Songs like Prelude: An Appreciation of Life by Josh Abbott Band
Based on a tempo of (+/- 10%) and a similar genre
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Riley Green
Georgia Time
77 bpm • F# Maj • 03:41 • -6.23db
63% Popularity • 59% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
63% Popularity • 59% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Micky & The Motorcars
Rodeo Girl
77 bpm • G Maj • 03:29 • -5.8db
31% Popularity • 64% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
31% Popularity • 64% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Josh Ward
One More Shot of Whiskey
77 bpm • D Maj • 03:58 • -8db
36% Popularity • 57% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
36% Popularity • 57% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Mike Ryan
When I Drink Beer
77 bpm • E Maj • 03:54 • -7db
39% Popularity • 59% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
39% Popularity • 59% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Bart Crow
Run With the Devil
77 bpm • E Maj • 03:15 • -7db
46% Popularity • 55% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
46% Popularity • 55% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Randy Rogers Band
Lost And Found
77 bpm • A Maj • 03:33 • -5db
41% Popularity • 65% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
41% Popularity • 65% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Whiskey Myers
Reckoning
77 bpm • F# min • 04:29 • -6.4db
55% Popularity • 44% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
55% Popularity • 44% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Jarrod Morris
Coyote
78 bpm • B min • 04:01 • -7.16db
49% Popularity • 47% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
49% Popularity • 47% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Jacob Stelly
Fade Away
78 bpm • F Maj • 03:20 • -8.83db
33% Popularity • 55% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
33% Popularity • 55% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Cody Hibbard
Dying Breed
78 bpm • B Maj • 03:31 • -4.98db
53% Popularity • 47% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
53% Popularity • 47% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Curtis Grimes
Irresponsible
78 bpm • C# Maj • 03:59 • -6.25db
37% Popularity • 60% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
37% Popularity • 60% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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Stoney LaRue
Box #10
76 bpm • D Maj • 03:01 • -5.66db
32% Popularity • 64% Danceability • 69% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
32% Popularity • 64% Danceability • 69% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
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Turnpike Troubadours
Pay No Rent
76 bpm • E Maj • 04:01 • -6.01db
58% Popularity • 45% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
58% Popularity • 45% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Tanner Usrey
Take Me Home
79 bpm • G Maj • 03:29 • -8.05db
54% Popularity • 57% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
54% Popularity • 57% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Larry Fleet
Workin' Hard
75 bpm • G Maj • 02:56 • -4.91db
46% Popularity • 58% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
46% Popularity • 58% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Braxton Keith
I'm Not Him
75 bpm • A Maj • 03:15 • -6.93db
39% Popularity • 53% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 21% Positiveness
39% Popularity • 53% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 21% Positiveness
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Josh Ward
Between An Old Memory & Me
75 bpm • G# Maj • 04:01 • -7.01db
38% Popularity • 48% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
38% Popularity • 48% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Randall King
Takin’ Me a Heartbreak
75 bpm • E Maj • 03:34 • -7db
45% Popularity • 47% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
45% Popularity • 47% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Turnpike Troubadours
Good Lord Lorrie
79 bpm • G Maj • 05:01 • -6.76db
60% Popularity • 56% Danceability • 65% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
60% Popularity • 56% Danceability • 65% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
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Kolby Cooper
Breaking News
75 bpm • G Maj • 03:40 • -4.87db
45% Popularity • 26% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
45% Popularity • 26% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Larry Fleet
Lifetime Guarantee
79 bpm • G Maj • 03:19 • -5db
41% Popularity • 47% Danceability • 78% Energy • 37% Liveness
0% Instrumentalness • 44% Positiveness
41% Popularity • 47% Danceability • 78% Energy • 37% Liveness
0% Instrumentalness • 44% Positiveness
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Randy Rogers Band
Fuzzy
75 bpm • C min • 03:20 • -5.46db
45% Popularity • 48% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
45% Popularity • 48% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Cross Canadian Ragweed
Broken
74 bpm • G Maj • 05:44 • -7db
36% Popularity • 54% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
36% Popularity • 54% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Jake Worthington
State You Left Me In
80 bpm • A Maj • 05:25 • -5.23db
33% Popularity • 47% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 28% Positiveness
33% Popularity • 47% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 28% Positiveness
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Kody West
Ledges
80 bpm • B Maj • 04:08 • -5.05db
43% Popularity • 43% Danceability • 77% Energy • 31% Liveness
0% Instrumentalness • 32% Positiveness
43% Popularity • 43% Danceability • 77% Energy • 31% Liveness
0% Instrumentalness • 32% Positiveness
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Kolby Cooper
If I Still Had It
74 bpm • C Maj • 03:39 • -5.36db
43% Popularity • 38% Danceability • 66% Energy • 37% Liveness
0% Instrumentalness • 30% Positiveness
43% Popularity • 38% Danceability • 66% Energy • 37% Liveness
0% Instrumentalness • 30% Positiveness
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Kevin Fowler
That Girl
74 bpm • G Maj • 03:28 • -3.24db
36% Popularity • 38% Danceability • 86% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
36% Popularity • 38% Danceability • 86% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
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Turnpike Troubadours
Down Here
80 bpm • G Maj • 03:09 • -2.61db
50% Popularity • 49% Danceability • 82% Energy • 30% Liveness
1% Instrumentalness • 79% Positiveness
50% Popularity • 49% Danceability • 82% Energy • 30% Liveness
1% Instrumentalness • 79% Positiveness
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Larry Fleet
A Life Worth Living
74 bpm • F# Maj • 03:15 • -7.07db
48% Popularity • 56% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
48% Popularity • 56% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Whiskey Myers
Ballad Of A Southern Man
74 bpm • G Maj • 03:40 • -6.57db
65% Popularity • 60% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
65% Popularity • 60% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Kody West
The Prayer
73 bpm • F Maj • 03:55 • -7.3db
50% Popularity • 63% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
50% Popularity • 63% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Josh Abbott Band
Settle Me Down
73 bpm • E Maj • 02:57 • -6.74db
63% Popularity • 30% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
63% Popularity • 30% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Wade Bowen
Mood Ring
81 bpm • G Maj • 06:40 • -5.08db
34% Popularity • 53% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
34% Popularity • 53% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Luke Combs
I Got Away with You
73 bpm • C# Maj • 03:47 • -9db
47% Popularity • 40% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
47% Popularity • 40% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Flatland Cavalry
If We Said Goodbye
81 bpm • D Maj • 03:55 • -11.41db
57% Popularity • 45% Danceability • 28% Energy • 31% Liveness
0% Instrumentalness • 41% Positiveness
57% Popularity • 45% Danceability • 28% Energy • 31% Liveness
0% Instrumentalness • 41% Positiveness
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Jon Wolfe
I Don't Dance
73 bpm • G Maj • 03:20 • -3.97db
42% Popularity • 58% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
42% Popularity • 58% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Kody West
Green
81 bpm • F Maj • 03:36 • -4.9db
56% Popularity • 48% Danceability • 73% Energy • 39% Liveness
0% Instrumentalness • 38% Positiveness
56% Popularity • 48% Danceability • 73% Energy • 39% Liveness
0% Instrumentalness • 38% Positiveness
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Randall King
Mirror, Mirror
81 bpm • E Maj • 03:15 • -7.77db
55% Popularity • 43% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
55% Popularity • 43% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Zach Bryan
Come as You Are
82 bpm • A Maj • 04:45 • -7db
58% Popularity • 60% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
58% Popularity • 60% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Whiskey Myers
Trailer We Call Home
82 bpm • E Maj • 03:39 • -13.02db
58% Popularity • 52% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
58% Popularity • 52% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Jason Boland & The Stragglers
Somewhere Down in Texas
72 bpm • E Maj • 05:53 • -11.2db
45% Popularity • 48% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
45% Popularity • 48% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Mike Ryan
Dear Country Music,
82 bpm • C# Maj • 03:25 • -6.94db
40% Popularity • 56% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
40% Popularity • 56% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Larry Fleet
Working Man
72 bpm • G Maj • 03:53 • -6.17db
59% Popularity • 62% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
59% Popularity • 62% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Brothers Osborne
I'm Not For Everyone
82 bpm • G Maj • 02:52 • -4.87db
65% Popularity • 59% Danceability • 74% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness
65% Popularity • 59% Danceability • 74% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness
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Cody Hibbard
Ice Cold Therapy
82 bpm • F# Maj • 02:52 • -5.73db
41% Popularity • 62% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
41% Popularity • 62% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
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Josh Ward
More Than I Deserved
82 bpm • D Maj • 03:17 • -8.44db
30% Popularity • 57% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 57% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 26% Positiveness
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Carson Jeffrey
Ranch Girl Dream
82 bpm • F# Maj • 03:43 • -7.31db
48% Popularity • 48% Danceability • 49% Energy • 37% Liveness
2% Instrumentalness • 27% Positiveness
48% Popularity • 48% Danceability • 49% Energy • 37% Liveness
2% Instrumentalness • 27% Positiveness
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Mike Ryan
Blink You'll Miss It
82 bpm • G Maj • 04:07 • -6db
37% Popularity • 53% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
37% Popularity • 53% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
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Kolton Moore & the Clever Few
Dear Mom
82 bpm • C# Maj • 03:45 • -11.31db
55% Popularity • 53% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
55% Popularity • 53% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Shane Smith & the Saints
What a Shame
72 bpm • C Maj • 04:07 • -7.98db
47% Popularity • 45% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
47% Popularity • 45% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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William Clark Green
She Likes the Beatles
82 bpm • G Maj • 04:16 • -4.29db
52% Popularity • 21% Danceability • 59% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
52% Popularity • 21% Danceability • 59% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
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Jon Pardi
Mr. Saturday Night
72 bpm • D Maj • 03:06 • -5.78db
58% Popularity • 29% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 35% Positiveness
58% Popularity • 29% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 35% Positiveness
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Randall King
Around Forever
72 bpm • A# Maj • 03:44 • -8.31db
43% Popularity • 62% Danceability • 53% Energy • 12% Liveness
1% Instrumentalness • 48% Positiveness
43% Popularity • 62% Danceability • 53% Energy • 12% Liveness
1% Instrumentalness • 48% Positiveness
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Koe Wetzel
February 28, 2016
82 bpm • G Maj • 03:53 • -6.65db
65% Popularity • 27% Danceability • 56% Energy • 41% Liveness
0% Instrumentalness • 31% Positiveness
65% Popularity • 27% Danceability • 56% Energy • 41% Liveness
0% Instrumentalness • 31% Positiveness
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Gary Allan
Right Where I Need To Be
83 bpm • C# Maj • 03:02 • -4.79db
65% Popularity • 52% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
65% Popularity • 52% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Zach Top
There's The Sun
83 bpm • F Maj • 03:25 • -7.95db
57% Popularity • 65% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
57% Popularity • 65% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Eli Young Band
Small Town Kid
83 bpm • G Maj • 03:44 • -6.16db
36% Popularity • 65% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
36% Popularity • 65% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
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Kip Moore
Hey Pretty Girl
83 bpm • D Maj • 03:35 • -10.62db
58% Popularity • 29% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 9% Positiveness
58% Popularity • 29% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 9% Positiveness
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Josh Abbott Band
I’m Your Only Flaw
83 bpm • E Maj • 03:10 • -4.39db
37% Popularity • 47% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
37% Popularity • 47% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Riley Green
Bury Me In Dixie
83 bpm • C# Maj • 03:08 • -9.03db
59% Popularity • 69% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
59% Popularity • 69% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Morgan Wallen
Quittin’ Time
84 bpm • F Maj • 03:44 • -8.49db
61% Popularity • 42% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
61% Popularity • 42% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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Reckless Kelly
Wicked Twisted Road
85 bpm • A Maj • 03:25 • -10.26db
52% Popularity • 41% Danceability • 38% Energy • 8% Liveness
1% Instrumentalness • 45% Positiveness
52% Popularity • 41% Danceability • 38% Energy • 8% Liveness
1% Instrumentalness • 45% Positiveness
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Easton Corbin
A Little More Country Than That
85 bpm • B Maj • 02:52 • -8.53db
60% Popularity • 64% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
60% Popularity • 64% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Randy Houser
Note to Self
85 bpm • C# Maj • 03:15 • -6.49db
68% Popularity • 61% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
68% Popularity • 61% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Josh Abbott Band
Flatland Farmer
84 bpm • A Maj • 03:37 • -6.31db
21% Popularity • 33% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 61% Positiveness
21% Popularity • 33% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 61% Positiveness
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Turnpike Troubadours
The Housefire
85 bpm • G Maj • 03:39 • -4.63db
52% Popularity • 48% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 65% Positiveness
52% Popularity • 48% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 65% Positiveness
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Morgan Wallen
More Surprised Than Me
85 bpm • F# Maj • 02:37 • -6.05db
64% Popularity • 52% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
64% Popularity • 52% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Flatland Cavalry
One I Want
87 bpm • G Maj • 03:51 • -7.95db
54% Popularity • 52% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
54% Popularity • 52% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Sam Riggs
Second Hand Smoke
87 bpm • C Maj • 03:44 • -8.21db
31% Popularity • 49% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
31% Popularity • 49% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Tanner Usrey
Josephine
68 bpm • G min • 04:35 • -7.17db
49% Popularity • 42% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
49% Popularity • 42% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Josh Abbott Band
Girl Down in Texas
84 bpm • D Maj • 03:26 • -5db
29% Popularity • 39% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
29% Popularity • 39% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Jon Wolfe
Play Me Something I Can Drink To
88 bpm • C Maj • 03:28 • -7.01db
44% Popularity • 61% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
44% Popularity • 61% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Morgan Wallen
Outlaw
85 bpm • G Maj • 03:49 • -5.76db
58% Popularity • 50% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
58% Popularity • 50% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Flatland Cavalry
Some Things Never Change
89 bpm • D Maj • 03:20 • -5.27db
52% Popularity • 48% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
52% Popularity • 48% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
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Easton Corbin
Marry That Girl
88 bpm • E Maj • 03:10 • -7.41db
57% Popularity • 70% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
57% Popularity • 70% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Southall
Keystone Clan
90 bpm • E Maj • 02:31 • -10.43db
49% Popularity • 51% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
49% Popularity • 51% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Josh Abbott Band
Until My Voice Goes Out
86 bpm • D Maj • 04:22 • -4.95db
28% Popularity • 46% Danceability • 82% Energy • 7% Liveness
1% Instrumentalness • 59% Positiveness
28% Popularity • 46% Danceability • 82% Energy • 7% Liveness
1% Instrumentalness • 59% Positiveness
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The Lowdown Drifters
Fire in Her Eyes
90 bpm • E Maj • 03:14 • -6.76db
57% Popularity • 67% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
57% Popularity • 67% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Randall King
Freightline
90 bpm • A Maj • 02:59 • -5db
44% Popularity • 60% Danceability • 76% Energy • 3% Liveness
1% Instrumentalness • 49% Positiveness
44% Popularity • 60% Danceability • 76% Energy • 3% Liveness
1% Instrumentalness • 49% Positiveness
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Morgan Wallen
Wonderin’ Bout The Wind
91 bpm • F# Maj • 03:02 • -5.63db
64% Popularity • 48% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
64% Popularity • 48% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Cory Morrow
21 Days
91 bpm • G Maj • 03:44 • -4.48db
39% Popularity • 51% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
39% Popularity • 51% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
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ERNEST
Feet Wanna Run
93 bpm • E min • 03:03 • -6db
49% Popularity • 52% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
49% Popularity • 52% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Josh Abbott Band
The Luckiest
87 bpm • F Maj • 03:53 • -5db
42% Popularity • 56% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
42% Popularity • 56% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Southall
Moon and Back
92 bpm • G# Maj • 05:12 • -13.54db
40% Popularity • 48% Danceability • 23% Energy • 25% Liveness
0% Instrumentalness • 10% Positiveness
40% Popularity • 48% Danceability • 23% Energy • 25% Liveness
0% Instrumentalness • 10% Positiveness
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Wade Bowen
Sun Shines on a Dreamer
95 bpm • C Maj • 04:13 • -5db
38% Popularity • 48% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
38% Popularity • 48% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Larry Fleet
Lied About Love
94 bpm • C# Maj • 02:59 • -4.31db
49% Popularity • 69% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
49% Popularity • 69% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Randall King
Hey Cowgirl
95 bpm • G# Maj • 03:20 • -5.8db
46% Popularity • 63% Danceability • 65% Energy • 15% Liveness
19% Instrumentalness • 40% Positiveness
46% Popularity • 63% Danceability • 65% Energy • 15% Liveness
19% Instrumentalness • 40% Positiveness
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The Wilder Blue
Dixie Darlin'
98 bpm • B Maj • 03:32 • -11db
46% Popularity • 54% Danceability • 54% Energy • 24% Liveness
1% Instrumentalness • 48% Positiveness
46% Popularity • 54% Danceability • 54% Energy • 24% Liveness
1% Instrumentalness • 48% Positiveness
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Josh Abbott Band
Road Trippin
90 bpm • D Maj • 03:10 • -6.53db
34% Popularity • 52% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
34% Popularity • 52% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Cross Canadian Ragweed
Alabama
97 bpm • B min • 03:38 • -6.5db
53% Popularity • 44% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
53% Popularity • 44% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
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Kyle Park
Leavin' Stephenville
98 bpm • G Maj • 03:28 • -3.89db
38% Popularity • 53% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
38% Popularity • 53% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
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Larry Fleet
In Love With My Problems
95 bpm • D Maj • 03:03 • -4.3db
54% Popularity • 59% Danceability • 84% Energy • 31% Liveness
0% Instrumentalness • 39% Positiveness
54% Popularity • 59% Danceability • 84% Energy • 31% Liveness
0% Instrumentalness • 39% Positiveness
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Jon Pardi
Nobody Leaves A Girl Like That
98 bpm • G Maj • 03:29 • -3.65db
50% Popularity • 64% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
50% Popularity • 64% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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Mike Ryan
Jacket On
98 bpm • C# min • 02:36 • -3.47db
40% Popularity • 56% Danceability • 91% Energy • 37% Liveness
0% Instrumentalness • 42% Positiveness
40% Popularity • 56% Danceability • 91% Energy • 37% Liveness
0% Instrumentalness • 42% Positiveness
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Josh Abbott Band
I Just Wanna Love You
91 bpm • D Maj • 03:09 • -5.6db
28% Popularity • 52% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
28% Popularity • 52% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Ian Munsick
Come Home To You - Stripped
98 bpm • C Maj • 03:25 • -6db
49% Popularity • 55% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
49% Popularity • 55% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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Colten Jesse
Marlboro Man
99 bpm • E Maj • 03:50 • -10db
56% Popularity • 62% Danceability • 31% Energy • 28% Liveness
0% Instrumentalness • 43% Positiveness
56% Popularity • 62% Danceability • 31% Energy • 28% Liveness
0% Instrumentalness • 43% Positiveness
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Dillon Carmichael
Sawin' Logs
99 bpm • A Maj • 02:51 • -4.24db
41% Popularity • 74% Danceability • 75% Energy • 39% Liveness
0% Instrumentalness • 87% Positiveness
41% Popularity • 74% Danceability • 75% Energy • 39% Liveness
0% Instrumentalness • 87% Positiveness
