Songs like Preacher Man by THE DRIVER ERA
Based on a tempo of (+/- 10%) and a similar genre
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Cherry Pools
Turn You On
120 bpm • E Maj • 03:28 • -6db
38% Popularity • 63% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
38% Popularity • 63% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Lexi Jayde
newbury park
120 bpm • C# Maj • 02:54 • -7.13db
52% Popularity • 68% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
52% Popularity • 68% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Younger Hunger
Pray 4 U
120 bpm • A min • 02:52 • -5.75db
40% Popularity • 70% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
40% Popularity • 70% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
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THE DRIVER ERA
Preacher Man
120 bpm • C# Maj • 03:39 • -3.93db
53% Popularity • 69% Danceability • 95% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
53% Popularity • 69% Danceability • 95% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
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DBMK
I Heard You Had a Girlfriend
120 bpm • E Maj • 03:07 • -10.68db
29% Popularity • 68% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
29% Popularity • 68% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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young friend
WHEN WE WERE KIDS
120 bpm • E Maj • 03:18 • -6.44db
45% Popularity • 80% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
45% Popularity • 80% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Beach Weather
Goddess
120 bpm • A min • 04:32 • -4db
37% Popularity • 69% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
37% Popularity • 69% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
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LoveLeo
HEAD OVER HEELS
120 bpm • C min • 02:36 • -8.31db
43% Popularity • 87% Danceability • 59% Energy • 10% Liveness
6% Instrumentalness • 98% Positiveness
43% Popularity • 87% Danceability • 59% Energy • 10% Liveness
6% Instrumentalness • 98% Positiveness
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The Regrettes
Barely on My Mind
120 bpm • D min • 03:17 • -3db
53% Popularity • 75% Danceability • 68% Energy • 41% Liveness
0% Instrumentalness • 67% Positiveness
53% Popularity • 75% Danceability • 68% Energy • 41% Liveness
0% Instrumentalness • 67% Positiveness
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THE DRIVER ERA
Preacher Man - Lipless Remix
120 bpm • C# Maj • 03:17 • -6.59db
13% Popularity • 78% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
13% Popularity • 78% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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chloe moriondo
I Want To Be With You
120 bpm • E Maj • 02:59 • -6.97db
58% Popularity • 74% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
58% Popularity • 74% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Ashe
Another Man's Jeans
120 bpm • C# Maj • 02:45 • -5.39db
53% Popularity • 72% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 94% Positiveness
53% Popularity • 72% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 94% Positiveness
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Beach Weather
Pineapple Sunrise
120 bpm • E min • 02:56 • -5.59db
48% Popularity • 69% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 92% Positiveness
48% Popularity • 69% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 92% Positiveness
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The Band CAMINO
I Think I Like You
120 bpm • B min • 03:02 • -5.66db
59% Popularity • 81% Danceability • 57% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
59% Popularity • 81% Danceability • 57% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
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milk.
Drama Queen
120 bpm • A Maj • 04:00 • -5.75db
36% Popularity • 60% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
36% Popularity • 60% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Reneé Rapp
Colorado
120 bpm • F Maj • 02:52 • -7.52db
65% Popularity • 82% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
65% Popularity • 82% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Vacation Manor
Can't Run Forever
120 bpm • A Maj • 03:49 • -6db
48% Popularity • 69% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
48% Popularity • 69% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
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The Academic
Acting My Age
120 bpm • A Maj • 03:42 • -3.95db
49% Popularity • 66% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
49% Popularity • 66% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
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Rebounder
Change Shapes
120 bpm • A# Maj • 03:29 • -2.77db
35% Popularity • 76% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
35% Popularity • 76% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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Ghostryder
Indie Alt Boys
120 bpm • C min • 02:49 • -6.98db
31% Popularity • 78% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
31% Popularity • 78% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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ella jane
nothing else i could do
120 bpm • D# Maj • 02:50 • -7.65db
54% Popularity • 79% Danceability • 55% Energy • 13% Liveness
1% Instrumentalness • 58% Positiveness
54% Popularity • 79% Danceability • 55% Energy • 13% Liveness
1% Instrumentalness • 58% Positiveness
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FINNEAS
Happy Now?
120 bpm • D Maj • 02:52 • -6.52db
46% Popularity • 82% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 60% Positiveness
46% Popularity • 82% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 60% Positiveness
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Bad Suns
Baby Blue Shades
120 bpm • G Maj • 03:40 • -7db
49% Popularity • 71% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
49% Popularity • 71% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Sabrina Carpenter
Read your Mind
120 bpm • D# min • 03:27 • -5.06db
70% Popularity • 67% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
70% Popularity • 67% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Talladega
Isabella
120 bpm • D Maj • 01:50 • -5.87db
31% Popularity • 79% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
31% Popularity • 79% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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almost monday
coast to coast
120 bpm • C min • 02:29 • -4.6db
40% Popularity • 67% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
40% Popularity • 67% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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girl in red
I'll Call You Mine
120 bpm • E Maj • 03:21 • -5.14db
65% Popularity • 61% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 68% Positiveness
65% Popularity • 61% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 68% Positiveness
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Prince of Eden
Say My Name
120 bpm • D Maj • 03:56 • -5.85db
45% Popularity • 39% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
45% Popularity • 39% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
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THE DRIVER ERA
Keep Moving Forward
120 bpm • F# min • 03:16 • -5.92db
38% Popularity • 47% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
38% Popularity • 47% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Luke Hemmings
Starting Line
120 bpm • D Maj • 04:30 • -5.31db
53% Popularity • 26% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
53% Popularity • 26% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Wallows
Quarterback
121 bpm • B Maj • 03:00 • -3.88db
58% Popularity • 69% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
58% Popularity • 69% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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almost monday
sweet feelings
119 bpm • B Maj • 02:35 • -5.87db
39% Popularity • 69% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
39% Popularity • 69% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Stephen Dawes
Want Me
119 bpm • D Maj • 02:43 • -4.26db
61% Popularity • 64% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
61% Popularity • 64% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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Masek Porter
Come Out
121 bpm • F Maj • 04:02 • -9.47db
35% Popularity • 58% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
35% Popularity • 58% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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The Neighbourhood
24/7
119 bpm • G min • 03:39 • -4.61db
56% Popularity • 59% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
56% Popularity • 59% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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THAT BAND HONEY
Lights Off
119 bpm • B Maj • 03:01 • -3db
22% Popularity • 85% Danceability • 92% Energy • 5% Liveness
34% Instrumentalness • 92% Positiveness
22% Popularity • 85% Danceability • 92% Energy • 5% Liveness
34% Instrumentalness • 92% Positiveness
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R5
Heart Made Up On You
119 bpm • F min • 02:59 • -5.39db
51% Popularity • 75% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
51% Popularity • 75% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Declan McKenna
Rapture
122 bpm • E min • 03:59 • -1.85db
44% Popularity • 57% Danceability • 94% Energy • 79% Liveness
0% Instrumentalness • 66% Positiveness
44% Popularity • 57% Danceability • 94% Energy • 79% Liveness
0% Instrumentalness • 66% Positiveness
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Sneaky Peaches and the Fuzz
All My Cards
118 bpm • B Maj • 04:37 • -7.52db
16% Popularity • 63% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
16% Popularity • 63% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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Harry Styles
Love Of My Life
118 bpm • G Maj • 03:11 • -8.23db
72% Popularity • 56% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 20% Positiveness
72% Popularity • 56% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 20% Positiveness
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Ruel
I DON'T WANNA BE LIKE YOU
122 bpm • C# Maj • 02:43 • -4.87db
52% Popularity • 70% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 95% Positiveness
52% Popularity • 70% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 95% Positiveness
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Jack Kane
Gold
118 bpm • F# min • 02:23 • -6.82db
39% Popularity • 84% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
39% Popularity • 84% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Artemas
I'm Trynna Tell U That I Love U
118 bpm • A# Maj • 02:39 • -2.47db
46% Popularity • 82% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
46% Popularity • 82% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
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THE DRIVER ERA
OMG Plz Don't Come Around (Smallpools Re...
118 bpm • G Maj • 02:59 • -4.73db
19% Popularity • 61% Danceability • 92% Energy • 18% Liveness
8% Instrumentalness • 66% Positiveness
19% Popularity • 61% Danceability • 92% Energy • 18% Liveness
8% Instrumentalness • 66% Positiveness
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Beach Weather
Bad Seed
118 bpm • E min • 03:31 • -5.96db
36% Popularity • 76% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
36% Popularity • 76% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
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Harry Styles
Carolina
122 bpm • E min • 03:09 • -4.02db
65% Popularity • 62% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
65% Popularity • 62% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Conan Gray
Affluenza
118 bpm • B Maj • 03:19 • -5.66db
57% Popularity • 68% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
57% Popularity • 68% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
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R5
Trading Time
118 bpm • B Maj • 03:08 • -6.83db
30% Popularity • 55% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 55% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Danny and Alex
Friends Kiss Too
118 bpm • E min • 03:15 • -8.29db
30% Popularity • 64% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
30% Popularity • 64% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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THE DRIVER ERA
OMG Plz Don’t Come Around
118 bpm • C Maj • 03:49 • -5.15db
41% Popularity • 54% Danceability • 79% Energy • 54% Liveness
6% Instrumentalness • 14% Positiveness
41% Popularity • 54% Danceability • 79% Energy • 54% Liveness
6% Instrumentalness • 14% Positiveness
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Sabrina Carpenter
skinny dipping
122 bpm • E Maj • 02:57 • -8.86db
58% Popularity • 45% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
58% Popularity • 45% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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The Neighbourhood
Silver Lining
123 bpm • D Maj • 02:59 • -7.67db
54% Popularity • 56% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
54% Popularity • 56% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Christian Leave
10 Steps
123 bpm • G Maj • 03:29 • -6.53db
40% Popularity • 25% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
40% Popularity • 25% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
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Leland Blue
Lying to Myself
123 bpm • A min • 04:00 • -5.46db
35% Popularity • 60% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
35% Popularity • 60% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Luke Hemmings
Saigon
117 bpm • D min • 03:41 • -5.47db
54% Popularity • 60% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
54% Popularity • 60% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Aidan Bissett
Twenty Something
117 bpm • A Maj • 03:09 • -4.62db
40% Popularity • 64% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
40% Popularity • 64% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Saint Motel
Sweet Talk
117 bpm • C# Maj • 03:12 • -4.31db
63% Popularity • 67% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
63% Popularity • 67% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
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THE DRIVER ERA
Preacher Man - Rocky Remix
117 bpm • A# min • 03:49 • -6db
19% Popularity • 64% Danceability • 90% Energy • 14% Liveness
1% Instrumentalness • 83% Positiveness
19% Popularity • 64% Danceability • 90% Energy • 14% Liveness
1% Instrumentalness • 83% Positiveness
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Ryan Woods
THE FRIEND SPACE
123 bpm • B min • 02:56 • -5db
26% Popularity • 59% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
26% Popularity • 59% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
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ROLE MODEL
who hurt you
117 bpm • G Maj • 03:28 • -8db
38% Popularity • 84% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
38% Popularity • 84% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Bad Suns
Nightclub (Waiting for You)
117 bpm • F min • 03:46 • -6db
36% Popularity • 68% Danceability • 69% Energy • 19% Liveness
1% Instrumentalness • 41% Positiveness
36% Popularity • 68% Danceability • 69% Energy • 19% Liveness
1% Instrumentalness • 41% Positiveness
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Aidan Bissett
Tripping Over Air
117 bpm • B Maj • 03:02 • -4.81db
63% Popularity • 62% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
63% Popularity • 62% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
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Wiley Beckett
Disco Nights
116 bpm • A Maj • 03:36 • -7.88db
46% Popularity • 45% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
46% Popularity • 45% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Olivia Rodrigo
pretty isn’t pretty
124 bpm • D Maj • 03:19 • -4.34db
75% Popularity • 55% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
75% Popularity • 55% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Summerdrive
You Don't Have To Be Alone
124 bpm • C Maj • 03:48 • -5.94db
33% Popularity • 59% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
33% Popularity • 59% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Gatlin
never been in love
124 bpm • F# min • 03:06 • -9db
48% Popularity • 64% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
48% Popularity • 64% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Luke Hemmings
Baby Blue
124 bpm • C Maj • 03:43 • -3.85db
56% Popularity • 54% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
56% Popularity • 54% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Niall Horan
Cross Your Mind
124 bpm • C# Maj • 03:48 • -3.96db
59% Popularity • 63% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 76% Positiveness
59% Popularity • 63% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 76% Positiveness
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New Hope Club
Whatever
124 bpm • A Maj • 03:17 • -5.83db
28% Popularity • 85% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
28% Popularity • 85% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Wallows
Marvelous
124 bpm • A Maj • 02:22 • -3.27db
56% Popularity • 64% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
56% Popularity • 64% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Vacation Manor
Careless
116 bpm • D Maj • 03:15 • -5db
52% Popularity • 55% Danceability • 78% Energy • 76% Liveness
0% Instrumentalness • 52% Positiveness
52% Popularity • 55% Danceability • 78% Energy • 76% Liveness
0% Instrumentalness • 52% Positiveness
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almost monday
come on come on
124 bpm • F# min • 02:47 • -2.73db
43% Popularity • 74% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
43% Popularity • 74% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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ella jane
Calling Card
116 bpm • G# Maj • 03:12 • -7db
39% Popularity • 83% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
39% Popularity • 83% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Ashton Irwin
Perfect Lie
116 bpm • A Maj • 04:14 • -9db
32% Popularity • 65% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
32% Popularity • 65% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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R5
If
116 bpm • G Maj • 03:11 • -5.73db
40% Popularity • 65% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
40% Popularity • 65% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Wallows
1980s Horror Film II
116 bpm • D Maj • 03:55 • -4.96db
56% Popularity • 59% Danceability • 66% Energy • 8% Liveness
1% Instrumentalness • 27% Positiveness
56% Popularity • 59% Danceability • 66% Energy • 8% Liveness
1% Instrumentalness • 27% Positiveness
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Luke Hemmings
Repeat
115 bpm • G Maj • 03:32 • -10db
46% Popularity • 45% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
46% Popularity • 45% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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almost monday
broken people
116 bpm • A min • 03:22 • -3.62db
44% Popularity • 76% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
44% Popularity • 76% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Daniel Seavey
Give It A Week
125 bpm • E Maj • 03:02 • -7.67db
39% Popularity • 78% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
39% Popularity • 78% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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The Wldlfe
Box
125 bpm • A Maj • 03:13 • -5db
43% Popularity • 66% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
43% Popularity • 66% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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THE DRIVER ERA
Turn the music up
125 bpm • C Maj • 03:16 • -5.24db
40% Popularity • 93% Danceability • 77% Energy • 38% Liveness
0% Instrumentalness • 60% Positiveness
40% Popularity • 93% Danceability • 77% Energy • 38% Liveness
0% Instrumentalness • 60% Positiveness
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Declan McKenna
Make Me Your Queen
125 bpm • D Maj • 03:41 • -6.42db
57% Popularity • 49% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
57% Popularity • 49% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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FINNEAS
Mona Lisa, Mona Lisa
125 bpm • C Maj • 02:52 • -6.84db
51% Popularity • 74% Danceability • 52% Energy • 58% Liveness
2% Instrumentalness • 65% Positiveness
51% Popularity • 74% Danceability • 52% Energy • 58% Liveness
2% Instrumentalness • 65% Positiveness
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Sabrina Carpenter
Tornado Warnings
115 bpm • D# Maj • 03:24 • -7.71db
66% Popularity • 70% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
66% Popularity • 70% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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young friend
LOVERBOY
115 bpm • C Maj • 02:25 • -7.04db
37% Popularity • 81% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
37% Popularity • 81% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Kid Bloom
Does It Make Me Wrong?
115 bpm • C min • 03:43 • -5db
31% Popularity • 68% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
31% Popularity • 68% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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THE DRIVER ERA
cray z babe e
125 bpm • B Maj • 03:13 • -4.45db
42% Popularity • 77% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
42% Popularity • 77% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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ROLE MODEL
die for my bitch
115 bpm • C Maj • 02:53 • -7.1db
38% Popularity • 84% Danceability • 60% Energy • 38% Liveness
0% Instrumentalness • 37% Positiveness
38% Popularity • 84% Danceability • 60% Energy • 38% Liveness
0% Instrumentalness • 37% Positiveness
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FINNEAS
Claudia
125 bpm • B min • 02:41 • -7.63db
49% Popularity • 81% Danceability • 45% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
49% Popularity • 81% Danceability • 45% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
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Clubhouse
NO WAY!
115 bpm • F# Maj • 02:27 • -6.31db
39% Popularity • 90% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
39% Popularity • 90% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Declan McKenna
Why Do You Feel So Down
115 bpm • G Maj • 03:40 • -5.85db
61% Popularity • 56% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
61% Popularity • 56% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Conan Gray
People Watching
126 bpm • F Maj • 02:38 • -7.28db
77% Popularity • 53% Danceability • 59% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
77% Popularity • 53% Danceability • 59% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
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THE DRIVER ERA
Malibu - Friend Within Remix
126 bpm • B min • 03:04 • -6.29db
15% Popularity • 66% Danceability • 96% Energy • 24% Liveness
42% Instrumentalness • 70% Positiveness
15% Popularity • 66% Danceability • 96% Energy • 24% Liveness
42% Instrumentalness • 70% Positiveness
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ROLE MODEL
hello!
126 bpm • A# Maj • 03:08 • -4.02db
53% Popularity • 79% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
53% Popularity • 79% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Peach Tree Rascals
Fumari
126 bpm • E Maj • 02:00 • -7.99db
49% Popularity • 91% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
49% Popularity • 91% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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Patrick Martin
Dandelion Eyes
126 bpm • G Maj • 03:09 • -4.51db
45% Popularity • 66% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
45% Popularity • 66% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Alfie Jukes
Eyes Wide
114 bpm • D# min • 02:27 • -5.73db
56% Popularity • 70% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
56% Popularity • 70% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Harry Styles
Only Angel
114 bpm • F Maj • 04:51 • -4.11db
65% Popularity • 55% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
65% Popularity • 55% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness