Songs like Pramukh Swãmini Rit Alaukik by Jaydeep Swadia
Based on a tempo of (+/- 10%) and a similar genre
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Jaydeep Swadia
Baje Na Khali Baaja
156 bpm • A Maj • 07:21 • -7.96db
1% Popularity • 66% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
1% Popularity • 66% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Urvashi Pandya
Aaj Yamunaji Padharya Mare Gher Re
156 bpm • A# Maj • 06:00 • -9.1db
15% Popularity • 42% Danceability • 62% Energy • 26% Liveness
0% Instrumentalness • 91% Positiveness
15% Popularity • 42% Danceability • 62% Energy • 26% Liveness
0% Instrumentalness • 91% Positiveness
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Kumar Bapi
Kaliaa Re
156 bpm • C Maj • 04:45 • -5.41db
27% Popularity • 56% Danceability • 64% Energy • 73% Liveness
0% Instrumentalness • 72% Positiveness
27% Popularity • 56% Danceability • 64% Energy • 73% Liveness
0% Instrumentalness • 72% Positiveness
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Usha Mangeshkar
Aawade He Roop
155 bpm • F Maj • 04:11 • -14.8db
9% Popularity • 52% Danceability • 36% Energy • 13% Liveness
1% Instrumentalness • 56% Positiveness
9% Popularity • 52% Danceability • 36% Energy • 13% Liveness
1% Instrumentalness • 56% Positiveness
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Ira Mohanty
Padare Nupura
157 bpm • G# min • 05:37 • -4.63db
22% Popularity • 51% Danceability • 82% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
22% Popularity • 51% Danceability • 82% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
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Sadhu Yogicharandas
Manglacharan
157 bpm • G# Maj • 01:05 • -11db
18% Popularity • 26% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
18% Popularity • 26% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Jaydeep Swadia
Pramukh Swãmini Rit Alaukik
156 bpm • F# Maj • 09:56 • -9db
16% Popularity • 38% Danceability • 44% Energy • 40% Liveness
0% Instrumentalness • 61% Positiveness
16% Popularity • 38% Danceability • 44% Energy • 40% Liveness
0% Instrumentalness • 61% Positiveness
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![Shrimad Vallabh Kaho cover art]()
Manoj Dave
Shrimad Vallabh Kaho
157 bpm • C# Maj • 05:21 • -8db
17% Popularity • 49% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
17% Popularity • 49% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Bhikari Bal
Emiti E Badadande
155 bpm • C# min • 04:56 • -6db
24% Popularity • 47% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
24% Popularity • 47% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
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Kumar Bapi
Sakha Hey
155 bpm • G# Maj • 07:01 • -5.51db
31% Popularity • 59% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
31% Popularity • 59% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Shailendra Bharti
Hari Tara Chhe Hajar Naam
157 bpm • F Maj • 03:42 • -8.82db
22% Popularity • 79% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
22% Popularity • 79% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
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Bhikhari Bala
Dasiaa Nadiaa Sina
155 bpm • F min • 03:58 • -4.47db
28% Popularity • 52% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
28% Popularity • 52% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
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Jaydeep Swadia
Halo Re Halo Re Antarikshji Jaiye
157 bpm • C Maj • 08:34 • -4.52db
5% Popularity • 43% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
5% Popularity • 43% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Rakesh Tiwari
Sab Sukhiyan ki khani
154 bpm • D# Maj • 05:58 • -7.38db
14% Popularity • 45% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 94% Positiveness
14% Popularity • 45% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 94% Positiveness
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Narendra Kumar
Rajahansi Lo
158 bpm • G min • 03:50 • -7.75db
20% Popularity • 49% Danceability • 74% Energy • 62% Liveness
0% Instrumentalness • 90% Positiveness
20% Popularity • 49% Danceability • 74% Energy • 62% Liveness
0% Instrumentalness • 90% Positiveness
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Shridhay Shri Mridul krishna shastri ji maharaj
Kanhaiyan Tumhen Ek Nazar Dekhna
159 bpm • G# Maj • 06:22 • -9.61db
6% Popularity • 45% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
6% Popularity • 45% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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Divyang Ray
Hari Maro Jhalo Haath
153 bpm • G# Maj • 09:22 • -8.84db
22% Popularity • 38% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 38% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Bhikhari Bala
Jagannatha Mahima Sahe Nahin Badima
159 bpm • C min • 04:36 • -5.61db
12% Popularity • 42% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
12% Popularity • 42% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Kumar Vishu
Maa Ne Mehar Mujhpe Kardi
159 bpm • A min • 05:53 • -3.24db
27% Popularity • 47% Danceability • 87% Energy • 41% Liveness
0% Instrumentalness • 83% Positiveness
27% Popularity • 47% Danceability • 87% Energy • 41% Liveness
0% Instrumentalness • 83% Positiveness
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Jaydeep Swadia
Radhe Radhe Hari Govind
155 bpm • C# Maj • 05:10 • -11.07db
1% Popularity • 48% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
1% Popularity • 48% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Dr. Manikantan Menon
Muralidhara Manamohana
153 bpm • G# min • 05:46 • -15.46db
11% Popularity • 61% Danceability • 24% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
11% Popularity • 61% Danceability • 24% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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Mridul Krishan Shastri
Jai Jai Shiv Shankar
160 bpm • G# Maj • 06:19 • -8.03db
21% Popularity • 51% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
21% Popularity • 51% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
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Nitin Devka
JAI RADHA MADHV
152 bpm • D# min • 10:10 • -12.37db
9% Popularity • 43% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 43% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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S. Janaki
Vachchaadu Vachchaadu
152 bpm • A# min • 05:26 • -11.67db
1% Popularity • 46% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
1% Popularity • 46% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Abhijit Niyogi
Maddhe Sudhabadhi
152 bpm • C min • 02:50 • -7.75db
10% Popularity • 49% Danceability • 38% Energy • 35% Liveness
0% Instrumentalness • 29% Positiveness
10% Popularity • 49% Danceability • 38% Energy • 35% Liveness
0% Instrumentalness • 29% Positiveness
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Jaydeep Swadia
Tun Sacho Vepari
155 bpm • D# Maj • 04:12 • -10.14db
5% Popularity • 58% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
5% Popularity • 58% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Sadhu Madhurvadandas
Saranpurnu Aa Geet
160 bpm • F# Maj • 10:06 • -5db
8% Popularity • 53% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
8% Popularity • 53% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Jinagam Ratna M.S.
Mangu Prabhu Diksha Have
160 bpm • D min • 06:48 • -10.25db
4% Popularity • 58% Danceability • 41% Energy • 39% Liveness
0% Instrumentalness • 55% Positiveness
4% Popularity • 58% Danceability • 41% Energy • 39% Liveness
0% Instrumentalness • 55% Positiveness
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Srikanta Acharya
Nitya Tomar Je Phool Phote
160 bpm • G Maj • 04:54 • -13.19db
17% Popularity • 53% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
17% Popularity • 53% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
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Paras Borkhatria
Shree Nath Ji Karu Prathna
150 bpm • F Maj • 06:08 • -10.63db
20% Popularity • 55% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
20% Popularity • 55% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Mysore Ramachandrachar
Tamburi Meetidava
150 bpm • F# min • 04:23 • -8.29db
18% Popularity • 73% Danceability • 61% Energy • 27% Liveness
0% Instrumentalness • 95% Positiveness
18% Popularity • 73% Danceability • 61% Energy • 27% Liveness
0% Instrumentalness • 95% Positiveness
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Jaydeep Swadia
Hari Akshar Halva
159 bpm • C# min • 05:32 • -8.55db
0% Popularity • 52% Danceability • 52% Energy • 29% Liveness
0% Instrumentalness • 67% Positiveness
0% Popularity • 52% Danceability • 52% Energy • 29% Liveness
0% Instrumentalness • 67% Positiveness
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Sadhu Akhandkirtandas
Ap Vachanana Megh Malhare
152 bpm • G Maj • 06:39 • -5.08db
14% Popularity • 62% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 62% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Bhikari Bal
Shree Mandire Jayee
150 bpm • B min • 05:48 • -12.21db
8% Popularity • 47% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
8% Popularity • 47% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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Gargi Roychowdhury
Aamar Je Sob Dite Hobe
163 bpm • G# Maj • 03:07 • -9db
9% Popularity • 30% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
9% Popularity • 30% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Utpal Jivrajani
Vanke Ambode Shreenathji
163 bpm • D# Maj • 02:23 • -12db
25% Popularity • 30% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
25% Popularity • 30% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Manjula Gururaj
Eddelu Manjunatha
149 bpm • F Maj • 06:34 • -18.11db
28% Popularity • 63% Danceability • 22% Energy • 10% Liveness
43% Instrumentalness • 76% Positiveness
28% Popularity • 63% Danceability • 22% Energy • 10% Liveness
43% Instrumentalness • 76% Positiveness
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Jaydeep Swadia
Holi Aayi Re Aayi Re
160 bpm • G# min • 04:58 • -13.61db
5% Popularity • 64% Danceability • 42% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
5% Popularity • 64% Danceability • 42% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
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Bhikhari Bala
Mana Parare
149 bpm • C# Maj • 06:50 • -4.21db
24% Popularity • 36% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
24% Popularity • 36% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
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Namita Agrawal
Tulasi Banare Prema Heigala
164 bpm • F# Maj • 06:18 • -5.06db
8% Popularity • 45% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
8% Popularity • 45% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
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Suman Kalyanpur
Chal Uth Re Mukunda
149 bpm • B min • 03:35 • -16db
4% Popularity • 42% Danceability • 17% Energy • 18% Liveness
88% Instrumentalness • 54% Positiveness
4% Popularity • 42% Danceability • 17% Energy • 18% Liveness
88% Instrumentalness • 54% Positiveness
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Bhimsen Joshi
Mann Hey Ghale
164 bpm • D Maj • 06:46 • -11.66db
17% Popularity • 31% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
17% Popularity • 31% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Sachin Limaye
Vallabh Kulna Vhala Shrinathji
148 bpm • D# Maj • 07:48 • -11.18db
18% Popularity • 56% Danceability • 48% Energy • 27% Liveness
0% Instrumentalness • 74% Positiveness
18% Popularity • 56% Danceability • 48% Energy • 27% Liveness
0% Instrumentalness • 74% Positiveness
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Jaydeep Swadia
Vahala Lago Chho
151 bpm • C Maj • 06:28 • -8.8db
3% Popularity • 53% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
3% Popularity • 53% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
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Hariharan
Mangal Karini Sai Janani
148 bpm • A Maj • 04:22 • -12.32db
4% Popularity • 49% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
4% Popularity • 49% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Bhikari Bal
Jagabandhu He Gosain
148 bpm • D min • 04:37 • -4.89db
26% Popularity • 41% Danceability • 86% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
26% Popularity • 41% Danceability • 86% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
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Ajit Kadkade
Om Shri Gurdev Datt
148 bpm • A Maj • 06:54 • -8.57db
25% Popularity • 38% Danceability • 65% Energy • 43% Liveness
0% Instrumentalness • 68% Positiveness
25% Popularity • 38% Danceability • 65% Energy • 43% Liveness
0% Instrumentalness • 68% Positiveness
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Lalita Ghodadra
Mathe Matukadi Mahini Meli
147 bpm • F Maj • 08:02 • -7db
17% Popularity • 49% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
17% Popularity • 49% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
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Sachin Limaye
O Shrinathji Aavo Tame
148 bpm • D# Maj • 05:17 • -9.97db
17% Popularity • 66% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
17% Popularity • 66% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Jaydeep Swadia
Bhagwan Kare Te Bhala Mate
148 bpm • F# Maj • 05:44 • -6.38db
5% Popularity • 44% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
5% Popularity • 44% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Nitin Devka
MARA SHRIJI BAVA NE GHANI RE
147 bpm • C# Maj • 05:56 • -12.13db
12% Popularity • 62% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
12% Popularity • 62% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Asha Bhosle
Too Door Door Tithe
165 bpm • D min • 03:14 • -17.42db
0% Popularity • 39% Danceability • 14% Energy • 13% Liveness
92% Instrumentalness • 71% Positiveness
0% Popularity • 39% Danceability • 14% Energy • 13% Liveness
92% Instrumentalness • 71% Positiveness
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BAPS Children
Vhala tari murti
147 bpm • C Maj • 05:39 • -6.72db
18% Popularity • 60% Danceability • 54% Energy • 32% Liveness
0% Instrumentalness • 86% Positiveness
18% Popularity • 60% Danceability • 54% Energy • 32% Liveness
0% Instrumentalness • 86% Positiveness
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Bhikhari Bala
Aahe Chaka Aakhi
166 bpm • A# Maj • 04:55 • -4.93db
19% Popularity • 41% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
19% Popularity • 41% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
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Narendra Kumar
Tum Pari Prabhu Thau Thau
147 bpm • F# Maj • 05:39 • -6.35db
12% Popularity • 56% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
12% Popularity • 56% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
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Jaydeep Swadia
Bhola Shankar Ratan Manohar
150 bpm • C# Maj • 04:16 • -13.85db
3% Popularity • 65% Danceability • 33% Energy • 10% Liveness
8% Instrumentalness • 43% Positiveness
3% Popularity • 65% Danceability • 33% Energy • 10% Liveness
8% Instrumentalness • 43% Positiveness
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Sadhu Vasudevpriyadas
Tara Mukhni Lavanta Mithee
147 bpm • A# Maj • 05:55 • -9.99db
8% Popularity • 46% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
8% Popularity • 46% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Arabinda Muduli
Kala Saante Achha Kamante
166 bpm • B min • 03:43 • -3.81db
27% Popularity • 58% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
27% Popularity • 58% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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Harikrishna Gajjar
Mune vala lago chho
147 bpm • G# Maj • 07:05 • -6.13db
9% Popularity • 66% Danceability • 52% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
9% Popularity • 66% Danceability • 52% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
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Bhimsen Joshi
Pavalo Pandhari Vaikunth Bhuvan
146 bpm • G min • 06:32 • -18db
4% Popularity • 41% Danceability • 36% Energy • 14% Liveness
13% Instrumentalness • 71% Positiveness
4% Popularity • 41% Danceability • 36% Energy • 14% Liveness
13% Instrumentalness • 71% Positiveness
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Damyanti Bardai
He Odhaji Mara Whalane
146 bpm • C# min • 08:10 • -8.53db
22% Popularity • 44% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
22% Popularity • 44% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Jaydeep Swadia
Instrumental He Dinbandhu
150 bpm • D Maj • 05:09 • -9.48db
2% Popularity • 58% Danceability • 36% Energy • 9% Liveness
50% Instrumentalness • 45% Positiveness
2% Popularity • 58% Danceability • 36% Energy • 9% Liveness
50% Instrumentalness • 45% Positiveness
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Manjula Gururaj
Sharanara Kayai
166 bpm • C Maj • 02:31 • -15.65db
16% Popularity • 40% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
16% Popularity • 40% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Lata Mangeshkar
Hari Bin Kun Gati Meri
146 bpm • C# Maj • 05:24 • -7.02db
4% Popularity • 57% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
4% Popularity • 57% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Namita Agarwal
Jalideli Sanjabati
146 bpm • A# min • 05:26 • -4.95db
10% Popularity • 42% Danceability • 64% Energy • 40% Liveness
0% Instrumentalness • 89% Positiveness
10% Popularity • 42% Danceability • 64% Energy • 40% Liveness
0% Instrumentalness • 89% Positiveness
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Sharda Sinha
Hey Ganga Maiya
146 bpm • G# Maj • 06:31 • -11.5db
12% Popularity • 40% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
12% Popularity • 40% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Gangaputra Narasinga Rao
Ayya Ninne Nammina
145 bpm • G min • 06:50 • -5.55db
27% Popularity • 60% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 81% Positiveness
27% Popularity • 60% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 81% Positiveness
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Jaydeep Swadia
Satya Sanatan Vachan Ye
150 bpm • G Maj • 09:22 • -11.6db
1% Popularity • 60% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
1% Popularity • 60% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Acharya Mridul Krishan Shastri
Jai Govind Jai Gopala
167 bpm • E Maj • 05:19 • -12.41db
7% Popularity • 36% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
7% Popularity • 36% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
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Sadhu Bhaktikirtandas
મારા પુણ્ય તણો �...
145 bpm • D Maj • 04:54 • -7.17db
11% Popularity • 69% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
11% Popularity • 69% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Vasantrao Deshpande
Surat Piya Ki
145 bpm • A# min • 06:51 • -10.8db
21% Popularity • 37% Danceability • 74% Energy • 8% Liveness
51% Instrumentalness • 69% Positiveness
21% Popularity • 37% Danceability • 74% Energy • 8% Liveness
51% Instrumentalness • 69% Positiveness
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Nidhi Dholakia
Arji Amari Suno Shreenathji
145 bpm • G# Maj • 07:47 • -13.19db
28% Popularity • 55% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
28% Popularity • 55% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Prabhanjan Marathe
Utha Utha Panduranga
168 bpm • C Maj • 01:06 • -7db
17% Popularity • 60% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 85% Positiveness
17% Popularity • 60% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 85% Positiveness
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Jaydeep Swadia
Hey Dinbandhu Hey Dinanth
150 bpm • D Maj • 05:49 • -9.82db
6% Popularity • 57% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
6% Popularity • 57% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Sadhu Akshareshdas
Mane Pyari Lage Murti
145 bpm • B Maj • 05:19 • -9db
13% Popularity • 51% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
13% Popularity • 51% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
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Namita Agrawal
Naali Shadhi Shankha
145 bpm • G Maj • 05:18 • -2.93db
26% Popularity • 48% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 89% Positiveness
26% Popularity • 48% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 89% Positiveness
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Bhikari Bal
Dinabandhu Daitari
169 bpm • C# Maj • 04:36 • -7.59db
18% Popularity • 37% Danceability • 59% Energy • 23% Liveness
0% Instrumentalness • 75% Positiveness
18% Popularity • 37% Danceability • 59% Energy • 23% Liveness
0% Instrumentalness • 75% Positiveness
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Arabinda Muduli
Chahala Padichhi
144 bpm • B Maj • 08:48 • -1.09db
14% Popularity • 43% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
14% Popularity • 43% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
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Namita Agarwal
Madhaba Mukunda Hari
169 bpm • A# min • 05:39 • -6.01db
10% Popularity • 36% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
10% Popularity • 36% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
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Jaydeep Swadia
Ab Soup Diya Is Jivan Ka
148 bpm • F# Maj • 06:51 • -9.2db
1% Popularity • 51% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
1% Popularity • 51% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
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Sadhu Vishwaswarupdas
Aj Mane Samo Malyo Chhe Alabelo
144 bpm • F Maj • 05:47 • -8.81db
9% Popularity • 60% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
9% Popularity • 60% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
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Asif Jeriya
Ghani Khamma Ghani Khamma
144 bpm • F Maj • 05:08 • -8db
21% Popularity • 63% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
21% Popularity • 63% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Susmita Patra
Bedonay Bhore Giyechhe Peyala
144 bpm • D Maj • 04:41 • -7.94db
10% Popularity • 47% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
10% Popularity • 47% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Toronto Rhythm
Rang Lagyo
144 bpm • F Maj • 08:23 • -9.72db
16% Popularity • 66% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 66% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Mridul Krishna Shastri
Dukh Me Mat Ghabrana
144 bpm • F# min • 06:37 • -8db
13% Popularity • 66% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
13% Popularity • 66% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
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Jaydeep Swadia
Nand Gher Aanand Bhayo
147 bpm • C# Maj • 00:59 • -13.99db
4% Popularity • 70% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 88% Positiveness
4% Popularity • 70% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 88% Positiveness
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Jayati Chakrahborty
Aamar Ei Rikto Dali
144 bpm • B Maj • 01:49 • -7.71db
12% Popularity • 56% Danceability • 47% Energy • 40% Liveness
0% Instrumentalness • 64% Positiveness
12% Popularity • 56% Danceability • 47% Energy • 40% Liveness
0% Instrumentalness • 64% Positiveness
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BAPS Children
Valo vadhavu
144 bpm • A min • 06:07 • -6.84db
11% Popularity • 53% Danceability • 56% Energy • 29% Liveness
0% Instrumentalness • 75% Positiveness
11% Popularity • 53% Danceability • 56% Energy • 29% Liveness
0% Instrumentalness • 75% Positiveness
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Urvashi Pandya
Laad Ladavo Lala Ne
144 bpm • C# Maj • 05:36 • -6.31db
10% Popularity • 64% Danceability • 55% Energy • 40% Liveness
0% Instrumentalness • 90% Positiveness
10% Popularity • 64% Danceability • 55% Energy • 40% Liveness
0% Instrumentalness • 90% Positiveness
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Kishore Kumar
Aaj Mukhete Bolle Tumi
144 bpm • G# Maj • 05:34 • -10.99db
2% Popularity • 61% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
2% Popularity • 61% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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Ajit Kadkade
Bhaktiful Man Jhale
144 bpm • B Maj • 06:34 • -8.88db
27% Popularity • 37% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
27% Popularity • 37% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Jaydeep Swadia
Pramukhswami Upkaar Tamara
146 bpm • D min • 08:05 • -6.04db
3% Popularity • 41% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 21% Positiveness
3% Popularity • 41% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 21% Positiveness
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Divyang Ray
Evi Tari Bhakti Dai De
170 bpm • B min • 08:54 • -6.87db
17% Popularity • 39% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
17% Popularity • 39% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Mahesh Kumar
Kalia Mu Tote Bhala Pauchi
170 bpm • C# min • 06:35 • -3.99db
12% Popularity • 51% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
12% Popularity • 51% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Maya Deepak
Mare Mandir Padharo Shrinathiji
170 bpm • G# Maj • 06:44 • -3.67db
13% Popularity • 36% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
13% Popularity • 36% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Pu.Acharya Udayratna Suriji M.s.
O Mara Rupala Bhagvan
170 bpm • B min • 06:29 • -5.32db
26% Popularity • 49% Danceability • 59% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
26% Popularity • 49% Danceability • 59% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
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Akshaya Mohanty
Kene Gheni Jaucha Jagannathanku
143 bpm • C# Maj • 04:25 • -8.77db
18% Popularity • 47% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
18% Popularity • 47% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Jaydeep Swadia
Navkar Mantra
170 bpm • F# min • 04:18 • -16.72db
1% Popularity • 55% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
1% Popularity • 55% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
