Songs like Pour toutes mes soeurs - Take 2 by Milt Buckner
Based on a tempo of (+/- 10%) and a similar genre
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Milt Buckner
Sweet Georgia Brown
135 bpm • G# Maj • 05:28 • -11.07db
2% Popularity • 56% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
2% Popularity • 56% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
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Tommy Flanagan Trio
In The Blue Of The Evening
135 bpm • F Maj • 03:41 • -20db
52% Popularity • 48% Danceability • 24% Energy • 15% Liveness
90% Instrumentalness • 57% Positiveness
52% Popularity • 48% Danceability • 24% Energy • 15% Liveness
90% Instrumentalness • 57% Positiveness
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Muzak Orchestra
Hooked on a Feeling
135 bpm • F Maj • 02:30 • -12.98db
22% Popularity • 63% Danceability • 41% Energy • 13% Liveness
79% Instrumentalness • 86% Positiveness
22% Popularity • 63% Danceability • 41% Energy • 13% Liveness
79% Instrumentalness • 86% Positiveness
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Paul Gonsalves
Impulsive
135 bpm • A# Maj • 05:01 • -8.21db
7% Popularity • 64% Danceability • 41% Energy • 14% Liveness
53% Instrumentalness • 60% Positiveness
7% Popularity • 64% Danceability • 41% Energy • 14% Liveness
53% Instrumentalness • 60% Positiveness
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Don Baker
Dansero - 1996 Digital Remaster
135 bpm • C Maj • 02:50 • -19db
12% Popularity • 75% Danceability • 32% Energy • 11% Liveness
91% Instrumentalness • 75% Positiveness
12% Popularity • 75% Danceability • 32% Energy • 11% Liveness
91% Instrumentalness • 75% Positiveness
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Shorty Rogers
Moon Over Cuba
134 bpm • A# min • 04:17 • -10.57db
25% Popularity • 47% Danceability • 40% Energy • 32% Liveness
87% Instrumentalness • 51% Positiveness
25% Popularity • 47% Danceability • 40% Energy • 32% Liveness
87% Instrumentalness • 51% Positiveness
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Milt Buckner
Pour toutes mes soeurs - Take 2
135 bpm • C Maj • 05:59 • -11db
22% Popularity • 66% Danceability • 42% Energy • 9% Liveness
7% Instrumentalness • 57% Positiveness
22% Popularity • 66% Danceability • 42% Energy • 9% Liveness
7% Instrumentalness • 57% Positiveness
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Jackie Davis
Love Is Just Around The Corner - Remaste...
134 bpm • G# Maj • 02:47 • -16db
30% Popularity • 80% Danceability • 50% Energy • 9% Liveness
87% Instrumentalness • 80% Positiveness
30% Popularity • 80% Danceability • 50% Energy • 9% Liveness
87% Instrumentalness • 80% Positiveness
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Richard "Groove" Holmes
Theme From "Love Story" - Remastered
134 bpm • G min • 03:38 • -11db
14% Popularity • 53% Danceability • 48% Energy • 16% Liveness
86% Instrumentalness • 66% Positiveness
14% Popularity • 53% Danceability • 48% Energy • 16% Liveness
86% Instrumentalness • 66% Positiveness
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ÃŒxtahuele
Colors of Hawaiki
136 bpm • D min • 03:04 • -6db
25% Popularity • 74% Danceability • 54% Energy • 10% Liveness
5% Instrumentalness • 74% Positiveness
25% Popularity • 74% Danceability • 54% Energy • 10% Liveness
5% Instrumentalness • 74% Positiveness
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Ray Bryant Trio
Golden Earrings
136 bpm • G# Maj • 04:50 • -18.25db
31% Popularity • 61% Danceability • 19% Energy • 9% Liveness
80% Instrumentalness • 57% Positiveness
31% Popularity • 61% Danceability • 19% Energy • 9% Liveness
80% Instrumentalness • 57% Positiveness
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![Conrad's Theme (Bossa) [feat. Tatum Greenblatt] cover art](https://i.scdn.co/image/ab67616d00001e02e69b6f9ba7a283f8a1c2080f)
Jay Israelson
Conrad's Theme (Bossa)
136 bpm • G# Maj • 02:12 • -10db
37% Popularity • 88% Danceability • 52% Energy • 10% Liveness
10% Instrumentalness • 86% Positiveness
37% Popularity • 88% Danceability • 52% Energy • 10% Liveness
10% Instrumentalness • 86% Positiveness
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Milt Buckner
Rockin' with Milt
135 bpm • D# Maj • 02:58 • -8.23db
0% Popularity • 71% Danceability • 47% Energy • 22% Liveness
86% Instrumentalness • 88% Positiveness
0% Popularity • 71% Danceability • 47% Energy • 22% Liveness
86% Instrumentalness • 88% Positiveness
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Sergio Mihanovich
Vals en 16mm
136 bpm • C# min • 02:56 • -18.45db
27% Popularity • 44% Danceability • 28% Energy • 37% Liveness
0% Instrumentalness • 51% Positiveness
27% Popularity • 44% Danceability • 28% Energy • 37% Liveness
0% Instrumentalness • 51% Positiveness
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Berto Pisano
Young Lady
134 bpm • B min • 01:47 • -23.23db
29% Popularity • 77% Danceability • 9% Energy • 9% Liveness
6% Instrumentalness • 76% Positiveness
29% Popularity • 77% Danceability • 9% Energy • 9% Liveness
6% Instrumentalness • 76% Positiveness
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Hampton Hawes Trio
Carioca
136 bpm • C Maj • 02:24 • -19db
45% Popularity • 49% Danceability • 32% Energy • 9% Liveness
88% Instrumentalness • 82% Positiveness
45% Popularity • 49% Danceability • 32% Energy • 9% Liveness
88% Instrumentalness • 82% Positiveness
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The Howard Roberts Quartet
Turista
136 bpm • C Maj • 02:11 • -18.34db
37% Popularity • 62% Danceability • 17% Energy • 8% Liveness
87% Instrumentalness • 55% Positiveness
37% Popularity • 62% Danceability • 17% Energy • 8% Liveness
87% Instrumentalness • 55% Positiveness
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Kenny Drew Trio
Stella By Starlight
137 bpm • D Maj • 02:28 • -11.85db
37% Popularity • 54% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
37% Popularity • 54% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Milt Buckner
Imagination
134 bpm • D# Maj • 05:27 • -19.1db
3% Popularity • 39% Danceability • 11% Energy • 22% Liveness
87% Instrumentalness • 17% Positiveness
3% Popularity • 39% Danceability • 11% Energy • 22% Liveness
87% Instrumentalness • 17% Positiveness
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Xavier Cugat & His Orchestra
Blue Champagne
137 bpm • C min • 02:18 • -13.84db
24% Popularity • 64% Danceability • 41% Energy • 36% Liveness
1% Instrumentalness • 78% Positiveness
24% Popularity • 64% Danceability • 41% Energy • 36% Liveness
1% Instrumentalness • 78% Positiveness
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Dave Pell
This Could Be The Start Of Something - R...
133 bpm • G# Maj • 02:22 • -14db
12% Popularity • 64% Danceability • 40% Energy • 25% Liveness
0% Instrumentalness • 81% Positiveness
12% Popularity • 64% Danceability • 40% Energy • 25% Liveness
0% Instrumentalness • 81% Positiveness
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David Lindup
Little Kisses
137 bpm • D Maj • 02:00 • -18.08db
22% Popularity • 64% Danceability • 23% Energy • 15% Liveness
95% Instrumentalness • 32% Positiveness
22% Popularity • 64% Danceability • 23% Energy • 15% Liveness
95% Instrumentalness • 32% Positiveness
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Gerry Mulligan Quartet
Walkin' Shoes
137 bpm • D Maj • 03:13 • -12db
43% Popularity • 60% Danceability • 26% Energy • 11% Liveness
20% Instrumentalness • 46% Positiveness
43% Popularity • 60% Danceability • 26% Energy • 11% Liveness
20% Instrumentalness • 46% Positiveness
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John Buzon Trio
Squatty Roo - Remastered
133 bpm • D Maj • 02:05 • -15db
28% Popularity • 84% Danceability • 46% Energy • 5% Liveness
29% Instrumentalness • 96% Positiveness
28% Popularity • 84% Danceability • 46% Energy • 5% Liveness
29% Instrumentalness • 96% Positiveness
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Alan Hawkshaw
The Feminine Scene
137 bpm • F Maj • 01:02 • -16.47db
30% Popularity • 67% Danceability • 26% Energy • 8% Liveness
4% Instrumentalness • 19% Positiveness
30% Popularity • 67% Danceability • 26% Energy • 8% Liveness
4% Instrumentalness • 19% Positiveness
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Ray Anthony & His Orchestra
Peter Gunn Suite Medley - Remastered
133 bpm • C Maj • 08:33 • -16.37db
10% Popularity • 43% Danceability • 20% Energy • 22% Liveness
43% Instrumentalness • 24% Positiveness
10% Popularity • 43% Danceability • 20% Energy • 22% Liveness
43% Instrumentalness • 24% Positiveness
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Milt Buckner
Pour toutes mes soeurs - Take 1
137 bpm • A min • 05:51 • -14.08db
1% Popularity • 58% Danceability • 36% Energy • 24% Liveness
25% Instrumentalness • 56% Positiveness
1% Popularity • 58% Danceability • 36% Energy • 24% Liveness
25% Instrumentalness • 56% Positiveness
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Les & Larry Elgart
Music to Watch Girls By
137 bpm • A# min • 01:43 • -16.61db
25% Popularity • 75% Danceability • 29% Energy • 11% Liveness
72% Instrumentalness • 96% Positiveness
25% Popularity • 75% Danceability • 29% Energy • 11% Liveness
72% Instrumentalness • 96% Positiveness
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Syd Dale
Italian Scene
137 bpm • D# Maj • 03:20 • -11db
13% Popularity • 47% Danceability • 50% Energy • 67% Liveness
76% Instrumentalness • 41% Positiveness
13% Popularity • 47% Danceability • 50% Energy • 67% Liveness
76% Instrumentalness • 41% Positiveness
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Martini Kings
Return to Moorea
133 bpm • G# Maj • 03:14 • -11db
28% Popularity • 60% Danceability • 47% Energy • 8% Liveness
76% Instrumentalness • 65% Positiveness
28% Popularity • 60% Danceability • 47% Energy • 8% Liveness
76% Instrumentalness • 65% Positiveness
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Dave Pike
Melvalita
137 bpm • C Maj • 04:05 • -17.63db
16% Popularity • 68% Danceability • 23% Energy • 8% Liveness
75% Instrumentalness • 56% Positiveness
16% Popularity • 68% Danceability • 23% Energy • 8% Liveness
75% Instrumentalness • 56% Positiveness
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Tony Kinsey
Market Research
137 bpm • F min • 03:20 • -25.15db
21% Popularity • 51% Danceability • 18% Energy • 10% Liveness
93% Instrumentalness • 27% Positiveness
21% Popularity • 51% Danceability • 18% Energy • 10% Liveness
93% Instrumentalness • 27% Positiveness
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Philip Green
Cream Teaze
133 bpm • A# Maj • 01:01 • -12.99db
26% Popularity • 59% Danceability • 26% Energy • 25% Liveness
75% Instrumentalness • 80% Positiveness
26% Popularity • 59% Danceability • 26% Energy • 25% Liveness
75% Instrumentalness • 80% Positiveness
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Klaus Wunderlich
Chirpy Chirpy Cheep Cheep / Sunny / Rose...
133 bpm • D# Maj • 05:14 • -12.07db
21% Popularity • 80% Danceability • 37% Energy • 8% Liveness
98% Instrumentalness • 82% Positiveness
21% Popularity • 80% Danceability • 37% Energy • 8% Liveness
98% Instrumentalness • 82% Positiveness
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Shelly Manne and His Men
Blue Steel
138 bpm • D min • 04:49 • -20db
26% Popularity • 55% Danceability • 22% Energy • 14% Liveness
2% Instrumentalness • 36% Positiveness
26% Popularity • 55% Danceability • 22% Energy • 14% Liveness
2% Instrumentalness • 36% Positiveness
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Peter Winslow
Cabasa Samba
133 bpm • A# Maj • 03:51 • -15.07db
17% Popularity • 42% Danceability • 35% Energy • 22% Liveness
59% Instrumentalness • 65% Positiveness
17% Popularity • 42% Danceability • 35% Energy • 22% Liveness
59% Instrumentalness • 65% Positiveness
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Heinz Kiessling
Sky Diver
132 bpm • F min • 02:30 • -10.19db
18% Popularity • 27% Danceability • 67% Energy • 46% Liveness
91% Instrumentalness • 78% Positiveness
18% Popularity • 27% Danceability • 67% Energy • 46% Liveness
91% Instrumentalness • 78% Positiveness
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Enoch Light
Out of Nowhere
138 bpm • D Maj • 02:01 • -17.07db
19% Popularity • 38% Danceability • 39% Energy • 12% Liveness
45% Instrumentalness • 46% Positiveness
19% Popularity • 38% Danceability • 39% Energy • 12% Liveness
45% Instrumentalness • 46% Positiveness
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Dave Terry
Strange Song
138 bpm • F Maj • 02:17 • -13.79db
21% Popularity • 57% Danceability • 27% Energy • 8% Liveness
56% Instrumentalness • 68% Positiveness
21% Popularity • 57% Danceability • 27% Energy • 8% Liveness
56% Instrumentalness • 68% Positiveness
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Warren Barker Orchestra
Caper At the Coffee House
132 bpm • D min • 02:10 • -16.18db
32% Popularity • 67% Danceability • 22% Energy • 11% Liveness
77% Instrumentalness • 38% Positiveness
32% Popularity • 67% Danceability • 22% Energy • 11% Liveness
77% Instrumentalness • 38% Positiveness
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Elliott Fisher
Theme From "Our Man Flint" - Remastered
138 bpm • G# Maj • 02:31 • -10.9db
16% Popularity • 41% Danceability • 51% Energy • 10% Liveness
35% Instrumentalness • 25% Positiveness
16% Popularity • 41% Danceability • 51% Energy • 10% Liveness
35% Instrumentalness • 25% Positiveness
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Tony Hymas
Lady De Luxe
138 bpm • C Maj • 03:49 • -29.77db
14% Popularity • 51% Danceability • 5% Energy • 15% Liveness
88% Instrumentalness • 24% Positiveness
14% Popularity • 51% Danceability • 5% Energy • 15% Liveness
88% Instrumentalness • 24% Positiveness
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Bill Perkins
Samba De Orfeu
138 bpm • D# Maj • 02:35 • -16.32db
12% Popularity • 56% Danceability • 44% Energy • 13% Liveness
18% Instrumentalness • 83% Positiveness
12% Popularity • 56% Danceability • 44% Energy • 13% Liveness
18% Instrumentalness • 83% Positiveness
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Gordon Rees
Soft Lights and Music
131 bpm • A min • 02:20 • -13.84db
14% Popularity • 66% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
14% Popularity • 66% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Mr. Ho's Orchestrotica
Thor's Arrival
139 bpm • A min • 04:55 • -14db
12% Popularity • 36% Danceability • 29% Energy • 10% Liveness
85% Instrumentalness • 26% Positiveness
12% Popularity • 36% Danceability • 29% Energy • 10% Liveness
85% Instrumentalness • 26% Positiveness
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Armando Trovajoli
Little Shakie Girl
139 bpm • G# Maj • 03:01 • -21.15db
28% Popularity • 57% Danceability • 29% Energy • 9% Liveness
89% Instrumentalness • 55% Positiveness
28% Popularity • 57% Danceability • 29% Energy • 9% Liveness
89% Instrumentalness • 55% Positiveness
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Don Baker
The Third Man Theme - Remastered
131 bpm • C# Maj • 02:05 • -18.03db
14% Popularity • 67% Danceability • 26% Energy • 9% Liveness
14% Instrumentalness • 54% Positiveness
14% Popularity • 67% Danceability • 26% Energy • 9% Liveness
14% Instrumentalness • 54% Positiveness
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Leroy Holmes
The James Bond Theme Medley - Remastered
131 bpm • B Maj • 04:36 • -14db
22% Popularity • 50% Danceability • 47% Energy • 14% Liveness
31% Instrumentalness • 53% Positiveness
22% Popularity • 50% Danceability • 47% Energy • 14% Liveness
31% Instrumentalness • 53% Positiveness
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Bill Le Sage
Douglas Dilemma
139 bpm • F Maj • 02:23 • -24.26db
16% Popularity • 67% Danceability • 15% Energy • 10% Liveness
81% Instrumentalness • 67% Positiveness
16% Popularity • 67% Danceability • 15% Energy • 10% Liveness
81% Instrumentalness • 67% Positiveness
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Milt Buckner
Robbin's Nest
139 bpm • C# Maj • 05:36 • -10.63db
3% Popularity • 75% Danceability • 43% Energy • 12% Liveness
18% Instrumentalness • 75% Positiveness
3% Popularity • 75% Danceability • 43% Energy • 12% Liveness
18% Instrumentalness • 75% Positiveness
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Dave Pike
Sunny
131 bpm • F Maj • 03:20 • -9.04db
27% Popularity • 78% Danceability • 39% Energy • 13% Liveness
1% Instrumentalness • 60% Positiveness
27% Popularity • 78% Danceability • 39% Energy • 13% Liveness
1% Instrumentalness • 60% Positiveness
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Peter Winslow
Pampas
139 bpm • C# Maj • 02:58 • -20.83db
18% Popularity • 56% Danceability • 19% Energy • 15% Liveness
76% Instrumentalness • 50% Positiveness
18% Popularity • 56% Danceability • 19% Energy • 15% Liveness
76% Instrumentalness • 50% Positiveness
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Aldo Piga
Concorso per giovani attrici
140 bpm • G Maj • 02:06 • -11db
8% Popularity • 68% Danceability • 66% Energy • 8% Liveness
96% Instrumentalness • 88% Positiveness
8% Popularity • 68% Danceability • 66% Energy • 8% Liveness
96% Instrumentalness • 88% Positiveness
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Its Amazing
Karl Heinz Loges and His Music
140 bpm • A Maj • 02:09 • -10.42db
18% Popularity • 55% Danceability • 56% Energy • 12% Liveness
16% Instrumentalness • 58% Positiveness
18% Popularity • 55% Danceability • 56% Energy • 12% Liveness
16% Instrumentalness • 58% Positiveness
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Si Zentner
High Spirits
130 bpm • A# min • 02:47 • -14.84db
24% Popularity • 45% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
24% Popularity • 45% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Milt Buckner
Blues for Me
140 bpm • C# Maj • 02:49 • -7.28db
0% Popularity • 74% Danceability • 60% Energy • 16% Liveness
67% Instrumentalness • 90% Positiveness
0% Popularity • 74% Danceability • 60% Energy • 16% Liveness
67% Instrumentalness • 90% Positiveness
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Jackie Davis
Midnight Sun
140 bpm • F# Maj • 03:10 • -18db
18% Popularity • 68% Danceability • 27% Energy • 12% Liveness
80% Instrumentalness • 68% Positiveness
18% Popularity • 68% Danceability • 27% Energy • 12% Liveness
80% Instrumentalness • 68% Positiveness
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George Siravo
Where's the Melody
140 bpm • C# Maj • 02:23 • -9.52db
20% Popularity • 74% Danceability • 50% Energy • 21% Liveness
70% Instrumentalness • 77% Positiveness
20% Popularity • 74% Danceability • 50% Energy • 21% Liveness
70% Instrumentalness • 77% Positiveness
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Esquivel And His Orchestra
My Blue Heaven
130 bpm • C Maj • 02:56 • -12.02db
10% Popularity • 62% Danceability • 44% Energy • 14% Liveness
1% Instrumentalness • 57% Positiveness
10% Popularity • 62% Danceability • 44% Energy • 14% Liveness
1% Instrumentalness • 57% Positiveness
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David Carbonara
Pacific Coast Highway
140 bpm • C min • 01:34 • -13.48db
31% Popularity • 61% Danceability • 37% Energy • 13% Liveness
82% Instrumentalness • 67% Positiveness
31% Popularity • 61% Danceability • 37% Energy • 13% Liveness
82% Instrumentalness • 67% Positiveness
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Tommy Deering
Sweet and Lovely
130 bpm • F min • 02:36 • -16.33db
21% Popularity • 53% Danceability • 41% Energy • 17% Liveness
82% Instrumentalness • 67% Positiveness
21% Popularity • 53% Danceability • 41% Energy • 17% Liveness
82% Instrumentalness • 67% Positiveness
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Milt Buckner
Sleep
130 bpm • C Maj • 06:48 • -9.23db
3% Popularity • 66% Danceability • 60% Energy • 8% Liveness
1% Instrumentalness • 64% Positiveness
3% Popularity • 66% Danceability • 60% Energy • 8% Liveness
1% Instrumentalness • 64% Positiveness
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Muzak Orchestra
Volare
130 bpm • A# Maj • 02:55 • -9.02db
20% Popularity • 58% Danceability • 50% Energy • 52% Liveness
92% Instrumentalness • 73% Positiveness
20% Popularity • 58% Danceability • 50% Energy • 52% Liveness
92% Instrumentalness • 73% Positiveness
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Lalo Schifrin
On the Way to San Mateo
129 bpm • C min • 02:31 • -17.34db
22% Popularity • 57% Danceability • 42% Energy • 9% Liveness
86% Instrumentalness • 75% Positiveness
22% Popularity • 57% Danceability • 42% Energy • 9% Liveness
86% Instrumentalness • 75% Positiveness
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Piero Umiliani
Honey Moon - Remastered
129 bpm • G min • 04:37 • -18.68db
19% Popularity • 54% Danceability • 39% Energy • 10% Liveness
39% Instrumentalness • 32% Positiveness
19% Popularity • 54% Danceability • 39% Energy • 10% Liveness
39% Instrumentalness • 32% Positiveness
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Milt Jackson Quartet
A Beautiful Romance
129 bpm • F min • 02:29 • -25.78db
40% Popularity • 49% Danceability • 5% Energy • 13% Liveness
13% Instrumentalness • 27% Positiveness
40% Popularity • 49% Danceability • 5% Energy • 13% Liveness
13% Instrumentalness • 27% Positiveness
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Martini Kings
Las Nuedas
129 bpm • D# Maj • 02:18 • -12.7db
21% Popularity • 74% Danceability • 46% Energy • 11% Liveness
72% Instrumentalness • 44% Positiveness
21% Popularity • 74% Danceability • 46% Energy • 11% Liveness
72% Instrumentalness • 44% Positiveness
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Puccio Roelens
Dorothy
141 bpm • G min • 01:57 • -5.3db
35% Popularity • 49% Danceability • 51% Energy • 8% Liveness
92% Instrumentalness • 70% Positiveness
35% Popularity • 49% Danceability • 51% Energy • 8% Liveness
92% Instrumentalness • 70% Positiveness
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Francesco De Masi
Oggi in Africa
129 bpm • G# Maj • 03:03 • -11.94db
15% Popularity • 58% Danceability • 36% Energy • 9% Liveness
18% Instrumentalness • 54% Positiveness
15% Popularity • 58% Danceability • 36% Energy • 9% Liveness
18% Instrumentalness • 54% Positiveness
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Duke Ellington Orchestra
Pyramid
129 bpm • C Maj • 03:01 • -16.71db
16% Popularity • 52% Danceability • 28% Energy • 6% Liveness
42% Instrumentalness • 53% Positiveness
16% Popularity • 52% Danceability • 28% Energy • 6% Liveness
42% Instrumentalness • 53% Positiveness
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Kenny Burrell
As Long As I Live
142 bpm • D# Maj • 02:48 • -22.2db
29% Popularity • 71% Danceability • 16% Energy • 10% Liveness
76% Instrumentalness • 86% Positiveness
29% Popularity • 71% Danceability • 16% Energy • 10% Liveness
76% Instrumentalness • 86% Positiveness
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The Kenny Clarke-Francy Boland Big Band
Lullaby of the Leaves
129 bpm • F min • 04:14 • -12.26db
28% Popularity • 50% Danceability • 41% Energy • 19% Liveness
18% Instrumentalness • 74% Positiveness
28% Popularity • 50% Danceability • 41% Energy • 19% Liveness
18% Instrumentalness • 74% Positiveness
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Tommy Flanagan Trio
Relaxin' at Camarillo
129 bpm • G Maj • 03:21 • -13db
37% Popularity • 57% Danceability • 53% Energy • 12% Liveness
92% Instrumentalness • 70% Positiveness
37% Popularity • 57% Danceability • 53% Energy • 12% Liveness
92% Instrumentalness • 70% Positiveness
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Kai Winding
Experiment in Terror
142 bpm • G# Maj • 02:19 • -17.57db
13% Popularity • 38% Danceability • 20% Energy • 32% Liveness
81% Instrumentalness • 37% Positiveness
13% Popularity • 38% Danceability • 20% Energy • 32% Liveness
81% Instrumentalness • 37% Positiveness
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Bill Perkins
Baia - Remastered
142 bpm • F min • 03:34 • -15db
22% Popularity • 41% Danceability • 25% Energy • 12% Liveness
89% Instrumentalness • 63% Positiveness
22% Popularity • 41% Danceability • 25% Energy • 12% Liveness
89% Instrumentalness • 63% Positiveness
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The Tony Hatch Orchestra
On a Clear Day
142 bpm • A min • 03:30 • -14.74db
22% Popularity • 59% Danceability • 47% Energy • 13% Liveness
96% Instrumentalness • 62% Positiveness
22% Popularity • 59% Danceability • 47% Energy • 13% Liveness
96% Instrumentalness • 62% Positiveness
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Xavier Cugat & His Orchestra
One Mint Julep (Cha-Cha Twist)
128 bpm • D# Maj • 03:05 • -11.06db
32% Popularity • 66% Danceability • 67% Energy • 32% Liveness
7% Instrumentalness • 86% Positiveness
32% Popularity • 66% Danceability • 67% Energy • 32% Liveness
7% Instrumentalness • 86% Positiveness
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Dave Brubeck Trio
Heart And Soul
142 bpm • D# Maj • 02:18 • -18.63db
50% Popularity • 52% Danceability • 31% Energy • 11% Liveness
93% Instrumentalness • 47% Positiveness
50% Popularity • 52% Danceability • 31% Energy • 11% Liveness
93% Instrumentalness • 47% Positiveness
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Jack Fascinato
Spring, Sprang, Sprung - Remastered
142 bpm • F Maj • 02:59 • -17db
16% Popularity • 42% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
16% Popularity • 42% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Lalo Schifrin
Room 26 - Movie
128 bpm • F min • 02:28 • -9db
18% Popularity • 57% Danceability • 52% Energy • 36% Liveness
76% Instrumentalness • 35% Positiveness
18% Popularity • 57% Danceability • 52% Energy • 36% Liveness
76% Instrumentalness • 35% Positiveness
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Robert Drasnin
Orinoco
128 bpm • E min • 02:19 • -21.4db
31% Popularity • 60% Danceability • 26% Energy • 10% Liveness
98% Instrumentalness • 79% Positiveness
31% Popularity • 60% Danceability • 26% Energy • 10% Liveness
98% Instrumentalness • 79% Positiveness
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John Shakespeare
Sandals in the Sand
143 bpm • C Maj • 03:00 • -16.96db
16% Popularity • 48% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
16% Popularity • 48% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Denny McLain
Watch What Happens - Remastered
128 bpm • C min • 02:00 • -14.88db
11% Popularity • 39% Danceability • 39% Energy • 37% Liveness
90% Instrumentalness • 63% Positiveness
11% Popularity • 39% Danceability • 39% Energy • 37% Liveness
90% Instrumentalness • 63% Positiveness
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Sonny Stitt
Ringin' In
128 bpm • F min • 05:15 • -13.88db
8% Popularity • 56% Danceability • 36% Energy • 30% Liveness
67% Instrumentalness • 62% Positiveness
8% Popularity • 56% Danceability • 36% Energy • 30% Liveness
67% Instrumentalness • 62% Positiveness
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Hugo Montenegro & His Orchestra
Solo's Samba
128 bpm • G Maj • 02:26 • -18.48db
26% Popularity • 53% Danceability • 32% Energy • 31% Liveness
92% Instrumentalness • 51% Positiveness
26% Popularity • 53% Danceability • 32% Energy • 31% Liveness
92% Instrumentalness • 51% Positiveness
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Ernie Freeman
Fever / Comin' Home Baby
128 bpm • A# min • 05:58 • -12.2db
11% Popularity • 57% Danceability • 42% Energy • 25% Liveness
18% Instrumentalness • 51% Positiveness
11% Popularity • 57% Danceability • 42% Energy • 25% Liveness
18% Instrumentalness • 51% Positiveness
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Milt Buckner
It's the Talk of the Town
128 bpm • D min • 06:38 • -15.1db
2% Popularity • 55% Danceability • 24% Energy • 11% Liveness
43% Instrumentalness • 32% Positiveness
2% Popularity • 55% Danceability • 24% Energy • 11% Liveness
43% Instrumentalness • 32% Positiveness
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Tony Kinsey
Consumer Goods
127 bpm • A# Maj • 03:09 • -18.91db
22% Popularity • 46% Danceability • 34% Energy • 12% Liveness
80% Instrumentalness • 31% Positiveness
22% Popularity • 46% Danceability • 34% Energy • 12% Liveness
80% Instrumentalness • 31% Positiveness
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Syd Dale
All Together
127 bpm • C Maj • 02:56 • -12.63db
12% Popularity • 60% Danceability • 41% Energy • 11% Liveness
49% Instrumentalness • 78% Positiveness
12% Popularity • 60% Danceability • 41% Energy • 11% Liveness
49% Instrumentalness • 78% Positiveness
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Arthur Greenslade
The Way I Want to Touch You
127 bpm • C min • 02:13 • -12.94db
21% Popularity • 44% Danceability • 53% Energy • 24% Liveness
85% Instrumentalness • 77% Positiveness
21% Popularity • 44% Danceability • 53% Energy • 24% Liveness
85% Instrumentalness • 77% Positiveness
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Illinois Jacquet
Port Of Rico (07-22-52)
127 bpm • C Maj • 02:44 • -11.14db
30% Popularity • 77% Danceability • 25% Energy • 9% Liveness
8% Instrumentalness • 62% Positiveness
30% Popularity • 77% Danceability • 25% Energy • 9% Liveness
8% Instrumentalness • 62% Positiveness
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Neil Richardson
Firebird
143 bpm • F min • 02:18 • -5.68db
18% Popularity • 32% Danceability • 68% Energy • 8% Liveness
94% Instrumentalness • 70% Positiveness
18% Popularity • 32% Danceability • 68% Energy • 8% Liveness
94% Instrumentalness • 70% Positiveness
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Muzak Orchestra
Beat It
144 bpm • E min • 03:00 • -11.31db
18% Popularity • 69% Danceability • 48% Energy • 17% Liveness
82% Instrumentalness • 82% Positiveness
18% Popularity • 69% Danceability • 48% Energy • 17% Liveness
82% Instrumentalness • 82% Positiveness
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Muzak Brass
Cafe Melody
144 bpm • F min • 02:37 • -9db
18% Popularity • 42% Danceability • 41% Energy • 9% Liveness
94% Instrumentalness • 39% Positiveness
18% Popularity • 42% Danceability • 41% Energy • 9% Liveness
94% Instrumentalness • 39% Positiveness
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Milt Buckner
After You've Gone
144 bpm • G# Maj • 04:44 • -9.05db
2% Popularity • 57% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
2% Popularity • 57% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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Dave Pike
South Seas
127 bpm • G min • 02:36 • -20.39db
33% Popularity • 66% Danceability • 33% Energy • 14% Liveness
94% Instrumentalness • 64% Positiveness
33% Popularity • 66% Danceability • 33% Energy • 14% Liveness
94% Instrumentalness • 64% Positiveness
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Richard Iacona
Lineup
127 bpm • A# min • 01:00 • -19.48db
31% Popularity • 65% Danceability • 23% Energy • 10% Liveness
85% Instrumentalness • 42% Positiveness
31% Popularity • 65% Danceability • 23% Energy • 10% Liveness
85% Instrumentalness • 42% Positiveness
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Bob Brookmeyer
Theme From Mutiny On The Bounty
144 bpm • G min • 02:03 • -16.31db
29% Popularity • 72% Danceability • 38% Energy • 7% Liveness
88% Instrumentalness • 96% Positiveness
29% Popularity • 72% Danceability • 38% Energy • 7% Liveness
88% Instrumentalness • 96% Positiveness
