Songs like Praeludium & Fugue In A Minor BWV.453 by Otto Winter
Based on a tempo of (+/- 10%) and a similar genre
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Sergei Rachmaninoff
Piano Concerto No. 2 in C Minor, Op. 18:...
73 bpm • C min • 09:20 • -16.16db
21% Popularity • 21% Danceability • 23% Energy • 5% Liveness
93% Instrumentalness • 8% Positiveness
21% Popularity • 21% Danceability • 23% Energy • 5% Liveness
93% Instrumentalness • 8% Positiveness
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Arcangelo Corelli
Concerto Grosso No. 8 in G Minor, Op. 6,...
73 bpm • G min • 02:27 • -13.92db
43% Popularity • 42% Danceability • 16% Energy • 31% Liveness
3% Instrumentalness • 56% Positiveness
43% Popularity • 42% Danceability • 16% Energy • 31% Liveness
3% Instrumentalness • 56% Positiveness
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Otto Winter
Praeludium & Fugue In A Minor BWV.453
73 bpm • G# min • 09:29 • -20.6db
1% Popularity • 15% Danceability • 15% Energy • 41% Liveness
86% Instrumentalness • 16% Positiveness
1% Popularity • 15% Danceability • 15% Energy • 41% Liveness
86% Instrumentalness • 16% Positiveness
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Claude Debussy
Children's Corner: VI. Golliwogg's Cake-...
73 bpm • G# Maj • 03:09 • -27.46db
14% Popularity • 44% Danceability • 2% Energy • 15% Liveness
90% Instrumentalness • 26% Positiveness
14% Popularity • 44% Danceability • 2% Energy • 15% Liveness
90% Instrumentalness • 26% Positiveness
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Ralph Vaughan Williams
Vaughan Williams & Greaves: Fantasia on ...
74 bpm • C min • 04:32 • -31.54db
20% Popularity • 14% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
20% Popularity • 14% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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George Frideric Handel
Passacaglia for Violin and Violoncello a...
74 bpm • G min • 07:21 • -23.88db
28% Popularity • 26% Danceability • 9% Energy • 8% Liveness
65% Instrumentalness • 24% Positiveness
28% Popularity • 26% Danceability • 9% Energy • 8% Liveness
65% Instrumentalness • 24% Positiveness
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Felix Mendelssohn
Midsummer Night's Dream, Incidental Musi...
74 bpm • C Maj • 05:06 • -12db
33% Popularity • 33% Danceability • 23% Energy • 6% Liveness
94% Instrumentalness • 11% Positiveness
33% Popularity • 33% Danceability • 23% Energy • 6% Liveness
94% Instrumentalness • 11% Positiveness
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Jeff String
Marriage of Figaro
74 bpm • D Maj • 04:00 • -14.33db
18% Popularity • 36% Danceability • 18% Energy • 9% Liveness
93% Instrumentalness • 33% Positiveness
18% Popularity • 36% Danceability • 18% Energy • 9% Liveness
93% Instrumentalness • 33% Positiveness
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Otto Winter
Fantasy and Fugue in G Minor BWV 542
74 bpm • B Maj • 09:46 • -17.29db
0% Popularity • 9% Danceability • 16% Energy • 16% Liveness
91% Instrumentalness • 23% Positiveness
0% Popularity • 9% Danceability • 16% Energy • 16% Liveness
91% Instrumentalness • 23% Positiveness
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Frédéric Chopin
Fantaisie Impromptu in C-Sharp Minor, Op...
72 bpm • C# Maj • 05:17 • -20.18db
30% Popularity • 18% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
30% Popularity • 18% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
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Claude Debussy
Suite bergamasque, L.75: 3. Clair de lun...
73 bpm • C# Maj • 06:48 • -31.83db
20% Popularity • 29% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
20% Popularity • 29% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Franz Liszt
Hungarian Rhapsody No. 2, S. 244/2
74 bpm • C# Maj • 09:32 • -26.16db
14% Popularity • 36% Danceability • 7% Energy • 8% Liveness
85% Instrumentalness • 11% Positiveness
14% Popularity • 36% Danceability • 7% Energy • 8% Liveness
85% Instrumentalness • 11% Positiveness
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Franz Schubert
Schubert: 6 Moments musicaux, Op. 94, D....
72 bpm • F min • 01:33 • -27db
30% Popularity • 49% Danceability • 5% Energy • 7% Liveness
92% Instrumentalness • 39% Positiveness
30% Popularity • 49% Danceability • 5% Energy • 7% Liveness
92% Instrumentalness • 39% Positiveness
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Richard Addinsell
Warsaw Concerto
74 bpm • B Maj • 09:00 • -19db
32% Popularity • 15% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
32% Popularity • 15% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Otto Winter
Präludium und Fuge, C-Dur, BWV 547
74 bpm • B Maj • 09:41 • -17.31db
0% Popularity • 7% Danceability • 16% Energy • 38% Liveness
91% Instrumentalness • 22% Positiveness
0% Popularity • 7% Danceability • 16% Energy • 38% Liveness
91% Instrumentalness • 22% Positiveness
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London Concert Orchestra
Symphony No.6 Op.74b: Pathetique 2nd Mov...
72 bpm • D Maj • 07:59 • -25.96db
12% Popularity • 10% Danceability • 7% Energy • 12% Liveness
84% Instrumentalness • 13% Positiveness
12% Popularity • 10% Danceability • 7% Energy • 12% Liveness
84% Instrumentalness • 13% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Le carnaval des animaux, R...
75 bpm • A min • 02:11 • -30db
22% Popularity • 23% Danceability • 8% Energy • 9% Liveness
70% Instrumentalness • 12% Positiveness
22% Popularity • 23% Danceability • 8% Energy • 9% Liveness
70% Instrumentalness • 12% Positiveness
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London Philharmonic Orchestra
Orchestral Suite No. 3 in D Major, BWV 1...
71 bpm • D Maj • 04:14 • -18.41db
36% Popularity • 18% Danceability • 21% Energy • 15% Liveness
86% Instrumentalness • 10% Positiveness
36% Popularity • 18% Danceability • 21% Energy • 15% Liveness
86% Instrumentalness • 10% Positiveness
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Franz Schubert
4 Impromptus, Op. 90, D. 899: Impromptu ...
71 bpm • F# Maj • 04:57 • -29.36db
31% Popularity • 16% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
31% Popularity • 16% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
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Tbilisi Symphony Orchestra, SIMI Studio Choir, Jansug Kakhidze, Naira Nachkhatashvili, Natalia Volchenko, Giya Assatiani, Tamaz Tseriashvili
Symphony No.9 in D minor, Choral, Op. 12...
75 bpm • D Maj • 02:41 • -14.55db
4% Popularity • 42% Danceability • 31% Energy • 55% Liveness
7% Instrumentalness • 33% Positiveness
4% Popularity • 42% Danceability • 31% Energy • 55% Liveness
7% Instrumentalness • 33% Positiveness
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Gabriel Fauré
Pavane in F-Sharp Minor, Op. 50
75 bpm • F# min • 05:44 • -24db
17% Popularity • 18% Danceability • 9% Energy • 17% Liveness
89% Instrumentalness • 7% Positiveness
17% Popularity • 18% Danceability • 9% Energy • 17% Liveness
89% Instrumentalness • 7% Positiveness
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Frédéric Chopin
Waltz No. 10 in B Minor, Op. 69 No. 2
71 bpm • B min • 05:03 • -26.49db
22% Popularity • 46% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
22% Popularity • 46% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
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Claude Debussy
Clair de lune
71 bpm • C# Maj • 05:13 • -24.9db
31% Popularity • 36% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
31% Popularity • 36% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Charles Gounod
Marche funebre d'une marionnette (Funera...
75 bpm • A Maj • 05:49 • -27.8db
20% Popularity • 42% Danceability • 1% Energy • 8% Liveness
70% Instrumentalness • 28% Positiveness
20% Popularity • 42% Danceability • 1% Energy • 8% Liveness
70% Instrumentalness • 28% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: Prelude
75 bpm • D Maj • 01:35 • -9db
17% Popularity • 56% Danceability • 46% Energy • 29% Liveness
84% Instrumentalness • 82% Positiveness
17% Popularity • 56% Danceability • 46% Energy • 29% Liveness
84% Instrumentalness • 82% Positiveness
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Otto Winter
Christ Lag In Todesbanden BWV.625
76 bpm • C# min • 01:18 • -24.73db
0% Popularity • 12% Danceability • 12% Energy • 9% Liveness
91% Instrumentalness • 58% Positiveness
0% Popularity • 12% Danceability • 12% Energy • 9% Liveness
91% Instrumentalness • 58% Positiveness
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Richard Strauss
Also sprach Zarathustra, Op. 30: Sonnena...
76 bpm • C Maj • 01:31 • -18db
31% Popularity • 18% Danceability • 12% Energy • 13% Liveness
52% Instrumentalness • 14% Positiveness
31% Popularity • 18% Danceability • 12% Energy • 13% Liveness
52% Instrumentalness • 14% Positiveness
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Dmitri Shostakovich
The Gadfly Suite, Op. 97: VIII. Romance
76 bpm • C# Maj • 06:33 • -29.13db
30% Popularity • 9% Danceability • 4% Energy • 11% Liveness
57% Instrumentalness • 4% Positiveness
30% Popularity • 9% Danceability • 4% Energy • 11% Liveness
57% Instrumentalness • 4% Positiveness
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Johann Strauss II
Frühlingsstimmen, Op. 410
76 bpm • F# min • 06:14 • -16.7db
23% Popularity • 33% Danceability • 17% Energy • 23% Liveness
50% Instrumentalness • 34% Positiveness
23% Popularity • 33% Danceability • 17% Energy • 23% Liveness
50% Instrumentalness • 34% Positiveness
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Jean-Baptiste Lully
Armide: Overture
70 bpm • A# Maj • 02:16 • -27.15db
40% Popularity • 43% Danceability • 9% Energy • 32% Liveness
92% Instrumentalness • 61% Positiveness
40% Popularity • 43% Danceability • 9% Energy • 32% Liveness
92% Instrumentalness • 61% Positiveness
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Angel Antonio González
Tocata y Fuga in D Minor, BWV 565
76 bpm • D min • 09:45 • -13db
23% Popularity • 9% Danceability • 24% Energy • 11% Liveness
85% Instrumentalness • 5% Positiveness
23% Popularity • 9% Danceability • 24% Energy • 11% Liveness
85% Instrumentalness • 5% Positiveness
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Otto Winter
Fantasia, G-Dur, BWV 572
76 bpm • F# Maj • 08:59 • -17.15db
0% Popularity • 7% Danceability • 23% Energy • 34% Liveness
65% Instrumentalness • 8% Positiveness
0% Popularity • 7% Danceability • 23% Energy • 34% Liveness
65% Instrumentalness • 8% Positiveness
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Nikolai Rimsky-Korsakov
Scheherezade, Op. 35: I. The Sea and Sin...
70 bpm • E min • 10:14 • -17db
29% Popularity • 9% Danceability • 14% Energy • 23% Liveness
80% Instrumentalness • 4% Positiveness
29% Popularity • 9% Danceability • 14% Energy • 23% Liveness
80% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Overture Orpheus in the Underworld
76 bpm • D Maj • 09:18 • -19.21db
24% Popularity • 18% Danceability • 14% Energy • 15% Liveness
78% Instrumentalness • 13% Positiveness
24% Popularity • 18% Danceability • 14% Energy • 15% Liveness
78% Instrumentalness • 13% Positiveness
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Benjamin Britten
The Young Person's Guide to the Orchestr...
77 bpm • A# Maj • 02:04 • -17db
29% Popularity • 42% Danceability • 22% Energy • 46% Liveness
94% Instrumentalness • 53% Positiveness
29% Popularity • 42% Danceability • 22% Energy • 46% Liveness
94% Instrumentalness • 53% Positiveness
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Camille Saint-Saëns
Oboe Sonata in D Major, Op. 166: I. Anda...
77 bpm • D Maj • 03:52 • -23.93db
23% Popularity • 26% Danceability • 5% Energy • 5% Liveness
90% Instrumentalness • 16% Positiveness
23% Popularity • 26% Danceability • 5% Energy • 5% Liveness
90% Instrumentalness • 16% Positiveness
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Nikolaus Harnoncourt
Mozart: Requiem in D Minor, K. 626: III....
77 bpm • G min • 01:51 • -18.33db
28% Popularity • 39% Danceability • 35% Energy • 23% Liveness
1% Instrumentalness • 27% Positiveness
28% Popularity • 39% Danceability • 35% Energy • 23% Liveness
1% Instrumentalness • 27% Positiveness
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Finghin Collins
Gymnopédie No. 1
69 bpm • G Maj • 03:40 • -28.38db
35% Popularity • 46% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 32% Positiveness
35% Popularity • 46% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 32% Positiveness
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Otto Winter
Triosonate, E-Moll, BWV 528: II. Andante
77 bpm • A# min • 04:50 • -36.24db
0% Popularity • 19% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 16% Positiveness
0% Popularity • 19% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 16% Positiveness
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London Philharmonic Orchestra
Swan Lake Suite, Op. 20: Scène
77 bpm • E min • 03:01 • -13.58db
45% Popularity • 12% Danceability • 26% Energy • 28% Liveness
91% Instrumentalness • 4% Positiveness
45% Popularity • 12% Danceability • 26% Energy • 28% Liveness
91% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Pavane, Op. 50
78 bpm • F# min • 05:41 • -25.2db
21% Popularity • 14% Danceability • 6% Energy • 17% Liveness
79% Instrumentalness • 4% Positiveness
21% Popularity • 14% Danceability • 6% Energy • 17% Liveness
79% Instrumentalness • 4% Positiveness
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Modest Mussorgsky
Night on Bald Mountain
69 bpm • D Maj • 11:27 • -17db
28% Popularity • 20% Danceability • 22% Energy • 63% Liveness
86% Instrumentalness • 5% Positiveness
28% Popularity • 20% Danceability • 22% Energy • 63% Liveness
86% Instrumentalness • 5% Positiveness
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Giuseppe Verdi
Dies Irae
78 bpm • G Maj • 01:59 • -9.09db
24% Popularity • 20% Danceability • 56% Energy • 8% Liveness
80% Instrumentalness • 14% Positiveness
24% Popularity • 20% Danceability • 56% Energy • 8% Liveness
80% Instrumentalness • 14% Positiveness
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Giuseppe Tartini
Violin Concerto in E Major, D. 50: I. Al...
78 bpm • E Maj • 06:11 • -15.96db
28% Popularity • 49% Danceability • 13% Energy • 17% Liveness
35% Instrumentalness • 53% Positiveness
28% Popularity • 49% Danceability • 13% Energy • 17% Liveness
35% Instrumentalness • 53% Positiveness
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Otto Winter
O Lamm Gottes Unschuldig BWV.618
69 bpm • E Maj • 03:15 • -38.82db
1% Popularity • 20% Danceability • 0% Energy • 24% Liveness
99% Instrumentalness • 8% Positiveness
1% Popularity • 20% Danceability • 0% Energy • 24% Liveness
99% Instrumentalness • 8% Positiveness
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Anna Malikova
Fantasie Impromtu, Op. 66 (Chopin)
78 bpm • C# Maj • 05:09 • -22.61db
26% Popularity • 20% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
26% Popularity • 20% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
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Emmy Verhey
Concerto No. 3 in F Major, Op. 8 RV 293,...
78 bpm • C Maj • 03:14 • -16.19db
19% Popularity • 51% Danceability • 18% Energy • 12% Liveness
70% Instrumentalness • 41% Positiveness
19% Popularity • 51% Danceability • 18% Energy • 12% Liveness
70% Instrumentalness • 41% Positiveness
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London Philharmonic Orchestra
Má Vlast (My Fatherland): Vltava (The M...
78 bpm • G Maj • 11:26 • -14.42db
21% Popularity • 19% Danceability • 24% Energy • 11% Liveness
79% Instrumentalness • 5% Positiveness
21% Popularity • 19% Danceability • 24% Energy • 11% Liveness
79% Instrumentalness • 5% Positiveness
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Karoly Botvay
The 4 Seasons: Violin Concerto in F mino...
68 bpm • A# Maj • 02:18 • -35.12db
44% Popularity • 7% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
44% Popularity • 7% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Camille Saint-Saëns
Carnival of the Animals, R. 125: VII. Th...
68 bpm • A min • 02:22 • -40db
19% Popularity • 7% Danceability • 1% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
19% Popularity • 7% Danceability • 1% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
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Otto Winter
Fantasia and Fugue in G Minor, BWV 542, ...
69 bpm • F# min • 11:46 • -16.07db
2% Popularity • 7% Danceability • 19% Energy • 22% Liveness
82% Instrumentalness • 15% Positiveness
2% Popularity • 7% Danceability • 19% Energy • 22% Liveness
82% Instrumentalness • 15% Positiveness
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AntonÃn Dvořák
Dvořák: Czech Suite in D Major, Op. 39...
68 bpm • G Maj • 04:25 • -28.89db
13% Popularity • 8% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 5% Positiveness
13% Popularity • 8% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 5% Positiveness
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Alexander Borodin
In the Steppes of Central Asia
68 bpm • A Maj • 07:28 • -25.05db
35% Popularity • 7% Danceability • 3% Energy • 17% Liveness
84% Instrumentalness • 4% Positiveness
35% Popularity • 7% Danceability • 3% Energy • 17% Liveness
84% Instrumentalness • 4% Positiveness
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Frédéric Chopin
Waltz No. 6 in D Flat, Op. 64 No. 1 -"Mi...
79 bpm • C# Maj • 01:41 • -27.02db
28% Popularity • 30% Danceability • 10% Energy • 15% Liveness
88% Instrumentalness • 29% Positiveness
28% Popularity • 30% Danceability • 10% Energy • 15% Liveness
88% Instrumentalness • 29% Positiveness
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Orquesta Sinfónica De Radio Ljubljana
Scheherazade, Op. 35: No. 1, El mar y el...
79 bpm • E Maj • 10:00 • -12db
6% Popularity • 13% Danceability • 19% Energy • 12% Liveness
79% Instrumentalness • 4% Positiveness
6% Popularity • 13% Danceability • 19% Energy • 12% Liveness
79% Instrumentalness • 4% Positiveness
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London Pops Orchestra
Toccata and Fugue in d monor, BWV 565
68 bpm • D min • 09:02 • -16db
20% Popularity • 7% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
20% Popularity • 7% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
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Otto Winter
Orgelbüchlein (Little Organ Book): Chri...
69 bpm • C# min • 01:17 • -15.88db
9% Popularity • 20% Danceability • 25% Energy • 21% Liveness
91% Instrumentalness • 63% Positiveness
9% Popularity • 20% Danceability • 25% Energy • 21% Liveness
91% Instrumentalness • 63% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Tchaikovsky: Romeo and Juliet, Fantasy O...
79 bpm • B min • 05:04 • -18.9db
30% Popularity • 14% Danceability • 14% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
30% Popularity • 14% Danceability • 14% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
► Preview
Camille Saint-Saëns
Le carnaval des animaux, R. 125: VII. Aq...
79 bpm • A min • 02:10 • -26db
25% Popularity • 36% Danceability • 11% Energy • 30% Liveness
86% Instrumentalness • 22% Positiveness
25% Popularity • 36% Danceability • 11% Energy • 30% Liveness
86% Instrumentalness • 22% Positiveness
► Preview
Frédéric Chopin
Etude No. 3 in E Major, Op. 10: "Tristes...
67 bpm • E Maj • 04:01 • -25.14db
20% Popularity • 41% Danceability • 4% Energy • 7% Liveness
94% Instrumentalness • 5% Positiveness
20% Popularity • 41% Danceability • 4% Energy • 7% Liveness
94% Instrumentalness • 5% Positiveness
► Preview
Alessandro Marcello
Concerto Per Oboe, Archi E Continuo In R...
79 bpm • C# min • 03:11 • -25.63db
24% Popularity • 42% Danceability • 4% Energy • 7% Liveness
44% Instrumentalness • 32% Positiveness
24% Popularity • 42% Danceability • 4% Energy • 7% Liveness
44% Instrumentalness • 32% Positiveness
► Preview
Carl Stamitz
Sinfonia Concertante in D Major: II. Rom...
67 bpm • G Maj • 06:35 • -17.69db
19% Popularity • 20% Danceability • 18% Energy • 14% Liveness
65% Instrumentalness • 7% Positiveness
19% Popularity • 20% Danceability • 18% Energy • 14% Liveness
65% Instrumentalness • 7% Positiveness
► Preview
Otto Winter
Jesu Meine Freude BWV.610
79 bpm • B min • 02:04 • -36.83db
0% Popularity • 17% Danceability • 0% Energy • 10% Liveness
88% Instrumentalness • 23% Positiveness
0% Popularity • 17% Danceability • 0% Energy • 10% Liveness
88% Instrumentalness • 23% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
The Sleeping Beauty, Op. 66: Panorama
80 bpm • G Maj • 02:59 • -26.41db
39% Popularity • 10% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 29% Positiveness
39% Popularity • 10% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 29% Positiveness
► Preview
AntonÃn Dvořák
Symphony No. 9 in E Minor, Op. 95, B. 17...
67 bpm • E min • 11:04 • -16db
20% Popularity • 27% Danceability • 22% Energy • 6% Liveness
91% Instrumentalness • 16% Positiveness
20% Popularity • 27% Danceability • 22% Energy • 6% Liveness
91% Instrumentalness • 16% Positiveness
► Preview
Frédéric Chopin
Impromptu No. 4 In C Sharp Minor, Op. 66...
67 bpm • C# Maj • 05:30 • -23.02db
11% Popularity • 15% Danceability • 6% Energy • 8% Liveness
92% Instrumentalness • 7% Positiveness
11% Popularity • 15% Danceability • 6% Energy • 8% Liveness
92% Instrumentalness • 7% Positiveness
► Preview
London Philharmonic Orchestra
Les contes d'Hoffmann (The Tales of Hoff...
80 bpm • D Maj • 03:33 • -19.69db
33% Popularity • 19% Danceability • 14% Energy • 27% Liveness
53% Instrumentalness • 7% Positiveness
33% Popularity • 19% Danceability • 14% Energy • 27% Liveness
53% Instrumentalness • 7% Positiveness
► Preview
Remo Giazotto
Adagio for Strings and Organ in G Minor
66 bpm • C min • 07:15 • -18.38db
27% Popularity • 19% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
27% Popularity • 19% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Otto Winter
Orgelbüchlein (Little Organ Book): Jesu...
80 bpm • B min • 02:02 • -30db
4% Popularity • 13% Danceability • 2% Energy • 11% Liveness
97% Instrumentalness • 20% Positiveness
4% Popularity • 13% Danceability • 2% Energy • 11% Liveness
97% Instrumentalness • 20% Positiveness
► Preview
Franz von Suppé
Morning, Noon and Night in Vienna
80 bpm • F Maj • 08:08 • -14.05db
23% Popularity • 18% Danceability • 19% Energy • 27% Liveness
88% Instrumentalness • 10% Positiveness
23% Popularity • 18% Danceability • 19% Energy • 27% Liveness
88% Instrumentalness • 10% Positiveness
► Preview
Orchestra of the Viennese Volksoper & Alfred Scholz
Tritsch Tratsch - Galopp Polka, Op. 214
80 bpm • A Maj • 02:42 • -20db
37% Popularity • 61% Danceability • 24% Energy • 13% Liveness
2% Instrumentalness • 77% Positiveness
37% Popularity • 61% Danceability • 24% Energy • 13% Liveness
2% Instrumentalness • 77% Positiveness
► Preview
Frédéric Chopin
Fantaisie-impromptu in C-Sharp Minor, Op...
80 bpm • C# Maj • 05:12 • -25.39db
19% Popularity • 19% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
19% Popularity • 19% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
► Preview
Johann Strauss II
On the Beautiful Blue Danube - Waltz Op....
81 bpm • D Maj • 09:34 • -24.92db
37% Popularity • 23% Danceability • 3% Energy • 31% Liveness
58% Instrumentalness • 15% Positiveness
37% Popularity • 23% Danceability • 3% Energy • 31% Liveness
58% Instrumentalness • 15% Positiveness
► Preview
Pablo de Sarasate
Zigeunerweisen, Op. 20
81 bpm • G min • 09:07 • -25.39db
27% Popularity • 22% Danceability • 7% Energy • 8% Liveness
30% Instrumentalness • 5% Positiveness
27% Popularity • 22% Danceability • 7% Energy • 8% Liveness
30% Instrumentalness • 5% Positiveness
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Otto Winter
Toccata and Fugue in D Minor, BWV 565
80 bpm • C# min • 08:33 • -18.6db
28% Popularity • 10% Danceability • 16% Energy • 14% Liveness
77% Instrumentalness • 16% Positiveness
28% Popularity • 10% Danceability • 16% Energy • 14% Liveness
77% Instrumentalness • 16% Positiveness
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Jean-Joseph Mouret
First Symphonic Suite (Theme from Master...
81 bpm • D Maj • 01:45 • -12.55db
13% Popularity • 74% Danceability • 38% Energy • 11% Liveness
97% Instrumentalness • 92% Positiveness
13% Popularity • 74% Danceability • 38% Energy • 11% Liveness
97% Instrumentalness • 92% Positiveness
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Claude Debussy
Debussy: Préludes, Livre I, CD 125, L. ...
66 bpm • F# Maj • 02:37 • -31.27db
30% Popularity • 36% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 26% Positiveness
30% Popularity • 36% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 26% Positiveness
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Giuseppe Verdi
Requiem Mass: II. Dies Irae
81 bpm • C min • 02:21 • -15.27db
16% Popularity • 25% Danceability • 40% Energy • 7% Liveness
88% Instrumentalness • 8% Positiveness
16% Popularity • 25% Danceability • 40% Energy • 7% Liveness
88% Instrumentalness • 8% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade - Symphonic Suite Op. 35: I...
81 bpm • E Maj • 10:47 • -25db
20% Popularity • 8% Danceability • 2% Energy • 11% Liveness
31% Instrumentalness • 4% Positiveness
20% Popularity • 8% Danceability • 2% Energy • 11% Liveness
31% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Piano Trio No. 1 in D Minor, Op. 49, MWV...
66 bpm • A# Maj • 09:47 • -18.68db
15% Popularity • 21% Danceability • 13% Energy • 14% Liveness
22% Instrumentalness • 10% Positiveness
15% Popularity • 21% Danceability • 13% Energy • 14% Liveness
22% Instrumentalness • 10% Positiveness
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Remo Giazotto
Adagio in G Minor (attrib. to Albinoni)
81 bpm • C min • 11:31 • -20db
15% Popularity • 14% Danceability • 12% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
15% Popularity • 14% Danceability • 12% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Franz Schubert
Impromptus, Op. 90, D. 899: Impromptu No...
66 bpm • G# Maj • 08:36 • -22.86db
24% Popularity • 35% Danceability • 4% Energy • 16% Liveness
90% Instrumentalness • 4% Positiveness
24% Popularity • 35% Danceability • 4% Energy • 16% Liveness
90% Instrumentalness • 4% Positiveness
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Claude Debussy
Suite bergamasque: III. Clair de lune (a...
81 bpm • C# Maj • 04:30 • -24.65db
31% Popularity • 11% Danceability • 6% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
31% Popularity • 11% Danceability • 6% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
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Johann Strauss II
Perpetuum mobile, Op. 257
81 bpm • D# Maj • 02:51 • -25.52db
35% Popularity • 48% Danceability • 23% Energy • 74% Liveness
60% Instrumentalness • 69% Positiveness
35% Popularity • 48% Danceability • 23% Energy • 74% Liveness
60% Instrumentalness • 69% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Carnival of the Animals, R...
66 bpm • A Maj • 02:39 • -34db
17% Popularity • 24% Danceability • 2% Energy • 10% Liveness
82% Instrumentalness • 6% Positiveness
17% Popularity • 24% Danceability • 2% Energy • 10% Liveness
82% Instrumentalness • 6% Positiveness
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Erik Satie
Gnossienne No. 1
66 bpm • F min • 02:43 • -24.09db
16% Popularity • 45% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
16% Popularity • 45% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Clarinet Sonata in E-Flat Major: II. And...
66 bpm • A# Maj • 04:22 • -24.53db
17% Popularity • 33% Danceability • 2% Energy • 14% Liveness
72% Instrumentalness • 11% Positiveness
17% Popularity • 33% Danceability • 2% Energy • 14% Liveness
72% Instrumentalness • 11% Positiveness
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Johann Pachelbel
Pachelbel: Canon and Gigue for Three Vio...
66 bpm • C# Maj • 03:41 • -19.47db
18% Popularity • 23% Danceability • 13% Energy • 25% Liveness
0% Instrumentalness • 32% Positiveness
18% Popularity • 23% Danceability • 13% Energy • 25% Liveness
0% Instrumentalness • 32% Positiveness
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Claude Debussy
Debussy / Orch. Stokowski: Suite bergama...
81 bpm • C# Maj • 05:11 • -24.7db
17% Popularity • 8% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
17% Popularity • 8% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
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Hilary Hahn
Violin Concerto in D Major, Op. 61: III....
81 bpm • D Maj • 09:43 • -21.35db
23% Popularity • 32% Danceability • 8% Energy • 16% Liveness
54% Instrumentalness • 25% Positiveness
23% Popularity • 32% Danceability • 8% Energy • 16% Liveness
54% Instrumentalness • 25% Positiveness
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Max Bruch
Violin Concerto No. 1 in G minor, Op. 26...
81 bpm • D# Maj • 09:23 • -23db
30% Popularity • 11% Danceability • 8% Energy • 12% Liveness
15% Instrumentalness • 4% Positiveness
30% Popularity • 11% Danceability • 8% Energy • 12% Liveness
15% Instrumentalness • 4% Positiveness
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Philharmonische Vereinigung Arte Sinfonica
Cavalleria Rusticana: Intermezzo
82 bpm • F Maj • 03:25 • -15db
22% Popularity • 15% Danceability • 19% Energy • 24% Liveness
88% Instrumentalness • 4% Positiveness
22% Popularity • 15% Danceability • 19% Energy • 24% Liveness
88% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Rossini: Guillaume Tell: Overture
82 bpm • G Maj • 11:34 • -21.2db
19% Popularity • 19% Danceability • 8% Energy • 7% Liveness
9% Instrumentalness • 11% Positiveness
19% Popularity • 19% Danceability • 8% Energy • 7% Liveness
9% Instrumentalness • 11% Positiveness
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Johann Pachelbel
Canon in D for Strings and Continuo
81 bpm • D Maj • 04:48 • -17.42db
23% Popularity • 19% Danceability • 20% Energy • 19% Liveness
87% Instrumentalness • 17% Positiveness
23% Popularity • 19% Danceability • 20% Energy • 19% Liveness
87% Instrumentalness • 17% Positiveness
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George Frideric Handel
The Harmonious Blacksmith (Air and Varia...
82 bpm • E Maj • 04:17 • -25.37db
4% Popularity • 17% Danceability • 24% Energy • 9% Liveness
61% Instrumentalness • 71% Positiveness
4% Popularity • 17% Danceability • 24% Energy • 9% Liveness
61% Instrumentalness • 71% Positiveness
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Jacques Offenbach
The Can Can
82 bpm • D Maj • 01:49 • -15db
35% Popularity • 34% Danceability • 66% Energy • 7% Liveness
95% Instrumentalness • 88% Positiveness
35% Popularity • 34% Danceability • 66% Energy • 7% Liveness
95% Instrumentalness • 88% Positiveness
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Nikolai Rimsky-Korsakov
The Tale of Tsar Saltan - Suite: 3. The ...
82 bpm • F Maj • 01:26 • -29.2db
21% Popularity • 45% Danceability • 6% Energy • 18% Liveness
91% Instrumentalness • 51% Positiveness
21% Popularity • 45% Danceability • 6% Energy • 18% Liveness
91% Instrumentalness • 51% Positiveness
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Giovanni Benedetto Platti
Konzert in G Major: 2. Adagio - Für Obo...
82 bpm • C Maj • 05:26 • -14.77db
0% Popularity • 19% Danceability • 22% Energy • 12% Liveness
80% Instrumentalness • 11% Positiveness
0% Popularity • 19% Danceability • 22% Energy • 12% Liveness
80% Instrumentalness • 11% Positiveness
