Songs like Preliminary School of Finger Dexterity, 24 Progressive Studies, Op. 636 No. 19: Allegro Molto by Carl Czerny
Based on a tempo of (+/- 10%) and a similar genre
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Carl Czerny
School of Velocity Etude No. 7, Op. 299:...
157 bpm • G Maj • 01:10 • -21.94db
17% Popularity • 47% Danceability • 19% Energy • 12% Liveness
95% Instrumentalness • 79% Positiveness
17% Popularity • 47% Danceability • 19% Energy • 12% Liveness
95% Instrumentalness • 79% Positiveness
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Traditional
Carl Philipp Emanuel Bach : Solo Per Il ...
156 bpm • A# Maj • 03:12 • -24db
14% Popularity • 47% Danceability • 13% Energy • 14% Liveness
95% Instrumentalness • 97% Positiveness
14% Popularity • 47% Danceability • 13% Energy • 14% Liveness
95% Instrumentalness • 97% Positiveness
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loncho brabo
ella ama ella esta loca
160 bpm • F min • 01:59 • -20.94db
10% Popularity • 54% Danceability • 6% Energy • 9% Liveness
87% Instrumentalness • 8% Positiveness
10% Popularity • 54% Danceability • 6% Energy • 9% Liveness
87% Instrumentalness • 8% Positiveness
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Lee Storpiaty
Salle D'Attente
160 bpm • B min • 01:21 • -18db
16% Popularity • 43% Danceability • 26% Energy • 7% Liveness
94% Instrumentalness • 36% Positiveness
16% Popularity • 43% Danceability • 26% Energy • 7% Liveness
94% Instrumentalness • 36% Positiveness
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Johann Sebastian Bach
Bach Minuet in F Major Bwv Anh.113
160 bpm • F Maj • 01:39 • -21.86db
27% Popularity • 65% Danceability • 15% Energy • 13% Liveness
83% Instrumentalness • 85% Positiveness
27% Popularity • 65% Danceability • 15% Energy • 13% Liveness
83% Instrumentalness • 85% Positiveness
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mantekito loko
me casare com tigo
160 bpm • G Maj • 01:55 • -24.33db
8% Popularity • 52% Danceability • 12% Energy • 9% Liveness
83% Instrumentalness • 8% Positiveness
8% Popularity • 52% Danceability • 12% Energy • 9% Liveness
83% Instrumentalness • 8% Positiveness
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balsilmo rolon
mi tipo de ruido
160 bpm • D Maj • 01:58 • -19.86db
10% Popularity • 49% Danceability • 22% Energy • 12% Liveness
90% Instrumentalness • 76% Positiveness
10% Popularity • 49% Danceability • 22% Energy • 12% Liveness
90% Instrumentalness • 76% Positiveness
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Muzio Clementi
Gradus Ad Parnassum, Op. 44: No. 1: Con ...
155 bpm • C min • 01:38 • -19.27db
7% Popularity • 23% Danceability • 21% Energy • 15% Liveness
85% Instrumentalness • 9% Positiveness
7% Popularity • 23% Danceability • 21% Energy • 15% Liveness
85% Instrumentalness • 9% Positiveness
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Ballerhino Balett För Barn
Sonatine in C majeur, Op. 36, Nr. 1
162 bpm • C Maj • 01:57 • -19.5db
13% Popularity • 41% Danceability • 14% Energy • 13% Liveness
93% Instrumentalness • 96% Positiveness
13% Popularity • 41% Danceability • 14% Energy • 13% Liveness
93% Instrumentalness • 96% Positiveness
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Pescetti
Presto from Sonata No 6 in C minor
162 bpm • C min • 01:22 • -18.06db
10% Popularity • 73% Danceability • 44% Energy • 12% Liveness
96% Instrumentalness • 92% Positiveness
10% Popularity • 73% Danceability • 44% Energy • 12% Liveness
96% Instrumentalness • 92% Positiveness
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Domenico Scarlatti
Scarlatti, D: Keyboard Sonata in C Major...
164 bpm • C Maj • 02:27 • -22.98db
25% Popularity • 39% Danceability • 27% Energy • 12% Liveness
85% Instrumentalness • 81% Positiveness
25% Popularity • 39% Danceability • 27% Energy • 12% Liveness
85% Instrumentalness • 81% Positiveness
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Serkmusic
Bach Gavotte French Suite
152 bpm • G Maj • 01:20 • -20.21db
23% Popularity • 42% Danceability • 18% Energy • 12% Liveness
94% Instrumentalness • 89% Positiveness
23% Popularity • 42% Danceability • 18% Energy • 12% Liveness
94% Instrumentalness • 89% Positiveness
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Various Artists
Gavotte From French Suite No.5 in G majo...
151 bpm • G Maj • 01:21 • -21.41db
15% Popularity • 43% Danceability • 22% Energy • 13% Liveness
89% Instrumentalness • 91% Positiveness
15% Popularity • 43% Danceability • 22% Energy • 13% Liveness
89% Instrumentalness • 91% Positiveness
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Bel1a
Let It Flow As We Go
165 bpm • C min • 02:01 • -21.65db
26% Popularity • 56% Danceability • 4% Energy • 11% Liveness
89% Instrumentalness • 35% Positiveness
26% Popularity • 56% Danceability • 4% Energy • 11% Liveness
89% Instrumentalness • 35% Positiveness
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lutfi anggraeni
Cats and Dogs
166 bpm • A Maj • 01:21 • -11.9db
15% Popularity • 43% Danceability • 28% Energy • 12% Liveness
90% Instrumentalness • 80% Positiveness
15% Popularity • 43% Danceability • 28% Energy • 12% Liveness
90% Instrumentalness • 80% Positiveness
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Richard Settlement
Keyboard Sonata in D minor, K.9, L.413
166 bpm • F Maj • 02:19 • -27.62db
20% Popularity • 34% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 48% Positiveness
20% Popularity • 34% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 48% Positiveness
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Friedrich Burgmüller
25 Études faciles et progressives, Op. ...
150 bpm • A# Maj • 01:16 • -24.74db
28% Popularity • 51% Danceability • 17% Energy • 8% Liveness
91% Instrumentalness • 39% Positiveness
28% Popularity • 51% Danceability • 17% Energy • 8% Liveness
91% Instrumentalness • 39% Positiveness
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Martin Malto
Te Deum - pianoversie
150 bpm • D Maj • 01:34 • -19db
9% Popularity • 52% Danceability • 16% Energy • 14% Liveness
92% Instrumentalness • 64% Positiveness
9% Popularity • 52% Danceability • 16% Energy • 14% Liveness
92% Instrumentalness • 64% Positiveness
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Jeremy Siepmann
Frederic Chopin: Life and Works: Music: ...
167 bpm • G min • 01:04 • -37.2db
18% Popularity • 38% Danceability • 0% Energy • 7% Liveness
88% Instrumentalness • 35% Positiveness
18% Popularity • 38% Danceability • 0% Energy • 7% Liveness
88% Instrumentalness • 35% Positiveness
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Ben Quine
Sonatina in G: III. Rondo allegro
150 bpm • D Maj • 01:20 • -24.85db
10% Popularity • 41% Danceability • 18% Energy • 17% Liveness
96% Instrumentalness • 97% Positiveness
10% Popularity • 41% Danceability • 18% Energy • 17% Liveness
96% Instrumentalness • 97% Positiveness
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Joseph Haydn
Sonata in C Major, Hob. XVI: 1: II. Anda...
149 bpm • C Maj • 02:48 • -21.89db
10% Popularity • 37% Danceability • 15% Energy • 7% Liveness
82% Instrumentalness • 70% Positiveness
10% Popularity • 37% Danceability • 15% Energy • 7% Liveness
82% Instrumentalness • 70% Positiveness
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Songs of Birdland
8 Ländler, D.378: No.1 and No.2 in B-Fl...
167 bpm • A# Maj • 01:22 • -14.79db
20% Popularity • 37% Danceability • 29% Energy • 11% Liveness
90% Instrumentalness • 41% Positiveness
20% Popularity • 37% Danceability • 29% Energy • 11% Liveness
90% Instrumentalness • 41% Positiveness
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Diane Hidy & Keith Snell
La Candeur (Sincerity)
167 bpm • C Maj • 01:06 • -28db
17% Popularity • 15% Danceability • 20% Energy • 11% Liveness
89% Instrumentalness • 43% Positiveness
17% Popularity • 15% Danceability • 20% Energy • 11% Liveness
89% Instrumentalness • 43% Positiveness
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Sonny Chua
Assorted Fairies: Airy Fairy
149 bpm • C Maj • 00:58 • -40.61db
25% Popularity • 20% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 18% Positiveness
25% Popularity • 20% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 18% Positiveness
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Alessandro Aletti
Sonatina no. 5 in g major, op. 36: II. A...
149 bpm • C Maj • 01:45 • -17.68db
2% Popularity • 43% Danceability • 20% Energy • 13% Liveness
92% Instrumentalness • 72% Positiveness
2% Popularity • 43% Danceability • 20% Energy • 13% Liveness
92% Instrumentalness • 72% Positiveness
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Vladimir Rebikov
Valse Mignon
167 bpm • G Maj • 01:06 • -23db
33% Popularity • 26% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 40% Positiveness
33% Popularity • 26% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 40% Positiveness
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Christian Petzold
Petzold: Bach's Menuet in G Major, BWV A...
149 bpm • G Maj • 01:19 • -17.01db
33% Popularity • 22% Danceability • 38% Energy • 11% Liveness
92% Instrumentalness • 38% Positiveness
33% Popularity • 22% Danceability • 38% Energy • 11% Liveness
92% Instrumentalness • 38% Positiveness
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Carl Czerny
ツェルニー100番 練習曲（下）...
149 bpm • C Maj • 00:59 • -21.83db
0% Popularity • 23% Danceability • 32% Energy • 19% Liveness
96% Instrumentalness • 59% Positiveness
0% Popularity • 23% Danceability • 32% Energy • 19% Liveness
96% Instrumentalness • 59% Positiveness
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Dai Sugimoto
Le courant limpide Allegro vivace
149 bpm • D Maj • 01:23 • -27.53db
19% Popularity • 18% Danceability • 10% Energy • 14% Liveness
89% Instrumentalness • 47% Positiveness
19% Popularity • 18% Danceability • 10% Energy • 14% Liveness
89% Instrumentalness • 47% Positiveness
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Sam Sullivan
Wavering
168 bpm • B min • 03:20 • -25.29db
10% Popularity • 74% Danceability • 11% Energy • 12% Liveness
96% Instrumentalness • 83% Positiveness
10% Popularity • 74% Danceability • 11% Energy • 12% Liveness
96% Instrumentalness • 83% Positiveness
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Anton Bruckner
Quadrille, WAB 121: VI. Finale. Poco ani...
148 bpm • E Maj • 01:03 • -20.21db
8% Popularity • 42% Danceability • 15% Energy • 11% Liveness
89% Instrumentalness • 62% Positiveness
8% Popularity • 42% Danceability • 15% Energy • 11% Liveness
89% Instrumentalness • 62% Positiveness
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Friedrich Kuhlau
Piano Sonatina in F Major, Op. 55, No. 4...
149 bpm • F Maj • 02:57 • -27.56db
9% Popularity • 22% Danceability • 7% Energy • 9% Liveness
88% Instrumentalness • 31% Positiveness
9% Popularity • 22% Danceability • 7% Energy • 9% Liveness
88% Instrumentalness • 31% Positiveness
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Katya Kramer-Lapin
Herz und Mund und Tat und Leben, BWV 147...
169 bpm • G Maj • 04:12 • -32.81db
12% Popularity • 28% Danceability • 5% Energy • 13% Liveness
88% Instrumentalness • 25% Positiveness
12% Popularity • 28% Danceability • 5% Energy • 13% Liveness
88% Instrumentalness • 25% Positiveness
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Henri Van Gael
La Voix Du Coeur "The Voice of the Heart...
148 bpm • F Maj • 02:15 • -26.56db
17% Popularity • 31% Danceability • 9% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
17% Popularity • 31% Danceability • 9% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
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Friedrich Burgmüller
25の練習曲作品100 第3曲 牧�...
169 bpm • G Maj • 01:27 • -33.51db
22% Popularity • 38% Danceability • 4% Energy • 7% Liveness
84% Instrumentalness • 59% Positiveness
22% Popularity • 38% Danceability • 4% Energy • 7% Liveness
84% Instrumentalness • 59% Positiveness
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Carl Czerny
8 Nocturnes, Op. 368: No. 2, Andantino a...
169 bpm • D# Maj • 02:58 • -28.31db
23% Popularity • 26% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
23% Popularity • 26% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
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Stephen Heller
25 Études, Op. 47: No. 1
170 bpm • C Maj • 01:00 • -22.22db
21% Popularity • 23% Danceability • 6% Energy • 12% Liveness
85% Instrumentalness • 43% Positiveness
21% Popularity • 23% Danceability • 6% Energy • 12% Liveness
85% Instrumentalness • 43% Positiveness
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Carlos Marquez
Piano Sonata in B Minor - No. I
170 bpm • B min • 02:38 • -17.17db
20% Popularity • 35% Danceability • 5% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
20% Popularity • 35% Danceability • 5% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
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Muzio Clementi
ソナチネ・アルバムI(上) IIIア...
146 bpm • G Maj • 01:13 • -25.24db
12% Popularity • 44% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 88% Positiveness
12% Popularity • 44% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 88% Positiveness
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Carl Philipp Emanuel Bach
La Caroline
147 bpm • A min • 02:30 • -27.24db
18% Popularity • 42% Danceability • 3% Energy • 8% Liveness
86% Instrumentalness • 27% Positiveness
18% Popularity • 42% Danceability • 3% Energy • 8% Liveness
86% Instrumentalness • 27% Positiveness
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Pyotr Ilyich Tchaikovsky
Album for the Young, Op. 39: No. 15. Ita...
171 bpm • D Maj • 00:57 • -34.79db
7% Popularity • 30% Danceability • 5% Energy • 7% Liveness
91% Instrumentalness • 35% Positiveness
7% Popularity • 30% Danceability • 5% Energy • 7% Liveness
91% Instrumentalness • 35% Positiveness
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Carl Czerny
ツェルニー100番 練習曲（下）...
170 bpm • C Maj • 01:17 • -20db
0% Popularity • 31% Danceability • 34% Energy • 13% Liveness
90% Instrumentalness • 36% Positiveness
0% Popularity • 31% Danceability • 34% Energy • 13% Liveness
90% Instrumentalness • 36% Positiveness
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艾米希兒歌
小星星變奏曲9
146 bpm • C Maj • 01:23 • -24.17db
11% Popularity • 86% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 66% Positiveness
11% Popularity • 86% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 66% Positiveness
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Marco Bellucci
Rondo
146 bpm • F# Maj • 01:30 • -15.01db
27% Popularity • 31% Danceability • 37% Energy • 16% Liveness
94% Instrumentalness • 23% Positiveness
27% Popularity • 31% Danceability • 37% Energy • 16% Liveness
94% Instrumentalness • 23% Positiveness
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Muzio Clementi
Toccata in B-Flat Major, Op. 11 - Welte-...
171 bpm • F Maj • 02:40 • -16.4db
8% Popularity • 20% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 30% Positiveness
8% Popularity • 20% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 30% Positiveness
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Friedrich Kuhlau
Piano Sonatina in F Major, Op. 88, No. 4...
145 bpm • F Maj • 01:55 • -27db
22% Popularity • 25% Danceability • 12% Energy • 10% Liveness
85% Instrumentalness • 63% Positiveness
22% Popularity • 25% Danceability • 12% Energy • 10% Liveness
85% Instrumentalness • 63% Positiveness
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Anna Lipiak
Polonaise in F Minor
172 bpm • F min • 04:59 • -18.57db
4% Popularity • 34% Danceability • 14% Energy • 12% Liveness
93% Instrumentalness • 17% Positiveness
4% Popularity • 34% Danceability • 14% Energy • 12% Liveness
93% Instrumentalness • 17% Positiveness
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Carl Czerny
ツェルニー100番 練習曲（下）...
145 bpm • D Maj • 01:00 • -23.93db
0% Popularity • 37% Danceability • 32% Energy • 14% Liveness
93% Instrumentalness • 68% Positiveness
0% Popularity • 37% Danceability • 32% Energy • 14% Liveness
93% Instrumentalness • 68% Positiveness
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Frédéric Chopin
Wiosna, Op. 74 No. 2 (Version for Piano)
145 bpm • G min • 01:13 • -35.79db
19% Popularity • 27% Danceability • 2% Energy • 15% Liveness
82% Instrumentalness • 24% Positiveness
19% Popularity • 27% Danceability • 2% Energy • 15% Liveness
82% Instrumentalness • 24% Positiveness
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Ben Quine
Easy Progressive Lessons: Four Sonatinas...
173 bpm • F Maj • 01:23 • -30.06db
16% Popularity • 45% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 71% Positiveness
16% Popularity • 45% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 71% Positiveness
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Gerelax
Pausa Contemplativa
172 bpm • E min • 02:56 • -26.22db
18% Popularity • 45% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
18% Popularity • 45% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
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NAIX
ロンドニ長調
144 bpm • A Maj • 04:41 • -19.71db
11% Popularity • 43% Danceability • 25% Energy • 14% Liveness
90% Instrumentalness • 40% Positiveness
11% Popularity • 43% Danceability • 25% Energy • 14% Liveness
90% Instrumentalness • 40% Positiveness
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Piano Classic
마르티니 : 사랑의 기쁨
144 bpm • F Maj • 02:00 • -22.71db
16% Popularity • 56% Danceability • 14% Energy • 10% Liveness
96% Instrumentalness • 73% Positiveness
16% Popularity • 56% Danceability • 14% Energy • 10% Liveness
96% Instrumentalness • 73% Positiveness
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Carl Czerny
ツェルニー100番 練習曲（下）...
144 bpm • D Maj • 01:01 • -20.86db
0% Popularity • 44% Danceability • 26% Energy • 13% Liveness
92% Instrumentalness • 40% Positiveness
0% Popularity • 44% Danceability • 26% Energy • 13% Liveness
92% Instrumentalness • 40% Positiveness
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akynei
admitted to be loved
144 bpm • D# Maj • 02:44 • -18.47db
14% Popularity • 63% Danceability • 14% Energy • 34% Liveness
83% Instrumentalness • 44% Positiveness
14% Popularity • 63% Danceability • 14% Energy • 34% Liveness
83% Instrumentalness • 44% Positiveness
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Adolf von Henselt
12 Études caractéristiques, Op. 2: No....
144 bpm • A# Maj • 01:32 • -24.52db
14% Popularity • 26% Danceability • 11% Energy • 12% Liveness
90% Instrumentalness • 10% Positiveness
14% Popularity • 26% Danceability • 11% Energy • 12% Liveness
90% Instrumentalness • 10% Positiveness
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Friedrich Burgmüller
25の練習曲作品100 第14曲 シ...
174 bpm • G Maj • 01:59 • -26.63db
9% Popularity • 45% Danceability • 3% Energy • 7% Liveness
82% Instrumentalness • 43% Positiveness
9% Popularity • 45% Danceability • 3% Energy • 7% Liveness
82% Instrumentalness • 43% Positiveness
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游孟婕
玫瑰花
174 bpm • E Maj • 02:01 • -30.88db
9% Popularity • 23% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 15% Positiveness
9% Popularity • 23% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 15% Positiveness
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Paul Lincke
The Glow Worm: Song from "Lysistrata" (A...
143 bpm • D# Maj • 02:05 • -24.08db
11% Popularity • 46% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 18% Positiveness
11% Popularity • 46% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 18% Positiveness
► Preview
Carl Czerny
30 Études de mécanisme, Op. 849: No. 3...
173 bpm • C Maj • 01:10 • -23.06db
20% Popularity • 18% Danceability • 11% Energy • 14% Liveness
83% Instrumentalness • 54% Positiveness
20% Popularity • 18% Danceability • 11% Energy • 14% Liveness
83% Instrumentalness • 54% Positiveness
► Preview
Carlos Marquez
Valse melancolique No. 1 in C Minor -for...
142 bpm • C min • 03:06 • -20db
18% Popularity • 30% Danceability • 18% Energy • 13% Liveness
93% Instrumentalness • 25% Positiveness
18% Popularity • 30% Danceability • 18% Energy • 13% Liveness
93% Instrumentalness • 25% Positiveness
► Preview
Markus Porsklev
Ecossaise - J.N. Hummel
177 bpm • C Maj • 00:52 • -21.67db
18% Popularity • 30% Danceability • 16% Energy • 8% Liveness
87% Instrumentalness • 75% Positiveness
18% Popularity • 30% Danceability • 16% Energy • 8% Liveness
87% Instrumentalness • 75% Positiveness
► Preview
Remy Dubois
Holy Night
141 bpm • D# Maj • 01:00 • -31.68db
14% Popularity • 49% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 38% Positiveness
14% Popularity • 49% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 38% Positiveness
► Preview
Christian Schittenhelm
The Algot Waltz
141 bpm • C# min • 03:54 • -18.75db
14% Popularity • 31% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
14% Popularity • 31% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
► Preview
Aaron Sander
Deep Ocean Reverie
177 bpm • B Maj • 01:13 • -19.71db
17% Popularity • 71% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 31% Positiveness
17% Popularity • 71% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 31% Positiveness
► Preview
Friedrich Burgmüller
3:牧歌（ブルグミュラー：25の...
177 bpm • G Maj • 01:23 • -22.67db
18% Popularity • 37% Danceability • 12% Energy • 15% Liveness
78% Instrumentalness • 91% Positiveness
18% Popularity • 37% Danceability • 12% Energy • 15% Liveness
78% Instrumentalness • 91% Positiveness
► Preview
Carl Czerny
30 Études de mécanisme, Op. 849: No. 2...
178 bpm • C Maj • 01:41 • -23db
19% Popularity • 28% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 18% Positiveness
19% Popularity • 28% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 18% Positiveness
► Preview
DigiClassic
Nine Variations on "Lison dormait" in C ...
140 bpm • C Maj • 01:04 • -24.5db
22% Popularity • 36% Danceability • 14% Energy • 15% Liveness
90% Instrumentalness • 87% Positiveness
22% Popularity • 36% Danceability • 14% Energy • 15% Liveness
90% Instrumentalness • 87% Positiveness
► Preview
Carl Reinecke
Sonatina Op. 136 Nº 4 em Lá Menor (A M...
141 bpm • A min • 02:04 • -24.77db
14% Popularity • 33% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 8% Positiveness
14% Popularity • 33% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 8% Positiveness
► Preview
Marta Gniadek
Adorned scarf
140 bpm • E min • 01:16 • -28.53db
15% Popularity • 50% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 39% Positiveness
15% Popularity • 50% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 39% Positiveness
► Preview
Dalicaties
Secret Pathways
140 bpm • D Maj • 01:40 • -17.54db
9% Popularity • 52% Danceability • 20% Energy • 9% Liveness
93% Instrumentalness • 64% Positiveness
9% Popularity • 52% Danceability • 20% Energy • 9% Liveness
93% Instrumentalness • 64% Positiveness
► Preview
Hans Boepple
Sonatina in G Major, Op. 151, No. 1: I. ...
140 bpm • G Maj • 01:17 • -31db
27% Popularity • 48% Danceability • 6% Energy • 8% Liveness
96% Instrumentalness • 43% Positiveness
27% Popularity • 48% Danceability • 6% Energy • 8% Liveness
96% Instrumentalness • 43% Positiveness
► Preview
Carl Czerny
100 Etudes, Op. 599: No. 61 in C Major
140 bpm • C Maj • 01:00 • -23.14db
17% Popularity • 42% Danceability • 20% Energy • 19% Liveness
95% Instrumentalness • 57% Positiveness
17% Popularity • 42% Danceability • 20% Energy • 19% Liveness
95% Instrumentalness • 57% Positiveness
► Preview
Aizah Pratt
Show
140 bpm • D Maj • 02:10 • -24.32db
29% Popularity • 53% Danceability • 7% Energy • 11% Liveness
88% Instrumentalness • 48% Positiveness
29% Popularity • 53% Danceability • 7% Energy • 11% Liveness
88% Instrumentalness • 48% Positiveness
► Preview
Traditional
Johan Sebastian Bach : Polonaise in D Mi...
140 bpm • F Maj • 01:35 • -33.02db
17% Popularity • 47% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 81% Positiveness
17% Popularity • 47% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 81% Positiveness
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Milo Paulus
9 Preludes, “Mythical Creature Chronic...
140 bpm • A# min • 05:07 • -20.39db
15% Popularity • 40% Danceability • 16% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
15% Popularity • 40% Danceability • 16% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
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Muzio Clementi
Sonata, Op. 1: No. 5 in A Major: I. Larg...
180 bpm • A Maj • 03:46 • -29.69db
7% Popularity • 33% Danceability • 4% Energy • 6% Liveness
90% Instrumentalness • 31% Positiveness
7% Popularity • 33% Danceability • 4% Energy • 6% Liveness
90% Instrumentalness • 31% Positiveness
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古典鋼琴詩
C大調第16號鋼琴奏鳴曲 第一樂...
139 bpm • C Maj • 04:18 • -27.95db
10% Popularity • 23% Danceability • 7% Energy • 12% Liveness
91% Instrumentalness • 19% Positiveness
10% Popularity • 23% Danceability • 7% Energy • 12% Liveness
91% Instrumentalness • 19% Positiveness
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Reynaldo Hahn
Premières valses: No. 5, Pas vite, simp...
139 bpm • G min • 02:24 • -31.12db
23% Popularity • 32% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 13% Positiveness
23% Popularity • 32% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 13% Positiveness
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Carl Czerny
ツェルニー100番 練習曲（下）...
180 bpm • G# Maj • 01:43 • -29.39db
1% Popularity • 31% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 45% Positiveness
1% Popularity • 31% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 45% Positiveness
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Werenma
Finding
180 bpm • A# Maj • 01:10 • -23.43db
28% Popularity • 70% Danceability • 7% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
28% Popularity • 70% Danceability • 7% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
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Roi Láncara
O faro
180 bpm • G min • 01:46 • -18db
17% Popularity • 66% Danceability • 22% Energy • 15% Liveness
92% Instrumentalness • 85% Positiveness
17% Popularity • 66% Danceability • 22% Energy • 15% Liveness
92% Instrumentalness • 85% Positiveness
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loncho brabo
me gusta moverlo
180 bpm • F Maj • 01:59 • -21.44db
9% Popularity • 43% Danceability • 7% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
9% Popularity • 43% Danceability • 7% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
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Muzio Clementi
Vivace from Sonatina Op.36 No 1
180 bpm • C Maj • 01:11 • -22.22db
14% Popularity • 50% Danceability • 9% Energy • 12% Liveness
95% Instrumentalness • 74% Positiveness
14% Popularity • 50% Danceability • 9% Energy • 12% Liveness
95% Instrumentalness • 74% Positiveness
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Antonín Dvořák
String Quintet No. 3 in E-Flat Major, Op...
138 bpm • A Maj • 03:16 • -33.87db
15% Popularity • 52% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 28% Positiveness
15% Popularity • 52% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 28% Positiveness
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Friedrich Burgmüller
Adieu / Adiós / Farewell
181 bpm • A min • 01:17 • -24db
20% Popularity • 28% Danceability • 6% Energy • 7% Liveness
88% Instrumentalness • 29% Positiveness
20% Popularity • 28% Danceability • 6% Energy • 7% Liveness
88% Instrumentalness • 29% Positiveness
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Maya Badian
Clowns
138 bpm • B Maj • 01:30 • -17.56db
18% Popularity • 75% Danceability • 49% Energy • 14% Liveness
95% Instrumentalness • 73% Positiveness
18% Popularity • 75% Danceability • 49% Energy • 14% Liveness
95% Instrumentalness • 73% Positiveness
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ดนตรีคลาสสิก ปรมาจารย์ โมซี่
Op. 68 - Erster Verlust
138 bpm • E min • 01:34 • -19.54db
23% Popularity • 50% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 62% Positiveness
23% Popularity • 50% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 62% Positiveness
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Friedrich Kuhlau
Piano Sonatina in C Major, Op.55, No.1: ...
138 bpm • C Maj • 01:26 • -20.95db
23% Popularity • 38% Danceability • 16% Energy • 11% Liveness
90% Instrumentalness • 70% Positiveness
23% Popularity • 38% Danceability • 16% Energy • 11% Liveness
90% Instrumentalness • 70% Positiveness
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Carl Czerny
Allegretto in C Major
182 bpm • C Maj • 01:09 • -24db
33% Popularity • 39% Danceability • 14% Energy • 10% Liveness
88% Instrumentalness • 94% Positiveness
33% Popularity • 39% Danceability • 14% Energy • 10% Liveness
88% Instrumentalness • 94% Positiveness
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Markus Porsklev
Minuet 1 - W.A. Mozart
137 bpm • C Maj • 02:23 • -29.97db
20% Popularity • 45% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 28% Positiveness
20% Popularity • 45% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 28% Positiveness
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Andre Ernest Gretry
Entr'acte No. 5 - Duo-Art 8004
136 bpm • A# Maj • 01:23 • -26.38db
15% Popularity • 39% Danceability • 6% Energy • 12% Liveness
96% Instrumentalness • 70% Positiveness
15% Popularity • 39% Danceability • 6% Energy • 12% Liveness
96% Instrumentalness • 70% Positiveness
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Diane Hidy & Keith Snell
Le Courant Limpide (the Limpid Stream)
136 bpm • D Maj • 01:05 • -28.62db
19% Popularity • 29% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 27% Positiveness
19% Popularity • 29% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 27% Positiveness
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Carlos Marquez
Nocturne-Valse in C Minor No. 2
137 bpm • C min • 02:51 • -19.71db
18% Popularity • 39% Danceability • 15% Energy • 13% Liveness
91% Instrumentalness • 19% Positiveness
18% Popularity • 39% Danceability • 15% Energy • 13% Liveness
91% Instrumentalness • 19% Positiveness
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Manuel Ponce
Intermezzo No. 1
136 bpm • E min • 02:20 • -24.97db
23% Popularity • 32% Danceability • 18% Energy • 11% Liveness
86% Instrumentalness • 13% Positiveness
23% Popularity • 32% Danceability • 18% Energy • 11% Liveness
86% Instrumentalness • 13% Positiveness
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Carl Czerny
Huit Nocturnes, Op. 368: No. 1 in E Majo...
137 bpm • E Maj • 03:53 • -34.32db
9% Popularity • 31% Danceability • 1% Energy • 7% Liveness
88% Instrumentalness • 14% Positiveness
9% Popularity • 31% Danceability • 1% Energy • 7% Liveness
88% Instrumentalness • 14% Positiveness
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Agathe Backer Grøndahl
6 Fantasistykker, Op. 66 "Barnlige bille...
136 bpm • G Maj • 01:02 • -26.45db
16% Popularity • 54% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 55% Positiveness
16% Popularity • 54% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 55% Positiveness
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Ned Rorem
Piano Album I: 77 Notes for Rosemary
135 bpm • E Maj • 00:59 • -34.23db
16% Popularity • 48% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 53% Positiveness
16% Popularity • 48% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 53% Positiveness
