Aprendí
167 bpm • G Maj • 04:26 • -6.48db
59% Popularity • 72% Danceability • 57% Energy • 44% Liveness
0% Instrumentalness • 68% Positiveness
59% Popularity • 72% Danceability • 57% Energy • 44% Liveness
0% Instrumentalness • 68% Positiveness
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Manuel Turizo
Culpables
178 bpm • D# Maj • 03:53 • -11.13db
69% Popularity • 57% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
69% Popularity • 57% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
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Beret
Llegará
168 bpm • C Maj • 03:35 • -5.98db
50% Popularity • 65% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
50% Popularity • 65% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Abraham Mateo
¿Qué Ha Pasao'?
178 bpm • G Maj • 03:18 • -4.13db
59% Popularity • 65% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
59% Popularity • 65% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
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Bombai
Tú Me Has Cambiado
166 bpm • D Maj • 02:56 • -5.09db
58% Popularity • 82% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
58% Popularity • 82% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Paula Koops
Línea 7
166 bpm • D Maj • 02:55 • -4db
56% Popularity • 59% Danceability • 94% Energy • 35% Liveness
0% Instrumentalness • 84% Positiveness
56% Popularity • 59% Danceability • 94% Energy • 35% Liveness
0% Instrumentalness • 84% Positiveness
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Mau y Ricky
Dolería
166 bpm • F# Maj • 02:57 • -5.86db
46% Popularity • 53% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
46% Popularity • 53% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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Camilo
Por Primera Vez
166 bpm • C# Maj • 03:02 • -3.54db
69% Popularity • 72% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
69% Popularity • 72% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Miki Núñez
10 Minutos
165 bpm • C# Maj • 02:43 • -3.3db
42% Popularity • 59% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
42% Popularity • 59% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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MARLENA
Fecha De Curiosidad
179 bpm • A# Maj • 03:01 • -5.32db
55% Popularity • 60% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
55% Popularity • 60% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Morat
Tarde
165 bpm • B Maj • 02:42 • -4.03db
71% Popularity • 60% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
71% Popularity • 60% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
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Jay Wheeler
Me Enamoré
180 bpm • B Maj • 04:13 • -7.56db
65% Popularity • 50% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
65% Popularity • 50% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Funzo & Baby Loud
JOVEN PARA SIEMPRE
180 bpm • F Maj • 02:49 • -6db
53% Popularity • 54% Danceability • 90% Energy • 39% Liveness
0% Instrumentalness • 75% Positiveness
53% Popularity • 54% Danceability • 90% Energy • 39% Liveness
0% Instrumentalness • 75% Positiveness
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Walls
Mi Mejor Versión
180 bpm • F Maj • 03:21 • -6db
49% Popularity • 47% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
49% Popularity • 47% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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Lasso
Un Millón Como Tú
180 bpm • C Maj • 04:35 • -4.61db
64% Popularity • 44% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
64% Popularity • 44% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Manuel Carrasco
Me Dijeron De Pequeño
164 bpm • D# Maj • 05:25 • -6.46db
48% Popularity • 38% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
48% Popularity • 38% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Maluma
ADMV
164 bpm • A Maj • 03:13 • -4.96db
64% Popularity • 56% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
64% Popularity • 56% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Lérica
Hijos Contigo
180 bpm • C Maj • 02:40 • -3.98db
49% Popularity • 59% Danceability • 85% Energy • 25% Liveness
0% Instrumentalness • 60% Positiveness
49% Popularity • 59% Danceability • 85% Energy • 25% Liveness
0% Instrumentalness • 60% Positiveness
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Paula Koops
Odio que te quiero
182 bpm • F# Maj • 02:43 • -4db
57% Popularity • 58% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
57% Popularity • 58% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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DePol
Ibiza
162 bpm • F# Maj • 02:59 • -5.06db
66% Popularity • 57% Danceability • 75% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
66% Popularity • 57% Danceability • 75% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
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Charlie USG
Gran Vía 82
162 bpm • E Maj • 03:04 • -5db
42% Popularity • 62% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 78% Positiveness
42% Popularity • 62% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 78% Positiveness
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Reik
Si Me Dices Que Sí
184 bpm • G# min • 03:31 • -5.98db
71% Popularity • 58% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
71% Popularity • 58% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Andrés Cepeda
Déjame Ir
161 bpm • D Maj • 03:53 • -6.03db
59% Popularity • 32% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
59% Popularity • 32% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Funzo & Baby Loud
Jóvenes no tan Locos
160 bpm • D# Maj • 02:58 • -8.08db
51% Popularity • 55% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
51% Popularity • 55% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Morat
Idiota
160 bpm • B Maj • 03:03 • -6.56db
74% Popularity • 48% Danceability • 58% Energy • 37% Liveness
0% Instrumentalness • 60% Positiveness
74% Popularity • 48% Danceability • 58% Energy • 37% Liveness
0% Instrumentalness • 60% Positiveness
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Nabález
La Correcta
185 bpm • A Maj • 03:39 • -6db
69% Popularity • 35% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
69% Popularity • 35% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Aitana
+ (MÁS)
160 bpm • G# Maj • 03:39 • -4.23db
62% Popularity • 56% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
62% Popularity • 56% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Abraham Mateo
Maníaca
160 bpm • D# min • 02:55 • -4.57db
50% Popularity • 62% Danceability • 74% Energy • 4% Liveness
0% Instrumentalness • 78% Positiveness
50% Popularity • 62% Danceability • 74% Energy • 4% Liveness
0% Instrumentalness • 78% Positiveness
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Paula Koops
novio del año
160 bpm • D Maj • 02:34 • -3.54db
50% Popularity • 54% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 86% Positiveness
50% Popularity • 54% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 86% Positiveness
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Charlie USG
Me da igual
160 bpm • C Maj • 02:51 • -4.46db
54% Popularity • 62% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
54% Popularity • 62% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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TIMØ
A Veces
160 bpm • F min • 03:33 • -5.6db
54% Popularity • 75% Danceability • 76% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
54% Popularity • 75% Danceability • 76% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
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Beret
Te echo de menos
160 bpm • C Maj • 03:14 • -5.09db
61% Popularity • 66% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
61% Popularity • 66% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Miki Núñez
Me Vale
160 bpm • A Maj • 03:15 • -4.16db
41% Popularity • 52% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
41% Popularity • 52% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Manuel Carrasco
Coquito
160 bpm • A Maj • 03:40 • -5.13db
53% Popularity • 70% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
53% Popularity • 70% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Belén Aguilera
Mía
160 bpm • F Maj • 03:27 • -8.49db
52% Popularity • 38% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
52% Popularity • 38% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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Charlie USG
Lo que nunca te dije
160 bpm • B Maj • 02:40 • -3.06db
52% Popularity • 59% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
52% Popularity • 59% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Paula Mattheus
Tocado y Hundido
185 bpm • B Maj • 03:38 • -4.97db
46% Popularity • 49% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
46% Popularity • 49% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Beret
Ceniza
160 bpm • C Maj • 03:03 • -9db
42% Popularity • 68% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 68% Positiveness
42% Popularity • 68% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 68% Positiveness
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Amaral
El universo sobre mí
186 bpm • D Maj • 04:09 • -4.08db
61% Popularity • 39% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
61% Popularity • 39% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Malú
Deshazte de Mi
159 bpm • G Maj • 03:58 • -3.35db
48% Popularity • 56% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
48% Popularity • 56% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Mercedes Cañas
Como diciembre a enero
159 bpm • C# Maj • 02:50 • -9.57db
51% Popularity • 60% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
51% Popularity • 60% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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TINI
Te Pido
188 bpm • F Maj • 02:54 • -4db
68% Popularity • 68% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
68% Popularity • 68% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Lérica
La Teoría
188 bpm • C Maj • 02:50 • -4db
50% Popularity • 49% Danceability • 80% Energy • 55% Liveness
0% Instrumentalness • 47% Positiveness
50% Popularity • 49% Danceability • 80% Energy • 55% Liveness
0% Instrumentalness • 47% Positiveness
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Greeicy
Destino
188 bpm • C Maj • 03:00 • -3.06db
72% Popularity • 70% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
72% Popularity • 70% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Charlie USG
Semanas
157 bpm • F Maj • 02:56 • -4.5db
50% Popularity • 54% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
50% Popularity • 54% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
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Paula Koops
mejores amigos
157 bpm • F Maj • 02:53 • -2.89db
52% Popularity • 60% Danceability • 87% Energy • 43% Liveness
0% Instrumentalness • 70% Positiveness
52% Popularity • 60% Danceability • 87% Energy • 43% Liveness
0% Instrumentalness • 70% Positiveness
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Paula Mattheus
La Hipoteca
156 bpm • A# Maj • 03:38 • -6db
51% Popularity • 81% Danceability • 49% Energy • 66% Liveness
0% Instrumentalness • 72% Positiveness
51% Popularity • 81% Danceability • 49% Energy • 66% Liveness
0% Instrumentalness • 72% Positiveness
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Funzo & Baby Loud
Poca Suerte
156 bpm • G# min • 03:58 • -6.98db
56% Popularity • 74% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
56% Popularity • 74% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
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Alejandro Sanz
Mi Persona Favorita
156 bpm • G# Maj • 03:59 • -7.51db
62% Popularity • 58% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
62% Popularity • 58% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Sebastian Yatra
Vuelve
156 bpm • B Maj • 03:45 • -6.08db
68% Popularity • 69% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
68% Popularity • 69% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Lasso
Hasta Ese Día
190 bpm • A# Maj • 03:23 • -3.11db
62% Popularity • 44% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
62% Popularity • 44% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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Camilo
Millones
190 bpm • A# Maj • 03:41 • -2.31db
68% Popularity • 79% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
68% Popularity • 79% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
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Noan
Aquí Contigo
155 bpm • G# Maj • 03:01 • -7.88db
30% Popularity • 55% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
30% Popularity • 55% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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BER
El Último Portazo
154 bpm • E Maj • 03:01 • -8db
45% Popularity • 61% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
45% Popularity • 61% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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David Bisbal
Diez Mil Maneras
154 bpm • C Maj • 03:33 • -4.64db
57% Popularity • 65% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
57% Popularity • 65% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
