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Precious Time
Songs like
Precious Time
by
Fairport Convention
Based on a tempo of (+/- 10%) and a similar genre
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Harry Sacksioni
Girl - (Live)
100 bpm • B min • 02:01 • -21.56db
13% Popularity • 41% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 33% Positiveness
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John Renbourn
The Mist Covered Mountains of Home / The...
100 bpm • A min • 09:25 • -13.94db
14% Popularity • 35% Danceability • 29% Energy • 10% Liveness
76% Instrumentalness • 63% Positiveness
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Fairport Convention
Precious Time
100 bpm • G min • 05:29 • -14.26db
16% Popularity • 56% Danceability • 25% Energy • 13% Liveness
94% Instrumentalness • 32% Positiveness
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Bert Jansch
Fresh As A Sweet Sunday Morning - Remast...
100 bpm • C# min • 03:57 • -14.59db
25% Popularity • 51% Danceability • 26% Energy • 12% Liveness
3% Instrumentalness • 23% Positiveness
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Tommy Emmanuel
Lewis & Clark
100 bpm • F# min • 04:05 • -15.28db
40% Popularity • 45% Danceability • 19% Energy • 11% Liveness
86% Instrumentalness • 30% Positiveness
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Miloš Karadaglić
Lucy In The Sky With Diamonds
100 bpm • D Maj • 03:48 • -14.36db
28% Popularity • 41% Danceability • 20% Energy • 10% Liveness
83% Instrumentalness • 36% Positiveness
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Sam Sweeney
The Old Wagon Way
100 bpm • E min • 03:58 • -8.83db
13% Popularity • 58% Danceability • 51% Energy • 12% Liveness
78% Instrumentalness • 64% Positiveness
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Robbie Robertson
The Vanishing Breed
99 bpm • F# Maj • 04:39 • -15.45db
28% Popularity • 48% Danceability • 36% Energy • 15% Liveness
96% Instrumentalness • 31% Positiveness
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Fairport Convention
Portfolio
100 bpm • G Maj • 01:58 • -10.71db
16% Popularity • 44% Danceability • 56% Energy • 33% Liveness
96% Instrumentalness • 25% Positiveness
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Dick Gaughan
Ruby Tuesday
99 bpm • G Maj • 04:31 • -19.43db
22% Popularity • 49% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Steeleye Span
Lowlands of Holland
101 bpm • F# Maj • 05:59 • -10.86db
27% Popularity • 44% Danceability • 48% Energy • 22% Liveness
3% Instrumentalness • 49% Positiveness
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Al Petteway
Sundog
102 bpm • C Maj • 05:25 • -17.49db
13% Popularity • 38% Danceability • 13% Energy • 10% Liveness
76% Instrumentalness • 11% Positiveness
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Davy Graham
Take Five
98 bpm • C# min • 01:55 • -21.18db
29% Popularity • 55% Danceability • 27% Energy • 10% Liveness
58% Instrumentalness • 84% Positiveness
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John Renbourn
The Earle of Salisbury
102 bpm • A min • 01:20 • -20.29db
15% Popularity • 56% Danceability • 11% Energy • 11% Liveness
33% Instrumentalness • 44% Positiveness
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Wishbone Ash
Candlelight
102 bpm • A# min • 01:52 • -25.44db
34% Popularity • 41% Danceability • 17% Energy • 10% Liveness
7% Instrumentalness • 25% Positiveness
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Steve Hunter
Solsbury Hill
102 bpm • B Maj • 05:02 • -11.1db
8% Popularity • 73% Danceability • 60% Energy • 14% Liveness
70% Instrumentalness • 81% Positiveness
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Snowy White
Freshwater
98 bpm • C min • 07:13 • -12.91db
21% Popularity • 60% Danceability • 54% Energy • 16% Liveness
69% Instrumentalness • 42% Positiveness
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Fairport Convention
Innstück
102 bpm • G Maj • 02:06 • -18db
1% Popularity • 71% Danceability • 37% Energy • 26% Liveness
93% Instrumentalness • 86% Positiveness
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Steeleye Span
My Johnny Was a Shoemaker
98 bpm • B min • 01:10 • -18.65db
27% Popularity • 76% Danceability • 3% Energy • 23% Liveness
0% Instrumentalness • 86% Positiveness
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Lau
Riad
102 bpm • D Maj • 05:20 • -12.98db
13% Popularity • 31% Danceability • 26% Energy • 9% Liveness
52% Instrumentalness • 34% Positiveness
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Michael Whisler
Downward Climb
97 bpm • C# min • 03:32 • -23.7db
11% Popularity • 33% Danceability • 14% Energy • 11% Liveness
87% Instrumentalness • 37% Positiveness
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Henry Kaiser
Ants and Chimps
103 bpm • G Maj • 02:04 • -17.36db
33% Popularity • 33% Danceability • 11% Energy • 8% Liveness
91% Instrumentalness • 20% Positiveness
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Bert Jansch
Osprey
103 bpm • G# min • 03:14 • -9.42db
9% Popularity • 48% Danceability • 44% Energy • 11% Liveness
83% Instrumentalness • 26% Positiveness
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Duncan Chisholm
Unknown Air
97 bpm • F Maj • 04:27 • -7.46db
20% Popularity • 21% Danceability • 35% Energy • 11% Liveness
88% Instrumentalness • 47% Positiveness
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Steeleye Span
Cam Ye O'er Frae France - 2009 Remaster
98 bpm • C min • 02:49 • -9.7db
31% Popularity • 62% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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Magna Carta
Elizabethan
97 bpm • B min • 02:38 • -22.04db
22% Popularity • 48% Danceability • 10% Energy • 10% Liveness
26% Instrumentalness • 43% Positiveness
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Mike Block
Fanta and Felix - Cello and Guitar
103 bpm • A min • 04:55 • -16.71db
9% Popularity • 40% Danceability • 23% Energy • 10% Liveness
86% Instrumentalness • 40% Positiveness
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Alvin Lee
Song of the Red Rock Mountain
103 bpm • A min • 02:06 • -13.74db
33% Popularity • 61% Danceability • 23% Energy • 12% Liveness
83% Instrumentalness • 41% Positiveness
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East London Sound Ensemble
In C Interlude
97 bpm • C Maj • 05:03 • -15.51db
10% Popularity • 56% Danceability • 19% Energy • 13% Liveness
95% Instrumentalness • 23% Positiveness
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Martin Simpson
Blues Run the Game
97 bpm • D# Maj • 04:30 • -11db
20% Popularity • 44% Danceability • 52% Energy • 14% Liveness
8% Instrumentalness • 51% Positiveness
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Steeleye Span
Saucy Sailor - 2009 Remaster
97 bpm • F Maj • 05:52 • -9.6db
25% Popularity • 55% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
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Eric Andersen
(We Were) Foolish Like the Flowers
103 bpm • A min • 05:45 • -19.29db
7% Popularity • 52% Danceability • 21% Energy • 11% Liveness
2% Instrumentalness • 22% Positiveness
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Steve Howe
Surface Tension
97 bpm • D Maj • 03:31 • -14.66db
14% Popularity • 51% Danceability • 19% Energy • 11% Liveness
94% Instrumentalness • 42% Positiveness
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Magna Carta
Two Old Friends
103 bpm • D# Maj • 03:36 • -16.5db
19% Popularity • 44% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Bert Jansch
Kingfisher
103 bpm • B min • 03:44 • -8.39db
21% Popularity • 49% Danceability • 50% Energy • 8% Liveness
78% Instrumentalness • 45% Positiveness
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Greg Brown
'Cept You & Me Babe
103 bpm • B min • 04:32 • -13db
29% Popularity • 56% Danceability • 51% Energy • 12% Liveness
5% Instrumentalness • 48% Positiveness
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Steve Morse
Modoc
97 bpm • D# Maj • 02:19 • -18db
31% Popularity • 47% Danceability • 17% Energy • 15% Liveness
91% Instrumentalness • 31% Positiveness
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Steeleye Span
The Dark-Eyed Sailor
104 bpm • C# Maj • 05:58 • -9.79db
24% Popularity • 62% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Fairport Convention
Quiet Joys Of Brotherhood - Take 1
96 bpm • D# Maj • 10:16 • -20.54db
16% Popularity • 44% Danceability • 15% Energy • 20% Liveness
84% Instrumentalness • 8% Positiveness
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Hothouse Flowers
The Yacht
104 bpm • C Maj • 05:24 • -10.72db
13% Popularity • 52% Danceability • 38% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Donovan
The Ferryman's Daughter
96 bpm • A min • 03:47 • -9.36db
14% Popularity • 55% Danceability • 43% Energy • 11% Liveness
90% Instrumentalness • 57% Positiveness
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Colm Mac Con Iomaire
Introduction
104 bpm • C Maj • 02:45 • -16.77db
11% Popularity • 40% Danceability • 20% Energy • 9% Liveness
4% Instrumentalness • 14% Positiveness
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Peter Frampton Band
Reckoner
104 bpm • E min • 06:14 • -9.25db
28% Popularity • 56% Danceability • 48% Energy • 6% Liveness
84% Instrumentalness • 25% Positiveness
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Pat Metheny
A Map of the World
104 bpm • F Maj • 05:38 • -17.32db
34% Popularity • 39% Danceability • 16% Energy • 16% Liveness
83% Instrumentalness • 11% Positiveness
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Finbar Furey
We Built a Home
96 bpm • E min • 03:20 • -13db
28% Popularity • 67% Danceability • 50% Energy • 13% Liveness
2% Instrumentalness • 56% Positiveness
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Roy Harper
Blackpool
96 bpm • F Maj • 05:13 • -16.03db
5% Popularity • 28% Danceability • 25% Energy • 12% Liveness
81% Instrumentalness • 13% Positiveness
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Fairport Convention
Marie La Cordeliere
96 bpm • C Maj • 04:01 • -10.89db
11% Popularity • 62% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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Ben Harper
Islip
96 bpm • D Maj • 01:48 • -23.5db
31% Popularity • 61% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 51% Positiveness
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Ry Cooder & V.M. Bhatt
A Meeting by the River
104 bpm • D Maj • 10:08 • -32db
30% Popularity • 32% Danceability • 13% Energy • 8% Liveness
93% Instrumentalness • 38% Positiveness
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Ralph McTell
Wino and the Mouse
96 bpm • B Maj • 01:00 • -14.93db
28% Popularity • 61% Danceability • 26% Energy • 11% Liveness
91% Instrumentalness • 66% Positiveness
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Béla Fleck
Nashville
105 bpm • A min • 03:51 • -15db
23% Popularity • 43% Danceability • 52% Energy • 81% Liveness
92% Instrumentalness • 66% Positiveness
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Knut Reiersrud
Cantata
105 bpm • C Maj • 01:04 • -22.6db
27% Popularity • 65% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 80% Positiveness
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Jeremy Spencer
Steady On
105 bpm • G Maj • 03:27 • -13.62db
30% Popularity • 66% Danceability • 22% Energy • 32% Liveness
29% Instrumentalness • 29% Positiveness
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Peter Frampton Band
Loving The Alien
105 bpm • E min • 07:03 • -7.74db
19% Popularity • 53% Danceability • 62% Energy • 12% Liveness
68% Instrumentalness • 24% Positiveness
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John Renbourn
Bouree I and II
95 bpm • C Maj • 02:18 • -12.98db
14% Popularity • 44% Danceability • 34% Energy • 9% Liveness
88% Instrumentalness • 40% Positiveness
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Jan Akkerman
Tommy's Anniversary
105 bpm • C# Maj • 08:17 • -11db
11% Popularity • 47% Danceability • 62% Energy • 10% Liveness
83% Instrumentalness • 37% Positiveness
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Fairport Convention
End Of A Holiday
95 bpm • B min • 01:06 • -21.57db
3% Popularity • 58% Danceability • 27% Energy • 10% Liveness
89% Instrumentalness • 79% Positiveness
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Peter Frampton
Penny For Your Thoughts
94 bpm • G Maj • 01:41 • -19.41db
30% Popularity • 59% Danceability • 16% Energy • 9% Liveness
96% Instrumentalness • 72% Positiveness
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L'Attirail
La passoire de malatesta
106 bpm • A min • 03:41 • -13db
23% Popularity • 69% Danceability • 48% Energy • 13% Liveness
61% Instrumentalness • 60% Positiveness
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Bert Jansch
Curragh Of Kildare
106 bpm • G Maj • 04:45 • -13.02db
31% Popularity • 58% Danceability • 42% Energy • 14% Liveness
21% Instrumentalness • 44% Positiveness
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Roy Harper
I Hate the White Man
94 bpm • B min • 08:04 • -12.61db
19% Popularity • 40% Danceability • 34% Energy • 70% Liveness
0% Instrumentalness • 36% Positiveness
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Jan Akkerman
Britannia by John Dowland
95 bpm • G Maj • 03:59 • -10.76db
10% Popularity • 54% Danceability • 62% Energy • 20% Liveness
87% Instrumentalness • 56% Positiveness
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Chris Proctor
War Games
94 bpm • C Maj • 03:37 • -17.87db
17% Popularity • 39% Danceability • 27% Energy • 10% Liveness
87% Instrumentalness • 50% Positiveness
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Ian Anderson
The Secret Language Of Birds
94 bpm • D# Maj • 04:19 • -10.5db
21% Popularity • 72% Danceability • 45% Energy • 86% Liveness
0% Instrumentalness • 54% Positiveness
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Fairport Convention
A Year And A Day
94 bpm • D Maj • 04:14 • -11.21db
1% Popularity • 48% Danceability • 38% Energy • 31% Liveness
0% Instrumentalness • 36% Positiveness
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Bert Jansch
Goodbye Pork Pie Hat (2015 - Remaster)
106 bpm • D Maj • 03:55 • -18.49db
16% Popularity • 60% Danceability • 8% Energy • 11% Liveness
59% Instrumentalness • 24% Positiveness
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Jeremy Spencer
Longing for the Days
94 bpm • E min • 04:39 • -13.55db
11% Popularity • 53% Danceability • 26% Energy • 10% Liveness
70% Instrumentalness • 26% Positiveness
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Catrin Finch
Listen to the Grass Grow
94 bpm • C Maj • 04:24 • -13.64db
19% Popularity • 41% Danceability • 34% Energy • 9% Liveness
75% Instrumentalness • 21% Positiveness
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Steeleye Span
Old Matron
107 bpm • A min • 05:00 • -8.67db
13% Popularity • 66% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Alex de Grassi
Sà Bheag Sà Mhór
107 bpm • D Maj • 02:45 • -18db
23% Popularity • 38% Danceability • 10% Energy • 11% Liveness
83% Instrumentalness • 43% Positiveness
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Fairport Convention
Eastern Rain
94 bpm • F Maj • 03:34 • -17.23db
12% Popularity • 43% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Sky
Adante
107 bpm • E min • 03:00 • -25db
18% Popularity • 62% Danceability • 15% Energy • 9% Liveness
93% Instrumentalness • 34% Positiveness
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Soft Machine
Out of Season
93 bpm • G Maj • 05:31 • -16.26db
18% Popularity • 48% Danceability • 21% Energy • 11% Liveness
91% Instrumentalness • 11% Positiveness
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Donovan
Tangerine Puppet
107 bpm • C min • 01:49 • -15.42db
26% Popularity • 38% Danceability • 35% Energy • 11% Liveness
90% Instrumentalness • 68% Positiveness
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Ted Hawkins
Biloxi
107 bpm • F# Maj • 04:41 • -11.82db
27% Popularity • 62% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 69% Positiveness
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Crosby & Nash
Lay Me Down
93 bpm • A# min • 03:36 • -10.6db
42% Popularity • 59% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Fairport Convention
White Dress
94 bpm • C Maj • 03:43 • -15.32db
7% Popularity • 51% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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John Renbourn
Faro's Rag
108 bpm • A min • 02:40 • -18.12db
16% Popularity • 37% Danceability • 21% Energy • 12% Liveness
88% Instrumentalness • 82% Positiveness
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Snowy White
Softly
93 bpm • C# min • 03:37 • -13.73db
41% Popularity • 64% Danceability • 26% Energy • 8% Liveness
89% Instrumentalness • 42% Positiveness
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Bruce Cockburn
Seven Daggers
93 bpm • A min • 06:20 • -11.32db
9% Popularity • 62% Danceability • 44% Energy • 9% Liveness
31% Instrumentalness • 49% Positiveness
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Charles Lloyd
Anthem
108 bpm • C Maj • 06:17 • -15.67db
15% Popularity • 48% Danceability • 16% Energy • 13% Liveness
82% Instrumentalness • 17% Positiveness
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Tin Hat Trio
Bill
108 bpm • G Maj • 04:25 • -12db
25% Popularity • 29% Danceability • 20% Energy • 11% Liveness
15% Instrumentalness • 17% Positiveness
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Ry Cooder & V.M. Bhatt
Ganges Delta Blues
93 bpm • D Maj • 09:59 • -28.44db
30% Popularity • 35% Danceability • 19% Energy • 6% Liveness
94% Instrumentalness • 27% Positiveness
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Marisa Anderson
Lost Futures
108 bpm • D Maj • 02:54 • -13.25db
24% Popularity • 45% Danceability • 31% Energy • 11% Liveness
84% Instrumentalness • 19% Positiveness
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Iiro Rantala
Vienna
92 bpm • A Maj • 03:32 • -12db
16% Popularity • 56% Danceability • 48% Energy • 9% Liveness
87% Instrumentalness • 91% Positiveness
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Sharon Robinson
Goodbye Stranger
108 bpm • F min • 03:58 • -17.56db
29% Popularity • 41% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Strawbs
Witchwood
108 bpm • C min • 03:23 • -9db
26% Popularity • 60% Danceability • 43% Energy • 9% Liveness
1% Instrumentalness • 37% Positiveness
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Viktor Krauss
Far from Enough
92 bpm • C Maj • 04:03 • -14.32db
8% Popularity • 58% Danceability • 44% Energy • 28% Liveness
93% Instrumentalness • 25% Positiveness
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Andreas Vollenweider
Pygmalion
109 bpm • D# min • 04:05 • -19.46db
27% Popularity • 33% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Al Petteway
Sligo Creek
109 bpm • C Maj • 03:33 • -18db
32% Popularity • 41% Danceability • 37% Energy • 11% Liveness
91% Instrumentalness • 79% Positiveness
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Ian Anderson
Calliandra Shade (The Cappuccino Song)
92 bpm • A# min • 05:03 • -9.35db
18% Popularity • 59% Danceability • 60% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
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Harry Sacksioni
De Lifter
92 bpm • G min • 02:17 • -11.72db
12% Popularity • 61% Danceability • 28% Energy • 9% Liveness
84% Instrumentalness • 45% Positiveness
► Preview
Pat Metheny Trio
Travels
109 bpm • G Maj • 05:43 • -16.28db
40% Popularity • 64% Danceability • 18% Energy • 34% Liveness
77% Instrumentalness • 28% Positiveness
► Preview
Genesis
Horizons - 2007 Stereo Mix
109 bpm • G Maj • 01:41 • -14.83db
42% Popularity • 45% Danceability • 26% Energy • 11% Liveness
95% Instrumentalness • 64% Positiveness
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Karen Matheson
Cassiopeia Coming Through
92 bpm • G Maj • 05:15 • -8.79db
14% Popularity • 54% Danceability • 57% Energy • 34% Liveness
88% Instrumentalness • 57% Positiveness
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Patrick Moraz
Soon
91 bpm • D min • 05:25 • -16db
9% Popularity • 40% Danceability • 14% Energy • 23% Liveness
87% Instrumentalness • 20% Positiveness
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Anthony Phillips
Field of Eternity
91 bpm • C# Maj • 05:15 • -20.59db
13% Popularity • 52% Danceability • 7% Energy • 10% Liveness
66% Instrumentalness • 17% Positiveness
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Chris Proctor
Martha My Dear
91 bpm • C Maj • 03:48 • -16db
20% Popularity • 48% Danceability • 24% Energy • 12% Liveness
90% Instrumentalness • 44% Positiveness
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Pierre Bensusan
Kadourimdou (To Karim & Doudou)
91 bpm • E min • 03:59 • -22db
21% Popularity • 48% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 43% Positiveness
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Charlie Fabien
Wicked Game (Arr. for Piano)
110 bpm • G Maj • 05:04 • -24.76db
13% Popularity • 58% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 40% Positiveness
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Precious Time