Songs like Positivet by Georg Riedel
Based on a tempo of (+/- 10%) and a similar genre
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Bo Kaspers Orkester
Vad ska du heta? - Bonus track
88 bpm • D Maj • 03:12 • -13db
0% Popularity • 74% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
0% Popularity • 74% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Anders Öhrwall
I denna ljuva sommartid
88 bpm • D# Maj • 02:15 • -20.16db
11% Popularity • 17% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 17% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Lisbeth Bodin
I min lilla värld av blommor
88 bpm • C# Maj • 03:19 • -14.52db
15% Popularity • 34% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
15% Popularity • 34% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Allan Edwall
Sommarvisa
88 bpm • A# Maj • 02:31 • -16.18db
23% Popularity • 30% Danceability • 27% Energy • 36% Liveness
2% Instrumentalness • 36% Positiveness
23% Popularity • 30% Danceability • 27% Energy • 36% Liveness
2% Instrumentalness • 36% Positiveness
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Ulrik Neumann
Kärleksvals
88 bpm • E min • 03:07 • -15db
12% Popularity • 26% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
12% Popularity • 26% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Georg Riedel
Varför och varför
88 bpm • G Maj • 03:02 • -7.69db
19% Popularity • 54% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 54% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Sofia Karlsson
Mot Ljuset
89 bpm • D Maj • 03:44 • -13.76db
14% Popularity • 31% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
14% Popularity • 31% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Sonya Hedenbratt
Knö dig in
89 bpm • G min • 02:34 • -13db
27% Popularity • 48% Danceability • 31% Energy • 68% Liveness
0% Instrumentalness • 52% Positiveness
27% Popularity • 48% Danceability • 31% Energy • 68% Liveness
0% Instrumentalness • 52% Positiveness
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Povl Dissing
Hilsen Til Forårssolen
89 bpm • A Maj • 05:09 • -16.57db
22% Popularity • 42% Danceability • 12% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
22% Popularity • 42% Danceability • 12% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
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Hans Alfredson
Sov nu lillebror
89 bpm • C min • 02:27 • -19db
15% Popularity • 62% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
15% Popularity • 62% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Fred Åkerström
Vila vid denna källa
87 bpm • C Maj • 08:58 • -17.65db
15% Popularity • 50% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
15% Popularity • 50% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Georg Riedel
Så räckte mig Iris bägaren
89 bpm • C min • 02:25 • -16.31db
4% Popularity • 36% Danceability • 6% Energy • 12% Liveness
12% Instrumentalness • 12% Positiveness
4% Popularity • 36% Danceability • 6% Energy • 12% Liveness
12% Instrumentalness • 12% Positiveness
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Jan Johansson
Trollmors vaggsång
89 bpm • E min • 02:05 • -27.6db
33% Popularity • 57% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 17% Positiveness
33% Popularity • 57% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 17% Positiveness
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Erik Bye
Alf
89 bpm • D# Maj • 01:40 • -10.74db
26% Popularity • 39% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
26% Popularity • 39% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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Jojje Wadenius
Mitt lilla barn
87 bpm • C Maj • 04:39 • -13.22db
25% Popularity • 56% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
25% Popularity • 56% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Vibafemba
Om du blundar
87 bpm • G# Maj • 03:10 • -13.1db
14% Popularity • 48% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
14% Popularity • 48% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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SÃ¥nggruppen
Länge leve livet
89 bpm • G# min • 01:48 • -13db
10% Popularity • 51% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 71% Positiveness
10% Popularity • 51% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 71% Positiveness
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Bo Kaspers Orkester
Cigarrett
90 bpm • A min • 02:50 • -11db
35% Popularity • 78% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
35% Popularity • 78% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Jan Johansson
Här kommer Pippi Långstrump
86 bpm • G Maj • 04:30 • -13.39db
31% Popularity • 65% Danceability • 22% Energy • 10% Liveness
91% Instrumentalness • 41% Positiveness
31% Popularity • 65% Danceability • 22% Energy • 10% Liveness
91% Instrumentalness • 41% Positiveness
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Gösta Linderholm
Sista visan
86 bpm • A# Maj • 03:03 • -12db
21% Popularity • 53% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 56% Positiveness
21% Popularity • 53% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 56% Positiveness
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Jojje Wadenius
Jag är det fulaste som finns
86 bpm • C Maj • 02:19 • -15.37db
26% Popularity • 56% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
26% Popularity • 56% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Claes Janson
En mun är hälften av en kyss
86 bpm • C Maj • 03:26 • -22db
24% Popularity • 31% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
24% Popularity • 31% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Amanda Ginsburg
Min bild
86 bpm • G Maj • 04:54 • -16.92db
22% Popularity • 59% Danceability • 12% Energy • 13% Liveness
4% Instrumentalness • 30% Positiveness
22% Popularity • 59% Danceability • 12% Energy • 13% Liveness
4% Instrumentalness • 30% Positiveness
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Jan Tolf
Dagvilse
86 bpm • A Maj • 04:33 • -23.64db
8% Popularity • 51% Danceability • 4% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
8% Popularity • 51% Danceability • 4% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
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Jan Johansson
Polska från Medelpad
90 bpm • D Maj • 02:30 • -27db
40% Popularity • 41% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
40% Popularity • 41% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
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Sofia Karlsson
Vaknatt
90 bpm • A min • 02:09 • -16.3db
15% Popularity • 31% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
15% Popularity • 31% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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Galenskaparna & After Shave
Min lille streber
90 bpm • D Maj • 01:24 • -17.57db
12% Popularity • 44% Danceability • 11% Energy • 67% Liveness
0% Instrumentalness • 53% Positiveness
12% Popularity • 44% Danceability • 11% Energy • 67% Liveness
0% Instrumentalness • 53% Positiveness
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Göran Fristorp
Jag var en vandrare
91 bpm • E Maj • 04:50 • -12.58db
22% Popularity • 53% Danceability • 31% Energy • 13% Liveness
16% Instrumentalness • 39% Positiveness
22% Popularity • 53% Danceability • 31% Energy • 13% Liveness
16% Instrumentalness • 39% Positiveness
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Lillebjørn Nilsen
God Natt Oslo
90 bpm • C Maj • 04:48 • -19db
41% Popularity • 52% Danceability • 22% Energy • 12% Liveness
2% Instrumentalness • 49% Positiveness
41% Popularity • 52% Danceability • 22% Energy • 12% Liveness
2% Instrumentalness • 49% Positiveness
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Anders Widmark Trio
Lov, ära och pris (Psalm 10)
85 bpm • F Maj • 03:30 • -16db
18% Popularity • 53% Danceability • 16% Energy • 10% Liveness
86% Instrumentalness • 32% Positiveness
18% Popularity • 53% Danceability • 16% Energy • 10% Liveness
86% Instrumentalness • 32% Positiveness
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Electric Banana Band
Overtyr
91 bpm • D min • 05:03 • -12.05db
7% Popularity • 34% Danceability • 43% Energy • 19% Liveness
29% Instrumentalness • 38% Positiveness
7% Popularity • 34% Danceability • 43% Energy • 19% Liveness
29% Instrumentalness • 38% Positiveness
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Barbro Hörberg
Den enda sommaren
91 bpm • C# Maj • 03:37 • -17.93db
22% Popularity • 37% Danceability • 11% Energy • 17% Liveness
2% Instrumentalness • 37% Positiveness
22% Popularity • 37% Danceability • 11% Energy • 17% Liveness
2% Instrumentalness • 37% Positiveness
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Georg Riedel
Alla vi barn l Bullerbyn
85 bpm • F Maj • 02:01 • -13.81db
30% Popularity • 39% Danceability • 26% Energy • 11% Liveness
82% Instrumentalness • 23% Positiveness
30% Popularity • 39% Danceability • 26% Energy • 11% Liveness
82% Instrumentalness • 23% Positiveness
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Ole Paus
Ellinors vise
85 bpm • G Maj • 03:09 • -14db
12% Popularity • 59% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
12% Popularity • 59% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Div art
Nå Lukker Solen Sitt Øye
85 bpm • A# Maj • 03:15 • -19.61db
17% Popularity • 31% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
17% Popularity • 31% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Mats Bergström
Näktergalen
91 bpm • G Maj • 03:19 • -27.86db
6% Popularity • 56% Danceability • 2% Energy • 35% Liveness
86% Instrumentalness • 17% Positiveness
6% Popularity • 56% Danceability • 2% Energy • 35% Liveness
86% Instrumentalness • 17% Positiveness
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Norrbotten Big Band
Mors lilla lathund
85 bpm • G Maj • 03:01 • -6.58db
3% Popularity • 49% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
3% Popularity • 49% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Pernilla Warberg
Till stjärnornas land
85 bpm • F Maj • 04:04 • -15.43db
27% Popularity • 42% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
27% Popularity • 42% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Swedish Radio Symphony Orchestra
Änglagård
85 bpm • G Maj • 02:24 • -17.26db
25% Popularity • 48% Danceability • 18% Energy • 10% Liveness
87% Instrumentalness • 46% Positiveness
25% Popularity • 48% Danceability • 18% Energy • 10% Liveness
87% Instrumentalness • 46% Positiveness
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Hans Leo Hassler
O huvud, blodigt, sårat
91 bpm • G min • 02:16 • -24.47db
18% Popularity • 49% Danceability • 5% Energy • 15% Liveness
94% Instrumentalness • 38% Positiveness
18% Popularity • 49% Danceability • 5% Energy • 15% Liveness
94% Instrumentalness • 38% Positiveness
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Johann Steuerlein
All varlden nu sig glader
91 bpm • A Maj • 01:12 • -23db
14% Popularity • 35% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
14% Popularity • 35% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Georg Riedel
Fragment of a blues
85 bpm • G min • 04:14 • -21.34db
2% Popularity • 57% Danceability • 12% Energy • 10% Liveness
95% Instrumentalness • 13% Positiveness
2% Popularity • 57% Danceability • 12% Energy • 10% Liveness
95% Instrumentalness • 13% Positiveness
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Norrland
Bygdsiljum
84 bpm • G# Maj • 04:09 • -16.84db
14% Popularity • 35% Danceability • 7% Energy • 17% Liveness
85% Instrumentalness • 41% Positiveness
14% Popularity • 35% Danceability • 7% Energy • 17% Liveness
85% Instrumentalness • 41% Positiveness
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Iris Bergcrantz
Nu har jag fått den jag vill ha
92 bpm • F# min • 05:26 • -15.9db
8% Popularity • 32% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
8% Popularity • 32% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Electric Banana Band
Jag ska bli en byråkrat
92 bpm • A min • 03:37 • -12.9db
19% Popularity • 48% Danceability • 21% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
19% Popularity • 48% Danceability • 21% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
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Bo Kaspers Orkester
Bröllopsresan
84 bpm • D min • 02:17 • -9.25db
25% Popularity • 36% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
25% Popularity • 36% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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The Delta Rhythm Boys
Flickorna i Småland
92 bpm • D# Maj • 02:37 • -13db
22% Popularity • 71% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
22% Popularity • 71% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Jan Johansson
Vals från Delsbo
92 bpm • G min • 04:00 • -8.63db
16% Popularity • 35% Danceability • 41% Energy • 30% Liveness
2% Instrumentalness • 9% Positiveness
16% Popularity • 35% Danceability • 41% Energy • 30% Liveness
2% Instrumentalness • 9% Positiveness
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Marianne Juvik Sæbø
Fager Kveldsol Smiler
84 bpm • F Maj • 02:14 • -10.91db
28% Popularity • 29% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
28% Popularity • 29% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Stefan Nilsson
Skärgårdsidyll - from Skärgårdsdokto...
84 bpm • F Maj • 01:23 • -20db
29% Popularity • 20% Danceability • 19% Energy • 9% Liveness
83% Instrumentalness • 8% Positiveness
29% Popularity • 20% Danceability • 19% Energy • 9% Liveness
83% Instrumentalness • 8% Positiveness
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Allan Edwall
En kråka flög
84 bpm • G min • 02:19 • -15db
18% Popularity • 41% Danceability • 14% Energy • 9% Liveness
21% Instrumentalness • 45% Positiveness
18% Popularity • 41% Danceability • 14% Energy • 9% Liveness
21% Instrumentalness • 45% Positiveness
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Vibafemba
Glimmande nymf, Epistel 72
92 bpm • G Maj • 05:51 • -21.37db
9% Popularity • 21% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
9% Popularity • 21% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Georg Riedel
Vallåt från Annorlunda
92 bpm • B Maj • 04:28 • -21.63db
2% Popularity • 49% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 19% Positiveness
2% Popularity • 49% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 19% Positiveness
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Lillebjørn Nilsen
Inni Mitt Hode
92 bpm • B Maj • 03:15 • -21db
24% Popularity • 75% Danceability • 8% Energy • 4% Liveness
0% Instrumentalness • 62% Positiveness
24% Popularity • 75% Danceability • 8% Energy • 4% Liveness
0% Instrumentalness • 62% Positiveness
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Galenskaparna & After Shave
Axel Visa Vals
84 bpm • F Maj • 03:36 • -14db
16% Popularity • 60% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
16% Popularity • 60% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Stefan Nilsson
Eva Kommer Hem - from Skärgårdsdoktorn
84 bpm • C# Maj • 02:38 • -15.45db
22% Popularity • 17% Danceability • 23% Energy • 11% Liveness
93% Instrumentalness • 19% Positiveness
22% Popularity • 17% Danceability • 23% Energy • 11% Liveness
93% Instrumentalness • 19% Positiveness
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Jojje Wadenius
Havet
93 bpm • C Maj • 01:49 • -15.16db
16% Popularity • 68% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
16% Popularity • 68% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Östen Warnerbring
Sommarvind
84 bpm • G min • 03:04 • -10db
18% Popularity • 35% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
18% Popularity • 35% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Georg Riedel
Diokrati
92 bpm • C Maj • 02:34 • -21.25db
2% Popularity • 57% Danceability • 8% Energy • 12% Liveness
96% Instrumentalness • 53% Positiveness
2% Popularity • 57% Danceability • 8% Energy • 12% Liveness
96% Instrumentalness • 53% Positiveness
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Magnus Härenstam
Fem myror är fler än fyra elefanter
83 bpm • G min • 01:17 • -21.69db
29% Popularity • 72% Danceability • 8% Energy • 38% Liveness
0% Instrumentalness • 53% Positiveness
29% Popularity • 72% Danceability • 8% Energy • 38% Liveness
0% Instrumentalness • 53% Positiveness
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Heinrich Isaacs
Nu vilar folk och länder
83 bpm • F Maj • 05:41 • -26.14db
16% Popularity • 60% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 26% Positiveness
16% Popularity • 60% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 26% Positiveness
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Allan Edwall
Jämtländsk vaggvisa
83 bpm • E min • 02:11 • -18.26db
34% Popularity • 19% Danceability • 8% Energy • 25% Liveness
62% Instrumentalness • 22% Positiveness
34% Popularity • 19% Danceability • 8% Energy • 25% Liveness
62% Instrumentalness • 22% Positiveness
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Nannie Porres
Flickan i trädet
83 bpm • A# min • 02:26 • -15db
17% Popularity • 63% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 63% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Benny Anderssons Orkester
Lauren
83 bpm • D min • 04:28 • -14.28db
11% Popularity • 55% Danceability • 22% Energy • 11% Liveness
89% Instrumentalness • 38% Positiveness
11% Popularity • 55% Danceability • 22% Energy • 11% Liveness
89% Instrumentalness • 38% Positiveness
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Georg Riedel
I'm Walkin'
93 bpm • C Maj • 03:29 • -16.24db
3% Popularity • 55% Danceability • 12% Energy • 10% Liveness
95% Instrumentalness • 25% Positiveness
3% Popularity • 55% Danceability • 12% Energy • 10% Liveness
95% Instrumentalness • 25% Positiveness
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Sarah Riedel
Hur högt kan jag bygga?
94 bpm • F Maj • 01:52 • -16.53db
9% Popularity • 34% Danceability • 11% Energy • 14% Liveness
2% Instrumentalness • 48% Positiveness
9% Popularity • 34% Danceability • 11% Energy • 14% Liveness
2% Instrumentalness • 48% Positiveness
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Div art
Byssan Lull
83 bpm • A# Maj • 03:57 • -17.2db
17% Popularity • 58% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
17% Popularity • 58% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Ernst Rolf
Jag är ute när gumman min är Inne
83 bpm • B min • 02:48 • -7db
13% Popularity • 69% Danceability • 56% Energy • 23% Liveness
1% Instrumentalness • 70% Positiveness
13% Popularity • 69% Danceability • 56% Energy • 23% Liveness
1% Instrumentalness • 70% Positiveness
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Lillebjørn Nilsen
Crescendo I GÃ¥gata
83 bpm • A# Maj • 02:42 • -20db
38% Popularity • 62% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
38% Popularity • 62% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Benny Anderssons Orkester
Cirkus Finemang
94 bpm • C Maj • 04:19 • -16db
18% Popularity • 72% Danceability • 18% Energy • 12% Liveness
8% Instrumentalness • 78% Positiveness
18% Popularity • 72% Danceability • 18% Energy • 12% Liveness
8% Instrumentalness • 78% Positiveness
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Georg Riedel
Lilla hand
83 bpm • B Maj • 01:56 • -23.92db
18% Popularity • 48% Danceability • 4% Energy • 7% Liveness
1% Instrumentalness • 17% Positiveness
18% Popularity • 48% Danceability • 4% Energy • 7% Liveness
1% Instrumentalness • 17% Positiveness
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Fred Åkerström
NÃ¥, skruva fiolen -Fredmans epistel nr ...
83 bpm • E Maj • 01:47 • -14.88db
19% Popularity • 66% Danceability • 26% Energy • 71% Liveness
0% Instrumentalness • 64% Positiveness
19% Popularity • 66% Danceability • 26% Energy • 71% Liveness
0% Instrumentalness • 64% Positiveness
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Lisa Ekdahl
Sanningen i vitögat
94 bpm • A Maj • 02:25 • -5.88db
33% Popularity • 64% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
33% Popularity • 64% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Barbro Hörberg
Förr i världen var himmelen blå
83 bpm • G Maj • 03:13 • -13db
14% Popularity • 38% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
14% Popularity • 38% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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James & Karin
Fjärilslarvens sång
94 bpm • A min • 01:37 • -15db
38% Popularity • 73% Danceability • 34% Energy • 7% Liveness
1% Instrumentalness • 46% Positiveness
38% Popularity • 73% Danceability • 34% Energy • 7% Liveness
1% Instrumentalness • 46% Positiveness
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Sweet Jazz Trio
Somliga GÃ¥r I Trasiga Skor
82 bpm • C min • 04:17 • -28.77db
13% Popularity • 50% Danceability • 3% Energy • 12% Liveness
95% Instrumentalness • 48% Positiveness
13% Popularity • 50% Danceability • 3% Energy • 12% Liveness
95% Instrumentalness • 48% Positiveness
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Georg Riedel
Helioscope III
94 bpm • D min • 03:50 • -23.32db
1% Popularity • 42% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
1% Popularity • 42% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
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Dalarnas Spelmansförbund
Gärdebylåten
82 bpm • D Maj • 03:15 • -11db
24% Popularity • 35% Danceability • 36% Energy • 15% Liveness
96% Instrumentalness • 70% Positiveness
24% Popularity • 35% Danceability • 36% Energy • 15% Liveness
96% Instrumentalness • 70% Positiveness
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Jan Johansson
Fem
95 bpm • C min • 03:40 • -11.14db
19% Popularity • 51% Danceability • 37% Energy • 14% Liveness
1% Instrumentalness • 32% Positiveness
19% Popularity • 51% Danceability • 37% Energy • 14% Liveness
1% Instrumentalness • 32% Positiveness
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Barbro Hörberg
Vaggvisa för vakna
82 bpm • G Maj • 04:19 • -21db
13% Popularity • 56% Danceability • 8% Energy • 33% Liveness
0% Instrumentalness • 35% Positiveness
13% Popularity • 56% Danceability • 8% Energy • 33% Liveness
0% Instrumentalness • 35% Positiveness
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Jojje Wadenius
När jag blir miljonär
95 bpm • C Maj • 03:05 • -13.72db
13% Popularity • 58% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
13% Popularity • 58% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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Mats Paulson
Visa vid vindens ängar
82 bpm • E Maj • 03:29 • -20.56db
13% Popularity • 36% Danceability • 5% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 36% Danceability • 5% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
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Georg Riedel
Gånglåt från ingalunda
83 bpm • G Maj • 03:46 • -20.39db
2% Popularity • 56% Danceability • 13% Energy • 10% Liveness
95% Instrumentalness • 15% Positiveness
2% Popularity • 56% Danceability • 13% Energy • 10% Liveness
95% Instrumentalness • 15% Positiveness
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Nina Persson
Tänk om vi var skräcködlor
95 bpm • D min • 01:23 • -10.28db
17% Popularity • 62% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 86% Positiveness
17% Popularity • 62% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 86% Positiveness
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Mats Bergström
Bergenpolska
82 bpm • D Maj • 03:43 • -21.06db
8% Popularity • 49% Danceability • 17% Energy • 11% Liveness
91% Instrumentalness • 50% Positiveness
8% Popularity • 49% Danceability • 17% Energy • 11% Liveness
91% Instrumentalness • 50% Positiveness
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Barbro Hörberg
Ett hål i lakanet
82 bpm • E min • 04:32 • -19.92db
10% Popularity • 58% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
10% Popularity • 58% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Lillebjørn Nilsen
Tanta Til Beate
95 bpm • C min • 03:39 • -15db
38% Popularity • 67% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
38% Popularity • 67% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
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Lina Sandell
Tryggare kan ingen vara
95 bpm • G Maj • 01:47 • -17.32db
16% Popularity • 64% Danceability • 21% Energy • 10% Liveness
93% Instrumentalness • 80% Positiveness
16% Popularity • 64% Danceability • 21% Energy • 10% Liveness
93% Instrumentalness • 80% Positiveness
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Georg Riedel
Lilla ungen min
81 bpm • C Maj • 01:51 • -21db
4% Popularity • 44% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
4% Popularity • 44% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Eva Röse
Godnatt du sol
96 bpm • A min • 04:35 • -12.79db
4% Popularity • 50% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
4% Popularity • 50% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Rikard Wolff
Det ska vara för evigt - La vie en rose
81 bpm • G# Maj • 03:23 • -10db
13% Popularity • 32% Danceability • 33% Energy • 37% Liveness
0% Instrumentalness • 33% Positiveness
13% Popularity • 32% Danceability • 33% Energy • 37% Liveness
0% Instrumentalness • 33% Positiveness
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Otto Jonas Lindblad
Längtan till landet - Vintern rasat
96 bpm • D Maj • 01:48 • -25.82db
28% Popularity • 29% Danceability • 8% Energy • 42% Liveness
0% Instrumentalness • 42% Positiveness
28% Popularity • 29% Danceability • 8% Energy • 42% Liveness
0% Instrumentalness • 42% Positiveness
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Duke Ellington
It Don't Mean A Thing
80 bpm • A# Maj • 03:05 • -16.19db
6% Popularity • 59% Danceability • 38% Energy • 15% Liveness
8% Instrumentalness • 96% Positiveness
6% Popularity • 59% Danceability • 38% Energy • 15% Liveness
8% Instrumentalness • 96% Positiveness
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Erland von Koch
De blomster som i marken bor
81 bpm • F Maj • 01:40 • -22.56db
20% Popularity • 62% Danceability • 11% Energy • 10% Liveness
95% Instrumentalness • 33% Positiveness
20% Popularity • 62% Danceability • 11% Energy • 10% Liveness
95% Instrumentalness • 33% Positiveness
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Lisa Nilsson
Telegram för fullmånen
96 bpm • F Maj • 02:50 • -15.14db
19% Popularity • 31% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
19% Popularity • 31% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Bo Kaspers Orkester
Söndag i sängen
80 bpm • C min • 03:13 • -12db
38% Popularity • 62% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
38% Popularity • 62% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Allan Edwall
Kärleksvisa
80 bpm • C Maj • 01:53 • -7.71db
24% Popularity • 20% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
24% Popularity • 20% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Galenskaparna & After Shave
Sörens Sång
80 bpm • G Maj • 04:05 • -13.3db
18% Popularity • 42% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
18% Popularity • 42% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
