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Songs like
Power Spot
by
Jon Hassell
Based on a tempo of (+/- 10%) and a similar genre
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Yasuaki Shimizu
Utsukushiki Tennen
151 bpm • C min • 04:45 • -11.64db
19% Popularity • 39% Danceability • 44% Energy • 9% Liveness
19% Instrumentalness • 55% Positiveness
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Jon Hassell
Power Spot
151 bpm • C Maj • 07:07 • -20.6db
15% Popularity • 70% Danceability • 40% Energy • 9% Liveness
77% Instrumentalness • 60% Positiveness
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Laurie Spiegel
Donnie and Laurie
150 bpm • F min • 05:24 • -12.46db
11% Popularity • 39% Danceability • 90% Energy • 7% Liveness
84% Instrumentalness • 46% Positiveness
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Vito Ricci
Dub It - Original Mix
150 bpm • A min • 02:58 • -8.58db
14% Popularity • 84% Danceability • 74% Energy • 17% Liveness
54% Instrumentalness • 95% Positiveness
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Roberto Musci
Nexus On The Beach
150 bpm • F min • 06:09 • -17.8db
31% Popularity • 33% Danceability • 33% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Eduardo del Signore
Si Por Amor
152 bpm • F# min • 05:19 • -20.87db
1% Popularity • 65% Danceability • 19% Energy • 11% Liveness
20% Instrumentalness • 23% Positiveness
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David Toop
Slow Loris Versus Poison Snail
149 bpm • F Maj • 09:23 • -18db
18% Popularity • 37% Danceability • 31% Energy • 35% Liveness
70% Instrumentalness • 11% Positiveness
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Jon Hassell
Time And Place
150 bpm • B min • 03:48 • -23.92db
30% Popularity • 49% Danceability • 20% Energy • 9% Liveness
88% Instrumentalness • 29% Positiveness
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Oren Ambarchi
II
154 bpm • D Maj • 09:32 • -12.12db
19% Popularity • 55% Danceability • 66% Energy • 11% Liveness
82% Instrumentalness • 41% Positiveness
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Tomaga
More Flowers
148 bpm • C# Maj • 04:55 • -9.36db
17% Popularity • 63% Danceability • 85% Energy • 7% Liveness
83% Instrumentalness • 54% Positiveness
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Josiah Steinbrick
Interior Districts of the Spirit World
148 bpm • B min • 03:34 • -18.56db
25% Popularity • 64% Danceability • 31% Energy • 11% Liveness
93% Instrumentalness • 20% Positiveness
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Yasuaki Shimizu
Kono Yoni Yomeri (Sono 1)
147 bpm • F# Maj • 02:59 • -18.27db
21% Popularity • 44% Danceability • 13% Energy • 16% Liveness
95% Instrumentalness • 20% Positiveness
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Harmonia & Eno '76
Trace
148 bpm • B min • 01:32 • -16.28db
15% Popularity • 47% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Jon Hassell
Fearless
154 bpm • G Maj • 08:02 • -11.41db
23% Popularity • 59% Danceability • 45% Energy • 16% Liveness
87% Instrumentalness • 14% Positiveness
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David Toop
Slow Loris Versus Poison Snail
146 bpm • B min • 09:21 • -18.83db
2% Popularity • 34% Danceability • 29% Energy • 18% Liveness
91% Instrumentalness • 9% Positiveness
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Entourage Music and Theatre Ensemble
Euphoric Bells
147 bpm • A# Maj • 03:04 • -18.53db
13% Popularity • 13% Danceability • 23% Energy • 6% Liveness
64% Instrumentalness • 12% Positiveness
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Pieter Nooten And Michael Brook
After The Call
146 bpm • D# Maj • 05:16 • -20.4db
20% Popularity • 13% Danceability • 14% Energy • 8% Liveness
86% Instrumentalness • 7% Positiveness
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Bitchin Bajas
Jammu
157 bpm • F Maj • 11:03 • -18.4db
12% Popularity • 55% Danceability • 30% Energy • 57% Liveness
94% Instrumentalness • 24% Positiveness
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Jon Balke
Ya Safwa Ti
157 bpm • B Maj • 05:17 • -17.21db
10% Popularity • 54% Danceability • 23% Energy • 11% Liveness
3% Instrumentalness • 49% Positiveness
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Jon Hassell
Ndeya
154 bpm • D Maj • 07:07 • -14.07db
12% Popularity • 45% Danceability • 58% Energy • 9% Liveness
60% Instrumentalness • 22% Positiveness
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Popol Vuh
They Danced, They Laughed, as of Old
157 bpm • F Maj • 04:51 • -13.21db
18% Popularity • 27% Danceability • 37% Energy • 32% Liveness
93% Instrumentalness • 7% Positiveness
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Steve Roach
Towards The Dream
158 bpm • D min • 07:09 • -16.61db
17% Popularity • 41% Danceability • 73% Energy • 9% Liveness
86% Instrumentalness • 96% Positiveness
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Biosphere
Times When I Know You'll Be Sad
144 bpm • C min • 03:44 • -28db
28% Popularity • 45% Danceability • 5% Energy • 15% Liveness
83% Instrumentalness • 6% Positiveness
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Bitchin Bajas
Space Is The Place
145 bpm • C min • 07:56 • -9.85db
12% Popularity • 34% Danceability • 46% Energy • 6% Liveness
14% Instrumentalness • 46% Positiveness
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Morgan Fisher
Ice Melting
144 bpm • A min • 07:45 • -22.91db
10% Popularity • 28% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 8% Positiveness
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Jon Hassell
Solaire
146 bpm • D Maj • 06:49 • -25.58db
12% Popularity • 58% Danceability • 25% Energy • 13% Liveness
84% Instrumentalness • 66% Positiveness
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Jon Balke
A La Dina
145 bpm • F# Maj • 03:27 • -17.22db
5% Popularity • 43% Danceability • 35% Energy • 30% Liveness
4% Instrumentalness • 76% Positiveness
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Roedelius
In Liebe dein
144 bpm • G Maj • 03:46 • -9.83db
14% Popularity • 50% Danceability • 44% Energy • 14% Liveness
98% Instrumentalness • 62% Positiveness
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The Advisory Circle
Sundial
159 bpm • B min • 03:27 • -14.38db
23% Popularity • 21% Danceability • 22% Energy • 15% Liveness
37% Instrumentalness • 46% Positiveness
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Arp
Spinette
143 bpm • C Maj • 05:09 • -16.64db
8% Popularity • 48% Danceability • 38% Energy • 11% Liveness
96% Instrumentalness • 55% Positiveness
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K. Leimer
Honey To Ashes
159 bpm • E min • 03:04 • -12.01db
18% Popularity • 61% Danceability • 43% Energy • 3% Liveness
94% Instrumentalness • 62% Positiveness
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Jon Hassell
Tribal Secret
144 bpm • C# Maj • 03:52 • -34.58db
16% Popularity • 34% Danceability • 20% Energy • 13% Liveness
28% Instrumentalness • 45% Positiveness
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Pablo's Eye
Blind And Quiet
143 bpm • D Maj • 01:27 • -19.95db
22% Popularity • 19% Danceability • 38% Energy • 15% Liveness
98% Instrumentalness • 6% Positiveness
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Beverly Glenn-Copeland
Slow Dance
143 bpm • G# Maj • 06:39 • -13db
20% Popularity • 61% Danceability • 71% Energy • 8% Liveness
93% Instrumentalness • 86% Positiveness
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Synergetic Voice Orchestra
A Tale
160 bpm • F min • 05:35 • -18.86db
24% Popularity • 26% Danceability • 24% Energy • 10% Liveness
87% Instrumentalness • 11% Positiveness
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Dominique Lawalrée
La Maison Des 5 Éléments
142 bpm • E min • 09:31 • -18db
11% Popularity • 49% Danceability • 17% Energy • 9% Liveness
93% Instrumentalness • 17% Positiveness
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Laurie Spiegel
Drums
160 bpm • B min • 07:09 • -20db
17% Popularity • 46% Danceability • 43% Energy • 11% Liveness
97% Instrumentalness • 25% Positiveness
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Bitchin Bajas
A Call For All Demons
160 bpm • C min • 05:36 • -12db
13% Popularity • 70% Danceability • 34% Energy • 11% Liveness
88% Instrumentalness • 90% Positiveness
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K. Leimer
Entr'acte
142 bpm • E Maj • 03:08 • -8.29db
19% Popularity • 72% Danceability • 71% Energy • 13% Liveness
51% Instrumentalness • 95% Positiveness
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Harmonia & Eno '76
Atmosphere
142 bpm • A Maj • 03:24 • -9.27db
21% Popularity • 73% Danceability • 59% Energy • 12% Liveness
94% Instrumentalness • 76% Positiveness
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Jon Hassell
Picnic
160 bpm • F Maj • 05:58 • -13.23db
14% Popularity • 32% Danceability • 64% Energy • 27% Liveness
81% Instrumentalness • 3% Positiveness
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Kara-Lis Coverdale
Tunnel Vision
142 bpm • C min • 05:56 • -14db
7% Popularity • 27% Danceability • 48% Energy • 14% Liveness
1% Instrumentalness • 6% Positiveness
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Seefeel
Starethrough
142 bpm • B min • 07:46 • -14db
10% Popularity • 49% Danceability • 36% Energy • 58% Liveness
96% Instrumentalness • 20% Positiveness
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Div art
IV
141 bpm • C# Maj • 06:49 • -28.82db
0% Popularity • 35% Danceability • 14% Energy • 63% Liveness
83% Instrumentalness • 4% Positiveness
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Roedelius
Veilchenwurzeln
161 bpm • D Maj • 05:04 • -9.83db
21% Popularity • 26% Danceability • 62% Energy • 10% Liveness
93% Instrumentalness • 29% Positiveness
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Vito Ricci
The Ship Was Sailing - Original Mix
161 bpm • G Maj • 05:43 • -13.89db
13% Popularity • 13% Danceability • 41% Energy • 8% Liveness
92% Instrumentalness • 31% Positiveness
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Jon Hassell
Adios Saturn
141 bpm • E min • 01:57 • -22.45db
10% Popularity • 51% Danceability • 42% Energy • 14% Liveness
38% Instrumentalness • 22% Positiveness
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Jeremiah Chiu
By Foot By Sea
141 bpm • A# min • 06:32 • -18db
18% Popularity • 20% Danceability • 22% Energy • 13% Liveness
92% Instrumentalness • 15% Positiveness
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Oval
Textuell
141 bpm • C Maj • 07:23 • -19db
15% Popularity • 86% Danceability • 26% Energy • 11% Liveness
95% Instrumentalness • 9% Positiveness
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Kuniyuki Takahashi
Day Dreams
141 bpm • B min • 05:29 • -17db
20% Popularity • 22% Danceability • 10% Energy • 11% Liveness
83% Instrumentalness • 12% Positiveness
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Nobukazu Takemura
Icefall
163 bpm • C Maj • 10:34 • -17.93db
8% Popularity • 36% Danceability • 47% Energy • 10% Liveness
95% Instrumentalness • 42% Positiveness
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Jon Balke
Thulathyath
140 bpm • F# Maj • 10:04 • -17.73db
6% Popularity • 51% Danceability • 24% Energy • 11% Liveness
64% Instrumentalness • 24% Positiveness
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Jon Hassell
Her First Rain
141 bpm • C Maj • 01:38 • -29db
34% Popularity • 34% Danceability • 4% Energy • 15% Liveness
91% Instrumentalness • 18% Positiveness
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Tetsu Inoue
Background Story
140 bpm • D Maj • 08:15 • -26.1db
13% Popularity • 17% Danceability • 34% Energy • 20% Liveness
7% Instrumentalness • 8% Positiveness
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Suzanne Ciani
The Fourth Wave - Wind In The Sea
140 bpm • F Maj • 03:46 • -21.87db
20% Popularity • 43% Danceability • 16% Energy • 78% Liveness
90% Instrumentalness • 14% Positiveness
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Pauline Anna Strom
Bonsai Terrace
140 bpm • A# Maj • 03:26 • -20.25db
10% Popularity • 66% Danceability • 3% Energy • 7% Liveness
61% Instrumentalness • 16% Positiveness
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Syrinx
Tumblers to the Vault
139 bpm • D min • 03:29 • -8.41db
8% Popularity • 27% Danceability • 54% Energy • 13% Liveness
7% Instrumentalness • 15% Positiveness
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Susumu Yokota
Tobiume
139 bpm • F# Maj • 04:38 • -17.03db
41% Popularity • 24% Danceability • 25% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
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Jon Hassell
Voodoo Wind
140 bpm • B min • 09:42 • -18.99db
10% Popularity • 50% Danceability • 52% Energy • 18% Liveness
60% Instrumentalness • 49% Positiveness
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Roedelius
Freudentanz
165 bpm • B Maj • 02:00 • -11.68db
28% Popularity • 45% Danceability • 47% Energy • 12% Liveness
86% Instrumentalness • 36% Positiveness
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Harold Budd
The Real Dream Of Sails
139 bpm • A# Maj • 06:08 • -14.72db
14% Popularity • 41% Danceability • 36% Energy • 10% Liveness
89% Instrumentalness • 20% Positiveness
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Benjamin Lew
Profondeurs des eaux des laques
138 bpm • F# min • 03:38 • -18.65db
14% Popularity • 25% Danceability • 12% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Cluster
So Ney
138 bpm • C# Maj • 03:21 • -18.06db
13% Popularity • 66% Danceability • 29% Energy • 14% Liveness
91% Instrumentalness • 81% Positiveness
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FUJI||||||||||TA
sukima
138 bpm • C Maj • 07:03 • -24.59db
11% Popularity • 65% Danceability • 9% Energy • 27% Liveness
0% Instrumentalness • 15% Positiveness
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Dominique Lawalrée
Minimum II
165 bpm • D Maj • 02:33 • -24.16db
10% Popularity • 9% Danceability • 3% Energy • 61% Liveness
95% Instrumentalness • 2% Positiveness
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Jon Hassell
Northline - Live
138 bpm • E min • 06:43 • -26.72db
17% Popularity • 39% Danceability • 3% Energy • 7% Liveness
94% Instrumentalness • 7% Positiveness
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Ariel Kalma
Orguitar Soir
138 bpm • C min • 09:07 • -9.17db
13% Popularity • 15% Danceability • 38% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
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Susumu Yokota
Shinsen
166 bpm • D# Maj • 04:33 • -17.17db
33% Popularity • 47% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
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Laurie Spiegel
Clockworks
137 bpm • A min • 05:22 • -18.77db
11% Popularity • 79% Danceability • 60% Energy • 10% Liveness
90% Instrumentalness • 40% Positiveness
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Valentina Magaletti
Body in a Room
137 bpm • A# Maj • 05:15 • -12.1db
8% Popularity • 60% Danceability • 39% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
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Malcolm Cecil
Melodious Wind Song
137 bpm • C# min • 01:28 • -11.21db
12% Popularity • 21% Danceability • 28% Energy • 12% Liveness
96% Instrumentalness • 5% Positiveness
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Jon Hassell
Darbari Bridge
137 bpm • A# Maj • 11:42 • -22.36db
7% Popularity • 24% Danceability • 15% Energy • 9% Liveness
91% Instrumentalness • 18% Positiveness
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Jasper Van't Hof
Associations
137 bpm • A Maj • 07:11 • -11.01db
9% Popularity • 39% Danceability • 60% Energy • 12% Liveness
90% Instrumentalness • 19% Positiveness
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Susumu Yokota
Lost Child
166 bpm • E Maj • 03:26 • -16.04db
13% Popularity • 22% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Cluster
Isodea
168 bpm • F# min • 04:02 • -15db
29% Popularity • 57% Danceability • 28% Energy • 12% Liveness
87% Instrumentalness • 54% Positiveness
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Klaus Schulze
Last Not Least
169 bpm • F# min • 07:01 • -18.64db
24% Popularity • 9% Danceability • 26% Energy • 15% Liveness
98% Instrumentalness • 4% Positiveness
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Nuno Canavarro
[Untitled]
135 bpm • D Maj • 04:20 • -20.17db
14% Popularity • 27% Danceability • 31% Energy • 7% Liveness
33% Instrumentalness • 10% Positiveness
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Pieter Nooten And Michael Brook
These Waves
169 bpm • G min • 03:12 • -27.65db
21% Popularity • 9% Danceability • 4% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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Roedelius
Mein Freund Farouk
170 bpm • D Maj • 04:19 • -10.97db
21% Popularity • 42% Danceability • 36% Energy • 10% Liveness
99% Instrumentalness • 12% Positiveness
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Morgan Fisher
Flotsam
134 bpm • D Maj • 01:36 • -25.73db
7% Popularity • 34% Danceability • 9% Energy • 6% Liveness
43% Instrumentalness • 16% Positiveness
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Pablo's Eye
A Long Standing Dream
170 bpm • F Maj • 06:49 • -23db
12% Popularity • 42% Danceability • 33% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Richard Horowitz
Tamara Alexa - Interdimensional Travel A...
134 bpm • A Maj • 03:28 • -8.41db
14% Popularity • 52% Danceability • 28% Energy • 7% Liveness
58% Instrumentalness • 25% Positiveness
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Laurie Spiegel
Old Wave
170 bpm • C# Maj • 06:53 • -15.01db
16% Popularity • 8% Danceability • 1% Energy • 14% Liveness
47% Instrumentalness • 4% Positiveness
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越智義朗
Dawning
170 bpm • C# Maj • 05:20 • -17.28db
11% Popularity • 48% Danceability • 23% Energy • 6% Liveness
96% Instrumentalness • 23% Positiveness
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Roberto Musci
A Tale For C
134 bpm • A# Maj • 03:28 • -12.52db
18% Popularity • 77% Danceability • 48% Energy • 9% Liveness
85% Instrumentalness • 39% Positiveness
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K. Leimer
At Daybreak
171 bpm • G Maj • 01:31 • -20db
46% Popularity • 31% Danceability • 17% Energy • 8% Liveness
94% Instrumentalness • 53% Positiveness
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Popol Vuh
Nachts: Schnee
171 bpm • A min • 01:51 • -22.47db
32% Popularity • 8% Danceability • 14% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
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Harmonia & Eno '76
Luneburg Heath
134 bpm • D Maj • 04:54 • -17.61db
12% Popularity • 29% Danceability • 19% Energy • 23% Liveness
88% Instrumentalness • 13% Positiveness
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Kaitlyn Aurelia Smith
Understanding Body Messages
133 bpm • C# min • 01:24 • -24db
45% Popularity • 93% Danceability • 37% Energy • 14% Liveness
62% Instrumentalness • 98% Positiveness
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Kosmischer Läufer
Walzer der roten Katze
171 bpm • C Maj • 01:34 • -18.66db
28% Popularity • 54% Danceability • 10% Energy • 13% Liveness
85% Instrumentalness • 95% Positiveness
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Ash Ra Tempel
Le souire volé
171 bpm • A min • 06:06 • -21.89db
17% Popularity • 48% Danceability • 53% Energy • 28% Liveness
87% Instrumentalness • 55% Positiveness
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Eli Keszler
Lotus Awnings
133 bpm • B min • 04:55 • -20.6db
8% Popularity • 61% Danceability • 26% Energy • 9% Liveness
84% Instrumentalness • 30% Positiveness
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Jon Balke
Itimad
133 bpm • F# min • 06:43 • -22.55db
8% Popularity • 62% Danceability • 18% Energy • 11% Liveness
9% Instrumentalness • 32% Positiveness
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Tangerine Dream
No Man's Land - 1995 Remaster
133 bpm • D Maj • 09:11 • -11.11db
19% Popularity • 62% Danceability • 66% Energy • 15% Liveness
90% Instrumentalness • 45% Positiveness
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Global Communication
9:25
172 bpm • D# min • 09:25 • -16.3db
27% Popularity • 51% Danceability • 47% Energy • 81% Liveness
88% Instrumentalness • 5% Positiveness
► Preview
Roberto Musci
Woman of Water and Music
172 bpm • C# Maj • 05:25 • -19.73db
6% Popularity • 35% Danceability • 31% Energy • 27% Liveness
85% Instrumentalness • 29% Positiveness
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Cybe
The Moon Is Shining Above The Ricefields
132 bpm • F Maj • 04:12 • -13db
24% Popularity • 62% Danceability • 44% Energy • 43% Liveness
73% Instrumentalness • 64% Positiveness
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Josiah Steinbrick
(Four Synthesizers, Two Bells on Tuned W...
172 bpm • B min • 06:32 • -25db
14% Popularity • 13% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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Jon Hassell
Air
132 bpm • C Maj • 05:20 • -26.64db
11% Popularity • 54% Danceability • 14% Energy • 16% Liveness
55% Instrumentalness • 42% Positiveness
► Preview
Laurie Spiegel
Three Sonic Spaces I
132 bpm • D Maj • 01:36 • -27.82db
28% Popularity • 20% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 2% Positiveness
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Power Spot