Songs like Pour Le Plaisir by Herbert Léonard
Based on a tempo of (+/- 10%) and a similar genre
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Stone & Charden
Made in Normandie - Version 2012
105 bpm • C Maj • 04:43 • -6.52db
23% Popularity • 76% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
23% Popularity • 76% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Michèle Torr
J'en appelle à la tendresse - En public
105 bpm • A# min • 03:14 • -6.81db
12% Popularity • 37% Danceability • 78% Energy • 96% Liveness
0% Instrumentalness • 31% Positiveness
12% Popularity • 37% Danceability • 78% Energy • 96% Liveness
0% Instrumentalness • 31% Positiveness
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Michel Berger
Celui qui chante - Remasterisé en 2002
105 bpm • A# Maj • 03:09 • -9.47db
42% Popularity • 67% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
42% Popularity • 67% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Herbert Léonard
Quelque chose en moi tient mon coeur
105 bpm • D Maj • 03:52 • -6.15db
10% Popularity • 66% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
10% Popularity • 66% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
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Julie Pietri
Magdalena
105 bpm • E min • 03:37 • -5.87db
29% Popularity • 65% Danceability • 75% Energy • 55% Liveness
0% Instrumentalness • 88% Positiveness
29% Popularity • 65% Danceability • 75% Energy • 55% Liveness
0% Instrumentalness • 88% Positiveness
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Yves Duteil
Pour les enfants du monde entier
105 bpm • D# Maj • 02:51 • -11db
45% Popularity • 49% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 45% Positiveness
45% Popularity • 49% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 45% Positiveness
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Serge Lama
Souvenirs... Attention... Danger !
105 bpm • D Maj • 04:57 • -11.97db
28% Popularity • 40% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
28% Popularity • 40% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
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Jean Schultheis
Va Te Faire Voir
106 bpm • B min • 03:36 • -10.01db
21% Popularity • 67% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
21% Popularity • 67% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
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Eddy Mitchell
Un portrait de Norman Rockwell
106 bpm • G# Maj • 04:43 • -7.81db
25% Popularity • 64% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 17% Positiveness
25% Popularity • 64% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 17% Positiveness
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Herbert Léonard
Pour le plaisir
105 bpm • B Maj • 03:48 • -7.84db
43% Popularity • 64% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
43% Popularity • 64% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Patricia Kaas
Il me dit que je suis belle
106 bpm • G# Maj • 04:45 • -6.63db
31% Popularity • 51% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
31% Popularity • 51% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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La Compagnie Créole
Santa Maria de Guadaloupe
103 bpm • A min • 03:58 • -6.06db
25% Popularity • 69% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
25% Popularity • 69% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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François Valéry
Aimons-Nous Vivants
103 bpm • F min • 03:55 • -11.68db
52% Popularity • 68% Danceability • 81% Energy • 6% Liveness
7% Instrumentalness • 88% Positiveness
52% Popularity • 68% Danceability • 81% Energy • 6% Liveness
7% Instrumentalness • 88% Positiveness
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Richard Anthony
J'entends siffler le train
103 bpm • A Maj • 03:23 • -13db
42% Popularity • 42% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
42% Popularity • 42% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Nicolas Peyrac
Marilyn
107 bpm • G# min • 02:45 • -12db
25% Popularity • 62% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
25% Popularity • 62% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Herbert Léonard
Des choses toutes bêtes
106 bpm • E Maj • 03:47 • -6.47db
6% Popularity • 73% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
6% Popularity • 73% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Dick Rivers
Les yeux d'une femme - "twilight time"
107 bpm • D Maj • 03:47 • -10db
28% Popularity • 56% Danceability • 54% Energy • 69% Liveness
4% Instrumentalness • 46% Positiveness
28% Popularity • 56% Danceability • 54% Energy • 69% Liveness
4% Instrumentalness • 46% Positiveness
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Images
Maîtresse
107 bpm • F# Maj • 04:01 • -11.56db
44% Popularity • 69% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
44% Popularity • 69% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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Années soixante dix orchestra
Kilimandjaro
107 bpm • A# min • 03:34 • -12db
25% Popularity • 45% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
25% Popularity • 45% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
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Philippe Lavil
De Bretagne ou d'ailleurs
103 bpm • B min • 03:56 • -11.29db
22% Popularity • 65% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 59% Positiveness
22% Popularity • 65% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 59% Positiveness
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Annie Cordy
Ça ira mieux demain (Extrait de la com�...
107 bpm • A Maj • 03:25 • -5.85db
18% Popularity • 52% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
18% Popularity • 52% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Pascal Danel
Kilimandjaro
103 bpm • D# Maj • 03:35 • -15db
33% Popularity • 68% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
33% Popularity • 68% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Herbert Léonard
Flagrant délit
107 bpm • F# Maj • 04:32 • -8.82db
31% Popularity • 76% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
31% Popularity • 76% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Daniel Balavoine
Partir avant les miens
107 bpm • F Maj • 05:09 • -14.86db
35% Popularity • 49% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
35% Popularity • 49% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Jeane Manson
La chapelle de Harlem
102 bpm • D Maj • 03:07 • -7.05db
31% Popularity • 43% Danceability • 68% Energy • 38% Liveness
0% Instrumentalness • 48% Positiveness
31% Popularity • 43% Danceability • 68% Energy • 38% Liveness
0% Instrumentalness • 48% Positiveness
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Jean-Jacques Goldman
Nous ne nous parlerons pas
108 bpm • F Maj • 04:24 • -4.78db
28% Popularity • 54% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 54% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Julie Pietri
Eve lève-toi
102 bpm • A# min • 04:50 • -8.14db
37% Popularity • 57% Danceability • 67% Energy • 9% Liveness
1% Instrumentalness • 34% Positiveness
37% Popularity • 57% Danceability • 67% Energy • 9% Liveness
1% Instrumentalness • 34% Positiveness
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Dennis' Twist
Tu dis que tu l'M - Version originale 19...
102 bpm • B Maj • 03:25 • -7db
29% Popularity • 78% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
29% Popularity • 78% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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Herbert Léonard
Mon pas dans la ville
108 bpm • A Maj • 03:51 • -6.41db
6% Popularity • 63% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
6% Popularity • 63% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
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Nicole Croisille
Une femme avec toi - 2023 Remastered Ver...
108 bpm • G Maj • 04:25 • -8.36db
31% Popularity • 32% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
31% Popularity • 32% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Sheila
Les Rois mages - Remasterisé en 2006
110 bpm • D Maj • 03:24 • -11db
41% Popularity • 76% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
41% Popularity • 76% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
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Santiana
Petite femme
110 bpm • G min • 03:15 • -5.1db
28% Popularity • 64% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
28% Popularity • 64% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Eddy Mitchell
Un portrait de Norman Rockwell
110 bpm • G# Maj • 04:30 • -10db
32% Popularity • 73% Danceability • 48% Energy • 10% Liveness
8% Instrumentalness • 43% Positiveness
32% Popularity • 73% Danceability • 48% Energy • 10% Liveness
8% Instrumentalness • 43% Positiveness
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Diane Tell
La légende de Jimmy
110 bpm • C Maj • 04:19 • -8.42db
34% Popularity • 56% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
34% Popularity • 56% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
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Herbert Léonard
Ca pleure pas un homme
102 bpm • G Maj • 03:17 • -10.07db
14% Popularity • 61% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
14% Popularity • 61% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Pacifique
Quand tu serres mon corps
100 bpm • F Maj • 04:07 • -8db
41% Popularity • 68% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
41% Popularity • 68% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Nicole Croisille
Parlez-moi de lui
109 bpm • F# min • 03:20 • -11.31db
39% Popularity • 51% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
39% Popularity • 51% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Santiana
Je t'avais juré de t'aimer
110 bpm • D Maj • 03:03 • -6.53db
30% Popularity • 61% Danceability • 69% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
30% Popularity • 61% Danceability • 69% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
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Yves Duteil
La langue de chez nous
110 bpm • F Maj • 03:51 • -14.45db
38% Popularity • 38% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
38% Popularity • 38% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Gérard Blanc
Marylène
100 bpm • B min • 03:36 • -8db
20% Popularity • 70% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
20% Popularity • 70% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Herbert Léonard
Mets ta robe rouge
109 bpm • F Maj • 03:47 • -6.44db
6% Popularity • 58% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
6% Popularity • 58% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
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Felix Gray
La gitane
111 bpm • G min • 04:27 • -9db
32% Popularity • 70% Danceability • 84% Energy • 49% Liveness
0% Instrumentalness • 81% Positiveness
32% Popularity • 70% Danceability • 84% Energy • 49% Liveness
0% Instrumentalness • 81% Positiveness
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Daniel Lavoie
Ils s'aiment
100 bpm • D min • 04:23 • -14db
31% Popularity • 76% Danceability • 40% Energy • 36% Liveness
0% Instrumentalness • 93% Positiveness
31% Popularity • 76% Danceability • 40% Energy • 36% Liveness
0% Instrumentalness • 93% Positiveness
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Stone & Charden
Made in Normandie
111 bpm • E Maj • 04:08 • -8db
27% Popularity • 56% Danceability • 74% Energy • 89% Liveness
0% Instrumentalness • 45% Positiveness
27% Popularity • 56% Danceability • 74% Energy • 89% Liveness
0% Instrumentalness • 45% Positiveness
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Gilbert Montagné
Toujours Envie De Te Revoir
111 bpm • A# Maj • 03:38 • -8.25db
26% Popularity • 72% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
26% Popularity • 72% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Claude François
Toi et moi contre le monde entier
111 bpm • E Maj • 03:08 • -7.21db
34% Popularity • 50% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
34% Popularity • 50% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
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Herbert Léonard
Ca donne envie d'aimer
110 bpm • F# Maj • 04:00 • -6.04db
15% Popularity • 60% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
15% Popularity • 60% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Emmanuelle
Premier baiser
111 bpm • A Maj • 03:02 • -7.68db
25% Popularity • 72% Danceability • 71% Energy • 33% Liveness
8% Instrumentalness • 92% Positiveness
25% Popularity • 72% Danceability • 71% Energy • 33% Liveness
8% Instrumentalness • 92% Positiveness
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Nicole Croisille
Téléphone-moi
112 bpm • E min • 03:10 • -6db
38% Popularity • 29% Danceability • 59% Energy • 63% Liveness
0% Instrumentalness • 44% Positiveness
38% Popularity • 29% Danceability • 59% Energy • 63% Liveness
0% Instrumentalness • 44% Positiveness
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Nicolas Peyrac
Comment t'appelles-tu?
112 bpm • F Maj • 04:50 • -14db
36% Popularity • 42% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
36% Popularity • 42% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Alain Chamfort
Géant
112 bpm • F min • 04:12 • -7.89db
26% Popularity • 51% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
26% Popularity • 51% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Jeane Manson
Je n'aime que toi
112 bpm • F# Maj • 02:55 • -5.35db
31% Popularity • 59% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
31% Popularity • 59% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Herbert Léonard
Commencez sans moi
100 bpm • D# Maj • 04:16 • -8.64db
11% Popularity • 41% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
11% Popularity • 41% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Philippe Lavil
Kolé séré
98 bpm • D Maj • 03:53 • -13.03db
32% Popularity • 74% Danceability • 61% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
32% Popularity • 74% Danceability • 61% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Christophe Rippert
Un amour de vacances
112 bpm • A min • 03:30 • -11db
33% Popularity • 71% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
33% Popularity • 71% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Nicolas Peyrac
Mississippi River
112 bpm • D min • 04:22 • -12.46db
33% Popularity • 41% Danceability • 51% Energy • 21% Liveness
12% Instrumentalness • 56% Positiveness
33% Popularity • 41% Danceability • 51% Energy • 21% Liveness
12% Instrumentalness • 56% Positiveness
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Jean-Baptiste Guegan
Merci
98 bpm • G Maj • 03:59 • -10.08db
26% Popularity • 50% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
26% Popularity • 50% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Jean-Jacques Lafon
Le premier pas
98 bpm • C# min • 04:00 • -9.51db
20% Popularity • 72% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 19% Positiveness
20% Popularity • 72% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 19% Positiveness
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Jeanne Mas
En rouge et noir
112 bpm • G Maj • 04:28 • -4db
52% Popularity • 70% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
52% Popularity • 70% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Philippe Lafontaine
Alexis m'attend
113 bpm • E min • 03:11 • -9db
37% Popularity • 44% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
37% Popularity • 44% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Alain Delorme
Je T'aime Comme Tu Es
98 bpm • A min • 03:24 • -11.79db
32% Popularity • 49% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
32% Popularity • 49% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
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Gérard Blanc
Une autre histoire
113 bpm • A min • 04:31 • -9db
59% Popularity • 67% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
59% Popularity • 67% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Jil Caplan
Tout c'qui nous sépare
98 bpm • C# Maj • 04:24 • -13db
32% Popularity • 57% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
32% Popularity • 57% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Herbert Léonard
C'est beau une femme à 40 ans
113 bpm • C Maj • 04:07 • -7.27db
8% Popularity • 66% Danceability • 51% Energy • 11% Liveness
3% Instrumentalness • 36% Positiveness
8% Popularity • 66% Danceability • 51% Energy • 11% Liveness
3% Instrumentalness • 36% Positiveness
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Michèle Torr
Emmène-moi danser ce soir
98 bpm • E Maj • 03:03 • -9.64db
42% Popularity • 52% Danceability • 48% Energy • 35% Liveness
0% Instrumentalness • 40% Positiveness
42% Popularity • 52% Danceability • 48% Energy • 35% Liveness
0% Instrumentalness • 40% Positiveness
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Jean-Jacques Lafon
Le géant de papier
113 bpm • A# min • 03:09 • -4db
53% Popularity • 54% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
53% Popularity • 54% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Jean Schultheis
Confidence pour confidence - Version ori...
114 bpm • G# Maj • 03:34 • -5db
35% Popularity • 76% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
35% Popularity • 76% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Elsa
T'en va pas
97 bpm • C Maj • 05:28 • -11.15db
53% Popularity • 70% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
53% Popularity • 70% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Dave
Du côte de chez Swann
114 bpm • F# min • 03:00 • -7db
51% Popularity • 38% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
51% Popularity • 38% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Herbert Léonard
Ils s'aiment
97 bpm • D Maj • 04:42 • -8.02db
8% Popularity • 62% Danceability • 65% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
8% Popularity • 62% Danceability • 65% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
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Nacash
Elle imagine... - Version longue
114 bpm • D min • 04:56 • -10db
20% Popularity • 64% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
20% Popularity • 64% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Nicolas Peyrac
Et mon père
96 bpm • A Maj • 03:00 • -12.12db
51% Popularity • 62% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
51% Popularity • 62% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Daniel Balavoine
Aimer est plus fort que d'être aimé
115 bpm • A min • 04:05 • -9.59db
49% Popularity • 71% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
49% Popularity • 71% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
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Richard Anthony
La terre promise
115 bpm • C min • 02:18 • -9db
23% Popularity • 44% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
23% Popularity • 44% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Début De Soirée
Jardins d'enfants
96 bpm • F min • 04:22 • -10.19db
33% Popularity • 70% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 70% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Laurent Voulzy
La fille d'avril
96 bpm • A min • 04:00 • -10db
41% Popularity • 64% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
41% Popularity • 64% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Nacash
Elle imagine... - Verion originale 1987
114 bpm • D min • 04:04 • -11.06db
43% Popularity • 68% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
43% Popularity • 68% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Mike Brant
Donne un peu de toi (Song for Donna)
115 bpm • G min • 03:15 • -4.3db
28% Popularity • 55% Danceability • 95% Energy • 55% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 55% Danceability • 95% Energy • 55% Liveness
0% Instrumentalness • 48% Positiveness
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Nicolas Peyrac
Satanée question
96 bpm • C# min • 02:58 • -13db
40% Popularity • 62% Danceability • 62% Energy • 3% Liveness
0% Instrumentalness • 95% Positiveness
40% Popularity • 62% Danceability • 62% Energy • 3% Liveness
0% Instrumentalness • 95% Positiveness
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Gold
Pour toi la musique (2017 - Remaster)
115 bpm • D Maj • 03:29 • -7.64db
18% Popularity • 88% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
18% Popularity • 88% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Herbert Léonard
Donner
96 bpm • G Maj • 03:56 • -6.65db
7% Popularity • 61% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
7% Popularity • 61% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
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Laurent Voulzy
Désir, désir, Pt. 1
115 bpm • G Maj • 04:56 • -7.67db
41% Popularity • 75% Danceability • 62% Energy • 42% Liveness
0% Instrumentalness • 79% Positiveness
41% Popularity • 75% Danceability • 62% Energy • 42% Liveness
0% Instrumentalness • 79% Positiveness
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François Valéry
Elle Danse Marie
115 bpm • A Maj • 04:17 • -10.88db
43% Popularity • 83% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
43% Popularity • 83% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Il Etait Une Fois
La Clé des coeurs
116 bpm • C# Maj • 04:30 • -8.04db
11% Popularity • 63% Danceability • 52% Energy • 74% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 63% Danceability • 52% Energy • 74% Liveness
0% Instrumentalness • 38% Positiveness
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Claude François
Le mal aimé
95 bpm • B Maj • 02:39 • -8db
26% Popularity • 48% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
26% Popularity • 48% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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Nicoletta
La musique
116 bpm • G Maj • 03:27 • -7db
39% Popularity • 44% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
39% Popularity • 44% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Dave
Tant qu'il y aura
116 bpm • A Maj • 03:19 • -10.84db
17% Popularity • 65% Danceability • 58% Energy • 71% Liveness
0% Instrumentalness • 55% Positiveness
17% Popularity • 65% Danceability • 58% Energy • 71% Liveness
0% Instrumentalness • 55% Positiveness
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Jean Ferrat
Aimer à perdre la raison
95 bpm • C Maj • 02:34 • -7.45db
33% Popularity • 24% Danceability • 50% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
33% Popularity • 24% Danceability • 50% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
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Gold
Plus près des étoiles
116 bpm • B min • 03:57 • -6.73db
57% Popularity • 44% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
57% Popularity • 44% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
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Jean-Jacques Lafon
Latin Lover
116 bpm • G Maj • 03:30 • -7db
29% Popularity • 69% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
29% Popularity • 69% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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François Valéry
Putain D'Envie De Vivre
116 bpm • A min • 04:27 • -8.9db
24% Popularity • 85% Danceability • 79% Energy • 4% Liveness
8% Instrumentalness • 81% Positiveness
24% Popularity • 85% Danceability • 79% Energy • 4% Liveness
8% Instrumentalness • 81% Positiveness
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Enrico Macias
Malheur à celui qui blesse un enfant
116 bpm • G Maj • 02:53 • -13db
28% Popularity • 49% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
28% Popularity • 49% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
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Il Etait Une Fois
J'ai encore rêvé d'elle
95 bpm • C# Maj • 03:40 • -13db
52% Popularity • 44% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
52% Popularity • 44% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Philippe Lafontaine
CÅ“ur de loup
95 bpm • B min • 03:42 • -10db
53% Popularity • 80% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
53% Popularity • 80% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Dick Rivers
Nice baie des anges
117 bpm • D# min • 03:27 • -4db
33% Popularity • 62% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
33% Popularity • 62% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
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Julie Pietri
Immortelle - Remixée
117 bpm • E min • 04:43 • -8.21db
10% Popularity • 59% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
10% Popularity • 59% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Herbert Léonard
Quelque chose tient mon coeur
94 bpm • G min • 03:46 • -5.91db
22% Popularity • 41% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
22% Popularity • 41% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
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Philippe Lavil
San Miguel
117 bpm • G Maj • 03:41 • -15db
14% Popularity • 74% Danceability • 38% Energy • 22% Liveness
0% Instrumentalness • 94% Positiveness
14% Popularity • 74% Danceability • 38% Energy • 22% Liveness
0% Instrumentalness • 94% Positiveness
