Songs like Port Of Call by Cecil Taylor
Based on a tempo of (+/- 10%) and a similar genre
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Freddie Redd
The Thespian - Digital Remaster/2007
120 bpm • F min • 06:58 • -8db
9% Popularity • 46% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 46% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Albert Ayler
Message From Albert / New Grass
120 bpm • D# Maj • 03:55 • -9.65db
9% Popularity • 40% Danceability • 55% Energy • 22% Liveness
2% Instrumentalness • 73% Positiveness
9% Popularity • 40% Danceability • 55% Energy • 22% Liveness
2% Instrumentalness • 73% Positiveness
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Alice Coltrane
Jaya Jaya Rama
120 bpm • C# Maj • 06:27 • -16db
17% Popularity • 41% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
17% Popularity • 41% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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Dave Holland Quartet
Four Winds
120 bpm • E min • 06:34 • -13.82db
18% Popularity • 39% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
18% Popularity • 39% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Sam Rivers
Beatrice
120 bpm • F Maj • 06:12 • -18.62db
34% Popularity • 49% Danceability • 12% Energy • 9% Liveness
5% Instrumentalness • 23% Positiveness
34% Popularity • 49% Danceability • 12% Energy • 9% Liveness
5% Instrumentalness • 23% Positiveness
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Ornette Coleman
Tomorrow Is The Question! - Instrumental
120 bpm • D Maj • 03:10 • -19db
28% Popularity • 66% Danceability • 26% Energy • 10% Liveness
85% Instrumentalness • 76% Positiveness
28% Popularity • 66% Danceability • 26% Energy • 10% Liveness
85% Instrumentalness • 76% Positiveness
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Booker Little
Milestones
120 bpm • A# min • 05:34 • -11.13db
23% Popularity • 46% Danceability • 64% Energy • 40% Liveness
81% Instrumentalness • 87% Positiveness
23% Popularity • 46% Danceability • 64% Energy • 40% Liveness
81% Instrumentalness • 87% Positiveness
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Art Ensemble Of Chicago
Nice Guys
120 bpm • D Maj • 01:41 • -13db
30% Popularity • 57% Danceability • 23% Energy • 14% Liveness
70% Instrumentalness • 50% Positiveness
30% Popularity • 57% Danceability • 23% Energy • 14% Liveness
70% Instrumentalness • 50% Positiveness
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Charles Lloyd
Of Course, Of Course
119 bpm • A min • 04:44 • -15.67db
10% Popularity • 55% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
10% Popularity • 55% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Cecil Taylor
Ensaslayi
121 bpm • F# min • 07:55 • -21.3db
3% Popularity • 48% Danceability • 16% Energy • 11% Liveness
63% Instrumentalness • 33% Positiveness
3% Popularity • 48% Danceability • 16% Energy • 11% Liveness
63% Instrumentalness • 33% Positiveness
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The Gil Evans Orchestra
King Porter Stomp - Remastered 2006
121 bpm • C# Maj • 03:17 • -10db
9% Popularity • 52% Danceability • 48% Energy • 55% Liveness
0% Instrumentalness • 79% Positiveness
9% Popularity • 52% Danceability • 48% Energy • 55% Liveness
0% Instrumentalness • 79% Positiveness
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Mary Lou Williams
A Grand Nite for Swinging
119 bpm • G# Maj • 02:54 • -20.68db
17% Popularity • 71% Danceability • 21% Energy • 9% Liveness
81% Instrumentalness • 38% Positiveness
17% Popularity • 71% Danceability • 21% Energy • 9% Liveness
81% Instrumentalness • 38% Positiveness
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Lee Konitz Quintet
Bartók: Thumb Under
119 bpm • F Maj • 03:14 • -14.11db
13% Popularity • 58% Danceability • 43% Energy • 11% Liveness
22% Instrumentalness • 66% Positiveness
13% Popularity • 58% Danceability • 43% Energy • 11% Liveness
22% Instrumentalness • 66% Positiveness
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Art Ensemble Of Chicago
Thème de Céline
121 bpm • G min • 03:03 • -5db
11% Popularity • 41% Danceability • 84% Energy • 11% Liveness
79% Instrumentalness • 53% Positiveness
11% Popularity • 41% Danceability • 84% Energy • 11% Liveness
79% Instrumentalness • 53% Positiveness
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Clifford Brown
Daahoud
121 bpm • C# Maj • 04:05 • -12.07db
38% Popularity • 50% Danceability • 64% Energy • 4% Liveness
6% Instrumentalness • 71% Positiveness
38% Popularity • 50% Danceability • 64% Energy • 4% Liveness
6% Instrumentalness • 71% Positiveness
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Cecil Taylor
Port Of Call - Remastered
121 bpm • F min • 04:20 • -17.38db
23% Popularity • 40% Danceability • 40% Energy • 14% Liveness
81% Instrumentalness • 56% Positiveness
23% Popularity • 40% Danceability • 40% Energy • 14% Liveness
81% Instrumentalness • 56% Positiveness
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Cecil Taylor Quartet
Luyah! The Glorious Step
121 bpm • E min • 06:27 • -20.07db
8% Popularity • 46% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 46% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Tomasz Stańko
Die Weisheit von Le Comte Lautréamont
119 bpm • C min • 06:07 • -17.62db
19% Popularity • 36% Danceability • 25% Energy • 7% Liveness
93% Instrumentalness • 8% Positiveness
19% Popularity • 36% Danceability • 25% Energy • 7% Liveness
93% Instrumentalness • 8% Positiveness
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Gary Burton Quartet
Portsmouth Figurations
119 bpm • E min • 03:05 • -11db
12% Popularity • 40% Danceability • 66% Energy • 33% Liveness
66% Instrumentalness • 25% Positiveness
12% Popularity • 40% Danceability • 66% Energy • 33% Liveness
66% Instrumentalness • 25% Positiveness
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Art Ensemble Of Chicago
Dreaming Of The Master
119 bpm • G# Maj • 11:40 • -16.16db
8% Popularity • 43% Danceability • 31% Energy • 6% Liveness
46% Instrumentalness • 53% Positiveness
8% Popularity • 43% Danceability • 31% Energy • 6% Liveness
46% Instrumentalness • 53% Positiveness
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Dizzy Reece
The Rake
119 bpm • D Maj • 06:07 • -11.45db
22% Popularity • 59% Danceability • 32% Energy • 11% Liveness
86% Instrumentalness • 46% Positiveness
22% Popularity • 59% Danceability • 32% Energy • 11% Liveness
86% Instrumentalness • 46% Positiveness
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Cecil Taylor
Nona's Blues - Bonus Track
119 bpm • C Maj • 07:40 • -11.05db
0% Popularity • 49% Danceability • 52% Energy • 83% Liveness
0% Instrumentalness • 65% Positiveness
0% Popularity • 49% Danceability • 52% Energy • 83% Liveness
0% Instrumentalness • 65% Positiveness
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Mary Lou Williams
K.C. 12th Street (Kansas City Swing) - L...
119 bpm • F# Maj • 11:54 • -15.52db
1% Popularity • 36% Danceability • 57% Energy • 81% Liveness
89% Instrumentalness • 58% Positiveness
1% Popularity • 36% Danceability • 57% Energy • 81% Liveness
89% Instrumentalness • 58% Positiveness
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Lee Konitz
Intuition
122 bpm • G# Maj • 02:29 • -15db
37% Popularity • 53% Danceability • 22% Energy • 12% Liveness
92% Instrumentalness • 40% Positiveness
37% Popularity • 53% Danceability • 22% Energy • 12% Liveness
92% Instrumentalness • 40% Positiveness
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George Russell
Ye Hypocrite, Ye Beelzebub
118 bpm • A# min • 03:50 • -12.29db
12% Popularity • 60% Danceability • 50% Energy • 14% Liveness
48% Instrumentalness • 65% Positiveness
12% Popularity • 60% Danceability • 50% Energy • 14% Liveness
48% Instrumentalness • 65% Positiveness
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Bud Powell Trio
Conception
118 bpm • E Maj • 03:20 • -16db
26% Popularity • 52% Danceability • 37% Energy • 36% Liveness
40% Instrumentalness • 67% Positiveness
26% Popularity • 52% Danceability • 37% Energy • 36% Liveness
40% Instrumentalness • 67% Positiveness
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Alexander Hawkins
One Tree Found
122 bpm • B Maj • 05:29 • -13.49db
9% Popularity • 50% Danceability • 41% Energy • 10% Liveness
54% Instrumentalness • 37% Positiveness
9% Popularity • 50% Danceability • 41% Energy • 10% Liveness
54% Instrumentalness • 37% Positiveness
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Kenny Dorham
Lotus Blossom
122 bpm • D min • 04:38 • -16.2db
35% Popularity • 49% Danceability • 42% Energy • 17% Liveness
22% Instrumentalness • 68% Positiveness
35% Popularity • 49% Danceability • 42% Energy • 17% Liveness
22% Instrumentalness • 68% Positiveness
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Sam Rivers
Dance Of The Tripedal
122 bpm • G Maj • 10:10 • -11db
8% Popularity • 43% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
8% Popularity • 43% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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World Saxophone Quartet
Cairo Blues
122 bpm • D# Maj • 01:11 • -20.68db
30% Popularity • 49% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 17% Positiveness
30% Popularity • 49% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 17% Positiveness
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Clifford Brown
Mildama
118 bpm • D Maj • 04:35 • -14.37db
13% Popularity • 51% Danceability • 60% Energy • 6% Liveness
90% Instrumentalness • 42% Positiveness
13% Popularity • 51% Danceability • 60% Energy • 6% Liveness
90% Instrumentalness • 42% Positiveness
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Charlie Haden
The Introduction
117 bpm • A# min • 01:14 • -11.35db
20% Popularity • 32% Danceability • 29% Energy • 32% Liveness
95% Instrumentalness • 25% Positiveness
20% Popularity • 32% Danceability • 29% Energy • 32% Liveness
95% Instrumentalness • 25% Positiveness
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Cecil Taylor
The Stele Stolen and Broken Is Reclaimed
123 bpm • C# min • 09:23 • -19.9db
3% Popularity • 48% Danceability • 20% Energy • 10% Liveness
46% Instrumentalness • 39% Positiveness
3% Popularity • 48% Danceability • 20% Energy • 10% Liveness
46% Instrumentalness • 39% Positiveness
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Kenny Dorham
Philly Twist - Remastered 2014
117 bpm • F min • 05:37 • -11.42db
15% Popularity • 57% Danceability • 54% Energy • 8% Liveness
2% Instrumentalness • 61% Positiveness
15% Popularity • 57% Danceability • 54% Energy • 8% Liveness
2% Instrumentalness • 61% Positiveness
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Gary Burton Quintet
Mevlevia
123 bpm • C Maj • 06:00 • -18.57db
15% Popularity • 43% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
15% Popularity • 43% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Don Ellis
Open Beauty
123 bpm • G Maj • 08:27 • -18.14db
10% Popularity • 46% Danceability • 11% Energy • 21% Liveness
77% Instrumentalness • 8% Positiveness
10% Popularity • 46% Danceability • 11% Energy • 21% Liveness
77% Instrumentalness • 8% Positiveness
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Larry Young
Softly As In A Morning Sunrise - Rudy Va...
117 bpm • F min • 06:24 • -6.02db
15% Popularity • 45% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
15% Popularity • 45% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Paul Motian Trio
It Should've Happened A Long Time Ago
117 bpm • F# min • 06:06 • -16db
14% Popularity • 34% Danceability • 15% Energy • 38% Liveness
3% Instrumentalness • 28% Positiveness
14% Popularity • 34% Danceability • 15% Energy • 38% Liveness
3% Instrumentalness • 28% Positiveness
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Hank Mobley
East Of The Village - Remastered 2000/Ru...
123 bpm • F min • 06:44 • -13.53db
22% Popularity • 56% Danceability • 41% Energy • 16% Liveness
25% Instrumentalness • 74% Positiveness
22% Popularity • 56% Danceability • 41% Energy • 16% Liveness
25% Instrumentalness • 74% Positiveness
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Kenny Dorham
Straight Ahead - Remasted 1998/ Rudy Van...
123 bpm • G# Maj • 08:58 • -9.15db
16% Popularity • 58% Danceability • 57% Energy • 7% Liveness
1% Instrumentalness • 72% Positiveness
16% Popularity • 58% Danceability • 57% Energy • 7% Liveness
1% Instrumentalness • 72% Positiveness
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Anthony Williams
Tee - Remastered 2009/Rudy Van Gelder Ed...
117 bpm • A# Maj • 10:29 • -10.91db
11% Popularity • 43% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
11% Popularity • 43% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
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Sam Rivers
Point Of Many Returns
123 bpm • G Maj • 09:23 • -10db
15% Popularity • 46% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
15% Popularity • 46% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Alice Coltrane
Lord Help Me To Be
117 bpm • D Maj • 07:34 • -14db
21% Popularity • 37% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
21% Popularity • 37% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Cecil Taylor
Trance
117 bpm • C Maj • 09:12 • -6.4db
7% Popularity • 38% Danceability • 94% Energy • 61% Liveness
0% Instrumentalness • 34% Positiveness
7% Popularity • 38% Danceability • 94% Energy • 61% Liveness
0% Instrumentalness • 34% Positiveness
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Larry Young
Monk's Dream - Rudy Van Gelder 24Bit Mas...
117 bpm • C Maj • 05:48 • -8.36db
16% Popularity • 45% Danceability • 76% Energy • 16% Liveness
34% Instrumentalness • 68% Positiveness
16% Popularity • 45% Danceability • 76% Energy • 16% Liveness
34% Instrumentalness • 68% Positiveness
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Don Cherry
The Thing - 2005 Remastered
124 bpm • G# Maj • 05:50 • -11.56db
8% Popularity • 49% Danceability • 53% Energy • 7% Liveness
1% Instrumentalness • 65% Positiveness
8% Popularity • 49% Danceability • 53% Energy • 7% Liveness
1% Instrumentalness • 65% Positiveness
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Roland Kirk Quartet
I Talk With The Spirits
124 bpm • E min • 03:57 • -25.71db
12% Popularity • 34% Danceability • 2% Energy • 8% Liveness
18% Instrumentalness • 4% Positiveness
12% Popularity • 34% Danceability • 2% Energy • 8% Liveness
18% Instrumentalness • 4% Positiveness
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Herbie Nichols Trio
The Gig
124 bpm • E Maj • 04:24 • -12.55db
9% Popularity • 52% Danceability • 43% Energy • 18% Liveness
48% Instrumentalness • 45% Positiveness
9% Popularity • 52% Danceability • 43% Energy • 18% Liveness
48% Instrumentalness • 45% Positiveness
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Sam Rivers
Ellipsis
124 bpm • G min • 07:40 • -14.73db
13% Popularity • 46% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
13% Popularity • 46% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Randy Weston
Hi-Fly
124 bpm • F Maj • 04:12 • -11db
21% Popularity • 45% Danceability • 61% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
21% Popularity • 45% Danceability • 61% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
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Larry Young
Zoltan - Rudy Van Gelder 24Bit Mastering...
116 bpm • A min • 07:41 • -6.5db
17% Popularity • 45% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
17% Popularity • 45% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
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George Russell
Manhattan
124 bpm • G Maj • 10:35 • -15.34db
3% Popularity • 53% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
3% Popularity • 53% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Thelonious Monk Septet
Crepuscule With Nellie - Take 1
116 bpm • A# min • 04:34 • -18.82db
22% Popularity • 51% Danceability • 13% Energy • 13% Liveness
74% Instrumentalness • 6% Positiveness
22% Popularity • 51% Danceability • 13% Energy • 13% Liveness
74% Instrumentalness • 6% Positiveness
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Paul Bley Trio
Batterie
116 bpm • F min • 03:19 • -23.99db
19% Popularity • 57% Danceability • 7% Energy • 8% Liveness
32% Instrumentalness • 38% Positiveness
19% Popularity • 57% Danceability • 7% Energy • 8% Liveness
32% Instrumentalness • 38% Positiveness
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Herbie Nichols
The Third World
116 bpm • C min • 04:12 • -15.27db
12% Popularity • 65% Danceability • 32% Energy • 14% Liveness
78% Instrumentalness • 69% Positiveness
12% Popularity • 65% Danceability • 32% Energy • 14% Liveness
78% Instrumentalness • 69% Positiveness
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Hank Mobley
Carolyn - Remastered 2000 / Rudy Van Gel...
116 bpm • F min • 05:30 • -13.74db
27% Popularity • 57% Danceability • 12% Energy • 16% Liveness
77% Instrumentalness • 26% Positiveness
27% Popularity • 57% Danceability • 12% Energy • 16% Liveness
77% Instrumentalness • 26% Positiveness
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Joe Harriott
N.N.N.T.
124 bpm • D Maj • 03:41 • -12.32db
9% Popularity • 58% Danceability • 44% Energy • 9% Liveness
29% Instrumentalness • 57% Positiveness
9% Popularity • 58% Danceability • 44% Energy • 9% Liveness
29% Instrumentalness • 57% Positiveness
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The Peter Brötzmann Octet
Responsible / For Jan Van De Ven
125 bpm • C# Maj • 08:19 • -15.39db
11% Popularity • 34% Danceability • 55% Energy • 33% Liveness
70% Instrumentalness • 16% Positiveness
11% Popularity • 34% Danceability • 55% Energy • 33% Liveness
70% Instrumentalness • 16% Positiveness
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Roland Kirk Quartet
Mystical Dream
116 bpm • A min • 02:36 • -23.57db
27% Popularity • 51% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
27% Popularity • 51% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
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Geri Allen
Printmakers
125 bpm • F# Maj • 08:09 • -12.51db
11% Popularity • 40% Danceability • 53% Energy • 19% Liveness
34% Instrumentalness • 54% Positiveness
11% Popularity • 40% Danceability • 53% Energy • 19% Liveness
34% Instrumentalness • 54% Positiveness
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Charles Lloyd
Forest Flower
115 bpm • B min • 07:51 • -11.53db
14% Popularity • 45% Danceability • 56% Energy • 26% Liveness
35% Instrumentalness • 72% Positiveness
14% Popularity • 45% Danceability • 56% Energy • 26% Liveness
35% Instrumentalness • 72% Positiveness
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Hank Mobley
Split Feelin's - Remastered 1999/Rudy Va...
116 bpm • G min • 04:55 • -9db
36% Popularity • 58% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
36% Popularity • 58% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Mary Lou Williams
Syl-O-Gism
125 bpm • C# Maj • 03:29 • -15.71db
11% Popularity • 48% Danceability • 43% Energy • 12% Liveness
11% Instrumentalness • 59% Positiveness
11% Popularity • 48% Danceability • 43% Energy • 12% Liveness
11% Instrumentalness • 59% Positiveness
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Cecil Taylor
Get Out Of Town
115 bpm • F min • 09:14 • -14.66db
1% Popularity • 49% Danceability • 45% Energy • 17% Liveness
1% Instrumentalness • 50% Positiveness
1% Popularity • 49% Danceability • 45% Energy • 17% Liveness
1% Instrumentalness • 50% Positiveness
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Gil Evans
Flute Song / Hotel Me
115 bpm • C min • 12:29 • -14.87db
14% Popularity • 37% Danceability • 43% Energy • 12% Liveness
3% Instrumentalness • 24% Positiveness
14% Popularity • 37% Danceability • 43% Energy • 12% Liveness
3% Instrumentalness • 24% Positiveness
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Tina Brooks
Good Old Soul
125 bpm • A# min • 08:07 • -6.94db
22% Popularity • 54% Danceability • 52% Energy • 12% Liveness
34% Instrumentalness • 56% Positiveness
22% Popularity • 54% Danceability • 52% Energy • 12% Liveness
34% Instrumentalness • 56% Positiveness
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Lee Konitz
All Of Me
126 bpm • C# Maj • 07:37 • -13db
27% Popularity • 50% Danceability • 65% Energy • 11% Liveness
20% Instrumentalness • 70% Positiveness
27% Popularity • 50% Danceability • 65% Energy • 11% Liveness
20% Instrumentalness • 70% Positiveness
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Hank Mobley
Carolyn - Alternate Take / Remastered 20...
115 bpm • F min • 05:35 • -13.61db
13% Popularity • 53% Danceability • 14% Energy • 9% Liveness
61% Instrumentalness • 24% Positiveness
13% Popularity • 53% Danceability • 14% Energy • 9% Liveness
61% Instrumentalness • 24% Positiveness
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Dave Holland Quartet
See-Saw
126 bpm • G Maj • 06:44 • -13.52db
9% Popularity • 41% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 67% Positiveness
9% Popularity • 41% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 67% Positiveness
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Cecil Taylor
Sweet And Lovely
125 bpm • G min • 06:36 • -18.04db
4% Popularity • 59% Danceability • 14% Energy • 10% Liveness
64% Instrumentalness • 15% Positiveness
4% Popularity • 59% Danceability • 14% Energy • 10% Liveness
64% Instrumentalness • 15% Positiveness
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Randy Weston
Con Alma
126 bpm • F Maj • 04:49 • -15.55db
14% Popularity • 61% Danceability • 76% Energy • 30% Liveness
94% Instrumentalness • 61% Positiveness
14% Popularity • 61% Danceability • 76% Energy • 30% Liveness
94% Instrumentalness • 61% Positiveness
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Andrew Hill
Sideways
115 bpm • F Maj • 04:09 • -11.99db
9% Popularity • 46% Danceability • 46% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
9% Popularity • 46% Danceability • 46% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
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Sam Rivers
Downstairs Blues Upstairs
114 bpm • G min • 05:32 • -14db
17% Popularity • 50% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
17% Popularity • 50% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Eastern Rebellion
Bolivia
114 bpm • D Maj • 10:10 • -15db
23% Popularity • 53% Danceability • 48% Energy • 8% Liveness
1% Instrumentalness • 59% Positiveness
23% Popularity • 53% Danceability • 48% Energy • 8% Liveness
1% Instrumentalness • 59% Positiveness
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Bud Powell Trio
Nice Work If You Can Get It
114 bpm • G# Maj • 03:18 • -15db
31% Popularity • 53% Danceability • 45% Energy • 19% Liveness
19% Instrumentalness • 73% Positiveness
31% Popularity • 53% Danceability • 45% Energy • 19% Liveness
19% Instrumentalness • 73% Positiveness
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Ornette Coleman
Law Years
114 bpm • G# Maj • 05:20 • -11db
19% Popularity • 57% Danceability • 45% Energy • 57% Liveness
6% Instrumentalness • 54% Positiveness
19% Popularity • 57% Danceability • 45% Energy • 57% Liveness
6% Instrumentalness • 54% Positiveness
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Albert Ayler
Angels
114 bpm • F Maj • 05:32 • -19.51db
11% Popularity • 30% Danceability • 14% Energy • 42% Liveness
12% Instrumentalness • 15% Positiveness
11% Popularity • 30% Danceability • 14% Energy • 42% Liveness
12% Instrumentalness • 15% Positiveness
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Marion Brown
Sweet Earth Flying - Pt. 1
127 bpm • A Maj • 03:40 • -24db
26% Popularity • 35% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 10% Positiveness
26% Popularity • 35% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 10% Positiveness
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Jan Garbarek Quartet
Blow Away Zone
127 bpm • G Maj • 08:38 • -13.75db
12% Popularity • 43% Danceability • 70% Energy • 15% Liveness
29% Instrumentalness • 43% Positiveness
12% Popularity • 43% Danceability • 70% Energy • 15% Liveness
29% Instrumentalness • 43% Positiveness
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Eric Dolphy
Gazzelloni - Remastered 1998/Rudy Van Ge...
114 bpm • C# Maj • 07:23 • -7.91db
23% Popularity • 49% Danceability • 65% Energy • 38% Liveness
0% Instrumentalness • 51% Positiveness
23% Popularity • 49% Danceability • 65% Energy • 38% Liveness
0% Instrumentalness • 51% Positiveness
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Gil Evans
Proclamation
114 bpm • F# Maj • 03:55 • -27.61db
20% Popularity • 50% Danceability • 7% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
20% Popularity • 50% Danceability • 7% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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Ornette Coleman
Peace
127 bpm • B Maj • 09:04 • -15db
33% Popularity • 61% Danceability • 6% Energy • 11% Liveness
44% Instrumentalness • 19% Positiveness
33% Popularity • 61% Danceability • 6% Energy • 11% Liveness
44% Instrumentalness • 19% Positiveness
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Roy Haynes Quartet
Some Other Spring
127 bpm • G Maj • 03:29 • -18db
26% Popularity • 49% Danceability • 20% Energy • 36% Liveness
89% Instrumentalness • 26% Positiveness
26% Popularity • 49% Danceability • 20% Energy • 36% Liveness
89% Instrumentalness • 26% Positiveness
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Pete La Roca
Tears Come From Heaven - Remastered 2004
127 bpm • F min • 05:01 • -8.98db
11% Popularity • 49% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
11% Popularity • 49% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Art Ensemble Of Chicago
Charlie M
127 bpm • A# min • 09:17 • -15db
14% Popularity • 47% Danceability • 31% Energy • 15% Liveness
17% Instrumentalness • 36% Positiveness
14% Popularity • 47% Danceability • 31% Energy • 15% Liveness
17% Instrumentalness • 36% Positiveness
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Horace Silver
Safari - Remastered
127 bpm • G Maj • 02:48 • -9.56db
22% Popularity • 52% Danceability • 71% Energy • 32% Liveness
78% Instrumentalness • 96% Positiveness
22% Popularity • 52% Danceability • 71% Energy • 32% Liveness
78% Instrumentalness • 96% Positiveness
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Albert Ayler
New Ghosts
113 bpm • A min • 04:12 • -9.89db
12% Popularity • 42% Danceability • 63% Energy • 11% Liveness
53% Instrumentalness • 66% Positiveness
12% Popularity • 42% Danceability • 63% Energy • 11% Liveness
53% Instrumentalness • 66% Positiveness
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Eric Dolphy
Out There
127 bpm • F min • 06:52 • -7.47db
23% Popularity • 58% Danceability • 57% Energy • 83% Liveness
29% Instrumentalness • 55% Positiveness
23% Popularity • 58% Danceability • 57% Energy • 83% Liveness
29% Instrumentalness • 55% Positiveness
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Steve Lehman Trio
Interlude
113 bpm • G# Maj • 01:04 • -17db
21% Popularity • 65% Danceability • 29% Energy • 9% Liveness
91% Instrumentalness • 11% Positiveness
21% Popularity • 65% Danceability • 29% Energy • 9% Liveness
91% Instrumentalness • 11% Positiveness
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Jan Garbarek Quartet
Skarabée
113 bpm • F Maj • 06:16 • -21.17db
16% Popularity • 53% Danceability • 47% Energy • 10% Liveness
6% Instrumentalness • 29% Positiveness
16% Popularity • 53% Danceability • 47% Energy • 10% Liveness
6% Instrumentalness • 29% Positiveness
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Cecil Taylor
Little Lees (Louise)
113 bpm • C Maj • 09:07 • -14.97db
1% Popularity • 57% Danceability • 39% Energy • 16% Liveness
24% Instrumentalness • 78% Positiveness
1% Popularity • 57% Danceability • 39% Energy • 16% Liveness
24% Instrumentalness • 78% Positiveness
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Horace Silver
Room 608 - Remastered
127 bpm • A# min • 05:22 • -8db
38% Popularity • 56% Danceability • 67% Energy • 17% Liveness
68% Instrumentalness • 72% Positiveness
38% Popularity • 56% Danceability • 67% Energy • 17% Liveness
68% Instrumentalness • 72% Positiveness
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Thelonious Monk Quartet
Let's Cool One - Live At The Five Spot /...
128 bpm • G# Maj • 09:15 • -19.53db
14% Popularity • 56% Danceability • 18% Energy • 61% Liveness
0% Instrumentalness • 64% Positiveness
14% Popularity • 56% Danceability • 18% Energy • 61% Liveness
0% Instrumentalness • 64% Positiveness
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Don Cherry
Street Dancing
128 bpm • F min • 02:22 • -23.15db
10% Popularity • 57% Danceability • 34% Energy • 11% Liveness
85% Instrumentalness • 40% Positiveness
10% Popularity • 57% Danceability • 34% Energy • 11% Liveness
85% Instrumentalness • 40% Positiveness
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Grant Green
Jean De Fleur - Rudy Van Gelder Edition ...
112 bpm • C# min • 06:49 • -10db
33% Popularity • 65% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
33% Popularity • 65% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
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Grachan Moncur III
Gnostic - Remastered
112 bpm • G# min • 11:46 • -15.49db
10% Popularity • 48% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
10% Popularity • 48% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
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Cecil Taylor
Steps
128 bpm • C# min • 10:20 • -12.83db
19% Popularity • 37% Danceability • 66% Energy • 16% Liveness
7% Instrumentalness • 51% Positiveness
19% Popularity • 37% Danceability • 66% Energy • 16% Liveness
7% Instrumentalness • 51% Positiveness
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Lennie Tristano
You Go to My Head - Live
112 bpm • F min • 05:24 • -25.08db
19% Popularity • 60% Danceability • 5% Energy • 5% Liveness
74% Instrumentalness • 45% Positiveness
19% Popularity • 60% Danceability • 5% Energy • 5% Liveness
74% Instrumentalness • 45% Positiveness
