Songs like Praises v1.1 by Andrae Crouch
Based on a tempo of (+/- 10%) and a similar genre
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Lamar Campbell
He Won't Let You Down - Lamar Campbell A...
88 bpm • D# Maj • 06:01 • -6.81db
25% Popularity • 46% Danceability • 74% Energy • 98% Liveness
0% Instrumentalness • 32% Positiveness
25% Popularity • 46% Danceability • 74% Energy • 98% Liveness
0% Instrumentalness • 32% Positiveness
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Jonathan Butler
Falling In Love With Jesus - Falling In ...
89 bpm • D Maj • 04:58 • -7.08db
33% Popularity • 29% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
33% Popularity • 29% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Anita Wilson
Jesus Will
89 bpm • B Maj • 09:17 • -4.99db
45% Popularity • 53% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
45% Popularity • 53% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Rev. Timothy Wright
Yes, I'm a Believer
89 bpm • C# Maj • 04:56 • -14.7db
28% Popularity • 40% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
28% Popularity • 40% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
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Kierra Sheard
Praise Him Now
87 bpm • F Maj • 03:49 • -3.46db
23% Popularity • 21% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 27% Positiveness
23% Popularity • 21% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 27% Positiveness
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Jason Nelson
Nothing Without You
87 bpm • E min • 05:53 • -5.84db
39% Popularity • 41% Danceability • 60% Energy • 54% Liveness
0% Instrumentalness • 19% Positiveness
39% Popularity • 41% Danceability • 60% Energy • 54% Liveness
0% Instrumentalness • 19% Positiveness
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Brian Courtney Wilson
Already Here
87 bpm • C# Maj • 05:32 • -10.28db
36% Popularity • 30% Danceability • 25% Energy • 5% Liveness
0% Instrumentalness • 13% Positiveness
36% Popularity • 30% Danceability • 25% Energy • 5% Liveness
0% Instrumentalness • 13% Positiveness
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Eddie James & The Phoenix Mass Choir
You've Been So Faithful
89 bpm • D# min • 06:03 • -8.8db
36% Popularity • 50% Danceability • 77% Energy • 66% Liveness
0% Instrumentalness • 69% Positiveness
36% Popularity • 50% Danceability • 77% Energy • 66% Liveness
0% Instrumentalness • 69% Positiveness
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Joe Pace
Have Your Way
89 bpm • C# Maj • 05:54 • -11.08db
16% Popularity • 30% Danceability • 39% Energy • 72% Liveness
0% Instrumentalness • 29% Positiveness
16% Popularity • 30% Danceability • 39% Energy • 72% Liveness
0% Instrumentalness • 29% Positiveness
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Andrae Crouch
I Surrender All
90 bpm • C# Maj • 04:19 • -18.77db
16% Popularity • 21% Danceability • 24% Energy • 98% Liveness
0% Instrumentalness • 19% Positiveness
16% Popularity • 21% Danceability • 24% Energy • 98% Liveness
0% Instrumentalness • 19% Positiveness
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Judith Christie McAllister
To Our God!
90 bpm • F# min • 06:22 • -7.13db
29% Popularity • 34% Danceability • 75% Energy • 97% Liveness
0% Instrumentalness • 36% Positiveness
29% Popularity • 34% Danceability • 75% Energy • 97% Liveness
0% Instrumentalness • 36% Positiveness
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Donald Lawrence & The Tri-City Singers
When Sunday Comes
90 bpm • F min • 08:07 • -9.65db
23% Popularity • 20% Danceability • 67% Energy • 29% Liveness
0% Instrumentalness • 19% Positiveness
23% Popularity • 20% Danceability • 67% Energy • 29% Liveness
0% Instrumentalness • 19% Positiveness
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Jekalyn Carr
My Portion
86 bpm • F Maj • 04:10 • -5.34db
40% Popularity • 37% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
40% Popularity • 37% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Todd Galberth
Do Not Pass Me By
90 bpm • C Maj • 05:10 • -7.81db
45% Popularity • 24% Danceability • 64% Energy • 44% Liveness
0% Instrumentalness • 25% Positiveness
45% Popularity • 24% Danceability • 64% Energy • 44% Liveness
0% Instrumentalness • 25% Positiveness
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Forever Jones
Adoration (So Amazing)
90 bpm • A Maj • 05:03 • -10.11db
32% Popularity • 52% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
32% Popularity • 52% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
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Amber Bullock
Thank You Lord
90 bpm • A# min • 04:10 • -3db
47% Popularity • 61% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
47% Popularity • 61% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Brian Courtney Wilson
Almighty God
90 bpm • F min • 05:31 • -8.74db
32% Popularity • 48% Danceability • 40% Energy • 34% Liveness
0% Instrumentalness • 23% Positiveness
32% Popularity • 48% Danceability • 40% Energy • 34% Liveness
0% Instrumentalness • 23% Positiveness
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Stephen Hurd
Zion Is Calling
85 bpm • D# Maj • 03:06 • -8.98db
32% Popularity • 45% Danceability • 55% Energy • 72% Liveness
0% Instrumentalness • 29% Positiveness
32% Popularity • 45% Danceability • 55% Energy • 72% Liveness
0% Instrumentalness • 29% Positiveness
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Ricky Dillard
God Is Great (Radio Version)
91 bpm • C# Maj • 05:02 • -3.51db
22% Popularity • 54% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
22% Popularity • 54% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
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Judith Christie McAllister
The Lord's Prayer
86 bpm • G# Maj • 02:14 • -12.53db
33% Popularity • 44% Danceability • 51% Energy • 68% Liveness
0% Instrumentalness • 55% Positiveness
33% Popularity • 44% Danceability • 51% Energy • 68% Liveness
0% Instrumentalness • 55% Positiveness
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West Angeles Cogic Mass Choir And Congregation
Forever You're My King
85 bpm • A# Maj • 08:09 • -6.9db
12% Popularity • 23% Danceability • 50% Energy • 41% Liveness
0% Instrumentalness • 14% Positiveness
12% Popularity • 23% Danceability • 50% Energy • 41% Liveness
0% Instrumentalness • 14% Positiveness
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David
Rain Dance
91 bpm • A# min • 08:40 • -8.54db
3% Popularity • 59% Danceability • 53% Energy • 64% Liveness
0% Instrumentalness • 38% Positiveness
3% Popularity • 59% Danceability • 53% Energy • 64% Liveness
0% Instrumentalness • 38% Positiveness
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![For the Rest of My Life (I'll Serve Him) [Live] cover art](https://i.scdn.co/image/ab67616d00001e02ef4577e8be67e8868294cc03)
Rev. Timothy Wright
For the Rest of My Life (I'll Serve Him)...
85 bpm • C# Maj • 04:57 • -7.1db
29% Popularity • 43% Danceability • 90% Energy • 38% Liveness
0% Instrumentalness • 54% Positiveness
29% Popularity • 43% Danceability • 90% Energy • 38% Liveness
0% Instrumentalness • 54% Positiveness
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Isabel Davis
The Call
85 bpm • C# Maj • 09:41 • -8db
33% Popularity • 38% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
33% Popularity • 38% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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New G
God Is Great
91 bpm • C# Maj • 05:57 • -4.28db
26% Popularity • 53% Danceability • 94% Energy • 97% Liveness
0% Instrumentalness • 47% Positiveness
26% Popularity • 53% Danceability • 94% Energy • 97% Liveness
0% Instrumentalness • 47% Positiveness
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Judith Christie McAllister
How Great Is Our God
91 bpm • D Maj • 05:12 • -5.62db
19% Popularity • 55% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 50% Positiveness
19% Popularity • 55% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 50% Positiveness
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Chicago Mass Choir
Jesus Promised
85 bpm • A# min • 05:26 • -6.67db
43% Popularity • 58% Danceability • 83% Energy • 82% Liveness
0% Instrumentalness • 53% Positiveness
43% Popularity • 58% Danceability • 83% Energy • 82% Liveness
0% Instrumentalness • 53% Positiveness
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Jason Nelson
Jesus Is the Answer (For the World Today...
92 bpm • F Maj • 02:36 • -10.52db
27% Popularity • 27% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
27% Popularity • 27% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
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Jessica Reedy
Put It On The Altar
92 bpm • C# min • 04:06 • -5.94db
48% Popularity • 64% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
48% Popularity • 64% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
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Joe Pace
Lord I Lift Your Name On High
92 bpm • G Maj • 03:16 • -7.67db
22% Popularity • 46% Danceability • 53% Energy • 88% Liveness
0% Instrumentalness • 18% Positiveness
22% Popularity • 46% Danceability • 53% Energy • 88% Liveness
0% Instrumentalness • 18% Positiveness
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Richard Smallwood
The Center of My Joy
92 bpm • D# Maj • 05:17 • -9.53db
36% Popularity • 49% Danceability • 36% Energy • 28% Liveness
0% Instrumentalness • 24% Positiveness
36% Popularity • 49% Danceability • 36% Energy • 28% Liveness
0% Instrumentalness • 24% Positiveness
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William Murphy III
Let It Rise - Live Album Version
92 bpm • G Maj • 05:49 • -3.35db
35% Popularity • 47% Danceability • 96% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
35% Popularity • 47% Danceability • 96% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
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Sandra Crouch
Magnify the Lord With Me
84 bpm • F min • 05:36 • -9.5db
14% Popularity • 35% Danceability • 73% Energy • 67% Liveness
0% Instrumentalness • 25% Positiveness
14% Popularity • 35% Danceability • 73% Energy • 67% Liveness
0% Instrumentalness • 25% Positiveness
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Anita Wilson
More Than Anything (Radio Edit)
84 bpm • B Maj • 04:20 • -6db
43% Popularity • 33% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
43% Popularity • 33% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Reflex
Bringin' Back the Sunshine
92 bpm • C# Maj • 04:03 • -8db
6% Popularity • 62% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
6% Popularity • 62% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Forever Jones
He Wants It All
84 bpm • D# Maj • 03:27 • -11.16db
57% Popularity • 50% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
57% Popularity • 50% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Andrae Crouch
He Brought Me This Far
92 bpm • G# Maj • 07:17 • -8.4db
9% Popularity • 68% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
9% Popularity • 68% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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Preashea Hilliard
Great Things
84 bpm • A Maj • 05:24 • -5.23db
29% Popularity • 22% Danceability • 86% Energy • 47% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 22% Danceability • 86% Energy • 47% Liveness
0% Instrumentalness • 26% Positiveness
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Lamar Campbell
It's All About The Love
93 bpm • F# Maj • 05:14 • -5db
33% Popularity • 66% Danceability • 92% Energy • 98% Liveness
0% Instrumentalness • 69% Positiveness
33% Popularity • 66% Danceability • 92% Energy • 98% Liveness
0% Instrumentalness • 69% Positiveness
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Anita Wilson
More Than Anything
83 bpm • B Maj • 08:03 • -7.08db
46% Popularity • 29% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
46% Popularity • 29% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Rev. Timothy Wright
Trouble Don't Last Always
93 bpm • C# Maj • 06:24 • -12.14db
40% Popularity • 46% Danceability • 59% Energy • 4% Liveness
0% Instrumentalness • 50% Positiveness
40% Popularity • 46% Danceability • 59% Energy • 4% Liveness
0% Instrumentalness • 50% Positiveness
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Miami Mass Choir
It Is For Me
83 bpm • G Maj • 06:11 • -8db
36% Popularity • 33% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 9% Positiveness
36% Popularity • 33% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 9% Positiveness
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Andrae Crouch
I Just Want to Know You v1.1
93 bpm • B Maj • 03:51 • -9.93db
14% Popularity • 65% Danceability • 70% Energy • 66% Liveness
0% Instrumentalness • 56% Positiveness
14% Popularity • 65% Danceability • 70% Energy • 66% Liveness
0% Instrumentalness • 56% Positiveness
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Dallas Fort Worth Mass Choir
Blessed Assurance
93 bpm • C# Maj • 03:00 • -12db
30% Popularity • 66% Danceability • 66% Energy • 37% Liveness
1% Instrumentalness • 76% Positiveness
30% Popularity • 66% Danceability • 66% Energy • 37% Liveness
1% Instrumentalness • 76% Positiveness
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Stephen Hurd
Revelation 19:1 - Live
93 bpm • C# Maj • 05:34 • -7db
52% Popularity • 30% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
52% Popularity • 30% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Anita Wilson
More of You
94 bpm • G# Maj • 07:41 • -9db
33% Popularity • 33% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
33% Popularity • 33% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
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Jonathan Butler
We Need You Lord - Falling In Love With ...
94 bpm • A Maj • 05:22 • -9.8db
18% Popularity • 28% Danceability • 48% Energy • 70% Liveness
0% Instrumentalness • 16% Positiveness
18% Popularity • 28% Danceability • 48% Energy • 70% Liveness
0% Instrumentalness • 16% Positiveness
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Joshua's Troop
Everybody Clap Your Hands
94 bpm • C# Maj • 04:50 • -6db
45% Popularity • 63% Danceability • 84% Energy • 80% Liveness
0% Instrumentalness • 89% Positiveness
45% Popularity • 63% Danceability • 84% Energy • 80% Liveness
0% Instrumentalness • 89% Positiveness
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Andrae Crouch
Jesus, Every Hour He'll Give You Power
93 bpm • C Maj • 03:11 • -9.3db
20% Popularity • 58% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
20% Popularity • 58% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Rev. Timothy Wright
Jesus,Jesus,Jesus
94 bpm • C# Maj • 06:32 • -9.87db
38% Popularity • 37% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
38% Popularity • 37% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
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Stephen Hurd
Lead Me To The Rock
93 bpm • G# Maj • 05:44 • -12.7db
34% Popularity • 39% Danceability • 30% Energy • 66% Liveness
0% Instrumentalness • 34% Positiveness
34% Popularity • 39% Danceability • 30% Energy • 66% Liveness
0% Instrumentalness • 34% Positiveness
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Lisa Knowles
What He's Done for Me
82 bpm • A# Maj • 05:42 • -3.19db
37% Popularity • 50% Danceability • 98% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
37% Popularity • 50% Danceability • 98% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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The Georgia Mass Choir
Come On In the Room
82 bpm • D min • 07:18 • -13db
34% Popularity • 41% Danceability • 45% Energy • 90% Liveness
0% Instrumentalness • 41% Positiveness
34% Popularity • 41% Danceability • 45% Energy • 90% Liveness
0% Instrumentalness • 41% Positiveness
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Jason Nelson
So In Love
82 bpm • A# Maj • 07:03 • -4.97db
22% Popularity • 40% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
22% Popularity • 40% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
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Brian Courtney Wilson
Won't Let Go
95 bpm • F Maj • 04:11 • -7.81db
27% Popularity • 46% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
27% Popularity • 46% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Charles Jenkins & Fellowship Chicago
Praise on My Mind
95 bpm • F# min • 05:48 • -6.54db
15% Popularity • 57% Danceability • 92% Energy • 84% Liveness
0% Instrumentalness • 59% Positiveness
15% Popularity • 57% Danceability • 92% Energy • 84% Liveness
0% Instrumentalness • 59% Positiveness
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Stephen Hurd
Lead Me To The Rock - Reprise
94 bpm • G# Maj • 01:39 • -11db
41% Popularity • 43% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
41% Popularity • 43% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Jonathan Butler
We Need You Lord - Falling In Love With ...
95 bpm • A Maj • 04:59 • -10.07db
26% Popularity • 34% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
26% Popularity • 34% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
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Lamar Campbell & Spirit Of Praise
More Than Anything
95 bpm • G# Maj • 06:36 • -10.18db
46% Popularity • 51% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
46% Popularity • 51% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
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Andrae Crouch
The Promise
81 bpm • D# min • 04:41 • -11.52db
15% Popularity • 21% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
15% Popularity • 21% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Bryan Popin
I Got Out
95 bpm • A# Maj • 04:57 • -5db
36% Popularity • 58% Danceability • 93% Energy • 45% Liveness
0% Instrumentalness • 64% Positiveness
36% Popularity • 58% Danceability • 93% Energy • 45% Liveness
0% Instrumentalness • 64% Positiveness
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Jessica Reedy
Moving Forward
96 bpm • C min • 04:20 • -7.52db
31% Popularity • 30% Danceability • 55% Energy • 62% Liveness
0% Instrumentalness • 35% Positiveness
31% Popularity • 30% Danceability • 55% Energy • 62% Liveness
0% Instrumentalness • 35% Positiveness
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Douglas Miller
My Soul Has Been Anchored In the Lord
96 bpm • C Maj • 06:03 • -13.55db
40% Popularity • 38% Danceability • 36% Energy • 39% Liveness
0% Instrumentalness • 32% Positiveness
40% Popularity • 38% Danceability • 36% Energy • 39% Liveness
0% Instrumentalness • 32% Positiveness
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L.A. Mass Choir
That's When You Bless Me
81 bpm • F min • 05:55 • -14.22db
40% Popularity • 34% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
40% Popularity • 34% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Rev. Timothy Wright
Leaning On Everlasting Arm
96 bpm • G# Maj • 06:09 • -7.01db
20% Popularity • 44% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 44% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Andrae Crouch
Nobody Else Like You
96 bpm • A# Maj • 05:54 • -10.74db
18% Popularity • 71% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
18% Popularity • 71% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Earnest Pugh
Wrapped Up, Tied Up, Tangled Up
96 bpm • F min • 07:24 • -5.98db
20% Popularity • 27% Danceability • 65% Energy • 57% Liveness
0% Instrumentalness • 28% Positiveness
20% Popularity • 27% Danceability • 65% Energy • 57% Liveness
0% Instrumentalness • 28% Positiveness
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Chester D.T. Baldwin
I Still Hear Mama Praying
96 bpm • F Maj • 05:52 • -6.59db
33% Popularity • 46% Danceability • 68% Energy • 64% Liveness
0% Instrumentalness • 63% Positiveness
33% Popularity • 46% Danceability • 68% Energy • 64% Liveness
0% Instrumentalness • 63% Positiveness
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Troy Sneed
Lay It Down
96 bpm • C# Maj • 04:45 • -6.07db
24% Popularity • 60% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
24% Popularity • 60% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Anita Wilson
Keep On Praisin’
96 bpm • A# min • 04:39 • -5.62db
41% Popularity • 58% Danceability • 91% Energy • 98% Liveness
0% Instrumentalness • 49% Positiveness
41% Popularity • 58% Danceability • 91% Energy • 98% Liveness
0% Instrumentalness • 49% Positiveness
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James Moss
We Must Praise
96 bpm • C Maj • 05:08 • -6.58db
46% Popularity • 31% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
46% Popularity • 31% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Sandra Crouch
Nothing But the Blood v1.1
96 bpm • G# Maj • 04:26 • -6.17db
16% Popularity • 60% Danceability • 91% Energy • 81% Liveness
0% Instrumentalness • 82% Positiveness
16% Popularity • 60% Danceability • 91% Energy • 81% Liveness
0% Instrumentalness • 82% Positiveness
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William Becton
Be Encouraged
96 bpm • C# Maj • 05:10 • -10.86db
50% Popularity • 37% Danceability • 50% Energy • 38% Liveness
0% Instrumentalness • 34% Positiveness
50% Popularity • 37% Danceability • 50% Energy • 38% Liveness
0% Instrumentalness • 34% Positiveness
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Chicago Mass Choir
I'm Going With Jesus
96 bpm • B Maj • 03:57 • -4db
23% Popularity • 62% Danceability • 96% Energy • 96% Liveness
0% Instrumentalness • 65% Positiveness
23% Popularity • 62% Danceability • 96% Energy • 96% Liveness
0% Instrumentalness • 65% Positiveness
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Jekalyn Carr
Stay With Me
80 bpm • G Maj • 08:09 • -5db
35% Popularity • 28% Danceability • 74% Energy • 67% Liveness
0% Instrumentalness • 32% Positiveness
35% Popularity • 28% Danceability • 74% Energy • 67% Liveness
0% Instrumentalness • 32% Positiveness
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Dynamic Praise
God Restores
97 bpm • G Maj • 08:01 • -10db
16% Popularity • 37% Danceability • 49% Energy • 65% Liveness
0% Instrumentalness • 22% Positiveness
16% Popularity • 37% Danceability • 49% Energy • 65% Liveness
0% Instrumentalness • 22% Positiveness
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Anita Wilson
He Shows Out
80 bpm • A# Maj • 06:37 • -5.54db
33% Popularity • 56% Danceability • 88% Energy • 66% Liveness
0% Instrumentalness • 54% Positiveness
33% Popularity • 56% Danceability • 88% Energy • 66% Liveness
0% Instrumentalness • 54% Positiveness
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J Moss
Restored
80 bpm • F Maj • 04:09 • -5.92db
27% Popularity • 48% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
27% Popularity • 48% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
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Charles Jenkins & Fellowship Chicago
He'll Make It Alright
80 bpm • C# Maj • 04:00 • -6.78db
37% Popularity • 69% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
37% Popularity • 69% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
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Anointed
God Is All Around
80 bpm • C# min • 04:33 • -10.43db
17% Popularity • 37% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
17% Popularity • 37% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Virtue
Great Is Thy Faithfulness
80 bpm • G Maj • 03:41 • -5.86db
27% Popularity • 70% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
27% Popularity • 70% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Rev. James Moore
Joy
97 bpm • A Maj • 07:46 • -12.19db
22% Popularity • 61% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
22% Popularity • 61% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Casey J
Have Your Way
80 bpm • A Maj • 05:20 • -7.6db
27% Popularity • 41% Danceability • 59% Energy • 37% Liveness
0% Instrumentalness • 18% Positiveness
27% Popularity • 41% Danceability • 59% Energy • 37% Liveness
0% Instrumentalness • 18% Positiveness
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Amber Bullock
How Great Is Our God
80 bpm • G# Maj • 04:47 • -4.29db
38% Popularity • 46% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
38% Popularity • 46% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Nolan Williams, Jr.
Take It to the Lord in Prayer
97 bpm • C Maj • 04:53 • -12db
22% Popularity • 56% Danceability • 22% Energy • 20% Liveness
0% Instrumentalness • 13% Positiveness
22% Popularity • 56% Danceability • 22% Energy • 20% Liveness
0% Instrumentalness • 13% Positiveness
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Gaither
The Blood Will Never Lose Its Power - Li...
97 bpm • G# Maj • 01:53 • -7.68db
32% Popularity • 32% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
32% Popularity • 32% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
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Andrae Crouch
He Does All Things Well
97 bpm • F min • 04:57 • -10.57db
9% Popularity • 76% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
9% Popularity • 76% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Erica Campbell
A Little More Jesus
97 bpm • F min • 03:56 • -5db
45% Popularity • 70% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 73% Positiveness
45% Popularity • 70% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 73% Positiveness
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Donald Lawrence & The Tri-City Singers
Bless Me (The Prayer Of Jabez)
97 bpm • D# Maj • 06:42 • -5.77db
41% Popularity • 26% Danceability • 59% Energy • 38% Liveness
0% Instrumentalness • 20% Positiveness
41% Popularity • 26% Danceability • 59% Energy • 38% Liveness
0% Instrumentalness • 20% Positiveness
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Isaiah Templeton
Everything Will Be Alright
97 bpm • C# Maj • 05:35 • -9.45db
28% Popularity • 39% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
28% Popularity • 39% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Jason Nelson
In the Room
97 bpm • F Maj • 07:40 • -8.37db
25% Popularity • 27% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
25% Popularity • 27% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Earnest Pugh
Rain On Us
98 bpm • A# min • 05:02 • -6.42db
46% Popularity • 32% Danceability • 68% Energy • 95% Liveness
0% Instrumentalness • 33% Positiveness
46% Popularity • 32% Danceability • 68% Energy • 95% Liveness
0% Instrumentalness • 33% Positiveness
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Andrae Crouch
God Is On Our Side
79 bpm • C# Maj • 02:02 • -13.6db
27% Popularity • 25% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
27% Popularity • 25% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Erica Campbell
A Little More Jesus
97 bpm • G# Maj • 03:55 • -4db
30% Popularity • 70% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 74% Positiveness
30% Popularity • 70% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 74% Positiveness
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Casey J
I'm Yours
79 bpm • C# Maj • 07:49 • -7db
39% Popularity • 38% Danceability • 70% Energy • 65% Liveness
0% Instrumentalness • 36% Positiveness
39% Popularity • 38% Danceability • 70% Energy • 65% Liveness
0% Instrumentalness • 36% Positiveness
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Marvin Winans
Joy
79 bpm • A# Maj • 05:02 • -8db
34% Popularity • 68% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
34% Popularity • 68% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
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Trin-I-Tee 5:7
There He Is
98 bpm • A# Maj • 05:28 • -8.07db
28% Popularity • 57% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
28% Popularity • 57% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Brian Courtney Wilson
All I Need
98 bpm • C# Maj • 04:58 • -7.39db
41% Popularity • 54% Danceability • 57% Energy • 35% Liveness
0% Instrumentalness • 13% Positiveness
41% Popularity • 54% Danceability • 57% Energy • 35% Liveness
0% Instrumentalness • 13% Positiveness
