Songs like Precious blue by The Inmates
Based on a tempo of (+/- 10%) and a similar genre
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Jonathan Dawkins
Deeper
115 bpm • D Maj • 03:42 • -5.87db
25% Popularity • 73% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
25% Popularity • 73% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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The Inmates
Fire down below
115 bpm • G Maj • 04:27 • -9.51db
21% Popularity • 59% Danceability • 92% Energy • 21% Liveness
64% Instrumentalness • 87% Positiveness
21% Popularity • 59% Danceability • 92% Energy • 21% Liveness
64% Instrumentalness • 87% Positiveness
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Faces
Had Me a Real Good Time - 2010 Remaster
115 bpm • G Maj • 02:54 • -7db
37% Popularity • 46% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
37% Popularity • 46% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Frankie Miller
Ain't Got No Money - 2011 Remaster
114 bpm • B Maj • 02:52 • -14.4db
34% Popularity • 66% Danceability • 39% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
34% Popularity • 66% Danceability • 39% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
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Jason & The Scorchers
Greetings From Nashville - Remastered
114 bpm • A Maj • 02:42 • -3.88db
12% Popularity • 45% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
12% Popularity • 45% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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Ronnie Wood
Worry No More
115 bpm • C Maj • 02:33 • -10.05db
33% Popularity • 43% Danceability • 77% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
33% Popularity • 43% Danceability • 77% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
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Raspberries
I'm A Rocker
114 bpm • A Maj • 05:10 • -4.57db
35% Popularity • 53% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
35% Popularity • 53% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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The Blasters
Well Oh Well
114 bpm • C Maj • 02:34 • -5.38db
24% Popularity • 66% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 66% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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The Inmates
Danger Zone
117 bpm • B min • 02:15 • -10.77db
4% Popularity • 81% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
4% Popularity • 81% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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Frankie Miller
guilty of the crime
117 bpm • E Maj • 03:24 • -7.49db
10% Popularity • 51% Danceability • 87% Energy • 38% Liveness
0% Instrumentalness • 91% Positiveness
10% Popularity • 51% Danceability • 87% Energy • 38% Liveness
0% Instrumentalness • 91% Positiveness
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Chris Spedding
Jump in My Car
113 bpm • D Maj • 03:21 • -5db
15% Popularity • 73% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
15% Popularity • 73% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Jason & The Scorchers
Golden Ball And Chain - Remastered
113 bpm • F Maj • 03:58 • -4.26db
18% Popularity • 50% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
18% Popularity • 50% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Steve Gibbons
Where Was I Last Night
113 bpm • A Maj • 03:24 • -10.96db
11% Popularity • 85% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
11% Popularity • 85% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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Mickey Jupp
I Thought I Heard Something
117 bpm • A Maj • 02:47 • -7.65db
18% Popularity • 76% Danceability • 72% Energy • 9% Liveness
4% Instrumentalness • 69% Positiveness
18% Popularity • 76% Danceability • 72% Energy • 9% Liveness
4% Instrumentalness • 69% Positiveness
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Steve Gibbons Band
Mr Jones
117 bpm • A Maj • 04:34 • -5.68db
9% Popularity • 69% Danceability • 71% Energy • 54% Liveness
0% Instrumentalness • 52% Positiveness
9% Popularity • 69% Danceability • 71% Energy • 54% Liveness
0% Instrumentalness • 52% Positiveness
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Lew Lewis
Wait
117 bpm • E Maj • 03:08 • -7.09db
8% Popularity • 66% Danceability • 85% Energy • 50% Liveness
4% Instrumentalness • 97% Positiveness
8% Popularity • 66% Danceability • 85% Energy • 50% Liveness
4% Instrumentalness • 97% Positiveness
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Pat Travers
Mabellene
113 bpm • E min • 02:57 • -12.44db
8% Popularity • 49% Danceability • 69% Energy • 10% Liveness
8% Instrumentalness • 96% Positiveness
8% Popularity • 49% Danceability • 69% Energy • 10% Liveness
8% Instrumentalness • 96% Positiveness
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Wilko Johnson
Muskrat
112 bpm • E min • 02:50 • -3.57db
9% Popularity • 59% Danceability • 98% Energy • 8% Liveness
9% Instrumentalness • 65% Positiveness
9% Popularity • 59% Danceability • 98% Energy • 8% Liveness
9% Instrumentalness • 65% Positiveness
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The Quireboys
7 O'Clock - 30th Anniversary Version
112 bpm • C Maj • 03:43 • -7db
27% Popularity • 60% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
27% Popularity • 60% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
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The Inmates
Sweet Nuthin's
118 bpm • E Maj • 04:21 • -8.69db
10% Popularity • 66% Danceability • 92% Energy • 8% Liveness
5% Instrumentalness • 90% Positiveness
10% Popularity • 66% Danceability • 92% Energy • 8% Liveness
5% Instrumentalness • 90% Positiveness
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The Paladins
Years Since Yesterday
112 bpm • A min • 03:26 • -11.92db
17% Popularity • 53% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
17% Popularity • 53% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Crazy Cavan
Rockabilly Rules OK
111 bpm • A Maj • 02:23 • -11.03db
23% Popularity • 56% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 84% Positiveness
23% Popularity • 56% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 84% Positiveness
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Frankie Miller
It's All Over - 2011 Remaster
120 bpm • E Maj • 02:36 • -12.34db
31% Popularity • 71% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 97% Positiveness
31% Popularity • 71% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 97% Positiveness
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Wilko Johnson
Ice On The Motorway
118 bpm • A# Maj • 02:51 • -3.67db
29% Popularity • 75% Danceability • 87% Energy • 19% Liveness
9% Instrumentalness • 98% Positiveness
29% Popularity • 75% Danceability • 87% Energy • 19% Liveness
9% Instrumentalness • 98% Positiveness
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Steve Gibbons Band
Johnny Cool
120 bpm • E Maj • 03:55 • -4.73db
12% Popularity • 70% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
12% Popularity • 70% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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The Inmates
Waiting Game
112 bpm • G Maj • 03:01 • -6.29db
2% Popularity • 67% Danceability • 70% Energy • 10% Liveness
2% Instrumentalness • 96% Positiveness
2% Popularity • 67% Danceability • 70% Energy • 10% Liveness
2% Instrumentalness • 96% Positiveness
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Lew Lewis
Boogie On The Street
120 bpm • G Maj • 03:25 • -7.09db
13% Popularity • 59% Danceability • 84% Energy • 29% Liveness
27% Instrumentalness • 96% Positiveness
13% Popularity • 59% Danceability • 84% Energy • 29% Liveness
27% Instrumentalness • 96% Positiveness
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Lee Rocker
Dog House Shuffle
120 bpm • C Maj • 03:03 • -5.91db
8% Popularity • 58% Danceability • 92% Energy • 32% Liveness
1% Instrumentalness • 66% Positiveness
8% Popularity • 58% Danceability • 92% Energy • 32% Liveness
1% Instrumentalness • 66% Positiveness
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Black Raven
Tell Her (I'll Fight)
110 bpm • E Maj • 03:14 • -6.47db
19% Popularity • 70% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
19% Popularity • 70% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Wilko Johnson
Roxette
120 bpm • C Maj • 02:59 • -5.79db
14% Popularity • 78% Danceability • 78% Energy • 9% Liveness
26% Instrumentalness • 99% Positiveness
14% Popularity • 78% Danceability • 78% Energy • 9% Liveness
26% Instrumentalness • 99% Positiveness
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Frankie Miller
Blackmail
120 bpm • B min • 03:04 • -7.28db
27% Popularity • 65% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
27% Popularity • 65% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
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The Inmates
Wait
111 bpm • A# min • 03:43 • -7.34db
3% Popularity • 72% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
3% Popularity • 72% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Steve Gibbons Band
No Spitting On the Bus - Live
110 bpm • G Maj • 04:48 • -7.78db
12% Popularity • 54% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
12% Popularity • 54% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
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The Sensational Alex Harvey Band
Buff's Bar Blues - Remastered 2002
109 bpm • E Maj • 03:05 • -11.42db
26% Popularity • 74% Danceability • 66% Energy • 23% Liveness
30% Instrumentalness • 94% Positiveness
26% Popularity • 74% Danceability • 66% Energy • 23% Liveness
30% Instrumentalness • 94% Positiveness
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The Paladins
I Don't Believe
121 bpm • F# min • 03:06 • -10.01db
14% Popularity • 56% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
14% Popularity • 56% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Wilko Johnson
Keep On Loving You
121 bpm • C Maj • 02:57 • -4.95db
17% Popularity • 76% Danceability • 69% Energy • 13% Liveness
4% Instrumentalness • 96% Positiveness
17% Popularity • 76% Danceability • 69% Energy • 13% Liveness
4% Instrumentalness • 96% Positiveness
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Frankie Miller
A Woman to Love - 2011 Remaster
109 bpm • E Maj • 03:35 • -12.18db
30% Popularity • 64% Danceability • 82% Energy • 75% Liveness
0% Instrumentalness • 97% Positiveness
30% Popularity • 64% Danceability • 82% Energy • 75% Liveness
0% Instrumentalness • 97% Positiveness
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The Inmates
Talk Talk
111 bpm • C Maj • 02:04 • -9.21db
4% Popularity • 47% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
4% Popularity • 47% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Steve Gibbons Band
In Over My Heart
121 bpm • F# min • 03:10 • -8.32db
10% Popularity • 71% Danceability • 71% Energy • 7% Liveness
3% Instrumentalness • 79% Positiveness
10% Popularity • 71% Danceability • 71% Energy • 7% Liveness
3% Instrumentalness • 79% Positiveness
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Mason Ruffner
Gypsy Blood
122 bpm • B min • 04:35 • -6.23db
3% Popularity • 56% Danceability • 98% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
3% Popularity • 56% Danceability • 98% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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The Blasters
Border Radio
122 bpm • G Maj • 02:44 • -8.19db
21% Popularity • 84% Danceability • 68% Energy • 39% Liveness
0% Instrumentalness • 97% Positiveness
21% Popularity • 84% Danceability • 68% Energy • 39% Liveness
0% Instrumentalness • 97% Positiveness
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Wilko Johnson
Paradise
109 bpm • F Maj • 04:40 • -5.68db
10% Popularity • 68% Danceability • 87% Energy • 13% Liveness
87% Instrumentalness • 97% Positiveness
10% Popularity • 68% Danceability • 87% Energy • 13% Liveness
87% Instrumentalness • 97% Positiveness
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Lee Rocker
Twenty Flight Rock
109 bpm • A Maj • 01:51 • -3.19db
25% Popularity • 64% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
25% Popularity • 64% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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The Inmates
No other girl
110 bpm • A Maj • 02:27 • -6.68db
18% Popularity • 56% Danceability • 96% Energy • 21% Liveness
7% Instrumentalness • 86% Positiveness
18% Popularity • 56% Danceability • 96% Energy • 21% Liveness
7% Instrumentalness • 86% Positiveness
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Bachman-Turner Overdrive
Blue Moanin'
123 bpm • A min • 03:43 • -13.29db
39% Popularity • 64% Danceability • 46% Energy • 20% Liveness
30% Instrumentalness • 77% Positiveness
39% Popularity • 64% Danceability • 46% Energy • 20% Liveness
30% Instrumentalness • 77% Positiveness
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Eddie & The Hot Rods
All I Need Is Money
108 bpm • D Maj • 02:31 • -10.31db
14% Popularity • 58% Danceability • 83% Energy • 57% Liveness
36% Instrumentalness • 97% Positiveness
14% Popularity • 58% Danceability • 83% Energy • 57% Liveness
36% Instrumentalness • 97% Positiveness
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Brownsville Station
Combination Boogie
123 bpm • D Maj • 02:28 • -10.88db
18% Popularity • 58% Danceability • 82% Energy • 11% Liveness
1% Instrumentalness • 79% Positiveness
18% Popularity • 58% Danceability • 82% Energy • 11% Liveness
1% Instrumentalness • 79% Positiveness
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Rick Parfitt
Lonesome Road
123 bpm • E Maj • 03:28 • -4.81db
16% Popularity • 38% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
16% Popularity • 38% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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George Thorogood
Mama Talk To Your Daughter
108 bpm • B Maj • 02:29 • -2.42db
19% Popularity • 52% Danceability • 96% Energy • 37% Liveness
0% Instrumentalness • 47% Positiveness
19% Popularity • 52% Danceability • 96% Energy • 37% Liveness
0% Instrumentalness • 47% Positiveness
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The Blasters
Colored Lights
123 bpm • G Maj • 03:27 • -7.46db
11% Popularity • 80% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 80% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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The Kokomo Kings
Silicone Brain
123 bpm • B Maj • 02:28 • -4.64db
22% Popularity • 60% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 60% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
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Barrence Whitfield & The Savages
Rockin' The Mule
107 bpm • D Maj • 02:48 • -11.13db
8% Popularity • 61% Danceability • 86% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 61% Danceability • 86% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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The Inmates
Goodbye So Long
107 bpm • F Maj • 03:04 • -8.62db
15% Popularity • 51% Danceability • 95% Energy • 8% Liveness
3% Instrumentalness • 67% Positiveness
15% Popularity • 51% Danceability • 95% Energy • 8% Liveness
3% Instrumentalness • 67% Positiveness
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Jason & The Scorchers
The Last Ride
107 bpm • D Maj • 01:40 • -5.1db
12% Popularity • 55% Danceability • 81% Energy • 22% Liveness
41% Instrumentalness • 94% Positiveness
12% Popularity • 55% Danceability • 81% Energy • 22% Liveness
41% Instrumentalness • 94% Positiveness
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Mickey Jupp
Part of Your Furniture
124 bpm • E Maj • 03:16 • -9.51db
15% Popularity • 82% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
15% Popularity • 82% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Jeff Lynne
Don't Let Go
107 bpm • A Maj • 03:01 • -7.68db
25% Popularity • 62% Danceability • 77% Energy • 10% Liveness
1% Instrumentalness • 80% Positiveness
25% Popularity • 62% Danceability • 77% Energy • 10% Liveness
1% Instrumentalness • 80% Positiveness
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The Del Lords
Cheyenne
124 bpm • A# Maj • 03:47 • -10.39db
13% Popularity • 56% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 56% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 68% Positiveness
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Omar and The Howlers
Snake Rhythm Rock
124 bpm • A Maj • 03:59 • -11.06db
19% Popularity • 72% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
19% Popularity • 72% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Phantom, Rocker & Slick
What You Want
124 bpm • A Maj • 04:23 • -9.16db
10% Popularity • 42% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
10% Popularity • 42% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Nick Lowe
Love So Fine
124 bpm • E min • 03:55 • -11.41db
15% Popularity • 66% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
15% Popularity • 66% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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The Blasters
Real Rock Drive
107 bpm • C Maj • 02:05 • -5.18db
17% Popularity • 68% Danceability • 83% Energy • 23% Liveness
0% Instrumentalness • 95% Positiveness
17% Popularity • 68% Danceability • 83% Energy • 23% Liveness
0% Instrumentalness • 95% Positiveness
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The Inmates
Three Little Sisters
107 bpm • G# min • 02:26 • -5.25db
3% Popularity • 57% Danceability • 97% Energy • 25% Liveness
28% Instrumentalness • 88% Positiveness
3% Popularity • 57% Danceability • 97% Energy • 25% Liveness
28% Instrumentalness • 88% Positiveness
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The Count Bishops
Sometimes Good Guys Don't Wear White
124 bpm • D Maj • 02:45 • -8db
10% Popularity • 64% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
10% Popularity • 64% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Jason & The Scorchers
I Really Don't Want To Know
124 bpm • E Maj • 04:30 • -3.77db
13% Popularity • 51% Danceability • 89% Energy • 39% Liveness
2% Instrumentalness • 45% Positiveness
13% Popularity • 51% Danceability • 89% Energy • 39% Liveness
2% Instrumentalness • 45% Positiveness
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The Nightdrivers
No Particular Place To Go
125 bpm • G Maj • 02:46 • -6.37db
15% Popularity • 63% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 91% Positiveness
15% Popularity • 63% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 91% Positiveness
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Dan Baird and Homemade Sin
Damn Thing to Be Done
106 bpm • A Maj • 04:16 • -6.3db
12% Popularity • 48% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 48% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Omar and The Howlers
Big Chief Pontiac
106 bpm • A Maj • 02:56 • -7.24db
15% Popularity • 71% Danceability • 75% Energy • 18% Liveness
1% Instrumentalness • 40% Positiveness
15% Popularity • 71% Danceability • 75% Energy • 18% Liveness
1% Instrumentalness • 40% Positiveness
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The Inmates
Talkin' Woman
125 bpm • E Maj • 02:31 • -8.45db
4% Popularity • 65% Danceability • 84% Energy • 25% Liveness
2% Instrumentalness • 92% Positiveness
4% Popularity • 65% Danceability • 84% Energy • 25% Liveness
2% Instrumentalness • 92% Positiveness
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Rose Tattoo
Rock'n'Roll Is King
125 bpm • E Maj • 03:26 • -11.49db
27% Popularity • 55% Danceability • 80% Energy • 7% Liveness
19% Instrumentalness • 77% Positiveness
27% Popularity • 55% Danceability • 80% Energy • 7% Liveness
19% Instrumentalness • 77% Positiveness
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Jason & The Scorchers
Shop It Around
125 bpm • E Maj • 02:58 • -3.85db
16% Popularity • 49% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
16% Popularity • 49% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
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George Thorogood
Bottom Of The Sea
125 bpm • G min • 03:30 • -10.92db
28% Popularity • 70% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
28% Popularity • 70% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Petter Baarli
I'm Alive
105 bpm • G Maj • 02:00 • -2.56db
14% Popularity • 42% Danceability • 95% Energy • 37% Liveness
0% Instrumentalness • 54% Positiveness
14% Popularity • 42% Danceability • 95% Energy • 37% Liveness
0% Instrumentalness • 54% Positiveness
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Juicy Lucy
Pretty Woman
126 bpm • F# min • 03:13 • -12.82db
22% Popularity • 85% Danceability • 47% Energy • 30% Liveness
3% Instrumentalness • 97% Positiveness
22% Popularity • 85% Danceability • 47% Energy • 30% Liveness
3% Instrumentalness • 97% Positiveness
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The Inmates
Some Kinda Wonderful
106 bpm • D Maj • 04:22 • -9.79db
10% Popularity • 66% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
10% Popularity • 66% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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The Blasters
No Other Girl
105 bpm • C Maj • 02:27 • -8.37db
16% Popularity • 64% Danceability • 88% Energy • 36% Liveness
1% Instrumentalness • 88% Positiveness
16% Popularity • 64% Danceability • 88% Energy • 36% Liveness
1% Instrumentalness • 88% Positiveness
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Wild Rooster
Flip Flop and Fly
105 bpm • A Maj • 03:05 • -5.63db
19% Popularity • 55% Danceability • 97% Energy • 35% Liveness
55% Instrumentalness • 95% Positiveness
19% Popularity • 55% Danceability • 97% Energy • 35% Liveness
55% Instrumentalness • 95% Positiveness
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George Thorogood
Let Me Pass
126 bpm • G# Maj • 03:40 • -6.21db
15% Popularity • 54% Danceability • 95% Energy • 7% Liveness
3% Instrumentalness • 73% Positiveness
15% Popularity • 54% Danceability • 95% Energy • 7% Liveness
3% Instrumentalness • 73% Positiveness
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Lew Lewis
1-30, 2-30, 3-35
105 bpm • A min • 02:35 • -5.5db
12% Popularity • 69% Danceability • 92% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 69% Danceability • 92% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Rory Gallagher
Don't Start Me Talkin' - Jinx Session / ...
127 bpm • G Maj • 03:33 • -7.09db
36% Popularity • 53% Danceability • 72% Energy • 25% Liveness
10% Instrumentalness • 87% Positiveness
36% Popularity • 53% Danceability • 72% Energy • 25% Liveness
10% Instrumentalness • 87% Positiveness
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The Inmates
Baby drives me crazy
106 bpm • A Maj • 02:14 • -6.74db
17% Popularity • 47% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 51% Positiveness
17% Popularity • 47% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 51% Positiveness
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Steve Gibbons Band
No Spitting On The Bus
105 bpm • C Maj • 03:32 • -9.51db
16% Popularity • 74% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
16% Popularity • 74% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Mink DeVille
Savoir Faire
127 bpm • A Maj • 03:09 • -11.77db
31% Popularity • 68% Danceability • 83% Energy • 33% Liveness
20% Instrumentalness • 92% Positiveness
31% Popularity • 68% Danceability • 83% Energy • 33% Liveness
20% Instrumentalness • 92% Positiveness
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Simon Crashly & The Roadmasters
It's Only Rock & Roll
104 bpm • E min • 01:52 • -5.22db
22% Popularity • 62% Danceability • 87% Energy • 2% Liveness
5% Instrumentalness • 84% Positiveness
22% Popularity • 62% Danceability • 87% Energy • 2% Liveness
5% Instrumentalness • 84% Positiveness
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Dr. Feelgood
Back in the Night
127 bpm • E Maj • 03:18 • -14db
36% Popularity • 75% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
36% Popularity • 75% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Robert Gordon
Born To Lose
127 bpm • A Maj • 02:51 • -13.26db
23% Popularity • 81% Danceability • 55% Energy • 4% Liveness
16% Instrumentalness • 97% Positiveness
23% Popularity • 81% Danceability • 55% Energy • 4% Liveness
16% Instrumentalness • 97% Positiveness
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The Inmates
Crime Don't Pay
126 bpm • A# Maj • 02:45 • -10.95db
3% Popularity • 76% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
3% Popularity • 76% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Nazareth
Sweetheart Tree
127 bpm • E Maj • 03:01 • -6.86db
19% Popularity • 57% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
19% Popularity • 57% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Nick Lowe
7 Nights to Rock
104 bpm • C Maj • 02:44 • -8.94db
14% Popularity • 48% Danceability • 96% Energy • 35% Liveness
3% Instrumentalness • 82% Positiveness
14% Popularity • 48% Danceability • 96% Energy • 35% Liveness
3% Instrumentalness • 82% Positiveness
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Texabilly Rockets
Up Jumped the Devil
104 bpm • A# min • 02:21 • -3.57db
34% Popularity • 68% Danceability • 92% Energy • 31% Liveness
11% Instrumentalness • 66% Positiveness
34% Popularity • 68% Danceability • 92% Energy • 31% Liveness
11% Instrumentalness • 66% Positiveness
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Foghat
Ubangi Stomp
128 bpm • A Maj • 02:48 • -7.43db
15% Popularity • 51% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
15% Popularity • 51% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
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Dr. Feelgood
Down at the Doctors - 2002 Remaster
128 bpm • C Maj • 03:19 • -10db
30% Popularity • 63% Danceability • 66% Energy • 31% Liveness
37% Instrumentalness • 78% Positiveness
30% Popularity • 63% Danceability • 66% Energy • 31% Liveness
37% Instrumentalness • 78% Positiveness
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The Inmates
If Time Could Turn Backwards
127 bpm • D Maj • 04:13 • -12.09db
3% Popularity • 46% Danceability • 29% Energy • 27% Liveness
3% Instrumentalness • 40% Positiveness
3% Popularity • 46% Danceability • 29% Energy • 27% Liveness
3% Instrumentalness • 40% Positiveness
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Tottas Bluesband
Person To Person
129 bpm • A# Maj • 02:53 • -11.12db
9% Popularity • 70% Danceability • 72% Energy • 21% Liveness
1% Instrumentalness • 88% Positiveness
9% Popularity • 70% Danceability • 72% Energy • 21% Liveness
1% Instrumentalness • 88% Positiveness
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The Kokomo Kings
The Wonder Man
102 bpm • B min • 02:56 • -8.39db
18% Popularity • 72% Danceability • 82% Energy • 6% Liveness
17% Instrumentalness • 92% Positiveness
18% Popularity • 72% Danceability • 82% Energy • 6% Liveness
17% Instrumentalness • 92% Positiveness
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Hustler
Little People - Remastered 2021
129 bpm • D Maj • 03:47 • -8.85db
14% Popularity • 50% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
14% Popularity • 50% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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The Beat Farmers
Blue Chevrolet
129 bpm • A Maj • 02:58 • -13.03db
15% Popularity • 65% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 65% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
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The Buckaroos
Doo Wop Shang-a-Lang Shimmy Shimmy
129 bpm • E min • 03:38 • -7db
15% Popularity • 70% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
15% Popularity • 70% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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The Inmates
Broken Hearted
104 bpm • E Maj • 03:17 • -9.47db
2% Popularity • 69% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
2% Popularity • 69% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness