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Prayer
Songs like
Prayer - From "Ad Astra" Soundtrack
by
Lorne Balfe
Based on a tempo of (+/- 10%) and a similar genre
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Marco Beltrami
A Quiet Family
61 bpm • G Maj • 01:58 • -26.51db
30% Popularity • 24% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
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Abel Korzeniowski
Rejection
61 bpm • G min • 02:34 • -18.74db
26% Popularity • 17% Danceability • 10% Energy • 9% Liveness
87% Instrumentalness • 3% Positiveness
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Rupert Gregson-Williams
Christmas Message
61 bpm • D min • 03:58 • -25.04db
31% Popularity • 6% Danceability • 7% Energy • 7% Liveness
85% Instrumentalness • 3% Positiveness
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Lorne Balfe
Prayer
61 bpm • F min • 02:07 • -23.83db
18% Popularity • 19% Danceability • 6% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
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Rob Simonsen
Sunken Ship
62 bpm • C Maj • 02:11 • -26.83db
20% Popularity • 11% Danceability • 9% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
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Junkie XL
Remember This
62 bpm • C min • 03:26 • -25.37db
13% Popularity • 15% Danceability • 4% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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Rhian Sheehan
Mother
62 bpm • F Maj • 01:18 • -30.74db
45% Popularity • 18% Danceability • 0% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Abel Korzeniowski
Boat To Africa
61 bpm • G min • 04:45 • -16.09db
16% Popularity • 6% Danceability • 26% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Jesper Kyd
Tour of Venice
60 bpm • C Maj • 03:16 • -19.27db
40% Popularity • 30% Danceability • 17% Energy • 7% Liveness
98% Instrumentalness • 9% Positiveness
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Michael Giacchino
Migration
62 bpm • C Maj • 02:03 • -18.4db
25% Popularity • 22% Danceability • 12% Energy • 14% Liveness
62% Instrumentalness • 2% Positiveness
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Rob Simonsen
January 1st, 1908
60 bpm • D Maj • 03:56 • -21.22db
23% Popularity • 20% Danceability • 14% Energy • 9% Liveness
73% Instrumentalness • 3% Positiveness
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Alexandre Desplat
Alan
59 bpm • D min • 02:57 • -18db
41% Popularity • 14% Danceability • 16% Energy • 9% Liveness
98% Instrumentalness • 7% Positiveness
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Benjamin Wallfisch
He's Gone
62 bpm • C# Maj • 03:36 • -21.98db
9% Popularity • 14% Danceability • 12% Energy • 23% Liveness
13% Instrumentalness • 4% Positiveness
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Anne Nikitin
Isolation
59 bpm • F min • 01:29 • -30.58db
46% Popularity • 20% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Carlos Rafael Rivera
Playing Mr. Ganz
63 bpm • D# Maj • 01:36 • -31.59db
44% Popularity • 12% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Lesley Barber
Night Falls at Brangwyn Hall
59 bpm • G min • 02:12 • -12.69db
7% Popularity • 7% Danceability • 31% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Ludwig Göransson
FROM MUMBAI TO AMALFI
59 bpm • G# Maj • 04:25 • -27.04db
36% Popularity • 10% Danceability • 10% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Segun Akinola
What Lies Ahead
64 bpm • B min • 03:32 • -25.66db
21% Popularity • 24% Danceability • 5% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
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Edward Shearmur
Bluebird - K-Pax
64 bpm • G# min • 03:52 • -22.28db
35% Popularity • 18% Danceability • 4% Energy • 8% Liveness
75% Instrumentalness • 5% Positiveness
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Marco Beltrami
The Dinner Table
64 bpm • G min • 01:46 • -27.42db
20% Popularity • 8% Danceability • 0% Energy • 9% Liveness
77% Instrumentalness • 5% Positiveness
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Lorne Balfe
Father and Son
64 bpm • D# Maj • 01:53 • -14.5db
12% Popularity • 22% Danceability • 16% Energy • 9% Liveness
79% Instrumentalness • 3% Positiveness
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Roque Baños
Desert Island - Bonus Track
64 bpm • D min • 03:44 • -29.16db
11% Popularity • 15% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
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Paul Hepker
She's Beautiful
64 bpm • C# Maj • 01:16 • -24.71db
25% Popularity • 18% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness
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Marc Streitenfeld
Weyland
64 bpm • C Maj • 02:04 • -28.64db
37% Popularity • 29% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
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The Prestige
The Light Field
64 bpm • E Maj • 01:50 • -22.1db
22% Popularity • 22% Danceability • 13% Energy • 9% Liveness
87% Instrumentalness • 3% Positiveness
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Martin Phipps
Hereditary
65 bpm • E min • 01:43 • -23.56db
31% Popularity • 18% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 5% Positiveness
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Lorne Balfe
13 Hours
64 bpm • A min • 02:09 • -15.88db
25% Popularity • 19% Danceability • 24% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Nicholas Britell
Hymn - Mvmt 2: Lament
65 bpm • G min • 03:41 • -22.96db
37% Popularity • 23% Danceability • 11% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Thomas Roussel
Jumbo Is Alive
65 bpm • E min • 03:06 • -17db
15% Popularity • 13% Danceability • 7% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
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Rupert Gregson-Williams
Bring Him Home
65 bpm • C min • 03:09 • -18.32db
29% Popularity • 6% Danceability • 15% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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Ronit Kirchman
Limetown
65 bpm • A min • 03:17 • -14.7db
13% Popularity • 25% Danceability • 28% Energy • 13% Liveness
93% Instrumentalness • 6% Positiveness
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Martin Phipps
Philip
65 bpm • A min • 03:03 • -21.73db
36% Popularity • 6% Danceability • 13% Energy • 12% Liveness
87% Instrumentalness • 3% Positiveness
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Junkie XL
I'd Give You My Heart
65 bpm • C min • 03:07 • -25.51db
16% Popularity • 9% Danceability • 5% Energy • 4% Liveness
95% Instrumentalness • 3% Positiveness
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Harry Gregson-Williams
Pray for Us
65 bpm • C# min • 01:42 • -29.17db
13% Popularity • 20% Danceability • 6% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
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Ryan Amon
Elysium
66 bpm • A min • 03:45 • -15.86db
41% Popularity • 16% Danceability • 20% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Rob Simonsen
Spiral
66 bpm • F# min • 02:53 • -30db
43% Popularity • 6% Danceability • 8% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
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Lorne Balfe
The End of the Magisterium
66 bpm • F min • 02:47 • -21.22db
14% Popularity • 7% Danceability • 12% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
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Martin Phipps
Black Widow
57 bpm • D min • 02:01 • -26.77db
40% Popularity • 7% Danceability • 9% Energy • 11% Liveness
64% Instrumentalness • 4% Positiveness
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Mark Isham
Frank Gehry
66 bpm • F Maj • 02:13 • -28db
38% Popularity • 14% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Theodore Shapiro
Stop Right Now
66 bpm • C Maj • 02:05 • -24.32db
38% Popularity • 34% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Elitsa Alexandrova
Book of Breathings
66 bpm • F Maj • 02:00 • -25db
21% Popularity • 26% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Anne Nikitin
Birth Of The Solar System
66 bpm • A# min • 01:42 • -20.74db
50% Popularity • 20% Danceability • 21% Energy • 12% Liveness
74% Instrumentalness • 3% Positiveness
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Lorne Balfe
Tell Me Where He Is
66 bpm • C min • 02:02 • -29.29db
17% Popularity • 22% Danceability • 3% Energy • 12% Liveness
54% Instrumentalness • 4% Positiveness
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Avery Bright
Father's Daughter
66 bpm • C# Maj • 01:31 • -24.62db
23% Popularity • 17% Danceability • 5% Energy • 8% Liveness
96% Instrumentalness • 17% Positiveness
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West Dylan Thordson
Belief
66 bpm • A# Maj • 03:03 • -21db
36% Popularity • 22% Danceability • 30% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Kevin Smuts
Sick From The Pressure
66 bpm • A min • 01:36 • -28.83db
39% Popularity • 9% Danceability • 4% Energy • 12% Liveness
82% Instrumentalness • 3% Positiveness
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Roque Baños
Separations
67 bpm • F min • 04:29 • -33.38db
23% Popularity • 14% Danceability • 1% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
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Alexandre Desplat
At First Sight
67 bpm • D Maj • 03:13 • -14.94db
13% Popularity • 16% Danceability • 23% Energy • 6% Liveness
92% Instrumentalness • 3% Positiveness
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Lorne Balfe
Pilgrim Legacy
66 bpm • D# min • 02:07 • -19.59db
16% Popularity • 13% Danceability • 9% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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David Arnold
Who I Want to Be
67 bpm • A min • 02:42 • -20db
39% Popularity • 21% Danceability • 20% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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West Dylan Thordson
Kevin & Casey
67 bpm • F min • 02:11 • -20.51db
49% Popularity • 25% Danceability • 19% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
Assano Seppuku
67 bpm • A min • 02:41 • -18.91db
48% Popularity • 19% Danceability • 24% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Roque Baños
Meeting Old Nickerson - Bonus Track
67 bpm • C min • 02:26 • -30.4db
11% Popularity • 14% Danceability • 3% Energy • 8% Liveness
76% Instrumentalness • 3% Positiveness
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Bear McCreary
Father Voss
67 bpm • G min • 02:03 • -20.81db
12% Popularity • 16% Danceability • 14% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
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Lorne Balfe
A Plea to Fate
67 bpm • G min • 03:13 • -15.9db
25% Popularity • 7% Danceability • 24% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
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Chris Bacon
Home
67 bpm • E min • 03:06 • -31.77db
23% Popularity • 14% Danceability • 2% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
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Thomas Newman
Dragons
67 bpm • F Maj • 01:14 • -29db
29% Popularity • 26% Danceability • 6% Energy • 16% Liveness
99% Instrumentalness • 3% Positiveness
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Segun Akinola
Thank You For Being My Friend
67 bpm • D min • 03:52 • -40.77db
37% Popularity • 21% Danceability • 0% Energy • 6% Liveness
96% Instrumentalness • 6% Positiveness
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Clint Mansell
Blossoming Chestnut Trees
67 bpm • D min • 04:54 • -16.81db
20% Popularity • 7% Danceability • 14% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Marco Beltrami
Sayonara Sanni
67 bpm • C min • 01:30 • -26.56db
14% Popularity • 20% Danceability • 3% Energy • 8% Liveness
98% Instrumentalness • 3% Positiveness
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Lorne Balfe
We Are Never Free
67 bpm • D min • 06:57 • -23db
27% Popularity • 6% Danceability • 8% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Harald Kloser
I Was Not Brave
55 bpm • G min • 01:47 • -28.4db
33% Popularity • 17% Danceability • 8% Energy • 8% Liveness
99% Instrumentalness • 4% Positiveness
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Etienne Forget
All Is Red
68 bpm • C# Maj • 04:12 • -19.74db
18% Popularity • 22% Danceability • 25% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Nicholas Britell
Song of Hal: Strings in B Minor
55 bpm • B min • 04:20 • -18.38db
37% Popularity • 22% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Thomas Wander
The Only Family I Got
55 bpm • D min • 01:01 • -35.69db
44% Popularity • 22% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 7% Positiveness
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Patrick Doyle
Hamnet's Grave
68 bpm • D min • 02:31 • -22db
13% Popularity • 25% Danceability • 6% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
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Anne Nikitin
The Earth Spins
68 bpm • A# Maj • 01:49 • -18.97db
49% Popularity • 7% Danceability • 7% Energy • 12% Liveness
91% Instrumentalness • 7% Positiveness
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Trevor Morris
To Valhalla
68 bpm • C Maj • 03:02 • -22.3db
26% Popularity • 6% Danceability • 13% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Chris Roe
Circling In
68 bpm • G min • 02:21 • -26.01db
19% Popularity • 8% Danceability • 6% Energy • 5% Liveness
94% Instrumentalness • 5% Positiveness
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Amelia Warner
Rights Of Women
69 bpm • C Maj • 01:12 • -24db
33% Popularity • 26% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Thomas Newman
Les Arbres
69 bpm • F min • 03:36 • -43.5db
29% Popularity • 19% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
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Marc Streitenfeld
Life
69 bpm • E Maj • 02:30 • -20.33db
46% Popularity • 11% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Roque Baños
Homecoming
69 bpm • F Maj • 07:32 • -21.31db
19% Popularity • 15% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 3% Positiveness
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Alan Silvestri
The Primer
69 bpm • D Maj • 06:20 • -31.54db
33% Popularity • 6% Danceability • 4% Energy • 17% Liveness
87% Instrumentalness • 3% Positiveness
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Mattia Vlad Morleo
Beyond
69 bpm • A min • 03:12 • -20.37db
41% Popularity • 8% Danceability • 3% Energy • 7% Liveness
68% Instrumentalness • 4% Positiveness
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West Dylan Thordson
What Are You Up To, Dennis?
70 bpm • C# Maj • 01:14 • -37.05db
37% Popularity • 11% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Martin Phipps
Tremulus
69 bpm • C Maj • 02:35 • -22.97db
26% Popularity • 19% Danceability • 27% Energy • 34% Liveness
79% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
Memorial
70 bpm • F min • 03:41 • -29.8db
17% Popularity • 18% Danceability • 3% Energy • 25% Liveness
93% Instrumentalness • 3% Positiveness
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Nicholas Britell
G Minor Prelude
70 bpm • G min • 02:59 • -32.46db
15% Popularity • 25% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Thomas Newman
Croisilles Wood
70 bpm • C# Maj • 02:06 • -45.9db
29% Popularity • 17% Danceability • 0% Energy • 6% Liveness
70% Instrumentalness • 4% Positiveness
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Jeff Beal
Claire And Adam
70 bpm • C min • 03:04 • -26.54db
26% Popularity • 7% Danceability • 10% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Lorne Balfe
Solitude
70 bpm • F Maj • 02:55 • -22.14db
12% Popularity • 6% Danceability • 9% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
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Ben Salisbury
The Visualisation Chamber
70 bpm • D min • 02:30 • -22.72db
15% Popularity • 7% Danceability • 5% Energy • 8% Liveness
89% Instrumentalness • 3% Positiveness
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Abel Korzeniowski
One Day Soon
70 bpm • C# Maj • 01:10 • -32.84db
39% Popularity • 45% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 22% Positiveness
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Anthony Willis
Romance Suite
70 bpm • E Maj • 03:32 • -21.26db
44% Popularity • 14% Danceability • 8% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Harry Gregson-Williams
Crossing Mars
70 bpm • C min • 03:36 • -18.67db
44% Popularity • 6% Danceability • 7% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Anne Nikitin
Rosary
70 bpm • A min • 01:25 • -15db
49% Popularity • 18% Danceability • 21% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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Carlos Rafael Rivera
The Scholar's Mate
70 bpm • F Maj • 01:18 • -19.62db
58% Popularity • 22% Danceability • 26% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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George Fenton
Lost in the Storm
70 bpm • A min • 01:11 • -17.41db
35% Popularity • 15% Danceability • 14% Energy • 6% Liveness
93% Instrumentalness • 3% Positiveness
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Lorne Balfe
The Witches of Lake Enara
71 bpm • A# Maj • 03:15 • -11.92db
15% Popularity • 17% Danceability • 43% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Atli Örvarsson
The Ninth Legion
71 bpm • A min • 02:18 • -21.55db
34% Popularity • 6% Danceability • 14% Energy • 11% Liveness
72% Instrumentalness • 3% Positiveness
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Harry Gregson-Williams
Crops Are Dead
70 bpm • F# min • 03:26 • -30.9db
27% Popularity • 20% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Marc Streitenfeld
Wife Memory
71 bpm • E min • 01:08 • -23.96db
24% Popularity • 32% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
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Steve Jablonsky
Sir Edmund Burton
71 bpm • D min • 04:10 • -23.05db
31% Popularity • 9% Danceability • 8% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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Nicholas Britell
Ballade in F# Minor: Trebuchets
71 bpm • F# Maj • 01:56 • -23.07db
39% Popularity • 16% Danceability • 20% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
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Amelia Warner
We Shall Become The Same
71 bpm • A min • 01:34 • -16.57db
29% Popularity • 18% Danceability • 13% Energy • 24% Liveness
88% Instrumentalness • 3% Positiveness
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Nathan Johnson
Everything Comes Around
52 bpm • D# Maj • 02:38 • -16.62db
41% Popularity • 22% Danceability • 19% Energy • 15% Liveness
86% Instrumentalness • 4% Positiveness
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James Edward Barker
Burns
72 bpm • E min • 04:01 • -30.17db
15% Popularity • 17% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
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Rob Simonsen
The Adam Project
72 bpm • A# Maj • 04:55 • -18.91db
29% Popularity • 7% Danceability • 11% Energy • 36% Liveness
96% Instrumentalness • 4% Positiveness
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Thomas Newman
The Great War
72 bpm • D# min • 01:42 • -31.22db
23% Popularity • 6% Danceability • 7% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
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Prayer